If you’re a regular here, chances are that you are familiar with Polychuck! Check out the short clip below to see one of the cool new shirts he has for sale. Polychuck is currently supporting his new single “Hero” featuring Derek Sherinian. A modern progressive rock tune, “Hero” is an impressive showcase of songwriting and musicianship.
Polychuck will be on the LeBrain Train on Saturday April 23 at noon.Β Don’t miss it.
HELIX – “Don’t Get Mad Get Even” (1983 Capitol Records 7″ single)
Here’s a rarity for you, with a picture sleeve, even!Β “Don’t Get Mad Get Even” is one of Helix’s least-known singles.Β As a No Rest for the Wicked track, it has always been overshadowed by “Heavy Metal Love”.Β I saw the music video, which was filmed at the same time as “Heavy Metal Love”, just once.Β You never heard it on the radio.Β It’s only on one (out of print) Helix “best of” CD appropriately titled Deep Cuts.Β It wasn’t even on Over 60 Minutes With…, which focused on this period from Capitol Records.Β In short, it’s a forgotten track except among the faithful.
Written by Lisa Dalbello and Tim Thorney, “Don’t Get Mad Get Even” boasts dual strengths. First there is the guitar hook, as tasty as any on classic rock radio today. Second is the chorus, an exceptional one at that, the kind Helix are good at. Powerful, melodic, emphatic and rebellious! Add in some cool solo work and what you have is a lost Helix classic. It’s truly a gem that deserves another listen from strangers and fans alike.
Interestingly enough, in 1982 “Don’t Get Mad Get Even” was recorded by Canadian rock singer Lydia Taylor (1983’s Most Promising Female Vocalist at the Juno Awards).
The B-side, “Check Out the Love” (credited to Helix as a band) is a little more well known than the A-side.Β It was on both Over 60 Minutes With… and a live album recorded in Buffalo, NY.Β I’ve probably heard ’em play it live on one of the many times I’ve seen Helix since 1987.Β One way or another, this is a solid Helix banger with a dirty guitar hook.Β The guitars on this song are just lethal, whether soloing or sliding.Β Brian Vollmer’s vocals are melodic with grit.Β It’s just the kind of song Helix are known for.Β Rough n’ tough, but memorable.
The picture sleeve is an added bonus.Β On the front, back row, that’s Greg “Fritz” Hinz, Brian Vollmer and Mike Uzelac.Β In the front, the guitar duo of Paul Hackman and Brent “The Doctor” Doerner.Β Every kid on our street thought Doctor Doerner was the coolest.Β You can see why — he just that “look”.
Thanks to pal Craig Fee for locating this and many other Helix singles for me.
Rarely in our travels have we come across a group that sucks as hard as the so-called Island Boys.
Devoid of talent, Franky and Alex Venegas are fraternal Florida twins with hair that looks like corn dogs sprouting from the scalp.Β Going by the names “Kodiyakredd” and “Flyysoulja”, the pair’s vacuous talents emerged in a track called “Island Boy” which essentially has only one part.Β Of course, today’s times being what they are, they became viral on TikTok, spawning parodies and comedic lookalikes.Β It’s not hard — just rip off your shirt, draw some ratty tats on your chest and face, stick some corn dogs in your hair and you’re an Island Boy.
Though endorsed by Steve-O, the Island Boys saw themselves booed off the stage in Florida when performing their semi-written song, which still needs some bridges, choruses and a middle 8.Β Instead of working on their craft, the guys keep making videos of them showing off cash, diamond grills, cars and swimming pools all while singing the same damn lines.
“I’m just an island boy, And I’m trying to make it. I’m just an island boy, And I’m trying to make it.”
Then they rhyme “I’m gonna keep that gun” with “keep staring at the sun”. That’s about all there is to the song. Wash rinse repeat.
If you were trying to “make it” as the Island Boys are, you might start by finishing the damn song.Β Putting music to it.Β Finishing the words.Β Coming up with a damn ending.Β But nah.
Instead the Island Boys have multiplied and “signed” two new Island Boys!Β They call them 3rd Island Boy and 4th Island Boy.Β They have even less talent than the first two.Β 3rd Island Boy can barely speak, punctuating his slurs with “brrrrt” sound effects.Β He is otherwise unintelligible.Β The 4th Island Boy is almost worse, grinning and smiling when asked to rap, but not actually rapping.
You’d think, given the cash that they like to flash in their videos, that they could have hired a couple actual rappers or musicians.Β It seems the Island Boys hired their new members based on looks alone.Β Good news:Β the 4th Island Boy is planning on dying his hair to fit in better!Β Glad these guys have their eyes on the prize.Β Lotsa luck.
Has any band merrily skipped through drama like Motley Crue?Β Very few.Β From near death (Nikki Sixx) to actual death (Vince’s car crash), to all the women and parties, there are no bands like Motley Crue.Β The drama overshadowed the music on many occasions, especially during the “Pam and Tommy” years.Β One of the most bizarre Crue stories involved an imposter posing as Nikki Sixx.
The year was 1988 and his name was Matthew Trippe (reported in some articles as Matthew Von Trippe, getting his middle name John wrong).Β We briefly discussed the Trippe-y story back in Record Store Tales #656:Β The One They Call Dr. Feelgood.Β Matthew’s claim was that the real Sixx had a dibilitating car accident in 1982, and so a lookalike (Trippe) was hired to play bass and write music with the band, with no one in the audience being any the wiser. Trippe had tattoos similar to Nikki and dyed his hair black.Β The real Nikki Sixx was having his own issues, but being replaced in the Crue was not one of them.Β Kerrang broke the story in March of ’88, with lawsuits a-flyin’.Β Trippe wanted compensation for what he claimed were two or three years in Motley Crue.
You can hear all about the Trippe story tonight on Scotch on the Rocks, from the real expert – writer Brent Jensen.Β Long story short – the lawsuits went nowhere because there was only ever one real Nikki Sixx.Β Brent and I will have the whole story for you tonight, while presently I’ll take you on a somewhat different detour.
When this story hit all the rock mags, my regular publication Hit Parader ran with it as well.Β The idea of a fake Nikki Sixx wasn’t all that unbelievable.Β I had heard many stories about who really played on Kiss albums over the years.Β Was it Ace, was it Vinnie, or someone else?Β In the 80s these details were hard to come by and rumours flew.Β If Motley had a fake Nikki, it didn’t seem unbelievable.Β Kerrang ran the Trippe/Sixx story as if it were truth.Β Visual differences from early Nikki to present Nikki added fuel to the fire.Β But it was Vince Neil who was the subject of the imposter rumours in our neighborhood.
After reading the magazine, I approached my next door neighbour George to ask if he had heard the story.
“A Nikki Sixx imposter?Β No, I never heard that before.Β I thought you were going to say Vince Neil,” he said matter-of-factly.
I was surprised.Β “No, the magazine said Nikki Sixx.Β What’s up with Vince Neil?”
George got serious.Β His eyes sometimes fluttered when he talked serious.
There was a girl he liked.Β I don’t think she was ever his girlfriend, but he talked about her as if she was.Β She was a rocker girl and she loved Motley Crue, especially Vince Neil.
“Well,” he began, “Angie knows Motley Crue.Β There’s nobody in town who knows Motley Crue better than she does.Β And she swears that Vince Neil is not the real Vince Neil.”
Really?Β That’s a bombshell.
George continued.Β “She’s studied pictures of Vince, and there are some where she has said flat-out, ‘that is not Vince Neil’.Β And she would know.”
“This article says it was Nikki Sixx, not Vince,” I countered.
“Angie would know,” said George.Β “She loves Vince Neil and she insists that the Vince Neil today is not the same guy that was in Motley Crue before.Β If anyone has been replaced by an imposter, it’s Vince Neil,” he insisted.
“I guess we’ll see what happens next,” I concluded.
Of course the truth isn’t that confusing.Β Vince Neil has had a few plastic surgeries over the years.Β If George’s girl thought Vince looked different, that would be why.
As for Trippe, who died in 2014, he never came clean about his ruse.Β He did go down in history as the subject of a Motley Crue song called “Say Yeah”, which is better than he probably deserved!
“Get out, out of my face, get the fuck out of my face!”
With the London Quireboys back in the news these days, it’s a good time to resurrect this interview from the Metal Mike Show with Spike and Guy Griffin. The year was 1993 and the Quireboys were out supporting their newest album Bitter Sweet & Twisted. This is just a quick clip regarding opening for big bands such as The Stones, Bowie and Aerosmith.
Unfortunately this is the last clip I have on tape from the Metal Mike Show, a cool local rock program that helped compensate for the loss of the Pepsi Power Hour. Mike used to go to Sam the Record Man and talk to Al King about new releases. I think in the pilot episode, Rush’s Roll the Bones was brand new. So that gives you an idea of the time frame. Mike also talked to local bands like the Groove Daddies and big stars like Poison. Great show.
Anyway, here’s Spike and Guy: formerly the Quireboys!
So let’s get to it.Β Cut to the chase.Β Polychuck, who is of Ukrainian descent, says “Hero” is a cry for peace, directly about current events.Β In times of crisis, music helps sooth.Β In turn, crises often inspire great music.
“Hero” commences with steely rhythm guitar with a wicked tone.Β It bounces from heavy rocking to acoustic picking and an instrumental outro.Β When Sherinian comes in near the start, he’s instantly recognizable.Β His solo work here is lyrical, and the perfect compliment to the song.Β Not to mention Polychuck’s own lead work, which is both impressive and melodic.Β All the playing here is just awesome, period.
“Hero” is an impressive construction.Β It’s complex, with several different sections including one at the end that reminds me of the keyboard part in “No More Tears” by Ozzy.Β Importantly, all the sections work together like chapters in a story, and the flow is natural.Β Best of all, “Hero” never stops being great through its 3:26 length.
Support up and coming talent like Polychuck and buy “Hero”.Β If you love that Dream Theater vibe, you will absolutely dig it.
Kobayashi Maru:Β The no-win scenario.Β By 1996 the musical landscape had drastically shifted.Β Five years of musical upheaval had left many bands in the dust, but Leppard were one of the few survivors.Β They simply could not rest of their laurels, and they knew that.Β Had Def Leppard come out with another soundalike album in 1996, they would have been accused of retreading the outdated and obsolete 1980s.
We knew Leppard were interested in a more organic way of recording after being locked in studios for so many years.Β Their interest in acoustic music was now expressing itself in songs like “Can’t Keep Away From the Flame”, a truly excellent if obscure Japanese Vault bonus track that was also included as a B-side from the new album Slang.Β If a track this solid was considered a B-side, you could imagine what the new album was going to be like.Β It was a positive sign.Β But the album wasn’t going to be acoustic.Β Where were Leppard headed this time?
A clue was revealed by the title track, released as a single in May 1996.Β Def Leppard had returned to experimentation.Β Just as Hysteria was different from Pyromania, now they finally had something just as different from Hysteria.
With hip-hop beats and a big guitar, “Slang” shocked the faithful.Β Rick Allen was starting to incorporate acoustic drums back into his kit and they sounded fresh and hot.Β All the old Leppard ingredients were shaken n’ stirred, and the new concoction was an acquired addiction.Β It’s an upbeat celebration of the new Leppard.Β They had indeed gone outside the box.Β They had to.Β And they did it with creativity and integrity whether you like it or not.
This UK single came with three acoustic bonus tracks, all recorded for the BBC.Β Continuing their acoustic side road, “Animal” and “Pour Some Sugar On Me” fare well in acoustic form.Β Other acoustic versions were coming, on a limited 2 CD edition of Slang (which we will discuss when we get to that disc of CD Collection Vol 2).
The real treat of this single is the acoustic version of “Ziggy Stardust” (also included on CD Collection Vol 3).Β A brilliant take, in fact.Β Most bands sound like jackasses trying to cover classic Bowie.Β Not Def Leppard.Β Their acoustic version has just as much edge as an electric take would.Β Joe Elliott’s penchant for Bowie will become relevant a few years down the road, when we take a detour on a Cybernautic misadventure.
“Sugar” and “Animal” acoustic at the BBC remain exclusive to this single.Β Worth tracking down.Β Though ultimately there are other recordings out there, these are just as good and collectible as ever.
Thank you to Deke and Tim for my fifth sit down with Andy Curran! This time, we ran through all of Coney Hatch history for a special episode of Tim’s Vinyl Confessions.
This was the very last time Deke and I worked together.Β You can see the tension.Β We don’t really speak to each other.Β Deke turned out to be a…very different kind of person.Β He never thanked me for a Christmas present I sent him, and refuses to even acknowledge that I exist.Β Now I just called him Dick.Β It’s unfortunate he turned out that way.Β He probably hates that I call his show a “spinoff”…but I calls ’em as I sees ’em!
BRUCE DICKINSON – An Evening With Bruce Dickinson, 03/30/22, Kitchener, Centre In the SquareΒ
By Dr. Kathryn Ladano
Β
On the evening of Wednesday March 30th, I headed over to the Centre in the Square with my good friend Dave to check out βAn Evening with Bruce Dickinsonβ. Dave bought two tickets to the show as soon as they went on sale months ago and asked if Iβd like to come. While Iβm admittedly not an Iron Maiden expert, I did grow up listening to the band via my brother (Mike LeBrain) and was aware of all of their albums and singles throughout the 80βs. I spent a lot of time watching Iron Maiden videos on Much Music and I recall when I was in grade 3 or 4 being asked what my favourite song was and answering βAces Highβ. No one had any clue what I was talking about. I have a lot of nostalgia for that time and when I was a kid I knew all of the members of Iron Maiden by name and instrument, and of course I was very much in awe of Bruce Dickinson. So when I had the opportunity to learn more about him and hear some of his stories, I was keen to take advantage of that.
When Dave and I arrived at the theatre, we were in row X on the orchestra level β the last row on the floor. The audience size wasnβt as big as I was expecting and shortly after we arrived an usher came by and asked us if weβd like to move up to row L β we said yes! I donβt think the theatre was even half full, but I liked that β especially in COVID times when about 75% of the audience was unmasked and Iβm admittedly wary of getting sick. It also obviously gave us a much better view. The show started exactly at 7:30 PM. I had the impression through the whole show that Bruce Dickinson had meticulously timed everything. The show didnβt even start a minute late. The intermission was exactly at 9:05 PM. The length of the intermission was exactly 25 minutes β that sort of thing.
The show was in two sets. The first set was Bruce telling stories from throughout his life and the second set was strictly for audience questions. From start to finish, the show was a full 3 hours in length. It all started with Bruce coming on stage with the backdrop of a (very) old picture of him alongside a picture of his great uncle Frank. He started the evening by telling us about his uncle Frank, a WWII pilot and a huge influence on his life and interests. He also proceeded to tell us that in the image of him, heβd put blue crayon on his upper lip to make him look older. Right from the start you could tell that Bruce was extremely energetic and was going to give us everything he had. He was frequently bouncing around the stage β this wasnβt the kind of show where he sat on a stool and just talked the whole time (there was a stool there for him, and he never used it). He also came out with a beer β I suspect it was a βTrooperβ beer β and enjoyed sipping that throughout his show.
While I was expecting him to speak primarily about Iron Maiden, he actually didnβt do a whole lot of this. He started out talking about his early days and how his parents sent him to βpublic schoolβ β which we learned is essentially the equivalent of βprivate schoolβ in North America. It was here that he started to get into music β originally wanting to be a drummer. His first bandβs singer didnβt exactly work (a choir singer with an operatic approach), so Bruce switched over to vocals after a short time. I found his discussions about singing and the use of his voice to be the most interesting. Apparently when he started with Iron Maiden he was strongly encouraged to push his voice farther β to extend his range and use his falsetto voice and to really establish his own unique vocal timbre. He claimed that he really didnβt like the sound of his voice at first when he did this but gradually adapted to it. As a musician and teacher myself, Iβm constantly trying to encourage my students to push outside of their comfort zone in this way, so I found his experience with this quite interesting. One other thing about his voice that was interesting to hear is that his voice, like everyoneβs, has changed with age. He describes his as being deeper and rougher now, and he actually likes the sound of his voice better now than he did when he was younger. He feels the vocal changes that have come with age have allowed him to do things with his voice now that he couldnβt do before. This was really refreshing to hear because so many other singers have essentially lost their singing voices with age. Bruce Dickinsonβs is just getting better.
Bruce spent a good chunk of time talking about the early days before Iron Maiden. He had pictures and stories from one of these bands, βSamsonβ. He told humorous stories of going to a gun shop in the UK and seeing a plastic Canada Goose statue which he had to purchase. He then proceeded to tape it to the roof of their car as they toured north to Scotland, and as he explained it, with pot smoke streaming out of the windows. No one ever stopped them! During this time he explained that he was already friends with the guys in Iron Maiden. When they needed a new singer they asked him and the rest is history. He told some funny stories about how at the start, he loved being in the centre of the stage, but Iron Maidenβs bassist, Steve Harris, also liked taking that spot at certain times during the show β so there were some battles in the early years for the prime spot on stage (apparently their original singer would set himself up off to the side and not right in the centre of the stage, so this wasnβt a problem for the band previously).
We heard about Bruce Dickinsonβs battle with cancer β which he won. Apparently he never lost any hair on his head, but he lost all of his beard hair β and almost all at the same time. We heard stories of him being at a restaurant and his plate filling up with beard hair. We also heard stories about when he met the Queen and Prince Phillip. They both asked him βand what do you do?β. The Queen seemed to have no idea who he was or what heavy metal music was. Bruce spent a good deal of time talking about flying planes and we learned that he was not the first member of Iron Maiden to learn to fly β that was actually Nicko McBrain.
I also really enjoyed his talk about beer. Apparently Bruce Dickinson is the biggest beer fan in Iron Maiden. The band was asked by a winery if they would like to create an Iron Maiden wine and the band said no, because well, that seems like an odd fit. It was this, however, that gave Bruce the idea to create an Iron Maiden beer instead. If you can believe it, every single brewery that he approached with the idea turned it down except for Robinsonβs brewery. Bruce was primarily involved in the process of creating the legendary βTrooperβ beer, which they had for sale at the show. We learned a lot about the process of creating that beer and also that there are Trooper breweries in several different countries β and each country has its own unique Trooper flavour that isnβt available anywhere else. Iβm hoping that a Canadian Trooper brewery crops up at some point.
When the intermission arrived, the video for Iron Maidenβs song, βWriting on the Wallβ was shown. At this point I had to temporarily leave the theatre because as someone with post-concussion syndrome, my head started to feel like it was going to explode as soon as the music started. For anyone else though, Iβm sure the experience of this song being played through the Centre in the Square sound system, along with the video on the huge screen would have been something pretty special.
There are far too many stories to try to summarize in one review, but I found the evening to be really enjoyable. Bruce Dickinson is a great showman β he displays such passion for his life and career and I feel that we more than got our moneyβs worth. Kitchener was the final stop on this tour. He did inform us that he was travelling to LA at 8 AM the following day to start working on a new solo album and this summer Iron Maiden will start their βLegacy of the Beast Tourβ. Unfortunately there are no stops in Kitchener.Β Overall, a great show!
A night of hilarity, pranks and Jackass appreciation!Β Thank you to long time pal Chris Thuss for joining tonight, and to Michael Morwood as well for your list!
Tonight’s show had three main phases:
Stories and reminiscing pranks
The original 2020 prank calls made to the show, and Michael’s role in them
The Jackass lists and appreciation!
As an added bonus, we received prank calls live on the show from some naughty viewer!Β And we even had a special drop-in from a certain Meat Man.
Next week I’m taking a break but we will definitely be back by April 23 for a special interview with Polychuck!
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