Tim’s Vinyl Confessions Ep. 358: Coney Hatch Retrospective w/ ANDY CURRAN

Thank you to Deke and Tim for my fifth sit down with Andy Curran! This time, we ran through all of Coney Hatch history for a special episode of Tim’s Vinyl Confessions.

This was the very last time Deke and I worked together.  You can see the tension.  We don’t really speak to each other.  Deke turned out to be a…very different kind of person.  He never thanked me for a Christmas present I sent him, and refuses to even acknowledge that I exist.  Now I just called him Dick.  It’s unfortunate he turned out that way.  He probably hates that I call his show a “spinoff”…but I calls ’em as I sees ’em!

 

GUEST REVIEW: An Evening With Bruce Dickinson, 03/30/22, Kitchener, Centre In the Square by Dr. Kathryn Ladano

BRUCE DICKINSON – An Evening With Bruce Dickinson, 03/30/22, Kitchener, Centre In the Square 

By Dr. Kathryn Ladano

 

On the evening of Wednesday March 30th, I headed over to the Centre in the Square with my good friend Dave to check out “An Evening with Bruce Dickinson”. Dave bought two tickets to the show as soon as they went on sale months ago and asked if I’d like to come. While I’m admittedly not an Iron Maiden expert, I did grow up listening to the band via my brother (Mike LeBrain) and was aware of all of their albums and singles throughout the 80’s. I spent a lot of time watching Iron Maiden videos on Much Music and I recall when I was in grade 3 or 4 being asked what my favourite song was and answering “Aces High”. No one had any clue what I was talking about. I have a lot of nostalgia for that time and when I was a kid I knew all of the members of Iron Maiden by name and instrument, and of course I was very much in awe of Bruce Dickinson. So when I had the opportunity to learn more about him and hear some of his stories, I was keen to take advantage of that.

When Dave and I arrived at the theatre, we were in row X on the orchestra level – the last row on the floor. The audience size wasn’t as big as I was expecting and shortly after we arrived an usher came by and asked us if we’d like to move up to row L – we said yes! I don’t think the theatre was even half full, but I liked that – especially in COVID times when about 75% of the audience was unmasked and I’m admittedly wary of getting sick. It also obviously gave us a much better view. The show started exactly at 7:30 PM. I had the impression through the whole show that Bruce Dickinson had meticulously timed everything. The show didn’t even start a minute late. The intermission was exactly at 9:05 PM. The length of the intermission was exactly 25 minutes – that sort of thing.

The show was in two sets. The first set was Bruce telling stories from throughout his life and the second set was strictly for audience questions. From start to finish, the show was a full 3 hours in length. It all started with Bruce coming on stage with the backdrop of a (very) old picture of him alongside a picture of his great uncle Frank. He started the evening by telling us about his uncle Frank, a WWII pilot and a huge influence on his life and interests. He also proceeded to tell us that in the image of him, he’d put blue crayon on his upper lip to make him look older. Right from the start you could tell that Bruce was extremely energetic and was going to give us everything he had. He was frequently bouncing around the stage – this wasn’t the kind of show where he sat on a stool and just talked the whole time (there was a stool there for him, and he never used it). He also came out with a beer – I suspect it was a “Trooper” beer – and enjoyed sipping that throughout his show.

While I was expecting him to speak primarily about Iron Maiden, he actually didn’t do a whole lot of this. He started out talking about his early days and how his parents sent him to “public school” – which we learned is essentially the equivalent of “private school” in North America. It was here that he started to get into music – originally wanting to be a drummer. His first band’s singer didn’t exactly work (a choir singer with an operatic approach), so Bruce switched over to vocals after a short time. I found his discussions about singing and the use of his voice to be the most interesting. Apparently when he started with Iron Maiden he was strongly encouraged to push his voice farther – to extend his range and use his falsetto voice and to really establish his own unique vocal timbre. He claimed that he really didn’t like the sound of his voice at first when he did this but gradually adapted to it. As a musician and teacher myself, I’m constantly trying to encourage my students to push outside of their comfort zone in this way, so I found his experience with this quite interesting. One other thing about his voice that was interesting to hear is that his voice, like everyone’s, has changed with age. He describes his as being deeper and rougher now, and he actually likes the sound of his voice better now than he did when he was younger. He feels the vocal changes that have come with age have allowed him to do things with his voice now that he couldn’t do before. This was really refreshing to hear because so many other singers have essentially lost their singing voices with age. Bruce Dickinson’s is just getting better.

Bruce spent a good chunk of time talking about the early days before Iron Maiden. He had pictures and stories from one of these bands, “Samson”. He told humorous stories of going to a gun shop in the UK and seeing a plastic Canada Goose statue which he had to purchase. He then proceeded to tape it to the roof of their car as they toured north to Scotland, and as he explained it, with pot smoke streaming out of the windows. No one ever stopped them! During this time he explained that he was already friends with the guys in Iron Maiden. When they needed a new singer they asked him and the rest is history. He told some funny stories about how at the start, he loved being in the centre of the stage, but Iron Maiden’s bassist, Steve Harris, also liked taking that spot at certain times during the show – so there were some battles in the early years for the prime spot on stage (apparently their original singer would set himself up off to the side and not right in the centre of the stage, so this wasn’t a problem for the band previously).

We heard about Bruce Dickinson’s battle with cancer – which he won. Apparently he never lost any hair on his head, but he lost all of his beard hair – and almost all at the same time. We heard stories of him being at a restaurant and his plate filling up with beard hair. We also heard stories about when he met the Queen and Prince Phillip. They both asked him “and what do you do?”. The Queen seemed to have no idea who he was or what heavy metal music was. Bruce spent a good deal of time talking about flying planes and we learned that he was not the first member of Iron Maiden to learn to fly – that was actually Nicko McBrain.

I also really enjoyed his talk about beer. Apparently Bruce Dickinson is the biggest beer fan in Iron Maiden. The band was asked by a winery if they would like to create an Iron Maiden wine and the band said no, because well, that seems like an odd fit. It was this, however, that gave Bruce the idea to create an Iron Maiden beer instead. If you can believe it, every single brewery that he approached with the idea turned it down except for Robinson’s brewery. Bruce was primarily involved in the process of creating the legendary “Trooper” beer, which they had for sale at the show. We learned a lot about the process of creating that beer and also that there are Trooper breweries in several different countries – and each country has its own unique Trooper flavour that isn’t available anywhere else. I’m hoping that a Canadian Trooper brewery crops up at some point.

When the intermission arrived, the video for Iron Maiden’s song, “Writing on the Wall” was shown. At this point I had to temporarily leave the theatre because as someone with post-concussion syndrome, my head started to feel like it was going to explode as soon as the music started. For anyone else though, I’m sure the experience of this song being played through the Centre in the Square sound system, along with the video on the huge screen would have been something pretty special.

There are far too many stories to try to summarize in one review, but I found the evening to be really enjoyable. Bruce Dickinson is a great showman – he displays such passion for his life and career and I feel that we more than got our money’s worth. Kitchener was the final stop on this tour. He did inform us that he was travelling to LA at 8 AM the following day to start working on a new solo album and this summer Iron Maiden will start their “Legacy of the Beast Tour”. Unfortunately there are no stops in Kitchener.  Overall, a great show!

 

Viva La Pranks: A Jackass Prank List Show with Chris Thuss

A night of hilarity, pranks and Jackass appreciation!  Thank you to long time pal Chris Thuss for joining tonight, and to Michael Morwood as well for your list!

Tonight’s show had three main phases:

  1. Stories and reminiscing pranks
  2. The original 2020 prank calls made to the show, and Michael’s role in them
  3. The Jackass lists and appreciation!

As an added bonus, we received prank calls live on the show from some naughty viewer!  And we even had a special drop-in from a certain Meat Man.

 

Next week I’m taking a break but we will definitely be back by April 23 for a special interview with Polychuck!

Top Five Pranks: The April Fool’s Day LeBrain Train featuring Chris Thuss

The LeBrain Train: 2000 Words or More with Mike Ladano and Chris Thuss

Episode 104 – The April Fool’s Day Episode

It’s April Fool’s Day and I already got in my morning prank!  Tonight, in tribute to the new Jackass movie, Jackass Forever, long time pal Chris and I are counting down our Top Five Jackass Pranks.  You know those guys did some legendary pranks over the years and they made us laugh, hard.  We will be joined by a pre-recorded Michael Morwood with his own list of pranks.

This will not be just a simple Cinco de Listo show, however!  Michael, Chris and I will also be reminiscing about different pranks we did to each other over the years.  I’ll be running clips of the first prank calls phoned into the show back in March and April of 2020 and getting the inside scoop from one of the parties responsible.

Please join Chris and I tonight as we count down our favourite pranks.

Friday April 1, 7:00 PM E.S.T. on YouTubeFacebook and also Facebook!

Canadian supergroup SNOWSHOE reunite for “F*** C***d” tour – exclusive interview

SNOWSHOE ARE BACK AND WE HAVE THE EXCLUSIVE!

 

The Snowshoe saga continues!  The Canadian punk supergroup that suddenly formed, imploded, and bizarrely settled their differences in the wrestling ring, have reunited!  They call it the “Fuck Covid Tour”, or for tamer markets, simply the “We Really Mean It This Time Tour”.  We had the opportunity to chat with all three members of the band:

  • Billy Sol Hurok (formerly of Dirty Slush) – guitar, vocals
  • Irving Cohen (formerly of Dead Bird on a Wire) – bass, vocals
  • John Y. Schmenge (formerly of the Schmenge Brothers’ Sons) – drums


LeBrain:  You guys had a pretty serious fallout in 2018, leading to the infamous 2019 wrestling match in the parking lot of Deke’s Palace.  Why reunite at all?

BILLY SOL HUROK – Simple answer to that.  We need the money.

IRVING COHEN – That’s pretty much it.  Covid wiped us out financially.  Of course that was the “plandemic” all along wasn’t it?  Make us all broke, living on credit from the banks.  Slaves!

JOHN Y. SCHMENGE – Would you fucking stop it Irv?

BILLY SOL HUROK – This tour is going to be a lot of fun…not.  Me, I don’t give a shit about vaccines and conspiracies.  Irv on the other hand…

IRVING COHEN – Don’t you dare call me a conspiracy theorist or I’ll knock you the fuck out in this interview, I don’t care!

BILLY SOL HUROK – Irv’s not even the worst.  Sure he’s antivaxx, but on the other hand Schmenge over there is so pro-vaxx that he got shot 10 times.

JOHN Y. SCHMENGE – 11 times.  I got boosted again for the tour.  I’m gonna be Superman on that fucking stage.

IRVING COHEN – You see?

LeBrain:  You guys must really need the money.  Back to the music, Eternal Winter is an album you recorded but never released. We’ve received the tracklist and it looks awesome!  [see bottom]  Any chance of it coming out for real this year?

BILLY SOL HUROK – Simple answer to that too.  We need the money.

IRVING COHEN – That would be a yes.

JOHN Y. SCHMENGE – CD, vinyl, cassette, and 8-track.  I’ve been on the internet a lot and 8-track is coming back.  I insisted we release on 8-track, limited numbers.  I’m having my car stereo guy put an 8-track deck in my Tesla so I can hear it as it was intended:  with a break in the middle of every third song.

LeBrain:  Wait…you guys are broke, but John drives a Tesla?

BILLY SOL HUROK – Irv and I are broke.  John made a killing painting houses during the winters in Churchill Manitoba.  He figured out a formulation for the paint not to freeze.  His painting business runs 12 months a year.  He was on Dragon’s Den and everything.

IRVING COHEN – Arlene even hit on him after the show.

BILLY SOL HUROK – After giving him a cool million for 50%.

LeBrain:  So, John, obviously money isn’t a motivation for you.  Are you doing it for the love of music?

JOHN Y. SCHMENGE – No.  I love music but I hate these two assholes even more.  I’m doing it for the Guinness’ Book of World Records.

LeBrain:  Cool!  What record are you going for?  Loudest band?  I hear that record was set by your former tourmates Inushuk in Thunder Bay at Deke’s Palace.

JOHN Y. SCHMENGE – No, no, no.  I’m going for the vaccine record.  Not only am I going to collect as many shots as I can, but I want to be the first Canadian to get one in every province.

IRVING COHEN – I’m not even going to comment.  Keeping my fucking mouth shut as long as it gets us back on the road.

BILLY SOL HUROK – Right, so let’s talk about that.  We start where we left off:  Deke’s Palace in Thunder Bay, then we work our way west, then back east through Thunder Bay playing the Palace again, all the way to the east coast…

JOHN Y. SCHMENGE – There’s a place in New Brunswick called Tim’s 8-Track Heaven that I can’t wait to check out!

BILLY SOL HUROK – (Grumbles) …and then we actually go back through Ontario to Thunder Bay once more, playing the tour closer at Deke’s Palace for our third stop there.

LeBrain:  Why three stops at Deke’s Palace?

BILLY SOL HUROK – Well you know the old saying, right?  The only thing cheaper than the beer at the Palace is the women!  Also the owner, Deke Williams, owes us.  Three gigs is the least he could do for us after what happened last time.

LeBrain:  What happened last time?

IRVING COHEN – Food poisoning.  That’s the real reason I lost that wrestling match to Bill, was food poisoning.  Bill ate McDonalds, I had salad bar.  I have a really grainy video on my phone.  There was some shady activist looking guy hanging around the salad bar.  They cheated and Deke set it up.  I rest my case.

BILLY SOL HUROK – You lying fucking conspiracy theorist piece of shit!

LeBrain:  Woah, woah, woah!  Take it easy guys, or you’ll never make it on the road!  Let’s end it here and…

IRVING COHEN – (To LeBrain) Fuck you too, media! (Punches LeBrain in jaw)

 

 

ETERNAL WINTER – Final Track List (8-track tape version)

The entire original 2018 recordings, newly remixed, with one new song recorded in 2022!

 

Program 1

    1. Lock Up Your Sheep / Irving Had A Little Lamb
    2. Rolling Through the Hay River, NWT
    3. Eat My Poutine, Putin (beginning)

Program 2

    1. Eat My Poutine, Putin (end)
    2. I Love Hating Your Guts
    3. Snoeshow
    4. Thunder From the Tundra (beginning)

Program 3

    1. Thunder From the Tundra (end)
    2. Blowed Up Real Good
    3. The Smell of 1977
    4. Yellow Popsicle (beginning)

Program 4

    1. Yellow Popsicle (end)
    2. Touch My Dink in the Ditch (The Legendary Klopeks cover)
    3. Current River Blues
    4. Three Bloodthirsty Women From the Land of Always Winter
    5. We Cairn A Lot (Inukshuk cover)

 

NEWS: Steve Morse taking a break from Deep Purple to care for sick family member

We know it as well as anyone:  family must come first.

Deep Purple’s Steve Morse is taking a break from touring to care for his wife who is suffering from cancer.  In a statement Morse said, “At this point, there are so many possible complications and unknowns, that whatever time we have left in our lives, I simply must be there with her.”

Replacing Morse on tour is Simon McBride who has previously worked with Ian Gillan and Don Airey.  Morse notes that if his wife Janine gets a clean bill of health, he will re-join the tour.

It is heartbreaking how cancer can derail plans so suddenly.  After two years of not touring, Morse is forced off the road again.  We wish the Morse family all the best and Janine a swift recovery.  We also wish Simon McBride all the best in what will surely be the biggest tour of his life to date.

Get well soon Janine Morse!

VHS Archives #125: Def Lep dish on Danzig (1993)

Cast your minds back to the summer of 1993.  Def Leppard were still sailing high on a string of hits from Adrenalize and the singles it spawned.  Meanwhile in another region of rock, Glenn Danzig was out supporting Danzig’s third album and a new live EP.  When the two bands crossed paths at a festival gig in Europe, the word went down that Glenn and Phil Collen came to blows.  Or was it just tomato soup?  Let’s get Phil’s side of the story in this classic VHS Archive from MuchMusic’s Pepsi Power Hour.

Hosted by Teresa Roncon.  Love Joe’s hat!!

VHS Archives #124: Slaughter’s Toronto listening party for The Wild Life (1992)

30 years ago, Slaughter held a listening party for their forthcoming new album The Wild Life released April 21 1992.  These listening parties look like a lot of fun though it could be tiresome for  the band to repeat the same ol’ schtick.  Mark Slaughter, Dana Strum, Tim Kelly (rest in peace) and Blas Elias all get some camera time.  The focus is on growth and change, and indeed The Wild Life was a progression from the debut that never quite got the credit it was due.  A few Canada jokes, and the suits can be seen bopping their heads to the new album.

From MuchMusic’s Pepsi Power Hour.

 

REVIEW: Jacob Moon – Under A Setting Sun (2022)

JACOB MOON – Under A Setting Sun (2022)

I’ve only helped crowdfund two things in my life.  I’m happy to say I picked a winning horse in both cases, the second being Jacob Moon’s new CD called Under A Setting Sun.

Although Moon is certainly a stunningly good musician, and his voice could be described as “angelic”, it’s his songwriting that really sets him apart.  Each song on the EP has a different flavour.  That being the case, they all share a certain light, an uplifting feeling that just makes you feel better after a listen.

The opening track “Live A Little” feels like a morning sunrise, with gently picked acoustics ringing clear, and a hint of slide shining from the shadows.  “Today we’re going to leave all those cares behind, and live a little” sings Moon, asking us to look at the stars above.  The message here is simple but necessary.  A brilliant song with a bright glow that will sound great in just about any setting.  It’ll go great on the porch this summer.

The familiar crunch of an electric guitar is joined by the moan of organ on “Tennessee”, a brilliant slow ride.  It has a vaguely southern feel especially when the slide guitar joins in.  “And the road has got the best of me, I thought I could be free yeah, like the winds in Tennessee,” sings Jacob as a soulful backing chorus joins in.  This one will sound great in the car on a country drive, guaranteed.

A unique acoustic song called “Miles To Go” has a gentle, breezy vibe.  A terrific song; you could imagine Jon Bon Jovi clenching his fists in jealousy that he didn’t write it.  It sounds in the pocket of mid-90s Bon Jovi when they weren’t afraid of getting a little more laid back on These Days.  The track sounds more lush as it goes, building to a nice resolution at the end.

If you’ve got the guts to call a tune the “Song That Won’t Leave You Alone”, it had better be catchy!  It’s actually about the creative process, but the title demands an actual song that won’t leave you alone.  The lyrics are fascinating but the chorus is really fantastic.  Great guitar work on this one as well, an absolute gem of a song.

“A Little More Time” is a quiet ballad, but backed with a strong drum beat.  The chorus is perfect.  Once again, a certain Mr. Jovi might be gnashing his teeth that he didn’t come up with this one, but that’s just pure speculation.  He couldn’t sing it like Moon does anyway.

The title track ends the album with a string-coated song that brings the vibe of the album full circle.  If “Live A Little” sounded like morning, then “Under A Setting Sun” brings the day to a close.  Whether that’s intentional or not, that’s one interpretation if you like.  Regardless, “Under A Setting Sun” wears an understated strength on its sleeve, based on the rhythm of the acoustic guitar.  The strings raise it to the clouds, dreamy and powerful.

2022 has been a year for strong releases already.  Add the name Jacob Moon to your list of must-hears.

5/5 stars

 

DVD REVIEW: Def Leppard – Video Archive (1995)

Part Eighteen of the Def Leppard Review Series

DEF LEPPARD – Video Archive (1995, 2001 Mercury DVD)

Only two years since their last home video, Def Leppard went back in for round three.  There were not many new video clips waiting to be released, just the four from Retro-Active and Vault, plus an alternate version.  Mostly, this Video Archive focused on live material.

Def Leppard’s big hometown gig in Sheffield was something they were very proud of, and so it appears here and on the previous album’s Vault double disc edition  Well, some of it anyway.  Nine songs were on Vault; you can watch eight of those on video here.  (The ninth, “Photograph” is available on Visualize.)  The whole show has never been released (22 songs total) but this small handful can be had.  The hometown gig had 40,000 people going nuts for Leppard, something Joe mentions in the opening interview.

No shirts for Phil right from the first song, “Let’s Get Rocked”.  The editing in this concert relies on minimal gimmicks, but the choppy slo-mo bits probably were not necessary.  It also seems like the songs aren’t in order, because at the outdoor gig it gets dark and then light again.

On CD, “Armageddon It” comes second.  Here, it’s “Foolin'”.  I like when the camera switches to Phil when Joe sings “take your fill”.  Take your “Phil”?  Solid version of “Foolin'” and nice to see it with Vivian picking away for the first time on video.  “Rocket” features a cool light show, but what’s cool here is seeing Phil Collen and Vivian Campbell taking turns soloing.  Getting the chance to appreciate the differences between the two.  It’s definitely fun seeing Viv do the ol’ two-handed tapping like it was the 80s again.  Then Joe goes into “Whole Lotta Love”, before “Rocket” resumes its course.

The acoustic B-side “Two Steps Behind” is introduced as being from their next album Retro-Active.  The crowd already knows it.  The atmosphere goes from campfire singalong to party mode in seconds flat as “Armageddon It” begins.  Vivian does an admirable job of Steve Clark’s original solo – and then Joe Elliott jumps down to crowd level!

The familiar drum beat to “Pour Some Sugar On Me” is greated with the appropriate “hey! hey! heys!” necessary to start the song.  Viv is really having fun on this one, running and sliding across the stage.  “Rock of Ages” is a natural song to follow it with.  Rick “Sav” Savage doubles on bass and keys.  Some good shots here of Rick Allen doing his thing on his specialised drum kit.  Finally, “Love Bites” closes this portion of the program dramatically.  Fantastically fitting solo work by Viv, and Sav on keys one more time.

The next section of the DVD focuses on the music videos released since “Visualize”, beginning with their latest hit “When Love & Hate Collide”.  It’s here in two forms, but the straight performance is better than the “Epic 8 minute version”, which is bogged down by boring story and dialogue.  The simple, stripped version of the video suits the 90s even though it doesn’t really fit the string-adorned track.  “Two Steps Behind” was a cool grainy clip, featuring a string section this time!  The backwards-walking footage is fascinating and trippy.  Next is the rarely seen “Action” filmed on tour.  Joe’s sportin’ a goatee this time.  Toto, I don’t think we’re in the 80s anymore!  Also rarely seen, “Miss You In A Heartbeat”.  It’s the version with piano & band, and Joe’s tinklin’ the ivories, goatee still intact.  It’s like Lifestyles of the Rich and Famous, as each band member is playing in beautiful mansion settings.

The highlight of the video is the final section:  Def Leppard unplugged at the Wapantake Club back in Sheffield, 1995.  In the interview footage, Phil says that he enjoys the acoustic setting because it proves that Def Leppard’s famous backing vocals are indeed live.  Meanwhile, Rick Allen appreciates the challenge of using an acoustic drum kit again.  But what’s really special is that the last time Def Leppard played the Wapantake, it was 1978.  Their triumphant return in 1995 is really cool and really should be released in CD form.  Fortunately it was filmed!

Once again, it’s “Two Steps Behind” but without a screaming crowd.  It’s just Def Leppard in a very packed but respectfully quiet room.  “Armageddon It” is bouncy, and the audience responds.  This take is one of the best versions of “Armageddon It” out there; just fun and perfectly performed in the right setting.  Then the new song:  “When Love & Hate Collide” was made available in live form right here mere weeks after its single release.  The acoustic setting works, but novelty aside, Def Leppard have better ballads.  “Animal” and “Sugar” bring the party atmosphere back to the Wapantake.  “Animal” works great acoustically, and “Sugar” takes on a different form.  Phil makes a good point about the backing vocals.  It’s great to hear them live and bare like this because they’re stellar!

Even though Joe said that was the last song, he lied because for the first time, and “for a laugh”, it’s “Ziggy Stardust”!  Joe says it’s the first time they ever played it live as a band in front of a crowd, so that’s special.  It’s also a brilliant version which doesn’t hurt.  Leppard nailed it with pure love.

But wait, there’s more!  The closing interviews discuss the new album Slang:  “Up to date”, “stuck in the 90s”, “different direction”, “complete different turn”, “experimental” are a selection of words used…but then there’s a preview.  Live at the Wapantake, and only for a few seconds, is the new song “All I Want Is Everything”.  One chorus and that’s all we get, though the folks at the gig that night heard the whole song.  The viewing audience at home only got a taste.  Not enough to judge by.  Not enough to get a feeling of what Def Leppard meant when they used words like “experimental”.

We’d find out soon enough.

The end credit music is an instrumental version of “When Love & Hate Collide” with only piano and strings and no band. Now that would be something cool to include in a future box set.

4/5 stars

 

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales
  13. Adrenalize
  14. Live at the Freddie Mercury Tribute Concert
  15. Retro-Active
  16. Visualize
  17. Vault

Next:

19. “Slang” (UK single)