#1002: The Best of the Best of the Best

RECORD STORE TALES #1002: The Best of the Best of the Best

It has been unknown numbers of years since the last time I had a four-day summer vacation.  Long overdue! Full of great music, great visuals, and so hard to come back from. My heart aches, but I have been diligent and made a video of the memories, as I always do. The theme of this week’s video:  wildlife!  Lots and lots of animals. 18 minutes of video paradise: the best of the best weekend I ever had.

As usual, we departed the hot city on Thursday night, to the sounds of great rock and roll.  Heavy metal, in this case.  This time I chose Iron Maiden’s Seventh Son of a Seventh Son for the trip.  The entire album plus the B-sides bonus disc.  Musically genius, lyrically dicey.  I used to think the words were so deep.  “Seven deadly sins, seven ways to win, seven holy paths to hell and your trip begins…”  I used to imagine Bruce’s lyrics were so deep.  Now I think he was just making up cool sounding phrases.  We all know what the seven deadly sins are, but there are no “seven ways to win”, nor “seven holy paths to hell.”  I used to give him credit for knowing the exact meaning of everything he sang.  What are the seven ways to win?  Don’t ask Bruce, I don’t think he knows!  But it all sounded cool, and I must have spent childhood memorizing this whole album, because I sang the whole way to the lake.  I conclude the concept is fun, but without depth.  If there is any depth to the album, it comes on the last song, Steve’s “Only the Good Die Young”.

So I think I’ll leave you,
With your bishops and your guilt,
So until the next time,
Have a good sin.

That resonates, but the overall album is just a tale.  Just a comic book.  On the other hand, I could be like Liam Gallagher with Oasis lyrics.  “Just because I don’t know what they mean, doesn’t mean there’s no fookin’ meaning in them fookin’ words!”

80s Maiden continued on the porch all Thursday night. All 80s, all Bruce. Nothing but. Then we watched Thursday Night Record Club with Brent Jensen and Alex Huard, talking about Judas Priest’s British Steel.  Switched over to Priest on the front deck the following morning.  And then to Journey, for an upcoming episode of Tim’s Vinyl Confessions, on the excellent new Journey album Freedom.  I used my show notes to complete my upcoming review.  It will be ready shortly after the show debuts.  And you’re going to love the show we taped.  Trust me!

As the days meandered on, we encountered all sorts of wildlife. There was a cheeky chipmunk that was climbing all over us each day, looking for treats. There was a raccoon hanging around the back door, smelling the blueberry pancakes I just made. Birds, birds, and more birds. And Schnauzers! We saw the return of our UFO!  We kept our eyes on the skies, and there may have even been a flying squid!  (What?)

Indoors and outdoors, there was plenty to do.  No wonder four days flew past.  We did retro gaming, watched Ant Man, had a belated birthday party, and cooled off in Lake Huron. We observed the sun set, and then the moon a few hours later.  We have photos and video of it all.

By the time Monday rolled around, nobody wanted to go home.  I spent my final four hours on the front deck editing away.  It took that long to edit down 95 minutes of footage into the awesome 18 seen below.

Please enjoy the lengthy but entertaining video, and the awesome memories that go with it. I wish we could stay forever. At least with the videos, the memories remain and will not fade.  The accompanying music comes from Tee Bone Erickson, Dr. Kathryn Ladano, Max the Axe and the Seagram Synth Ensemble.  And it’s all good.  I worked damn hard on this, because making videos like this does a lot of good for me when my seasonal affective disorder eventually kicks in.  I worked hard on it for me, but also for you, because beauty is universal.

The best sun (and moon) sets in the world.  Magical music.  Awesome animals.  The best, of the best, of the best weekend ever!

WTF Search Terms: Back to the Classics edition

WTF SEARCH TERMS: Back to the Classics

It has been well over a year since our last instalment of WTF Search Terms, collections of left-field searches that actually somehow led people to this site.  We are well overdue for a new one, and for this edition, we are going back to the classic formula that made the series popular in the first place.  Dirty, dirty things!  Some people out there have dirty minds indeed, so have a look and see what they are looking for on the internet!  They didn’t find ’em here, I assure you!


  • xxx.ladano

I hate to disappoint all my fans, but my career in porn failed to launch.  You will not find any xxx videos of me on the internet.  Sorry if this is a letdown to you.

  • fuck me good niw

I’m gonna pass on this offer, but thanks for thinking of me.

Somebody searched for that, and they clicked on my site.  No idea how that happens.

  • pornon cumfm com.

No, no, no, just all kinds of no.  (Cum FM, is that a radio station?)

  • japanxxx

This is not the kind of Japanese import that I’m looking for.

  • ted 2 feet gif

Based on past search terms, we do get some foot fetishists here from time to time.  My Ted 2 review does have a feature image of Amanda Seyfried with no shoes on.  I guess this guy got lucky!  (The word “feet” does not appear in the review, but occurs once in the comments section, so this guy really did get lucky this time.)

  • boy peeing video

No, no, N fucking O!

  • girls peeing in trough

Jesus H. Murphy.  We do get searches for this from time to time.  I don’t wanna see it.  Is this the ultimate ODP?

  • but the big one that comes in

No necessarily pornographic, but you sure could read it that way.  I think this possibly connected to my AC/DC box set review.

  • mary wiseman porn

Of all the actors on Star Trek: Discovery, I only get searches for Mary Wiseman.  Sometimes it’s her ass, sometimes it’s somebody searching for her IMDB.  I have no idea why they’d click on me while searching for Mary Wiseman’s IMDB, but it happens.  According to her IMDB, Mary Wiseman has never done porn.  Next!

  • ponobgy

OK I got nothing.  Thanks for joining me for this year’s instalment of WTF Search Terms!

 

RE-REVIEW: Taylor Swift & Def Leppard – CMT Crossroads (2009 DVD)

Part Thirty-Six of the Def Leppard Review Series

Original ReviewCMT Crossroads (2009)

Dedication (noun):  The character trait of being so devoted to a project that you will watch the Taylor Swift & Def Leppard DVD one more time, even though you reviewed it once before and swore you’d never watch it again.

TAYLOR SWIFT & DEF LEPPARD – CMT Crossroads (2009 Walmart exclusive DVD)

You can blame Rick Allen’s brother for this DVD.  How did pop country songstress Taylor Swift and Def Leppard hook up?  Taylor was on tour with Tim McGraw and Faith Hill whose tour manager was Rick Allen’s brother. You might recognize McGraw from the song “Nine Lives” on Leppard’s last album Songs From the Sparkle Lounge.  Swift expressed interest in doing an episode of CMT Crossroads with Leppard and eventually they made it happen.  Lucky us.

The DVD starts immediately, no big long intro, with “Photograph”.  In a democratic way of doing things, it’s a Def Leppard song to open, but Taylor Swift getting the first lines.  Her smooth voice doesn’t sound right with Screamin’ Joe’s vocal lines, and takes some getting used to with these songs.  You can’t really hear her fiddle player or acoustic guitarists on “Photograph” but they sure are having fun.

The concert is intercut with interviews that help bring the context to this odd collaboration.  Taylor was born two years after Hysteria, but was exposed to Leppard’s music from birth.  She had been wanting to do a show with Leppard for some time so she made it happen.  It’s also fun watching her learn British slang.

Taylor’s “Picture To Burn” is…well, it’s a song about some guy who drives a pickup truck, it seems.  No matter how much they try to convince us that Leppard and Swift are not all that different, they sure are.  “Love Story” is more like a Leppard ballad and isn’t so hard to swallow.  Finally we get to “Hysteria” which works remarkably well as a duet.  Taylor’s vocals add rather than subtract.  You can actually hear certain parts of her massive backing back on this as well, plinking here and fiddling there.

A blues jam about Taylor’s boy trouble is amusing.  “Teardrops On My Guitar” is a nice song, a little more understated and quiet.  Stage choreography seems important with so many band members on stage, and they all seem to have their places and times.  Leppard’s ballad “When Love and Hate Collide” is one song that is the most transformed by the collaboration.  It sounds at home in both worlds.  Taylor reveals she’s long had an obsession with this hit.  It’s very fun to see Joe give her the last line of the song too.

Taylor’s “Should’ve Said No” is upbeat and twangy.  A little bit rock and roll, something a little more familiar.  There’s a great march-like arrangement towards the ending, and then the drums start thumping and you know what that means.  “Pour Some Sugar On Me” has never sounded like this before.  Fiddles and double drums…it actually sounds pretty good.  And that’s the closing song of what is a fun but definitely jarring set of hits.

The three bonus tracks are “Our Song” (written in 9th grade for Taylor’s highschool talent show), “Love” (new Leppard song), and “Two Steps Behind”.  These Taylor songs really take some effort to digest when you’re a Leppard fan, until Joe starts singing at least.  Giving her credit, Taylor sure knows how to command an audience, but it’s irritating to see Vivian ripping up the fretboard, but being unable to hear him in the mix.  More interesting is “Love”, the only choice from Songs From the Sparkle Lounge.  It really benefits from all the extra backing singers and musicians, becoming something really big and huge.  The final bonus track “Two Steps Behind” has eight guitar players and a nice intro from Joe explaining how the song was written electrically in 1989 to become a hit acoustically later in 1993.

To Def Leppard fans at least, some of the best content might be contained in the bonus interviews.  It’s clear Leppard had a new but genuine appreciation for Taylor Swift and how her songs are constructed.  They discuss all the things they have in common with Taylor, such as age.  Rick Allen turned 16 opening for AC/DC and Taylor of course released her first hit album at 16.  Allen reveals his parents were supportive of him leaving highschool in order to tour with Def Leppard, but made him get a tutor.  They understood that it was a once in a lifetime opportunity.  Both artists discuss what it’s like to be pigeonholed into a genre be it “country” or “heavy metal”.  But the coolest thing is the foreshadowing of Leppard’s new album Diamond Star Halos.  “You know who else is a huge Def Leppard fan?  Alison Krauss,” reveals Taylor.  And in 2022 she too collaborated with Def Leppard.

In addition to the interviews, there’s a press conference with Joe, Phil and Taylor where they discuss their history with each others’ music.  They are obviously having fun with their collaboration, even if you are not.  One of the things Joe says is that they would love to work with Taylor in the studio any time anywhere.  Rather than ask why this hasn’t happened any time in the last 13 years, let’s just be glad it hasn’t.  This is a difficult DVD for the Leppard fan to finish in one sitting so let’s just be glad that’s all there is.

2.5/5 stars

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live
  27. Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
  28. X
  29. Best Of (UK)
  30. Rock Of Ages: The Definitive Collection
  31. Yeah!
  32. Yeah! Bonus CD With Backstage Interviews
  33. Yeah…Nah! – Record Store Tales
  34. Songs From the Sparkle Lounge
  35. “C’Mon C’Mon” (picture disc)

Next:

37. B-Sides
38. Yeah! II
39. Yeah! Live
40. Mirror Ball – Live & More (Japanese import)
41. iTunes re-recordings

Sunday Screening: Retro Gaming – Plug & Play Pac-Man

Dusted off (and changed cruddy batteries) on our old plug & play arcade games this weekend.  Pac-Man was first up, and two rare variations at that:  Super Pac-Man (my favourite) and Pac-Man Plus, a challenging variant of the original.  Check out my first runs through below.  This weekend also included some Galaga, Dig Dug, Ms. Pac-Man and Pole Position.  Is there a game of these you would like to see next?

F-bombs included below!

REVIEW: Live – “Heaven” (2003 CD single)

LIVE – “Heaven” (2003 Universal CD single)

If the goal is to review “everything” in the collection, then we must dig deep.  Sometimes you find things that you forgot you owned.  Things you have not listened to in 19 years.  Things you bought “for the collection” because they were cheap (staff discount).  This single would have cost me about two bucks.  Live were a good band once; Throwing Copper was a 90s staple.  I remember giving the Birds of Pray album some store play, and I think it might have been OK but obviously I didn’t feel it enough to buy it or I’d still have it today.

Let’s check out the two track “Heaven” CD single, without remembering a single thing about it.

The opening vocals on “Heaven” are an immediate turn off.  Nasal-y and annoying.  The chorus is pretty good, lots of crunchy guitars, but it almost sounds like a parody of this kind of 90s rock.  The production is excellent though; the drums really slam and the guitars cut through.  This song gets a passing grade though it’s nothing special and the lyrics are kinda irritating.

I don’t need no one, to tell me about Heaven
I look at my daughter, and I believe
I don’t need no proof
When it comes to God and truth
I can see the sunset and I perceive, yeah

I liked when Live used to sing about living in a “Shit Towne”, but this is little too much limburger.  Indeed, they did call the album Birds of Pray….

The B-side is a track called “Forever Might Not Be Long Enough”, and this is the “Egyptian Dreams Mix” of said song.  Hard pass.  The exotic loops that open are cool but then the dance beats kick in.  No idea what the original sounded like and I have to wonder if I have ever played this CD before or if this is the first time.

Back on the shelf!

2/5 stars

 

 

#848: Dear Bob [Reblog]

Happy birthday, big guy!


Dear Bob,

I know we don’t get to talk much anymore.  I think the last time I saw you was at a funeral.  We both have our own lives now.  You have four kids to raise, and I have a Jen to take care of and cherish.  While we have separate journeys now, I will always remember and treasure our shared origins.  We were the lucky few to grow up on a very special street in a neighbourhood like no other.

Some of my earliest memories are of us playing in the front yard.  You were two years older but at that young age it hardly mattered.  All that mattered were our adventures.  It started with dinky cars, Lego and plastic swords.  Do you remember building little garages for our cars?  I do.  You showed me how.  A few twigs stuck into the ground covered with a grass roof, and we had multi-car garages right in the front lawn.

You taught me how to improvise our fun.  With cardboard boxes, we constructed a Cloud City for my Star Wars guys to play around in.  Do you remember showing me how to make little sliding pocket doors?  Or how about that board game we came up with on our own?  It was huge!  How many of my mom’s shoeboxes did we cut up to make that?  We used my Army Men for the pieces.  We constructed traps for them, that could you trigger with the pull of a thread.  Mom eventually said “No more shoeboxes!”

I could go on, and on, and on about how we created our own worlds to live in.  The drawings, a huge binder of which I still have!  We designed our own video game.  We wanted to submit it to Atari.  Then, when my family got a computer, we discovered a new world:  word processing!  No more pen and paper; now we could really come up with stories.  The program was called IBM Writer’s Assistant and we pushed the limits of what we could achieve.  We co-wrote the Adventures of Comet-tron, though it was your idea.  I even sold copies of our “book” at a garage sale.  25 cents each, and there were two issues!

Building obstacle courses in the back yard.  Improvising audio equipment with little more than a few wires and black electrical tape.  Riding our bikes, exploring the trails.  Renting horror movies and pausing to see fake rubber props.  Writing down the rules to our own invented version of street volleyball.  These are all things I did with my best friend.  If I didn’t have you, do you think “Double Bounce Volleyball” ever would have been conceived, much less documented with actual rules?  Chances are high that the only reason I owned a volleyball was because you had one first.

It’s funny that you studied architecture later in life, because I remember us sitting down with pencils and designing our future houses.  In our blueprints, we still lived on the same street.  We bulldozed all the other houses, and added on to our own (things like swimming pools and helipads and secret tunnels and overhead bridges).  We put new houses for our families to live in, while our original homes were connected by an enclosed bridge so we could hang out without even having to go out!

As your interests changed, so did mine.  Where you led I was eager to follow.  Music was next.  Do you realize how lucky I was to have you and other older kids around the neighbourhood?  While my classmates were listening to music they’d be embarrassed by in six months, you guys had discovered Van Halen.

Do you remember our front porch listening sessions?  One of us would plug in the stereo, and somebody else would bring over the Van Halen.

“Van Halen!?” said my dad as he came home from work.  “Sounds like some kind of tropical disease!”

And so began the long tradition of my dad creating memorable quotes about rock bands.  Wouldn’t have happened without you.  Your dad had some good ones too.

“Is there something wrong with that man?” he mocked when Bruce Dickinson was screaming the high notes.

Classic!  Absolutely classic.  You were not only there for it, but you were the guy who supplied the music for them to mock!

What I’m getting at here is this.  I need to really let you know how much you shaped my life, and how much I looked up to you.  I wanted to be you.  For years I was your mini-me.  You were smart, you were cool, you were big and strong and creative and everything I wanted to be.  I had nobody like you at my school.  Why did you have to go to a different school?  How life would have been different if you were able to stand up for me during the dark times.

I’ll never forget one thing you did for me.  It was grade six.  My bully Steve went at me really hard that year.  He made me cry in class.  It’s not a good feeling, crying publicly with 30 of your peers.  All I could think is how badly I wished you were there to stop him.  Stop all of them.  Then one day, you did make an appearance.  Our schools had March break during two different weeks.  During your March break, you got on your bike and paid me a visit during recess.  None of those kids had ever seen you before.  Maybe they thought you were my imaginary friend.  Not any more!  Steve actually fell flat down on his back when he saw how much bigger you were.  The memory still makes me smile.

I don’t know if you really understood how bad I had it at school.  It was a daily living nightmare.  You were the opposite of that.  I’d come home, phone you up, and 10 minutes later we’d be in the back yard jumping hurdles made of lawn chairs, and everything was forgotten.  You just got me; we shared the exact same sense of humour.  Nothing can gravitate two friends together like a shared love of laughing at the same things.  You also drew out and nurtured my creative side.  Anytime you came up with something cool on your own (which was frequent) you’d share it with me and together we’d expand on it.  It was the exact opposite of what I had at school.  There, nobody understood me.  There, nobody nurtured me.  There, nobody laughed with me.  Only at me.

You were my hero, man.  You were my Wolverine or Iron Man.  Funny enough, I got into Marvel comics because that’s what you read!  Do you remember reading comics on the patio?  Hawkeye was your favourite Avenger back then.

I mean it when I say you were my hero.  You were smart and popular and I was just happy to be the sidekick!  When I finally made it to highschool, you sneakily got an extra locker next to mine.  I felt so cool sharing that illicit locker, like part of an elite club.  We had some excellent times in highschool.  You bought a black guitar and so for contrast I bought a white one.  We never really put the effort in, but we did have fun drawing our logo.  “Paragon” was the name you chose for our band.  We never really learned to play, but we made a music video.  I know you’ll never forget that.  Together we spent a week after hours at the school in the editing suite, finishing the video with a very tight deadline.  We did it, though.  It was hard work.  We fought through technical issues and were recognized for our efforts by having our video shown at the local 1989 Charlie Awards.  What an honour for us.

I know for a fact that I would not be the person I am today had we not crossed paths 40-some years ago.  I think I’d still find ways to be creative, but the things I do today are just extensions of the things we did then.  Sequels, reboots, remasterings.  I like to think that I’m continuing with the projects we started together.  Together we made a music video and two movies.  Today, I make several music videos every year!  And as hard as it is to believe, I even completely re-edited one of the movies we made 30 years ago.  Finishing the work that we started.

It’s OK that you went to college and started your own life.  It was always going to be that way.  We were never really going to bulldoze the neighbourhood and live in connected houses.  Back then, I was never able to express how important you were — and still are.  You helped me survive.  I knew that all I had to do was endure a week at school.  On Saturday it would be us again, you and me, racing cars, flying starships or hosting our own shows.  Despite everything I had to go through at school, I always have considered it a good childhood.  The best childhood.  And that’s because I had you, my best friend.  We embarked on truly great adventures, and they far outweigh the damage the other kids could do.  When it was you and me, they couldn’t touch me.  They weren’t a part of the worlds we were building out of cardboard and Scotch tape.  You projected a force field around yourself and nobody would touch you.  In turn you were able to shield me with it too.  That was a tremendous gift that you can’t understand unless you were the beneficiary.

Do you remember why you chose the name “Paragon” for our band that never was?  “Because it means we’re the best,” you said.  It was true!  We were the best.  We were the paragon of friendships with adventures that shaped a lifetime.  Thank you for sharing that with me.

 

 

REVIEW: KISS – Off the Soundboard – Live at Donington August 17, 1996 (2022)

 – Off the Soundboard – Live at Donington (Monsters of Rock) (August 17, 1996 – 2022 Universal)

Third in the Off the Soundboard series, and we are gifted an original lineup show.  Reunion era, we add with a caveat, but an original lineup gig nonetheless.  This was a big one:  Monsters of Rock in 1996.  This gig is only 11 days after the Toronto show at which I saw Kiss, and the setlist is simply a shortened version of what we saw earlier.

Opening with “Deuce”, the reunited Kiss don’t sound vintage, but they do sound professional and hot.  The immediately noticeable flaw in the mix is an overly prominent bass.  Demon fans might love it!  Frehley’s guitar brings that almost-out-of-control quality that we miss today.

The simplicity of the drumwork on “King of the Night Time World” reminds us that the Catman Peter Criss is back on drums.  That’s all good.  After hearing Eric Singer on the past two instalments of this series, the Catman’s looser feel is refreshing.

Then an F-bomb from Paul:  “WOOO!  How you doin’ Donington!  You all ready to get a little fuckin’ nuts tonight?  You want a little rock and roll?”  Then it’s “Do You Love Me”, not usually one of those songs you go fuckin’ nuts on, due to its deliberate tempo.  I could usually skip it, but this version is pretty good.  That overloud bass makes it a bit heavier.  The backing vocals are also quite good.  “Dr. Love” has that patented Peter Criss pitter-patter on the drums that we can all admit we miss.

The Starchild seems to have a blast singing the word “Donington” over and over again just before “Cold Gin”.  Gotta admit this is a great album for Paul’s stage raps!  It’s Ace’s turn to shine, in that overdriven, on-the-edge style that nobody can copy.  It’s like chocolate it’s so good.  The Space Ace gets to sing a verse on his own, which is a perfect touch.  An album highlight.  Perhaps the best live version of “Cold Gin” available since the original Alive!

The original Kiss tear into “Let Me Go, Rock ‘N Roll” and Gene’s voice is a bit rough at first…as it should be, 100% live.  There’s nothing like this song with Ace and Peter on drums.  Again, perhaps the best live version since the original Alive!  “Shout It Out Loud” is a bit more polished.  But if you want heavy, look no further than the thunderous “Watchin’ You”.  The vintage Kiss vibe is captured as they thump through this in a completely different way than they did four years earlier on Alive III with Bruce Kulick.  Another contender for best live version available since Alive!  Previously that honour went to the Alive III version.  Simmons is, pun intended, a monster on both tasty bass fills and meaty vocals.

“Firehouse” is simple fun, but once again, the Space Ace adds something that other guitar players do not have, which is nothing against any of them.  It is a matter of style, and the style that suits Kiss best.

Kiss turns the microphone over to Ace Frehley on “Shock Me”, which also doubles as his feature guitar solo.  You can hear every mistake, and even they are perfect in their own, flawed diamond sort of way.  This solo is pure smoke and fire, like a meteorite barrelling through atmosphere.  Perhaps the best stage version of “Shock Me” out there, arguably surpassing Alive II.

Over to disc two, it’s finally time for “Strutter”.  Paul’s stage rap is amusing if only because he says Kiss are having such a great time back together that they don’t know if it’s ever going to end.  Ah, hindsight.  This is a fantastic version only hampered by that overloud bass in the mix.  Vocals are outstanding.

Simmons takes center stage for his “bass solo” and “God of Thunder”.  A Simmons bass solo usually works best as a visual, not musical experience.  (Animalize Live bass solo notwithstanding.)  While you don’t necessarily want this stuff edited out of a live bootleg, it’s basically waiting for the song to start.  Gene is extra-growly on “God of Thunder” and Frehley is hotter than hell.  Stanley’s prominent backing vocals add an extra dimension.  And Peter’s got that beat nailed down like a beast.  He gets his drum solo on this track, a slow and tribal experience similar to, but not as energetic as, his Kiss Alive solo.

When Paul starts talking about size of his pistol, then you know it’s time for “Love Gun”.  Drowning in bass, but fiery hot.  Speaking of bass, “100,000 Years” is top notch too.  Do you feel alriiiiight?  Frehley’s soloing on the track is an essential ingredient.  The closing trio of “Black Diamond”, “Detroit Rock City” and “Rock and Roll all Nite” are somewhat predictable, but it’s bizarre that we had to wait this long to hear Peter Criss sing lead on something.  As for “Detroit”, easily one of the top five live versions on official release.

This set is pure electric vintage Kiss from 1974-1977, and nothing beyond.  No “New York Groove”, no “I Was Made For Lovin’ You”.  No “Beth” either.  If you’re going to cut a track for time for the festival, “Beth” is one to cut.  Though sometimes hampered by the bass heavy mix, it is possible that Live At Donington is the best Kiss live album since Alive II.  The reunited lineup were certainly a lot better than I remember them being back in 1996, when I thought they sounded stiff.  With hindsight, though Peter is steadier than before, Frehley still provides all that danger that is necessary in a live Kiss show.  At Donington, the original Kiss brought it.

4.5/5 stars

 

 

REVIEW: The Forrest Williams Democracy – “In Service of the Greater Good” (2022 single)

THE FORREST WILLIAMS DEMOCRACY – “In Service of the Greater Good” (2022 single)

Anybody who ever dug Big Wreck (and there are lots of you) should be checking out The Forrest Williams Democracy.  Williams was the drummer on the first two essential Wreck albums with the original lineup.  After the band dissolved in 2002, Williams settled down into a family life.  Rock and roll always beckons again, and in this case it came in the form of musician Scott Maybee.  Together with original Big Wreck producer Matt DeMatteo, the new song “In Service of the Greater Good” was released twenty years after the original Big Wreck ended.  So whatsit sound like?

The Forrest Williams Democracy has an uncanny knack for a Soundgarden aura, circa Badmotorfinger and Superunknown.  A lot of that has to do with the vocals (shared between Maybee and DeMatteo).  Powerful with range, but also subtlety.  The riffs (and there are a few!) are heavy.  And as for the drums?  If you listen to this and the first Big Wreck, you can hear that it’s the same guy.  The style, and the thump, remains.  “In Service of the Greater Good” is a complex, multi-faceted heavy rocker, but also with the acoustics and added textures that you would hope for.  Sabbath and Zeppelin are named as influences and you can hear both seeping through the speakers.  You can sense the Bonham influence on Williams, but the Zeppelin also comes out clearly in acoustic sections.  Meanwhile the lead guitar work would make Iommi smile.

“In Service of the Greater Good” is more than just the influences.  There’s a lot going on here — some serious musical ambition.  There was clearly no intent to just write some rock song for the summer.  This is impressive stuff.  The vocals are outstanding.  The musically-inclined will enjoy all the changes and tempos, while the rest of us can just pump our fists when the heavy parts come!  Great tune that has the feeling of an album side-ending closer epic.  We hope an album will follow.

In the meantime, you can check out the Forrest Williams Democracy on Spotify, iTunes, Amazon and Bandcamp.  They also have shirts for sale.  Hope more is coming.

4/5 stars

REVIEW: ZZ Top – Raw – ‘That Little Ol’ Band From Texas’ Original Soundtrack (2022)

ZZ TOP – Raw – ‘That Little Ol’ Band From Texas’ Original Soundtrack (2022 BMG)

In 2019, ZZ Top bassist Dusty Hill was still alive, and filmmaker Sam Dunn brought us the critically acclaimed documentary That Little Ol’ Band from Texas.  The film was cherished for a number of reasons, not least of which was the music, old and new.  A big part of the film was seeing the modern-day ZZ Top jamming away on their classics.  And it was clear they lost nothing.

With Dusty gone, it’s appropriate to release his final recordings as the soundtrack to the documentary.  As the title boldly states, this is ZZ Top raw, playing live in the studio, as only they could.  12 tracks; nothing beyond Eliminator.  Every song a classic.

Going back to the first album, “Brown Sugar” opens with some amp hiss and seriously bluesly licks from Billy Gibbons.  Raw yes, but also crisp and clear with plenty of bottom end.  These are not simple re-recordings, nor are they vastly different re-imaginings.  They are just 12 tracks of ZZ Top playing hard and heavy, backed with modern equipment and techniques.  The groove flows right through the speakers like jelly.  Sonically the tracks are heavier simply because of the modern equipment, though they are still…you guessed it…raw!  Dusty’s bass on “Just Got Paid”…oh man.  Track after track of familiar rock will hit your ears, satisfying your need for that dirty greasy blues that ZZ Top peddle in.  Jamming solos, rolling bass and luscious blues licks await within.

As far as surprises go, there are not many, but it is fun to hear “Legs” done in this raw settling.  The sequencers are there but back in the mix.  It’s much more rocking.  Interesting to hear no backing guitars when Billy is soloing.  “Gimme All Your Lovin'” benefits similarly from the raw treatment.  No sequencers here, just guitars, drums and bass.  No loss either.  A slow jam version of “Thunderbird” is another treat.  Finally, it’s a blast to hear Frank Beard playing hard on the surf rock of “Tube Snake Boogie”.

From rockers, to blues rockers and just plain ol’ blues, this album contains a nice cross section of songs from 1971 to 1983.  Arguably, the essential years.  While not essential itself, ZZ Top Raw should make your purchase list.  It’s an excellent set of recordings, of some of the best ZZ Top songs, with modern fidelity and of course, the last of Dusty Hill.  You loved it when you saw ZZ Top jamming these tunes in the film.  Now you can own the soundtrack.  So get on it!

4/5 stars

Thanks to John T. Snow for kindly gifting this copy!

RE-REVIEW: Def Leppard – “C’Mon C’Mon”(2008 12” picture single)

Part Thirty-Five of the Def Leppard Review Series

Original Review “C’Mon C’Mon” (2008 12″ picture single)

DEF LEPPARD – “C’Mon C’Mon” (2008 12″ Mercury picture single)

We haven’t reviewed many actual Def Leppard singles in this review series.  Why?  Because we reviewed the CD Collection box sets in detail instead, which do an excellent job of collecting all the albums and B-sides from specific eras.  This picture disc for “C’Mon C’Mon” from Songs From the Sparkle Lounge is one single for which the B-side has yet to be issued in box set form.

The B-side in question is a live version of “Rocket” from an unknown place and time.  What we do know is this:  It’s not a pipsqueak edit version from a live album.  This is a full-on 10 minute recording with all the extended bells and whistles.

Opening with the usual backwards vocals (“We’re fighting for the gods of war” in reverse), “Rocket” is a Rick Allen vehicle.  It’s endurance.  The drums are a main feature, but Screamin’ Joe Elliott doesn’t take a back seat to anyone.  Still, by the 3:30 mark it’s the Rick Allen show.  Soon he’s accompanied by Rick Savage on bass, before the guitar solos begin.  Phil Collen goes first followed by Vivian Campbell, in a call & response series of licks.  Together the two weave notes and squeals into a tapestry of cool, with Vivian going full metal into speed and tapping.

Around 7:50, Joe surprises the crowd by going into “Whole Lotta Love”.  “You need coolin’, baby I ain’t foolin’,” with guitars that replicate what Jimmy Page might have done had he been on stage that night.  Back into “Rocket” for the finale, the whole thing works from start to finish as if it wasn’t 10 minutes long but maybe half that.  A valuable B-side for your collection, just spectacular stuff.

The A-side is hit or miss.  “C’Mon C’Mon” was in the vein of that “Pour Some Sugar” sound, ultimately derived from Gary Glitter.   It’s…well, to overuse a phrase, “it is what it is”.  Def Leppard are always going to have this kind of song in their repertoire.  It’s not bad, just nothing new.  Performance-wise, Rick Allen is once again a champion.  The guitars have a really sweet crunch.  It’s a great sounding single, just an unnecessary direction to keep toiling away at.

3.5/5 stars

Next:  Leppard goes country with…yes, we’re at that point now…with Taylor Swift.

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault: Def Leppard’s Greatest Hits / Limited Edition Live CD
  18. Video Archive
  19. “Slang” CD single
  20. Slang
  21. I Got A Bad Feeling About This: Euphoria – Record Store Tales
  22. Euphoria
  23. Rarities 2
  24. Rarities 3
  25. Rarities 4
  26. Cybernauts – Live
  27. Cybernauts – The Further Adventures of the Cybernauts (bonus disc)
  28. X
  29. Best Of (UK)
  30. Rock Of Ages: The Definitive Collection
  31. Yeah!
  32. Yeah! Bonus CD With Backstage Interviews
  33. Yeah…Nah! – Record Store Tales
  34. Songs From the Sparkle Lounge

Next:

36. CMT Crossroads (DVD with Taylor Swift)
37. B-Sides
38. Yeah! II
39. Yeah! Live
40. Mirror Ball – Live & More (Japanese import)
41. iTunes re-recordings