Author: mikeladano

Metal, hard rock, rock and roll! Record Store Tales & Reviews! Grab A Stack of Rock and more. Poking the bear since 2010.

#920: Wild in the Streets – Helix – Center in the Square, Kitchener, 1987

RECORD STORE TALES #920: Wild in the Streets
Helix – Center in the Square, Kitchener, 1987

We simply could not wait to see our first real concert.

As soon as the date was announced, we got tickets:  Helix with a band called Haywire opening.  Center in the Square, downtown Kitchener.  We were second row mezzanine.  Bob and I were so psyched to finally see our first real rock concert.

We wanted to bring a banner that said “HOMETOWN HELIX”.  We dreamed big.

Helix were hot on the road for their new album, Wild in the Streets.  We’d seen the video and knew what their stage show was going to look like.  The stage set played on the brick wall artwork from the album cover, with two ramps on the sides, that resembled the “fangs” in the Helix logo.  We thought those ramps were absolutely badass.  We couldn’t wait to see Brian Vollmer slide down mid-song,

We were not interested in Haywire — too pop.  The two girls in front of us were obviously Haywire fans.  They had the shirts and were going nuts for singer Paul MacAusland.  Bob and I didn’t think much of him, especially when he laid down flat on his face on the stage.  “That’s his stage move?” we questioned.  Bob liked the guitarist, but I wanted to hear some “real” rock, not this.

A kid from our school, Brian Knight, was there in the loges on the side.  He boasted the next day at school that Helix were not that good; he had seen better.  Ironically he later went on to roadie for Helix.  He could be seen in the 1991 MuchMusic special Waltzing with Helix.  He was also acknowledged in Brian Vollmer’s book Gimme An R, albeit his name was misspelled “McKnight”.  Sadly, Brian passed away this year.

What Brian claimed was simply untrue.  It might have been our first real rock concert, but it was a hell of a first.  We didn’t know a lot of the songs but we knew the hits and some of the deep cuts from Walkin’ the Razor’s Edge.  They certainly played everything we wanted to hear, including the new single “Dream On”, “Wild in the Streets”, “Gimme Gimme Good Lovin'”, “Rock You”, “Heavy Metal Love”, “(Make Me Do) Anything You Want”, “Kids are all Shakin'”, and “Deep Cuts the Knife”.  They also played a new tune that we found amusing.  It went, “Bend over and kiss your ass goodbye” (“Kiss It Goodbye”).  Fritz Hinz took a drum solo, and turned around and shockingly revealed his bare bottom with nothing but a jock strap.  We laughed – we were easily entertained!

The highlight of the show was when Vollmer climbed the loges, and then ran all the way across the mezzanine, right past our noses!  We could hardly believe it.  Bob reached out his hand but Brian didn’t slap it.  I simply made a fist, like “right on man”!  It was amazing how we’d been watching this guy climb up, and then make his way in our direction…and then he ran past and it was over in a second!  Before we knew it he was on the other side, and climbing back down to the stage again.  We knew he had a reputation for climbing on top of things and doing somersaults, but we sure didn’t know that was going to happen when we bought our tickets!

Helix didn’t make as much use of the side ramps as I thought they would, but they did put on a hell of a show.  Doctor Doerner played that big doubleneck that we wanted to see so bad, and of course the “Wild in the Streets” guitar.  We got to see all their stage moves and tricks, and yes, the women in the audience were unlike any we’d ever seen before outside of a video.

We got all the songs we wanted, plus a few we didn’t know like “Dirty Dog”.  They put on one of the most energetic shows that I’m ever likely to see.  It was the MTV/MuchMusic era and all we had seen before were music videos.  The quick cut-and-paste editing of a music video is hard to compete with.  Helix had to work hard on stage, and they went above and beyond that night.

Not a bad “first”.  What I did notice was that Vollmer’s voice sounded thinner than on album.  I wondered if all concerts were like that?  I couldn’t believe how deaf I was afterwards!  Both of us were experiencing this for the first time.  It was a strange sensation and we must have been yelling in the car the whole way home, when my dad came to pick us up.

We couldn’t stop talking about Helix for days.  Weeks.  They didn’t really have to win us over; they were hometown heroes to us.  Instead Helix just cemented our loyalty.  It is said that a great rock show can change a life.  In this case, it simply affirmed everything we had hoped.

Rock Candy reissue

Sunday Screening: Interview No-Shows: Mean Gene Okerlund edition

Having recently joined the “interview no-show” club, let’s have a look at some other no-show related interviews. Things go off the rails when Mean Gene has to interview a missing Captain Lou Albano. He also has to confront Kamala the Ugandan Headhunter about some interviews he missed up in St. Louis.  Have a look at the WWF when things go off the rails!

 

VIDEO: Max the Axe – “The Other Side” / Kincardine Sunset & Afternoon Swim

Best rock band in Kitchener, best sunsets in the world. Enjoy.

The Show Must Go On! Favourite Concert Memories on the Friday LeBrain Train

Dave Lizmi was a no-show, but that can’t stop the LeBrain Train from rolling.

We’re good at improvising, so tonight’s show was a discussion of favourite concert memories and rock star encounters.  Encounters such as:  Rush, Kim Mitchell, Cyndi Lauper and more.  Have you heard the story of Lauper asking T-Rev for directions in Sarnia?  Or Uncle Meat blowing pot smoke in Geddy Lee’s face?  You will after watching this!

Thank you T-Rev for your understanding, and thanks to Uncle Meat for pinch-hitting at the last minute.  Apologies to you for the change of plan.  I talked to Dave a few days ago, and he was good to go.  I don’t know what happened.  But we rocked it anyway!

Also — a couple of minor announcements were made, although as we’ve seen, anything can change.  Let us know what you think.

 

Dave Lizmi Returns! Rockin’ Is His Business on the LeBrain Train

The LeBrain Train: 2000 Words or More with Mike and T-Rev

Episode 75 – Dave Lizmi

By now Dave Lizmi and the Four fuckin’ Horsemen should need no introduction.  Dave was a surprise special guest back when we did Top Album Cover Designers in May.  He’s most famous for being a killer guitarist/songwriter, making his mark in the 1990s with the legendary Four Horsemen.  “Rockin’ Is Ma Business”, “Tired Wings”, “Nobody Said It Was Easy” and “Back in Business Again” are songs that should ring a bell or two.  The Horsemen burned bright and fast, and their story has not been as well documented as it should be.  T-Rev and I intend to fix that tonight.

Dave is a master of tone and riff.  We can’t wait to pick his brain and find out what he’s been up to. And we will be taking your questions! Make sure you tune in live!

Friday July 16, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

#919: Robert Grass

RECORD STORE TALES #919: Robert Grass

During the summer of 1988, we were lucky to have some cottage visits with the Szabo family.  They had been friends for years.  Robert Szabo is now a successful guitar player/singer/songwriter.  Back then he was a neighbour from school, but his younger siblings Steve and Michelle were also good friends.  They came to visit us at our cottage, and then we went to go and visit them at their place in Grand Bend.  A much busier beach town.

When they came to visit us, we treated them to a backyard barbecue and some fun and amusements.  Steven and Michelle came; Rob was busy elsewhere.  We busted out the games and, as usual, improvised.  We played a drawing game based on the TV show Win, Lose or Draw.  You had to draw sketches and people guessed the words you were trying to draw.  We used coloured markers and went to town on good ol’ lined paper.

We were having a great time but after a few rounds, people were guessing too easily.  I decided to throw a curve ball and pick something to draw that would be harder to guess.  A musical artist but an obvious one that people associated with me.  I chose “Robert Plant”, because I thought it was a recognizable enough name, but not an obvious pick.  Young kids in 1988 were not all familiar with Robert Plant, but some of us were.

Two words.  First word!

I drew Steven and Michelle’s family, with Robert as the tallest.  They successfully guessed “Robert” as the first word.  I hoped this wasn’t too easy.

Second word.  I grabbed a green marker and started drawing plants.  They were having trouble guessing the second word.  Shrubs, weeds, and….

“ROBERT GRASS!” yelled my sister Kathryn, seemingly in victory.

I laughed.  “Who the hell is Robert Grass?” I asked.

“I don’t know!” she answered.

A logical answer I suppose since I did draw some grass with my plants.  After much laughter and giggling, they eventually got the correct guy, Robert Plant, which made a lot more sense than Robert Grass.  And within a year or so, my sister even owned Now and Zen on cassette!  That more than made up for her wrong guess.

 

#918: Drinkin’ Thinkin’

RECORD STORE TALES #918: Drinkin’ Thinkin’

A buddy of mine said the other day, “I saw your clips from the first live show.  I was killin’ myself laughing, that was great”.  The part a lot of people laugh at is when I say “Have I had too much fruit punch this evening?”  I appear drunk but was not.  I told him that, and I had to convince him.  But it’s true.  I don’t really drink.

Note that I said “don’t really”.  I don’t call myself a “non-drinker” or an “abstainer”.  Two summers ago I had a beer with Max the Axe, so I am obviously not a non-drinker.  But that was the first drink in many years, and last drink until present.  I just don’t like the way it makes my stomach feel.  As I got older, my stomach got worse, exacerbated by anxiety and stress.  It’s just not an experience I seek out anymore.

From my mid-20s to my early 30s, I enjoyed a sometimes-drink.  I was a lightweight.  T-Rev was a great buddy to hang out with, and he tried to get me to be more social.  We’d be hanging out with a whole bunch of girls that he worked with at the Waterloo Inn, and I loved hanging out with that group.  They could take it much further than I could, but I did my best.  Beer, shots, depth charges.  Usually, I was just the designated driver.

When I wasn’t driving, I’d have some drinks at work functions.  The Record Store had a birthday party for me at Jack Astor’s.  I loved Jack Astor’s because they had the most amazing seafood linguine, and still to this day, the best lemonade.  None of my co-workers particularly liked it, but it was my birthday so it was nice of them to go there.  As for the drinking, it started with one beer and picked up from there.  Everybody wanted to buy me a shot.  It was a great night and I distinctly remember grabbing a dude’s ass.  No homophobia here, folks.  I’ll save him the embarrassment of being named, but it was a friend who played guitar in one of my favourite local bands.

I am pretty sure I puked the next morning, but I can’t even say for sure which birthday it was.  I think it was my 31st.

Even though my relations with the boss that I refer to as “The Bully” were always rocky, she did attend my birthday party.  Having seen me grab a guitar player’s ass, I thought it might be prudent to just pro-actively apologise in case she was offended by anything she saw.  “Sorry I got a little loud and rowdy when I was drunk,” I said.

“You weren’t drunk,” she flatly responded.

What?  “Yes I was…they started buying me beer right away,” I said, taken aback by her response to me.

“I’ve never seen anyone get drunk off one beer before,” she claimed.

I didn’t know what to say.  She thought I was putting on an act?  I was a little disturbed by her accusation.

At that time I was a skinny guy.  I had very little alcohol tolerance.  Whether she believed me or much, it didn’t take much to make me tipsy.  Add in the natural high you get from your own birthday party, when everybody is nice to you and at least pretends to like you.  Not only was I drunk, but I think that might have been the best drunk I’ve ever been.

What a strange accusation to make.  There was something wrong with this boss.  The professional response would have been, “Apology accepted, hope you had a nice birthday.  Have a good day.”

Circling back, when I appeared drunk on fruit punch in that live clip, I was completely sober.  I was having a lot of fun, and being live on Facebook was kind of like a birthday party.  It’s a natural high.  Your friends are there and you are the centre of attention.  Being “drunk” doesn’t depend on how many beers I’ve finished.  If I’m already surfing the high of life, it just takes a little.  I’m a cheap drunk if I’m in a good mood!

 

REVIEW: Suicide Star – Isolation (2021)

SUICIDE STAR – Isolation (2021)

If you are looking for something classic but modern, with lyrics that matter, then cease your quest.  Suicide Star’s debut called Isolation should be the salve that your soul is craving.  From the ashes of former band Step Echo, with new lead singer Rob Barton, this band is ready to kick 2021’s ass.

CD buyers get a bonus that streamers and downloaders do not — an intro before the lead track “I Survive”.  This intro, complete with air raid siren, explains the “suicide star” concept (with a shout-out to Neil DeGrasse Tyson).  It’s an explosive astronomy lesson!  Isolation is available now, just give the band a shout on social media and it’ll be in your hot little hands before you know it.

Opener “I Survive” is a positive start, with lyrics like “We’ve only just begun, this is the place where I wanna feel alive.”  Rob Barton’s got the pipes and the band has the heft.  Uptempo and heavy, this is the kind of rock we need right now.  The riff by seven-stringer Les Serran kicks, and bassist Aki Maris has the groove locked with drummer Brian Hamilton (also of Storm Force).  If you wanted something energetic and defiant this summer, here ya go.

The first video is for “Mercy”, another upbeat and catchy number.  Each one of these songs has hooks, both vocal and guitar, and “Mercy” just doesn’t let up.  “Have mercy on my anger,” sings Barton with intent.  Lots going on here lyrically, but framed in such a way that you can relate to the words in whatever way suits you.

After two sledgehammer tunes, the track “Suicide Star” delivers melodies that are more on the pop side, but with the heavy backing intact.  “Hold on, before you go too far, don’t you know who you are?  You’re a suicide star.”  Cannot get that chorus out of the skull!

The “power ballad” (if you will) is “Eye of the Storm”, but the emphasis is still on the “power” rather than the “ballad”.  It has a majestic guitar riff, and lyrics with some serious heart.  Barton sings ’em with passion, which is necessary when the band rocks this heavy behind.

Back to a tune with a classic metal vibe, “21 Guns” has kick and melody.  “Just say you will,” goes the unforgettable chorus, with some killer chords in behind.  Then comes the heavy “Follow” with a staggering riff, and Priest-like vibes.  The lyrics are fascinating and open to multiple interpretations.  It certainly could be about the last year!   “When the lie becomes the truth…”

“Love Me Like You Mean It” has a Darkness kind of riff; tremendous hooks.  This continues into “No Looking Back”, another lyric that could be about current times.  “I just roll with the changes,” sings Barton.  We can all relate to that.  The hooks don’t let up on “Fractured”, a more plaintive yet still heavy rocker.  The final track is appropriately titled “The Unknown” and concludes the album-length series of catchy vocals and guitar parts.

By the time you’re done the album, you’re still fresh to go in for a second listen.  There is enough going on in terms of guitars and lyrics that you’ll want multiple listens to drink it all in.

4.5/5 stars

Check out this interview by Deke and I with Rob and Brian from Suicide Star. Get an appreciation for the album and what it took to make it.

REVIEW: Slash – Live in Manchester 3 July 2010

SLASH featuring Myles Kennedy – Live in Manchester 3 July 2010 (2010 Abbey Road Live Events)

When Slash went on tour for his awesome 2010 solo album, he could practically only bring one singer with him.  That singer was Myles Kennedy who was more than capable of singing the songs from all the vocalists he had to cover.  The July 3 date in Manchester produced an “instant live” album.  This is as real as it gets.  In fact the set list on the back cover does not match what they actually ended up playing that night.  You could download and print off a replacement instead.

“Ghost” (originally with Ian Astbury) opened the Slash album and also opens the set.  The raw live performance is a contrast to the polished album.  Kennedy’s version of the track is awesome.  He makes no attempt to imitate Ian Astbury and just belts it as he should.  The second track is a largely forgotten tune:  “Mean Bone” from the second Slash’s Snakepit album (Rod Jackson on lead vocals).  This version seems to have more life, but it’s not as exceptional as the other songs, hook for hook.  “Nightrain” is the first of five Guns tunes.  All that needs to said here is that Kennedy can go toe-to-toe with a vintage Guns track, no problem.  Bullseye.

Velvet Revolver next, with “Dirty Little Thing”.  Suddenly Kennedy has to do Weiland and nails it once again.  Four tracks in, from four different bands and singers, he has all the bases covered.  The next singer he has to cover is an easy one — it’s himself on “Back From Cali” from the Slash album.  Myles had two of the best tunes on that album, and “Back From Cali” is received with applause and clapping.  It was clearly a hit with this crowd.

Eric Dover is the next singer covered, and yes that means we’re talking about 1995’s epic “Beggars and Hangers-On” from the first Snakepit CD.  This timeless song always needed more exposure.  It is preceded by some cool slippy-slide from Slash, before he breaks into that riff.  Kennedy’s delivery lacks the rasp of the original, but makes it bluesier.  Now it sounds like an electric prayer from the deep south.  It might be the biggest divergence from an original version in this set.  This is the epic part of that setlist, with “Civil War” and “Rocket Queen” forming a solid 15 minute wall of Guns.  Bassist Todd Kerns backs up Myles, thickening those high notes, but Kennedy needs no help on the difficult “Rocket Queen”.

Velvet Revolver is paid some more respect with “Fall to Pieces” and “Sucker Train Blues”.  “Fall to Pieces” is the only ballad of the set, earning a singalong from the crowd.  “Sucker Train Blues” shifts back into top gear.  You can’t top Weiland at his own game, but Myles turns in some respectable versions.

Back to the Slash album, “Nothing to Say” (with M. Shadows) was one of the heaviest tunes.  Live, it is not as sharply polished, but it is a banger.  Myles’ own “Starlight” follows, the second of the two excellent tunes he had on the Slash album.  Not quite a ballad, but it slows pace and brings an eerie quiet to the stage, before completely exploding on the skyrocketing chorus.

The instrumentals “Watch This” and “Godfather Theme” give Kennedy a chance to rest up the voice, while Slash gets to do what he likes to do, including lengthy a blues jam.  Then it’s a bright burst of light on “Sweet Child O’ Mine”, and a surprise:  Alter Bridge’s “Rise Today”.  Very cool, after covering all these songs, that Slash then covers a Myles Kennedy song.  It’s quite different from Alter Bridge, more snakey.

The show ends on some classic tunes:  “Slither” by Velvet Revolver, Zeppelin’s “Communication Breakdown” and of course “Paradise City”.  By this time Myles’ voice has been through hell and back, a full setlist of very demanding material.  You can tell, but only barely.  The guy has had to sing songs by everybody from Axl Rose to Robert Plant!  He doesn’t cheat notes, he just barrels on through.

Not played at this show but appearing on the back cover is “By the Sword”, originally with Andrew Stockdale.  Slash’s live band included two Canucks:  Todd Kerns and Brent Fitz, with Bobby Schneck on second guitar.  They nailed it, every song, and had the foresight to be putting out an album that night.

4/5 stars