VHS Archives #116: Joe Elliott and Rick Allen of Def Leppard in June ’88

On June 10 1988, Def Leppard rolled into Toronto on their massive Hysteria tour.  Michael Williams of MuchMusic was on hand to ask them about Rick’s accident and remarkable recovery.  They also discuss writing with Phil Collen for the first time.

Die Hard by Shooting Your Eye Out: The Christmas List LeBrain Train

A great quartet of fellows and a wonderful set of lists!  Tonight’s list of favourite Christmas movies ranged from the 1930s to the present day, and spanned multiple genres.  I’m sure you’ll find something to love here!

Your panel of merry-making Xmas Xperts:

This was the last show until the New Year’s Eve drop-in party on December 31.  If you’d like to participate in that, let me know and I will make sure you get the link to join!  Have a Merry Christmas and a safe holiday!

 

Merry Christmas! Top Five Xmas Films on the LeBrain Train

The LeBrain Train: 2000 Words or More with Mike Ladano

Episode 91 – Top Christmas Films

No need to explain this one!  As a followup to the popular Top 5 Horror Films show, we just had to do a list of Top Christmas Movies!

The panel tonight is as epic as the Christmas cheer we will be spreading:

There will also be two bonus lists:  one submitted by Scott Peddle and one by John T. Snow!

This will be the last show until the New Year’s Eve drop-in show on December 31.  If you’d like to participate in that, let me know and I will make sure you get the link to join!  Have a Merry Christmas and a safe holiday!

Friday December 17, 7:00 PM E.S.T. on YouTube, Facebook and also Facebook!  (We decided to discontinue Twitter as Facebook is preferred by most.)

#960: Spoilers? [Spoiler-free]

RECORD STORE TALES #960:  Spoilers?

How do you like to enjoy a movie?  Do you prefer to go in stone cold with no spoilers?  Or do you like to be hot with anticipation, awaiting every mega-moment that you have seen leaked on Reddit?

Spoiler alert:  I like spoilers.

Gimme them spoilers!  Movies today are so predictable anyway.  But I have zero tolerance for jagoffs who post this stuff in public.  It’s inconsiderate.  Therefore, this will be a spoiler-free chapter about spoilers.

We’ve all seen the classic Simpsons episode, am I right?  Homer walks out of The Empire Strikes Back, saying aloud, “Who’d have thought Darth Vader was Luke Skywalker’s father!”  Everyone in line was furious at him for revealing the big one.  More recently came a douchebag who spoiled a Harry Potter book for all the faithful waiting in line to buy it.  “Snape kills Dumbledore!” he yelled from the safety of his car as he drove by like a true coward.

I think it’s safe to say that whether you are pro or anti spoiler in your personal lives, nobody likes an asshole like that who goes out of their way to ruin an experience for everybody.  Go back home to mommy’s basement, spoiler-troll.

When we were kids, we never went to see movies in their first weeks.  Our family waited until things had died down a bit.  By then we’d already bought the Marvel Comics adaptations.  The Empire Strikes Back was the last Star Wars movie I saw that wasn’t spoiled.  My dad bought the Marvel comic adaptation while we waited in the lobby.  It was just the two of us.  The big reveal had less an affect on me — I simply assumed Vader was lying, as did most of us kids.  We’d already seen him lie to Lando.   Then, starting with Return of the Jedi, pretty much every Star Wars movie I saw was spoiled in some way.  I discovered this didn’t hamper my enjoyment of the films at all.  In fact it made me want to see them even more, and savour the moments when they came.

Phantom Menace?  Spoiled by Lucasfilm themselves, on the soundtrack CD to the movie.  Attack of the Clones?  By this time, Ain’t It Cool News was getting regular clicks.  I just can’t resist the allure of spoilers!  The internet has made it hard to keep a movie secret in any way.

Look at Spiderman: No Way Home.  The film’s not even out yet.  Pretty much everything has already been up on YouTube before Sony could take them down.  (And taking them down, they are!)  So I’ve seen everything.  I’ve seen all the villains.  I’ve seen the end credit scenes (both).  The heroes, the cameos, the big moments.  All filmed on some shitty, shaking cell phone where you can barely hear the dialogue.

My sister has rules about spoilers.  She doesn’t want to know anything that isn’t in the official trailers.  I think that’s a sensible policy.  For her.

These glimpses don’t spoil movies for me.  I still got the shakes, watching the terrible YouTube videos.  My tear ducts got a little wet when I saw…nevermind.  And based on past experience, it’ll happen again when I finally see No Way Home in theaters.  Whenever that will be.

See, that’s currently the problem.  With the latest Covid variants, who knows when I’ll be back in the theaters.  Originally I planned to see Spiderman during Christmas holidays.  Now I’m not so sure.  I have to play it by ear.  My grandmother (age 97) is in the hospital right now, and seeing her is more important than seeing Tom Holland and his new friends on the big screen.

So, yeah, spoil me!  Spoil me rotten — but ask me first.

VHS Archives #115: Erica Ehm talks to Bret Michaels about Native Tongue while Richie Kotzen just sits there

1993:  Native Tongue was not doing well on the charts, but MuchMusic dutifully had Bret Michaels and new guitarist Richie Kotzen on hand for an interview with Erica Ehm.  It’s a pretty solid 10 minutes, touching on the following topics:

  • Getting “serious” lyrically
  • Safe sex
  • C.C. leaving the band, Bobby breaking his hand
  • Reasons for being in a band, still
  • The “Stand” video, and the Bill Clinton inauguration
  • Critics
  • Bret writing “country music”?
  • Toning down the image

Richie Kotzen utters one complete sentence the whole time.  This interview is remarkable not because Bret Michaels is always entertaining, but because Richie Kotzen didn’t fit in and it’s painfully obvious.

TRIUMPH AND DEFINITIVE AUTHENTIC ARE PLEASED TO ANNOUNCE THE OPENING OF THE TRIUMPH VAULT – A CELEBRATION OF CANADA’S OWN ROCK & ROLL MACHINE!

Fans of classic Canadian rockers Triumph are in for a special treat – the launch of the ‘Triumph Vault’ website on Tuesday, December 14th, 2021.

By accessing triumphvault.com, fans will be able to discover artifacts from the band’s career beginning with a celebration of Triumph’s classic 1981 album, ‘Allied Forces.’

This inaugural collection will feature a selection of newly discovered artifacts personally curated by Mike, Gil and Rik in collaboration with Definitive Authentic. Several pieces are partnered with new audio commentary directly from the band.

New collections will be added to the Vault regularly for fans which will unlock over 45 years of Triumph’s illustrious rock & roll history through rare photos, audiograms, video, behind the scenes content, and exclusive collectables.

Commemorating the launch, the Triumph Vault will offer signed and numbered limited-edition memorabilia that have never been made available until now. And as part of the celebration and in keeping with the iconic ‘Allied Forces’ cover, fans who sign up for updates via the site are automatically entered to win a Dean Flying V guitar with a personal note from the band!

“We’re super excited to have our loyal fans experience the launch of the Triumph vault. Finally, after years of touring and recording, we’re able to unearth and display rare elements and artifacts from Triumph’s history. We can now share with our fans what we’ve been stowing away for years at Metalworks Studios.” –Gil Moore

The Triumph line-up – Rik Emmett, Gil Moore, and Mike Levine – rocked the world, and in the process, gave us countless classic hard rock anthems (“Fight the Good Fight,” “Hold On,” “Magic Power,” “I Live for the Weekend,” “Lay It On the Line,” and of course, “Rock & Roll Machine,” and albums (Just a Game, Progressions of Power, Allied Forces, Never Surrender, Thunder Seven, etc.).

Originally formed in 1975 and hailing from Mississauga, Ontario, Canada, the trio was always proud of their Great White North roots. And seemingly ever since their inception, Triumph was on the cutting edge of technology when it came to their live show – particularly lighting, sound, and effects. Sophisticated lasers, pyrotechnics and moving lighting rigs, all computer-controlled – Triumph was one of the first arena rock bands to incorporate all of these elements into their shows.

Triumph’s headlining tours were legendary, and the band was featured on many memorable stadium/outdoor shows – including the US Festival, the World Series of Rock, the American Rock Festival and Texxas Jam, Day on the Green, to name but a few. And earlier this year, the band was the focus of a documentary, ‘Triumph: Rock & Roll Machine,’ directed by Banger Films’ Sam Dunn and Marc Ricciardelli.

And now, Triumph fans will be able to celebrate the history of the band – with the launch of triumphvault.com.

REVIEW: Polychuck – Part II: Shadows Remain (2021)

POLYCHUCK – Part II: Shadows Remain (2021 EP)

Polychuck’s back.  The diverse Montreal musician / singer / songwriter / shredder has returned to cap off 2021 with a followup EP to this year’s Shadows Exposed, and it’s a step into a larger world.  Everything seems bigger and bolder.  According to the man himself, these two new songs are a closing of the Shadows chapter, as he moves on to prepare his full length album debut — a concept album.

Of this new release, Polychuck explains:  “Those were the two songs that originally didn’t make the cut because of their darker, more aggressive sound. These are the heavier tracks that were written and recorded at the same time as the other ones on the EP.”

The progressive “Scarred” has elements that harken back to classic Alice Cooper.  Haunting keyboard touches, cinematic dialogue in the backdrop.  The song soon evolves into a chugging metallic stomp, with double bass setting an aggressive tone.  The icing on the cake is the second solo, a guest guitar spot by 17 year old Justus Hajas.  Wait until you hear this one!

The second track, “Lay a Claim”, stirs more ingredients together, including 80s pop and record scratching.  This classic-to-be brings us out of the Shadows with positive lyrics and outstanding melodies.  “I’m here to fuckin’ stay,” sings Polychuck with intent.

With talent like this, he’s sticking around!

Indeed, Polychuck has a vision, and it’s going to be cool to watch him unfold it.  As his sound grows we can assume his forthcoming album will be even bigger in scope.

4.5/5 stars

REVIEW: Def Leppard – When the Walls Came Tumbling Down (The Early Years Disc 3)

Part Three of the Def Leppard Review Series

DEF LEPPARD – When the Walls Came Tumbling Down – New Theatre, Oxford 1980 (The Early Years Disc 3) (2019)

Of Leppard’s many live releases, When the Walls Came Tumbling Down is the most ferocious.  The early Leppard including Steve Clark and Pete Willis was a different kind of predator.  This particular setlist, captured after the release of the debut album On Through the Night, is extremely valuable to fans.  The band performed all 11 albums tracks, a clutch of early singles, and unreleased material.

“When the Walls Came Tumbling Down” is played first, full speed ahead.  Joe playfully changes one of the choruses to “When Oxford Came Tumbling Down”, and without pause they barrel right into the adrenalized “It Could Be You”.  There are no touch-ups or fixes done to these recordings.

The single “Rock Brigade” has a different flavour, more focused on the melody, with the foot less on the gas pedal.  Joe Elliot demonstrates confidence.  Rick Allen is a monster on the drums and Rick Savage is audibly holding it down.  Keeping to a similar tempo, “Satellite” swaggers all over the stage with determination, and Pete Willis absolutely slaughters on the solo.

There’s only a brief respite.  “Medicine Man” is an unreleased song that was later reworked into “Rock Rock (‘Til You Drop)” from Pyromania.  The quiet opening only lasts a moment before that now-familiar riff kicks in.  There’s no question that “Medicine Man” benefited from its later evolution, but many elements of the song were already, joyfully, in place.

“Answer to the Master” is rolled out with that snakey riff, and Joe is extra-engaging.  A trend is now apparent:  virtually all these songs are better than they are on album.  Another unreleased gem called “When the Rain Falls” might be more familiar under its later name, “Let It Go” from High N’ Dry.   Some elements including the riff survived to the final track, but what a serious riff that is!  When Leppard had both Willis and Clark in the band, they were a riff factory.

Back to On Through the Night, “Sorrow is a Woman” is more lively than it is on LP.  Same with the non-album single “Good Morning Freedom”.  From the drums to vocals to sheer energy, it’s better than its studio counterpart, with an intense solo to burn.

“It Don’t Matter” has a cool groove, and more drive than it does on album.  This version is evidence that Joe already had ample frontman abilities.  This takes us to “Overture”, the Leppard epic with the soft opening and big arrangement.  This is where Leppard’s two lead guitarists get to show off in dramatic fashion.

The last unreleased song is “Lady Strange” from High N’ Dry, which is in more complete shape than the other two.  As it is on album, it’s one of Leppard’s most impressive songs so far.  Riff, verse and chorus are combined in perfect form.  Only minor tweaking would be needed before it was album ready.

The final batch of album songs for the night are laid out.  “Getcha Rocks Off” is a blast.  “Hello America” is looser than album.  And “Wasted”?  Total blitzkreig.  Unstoppable and unbelievable.  Finally the very last track, “Ride Into the Sun” is the timeless beloved B-side, originally from the Def Leppard EP making it three for three EP tracks.  It’s over before you know it, two and a half minutes are gone and that’s all folks!

Even though it is completely lacking in hit singles, it might not be going out on a stretch to say that When the Walls Came Tumbling Down is a strong contender for Best Live Def Leppard album.

4.75/5 stars

Previous:  

Next:  

  • The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased

 

Sunday Screening: “Fort Max” unfinished clip

On Friday night’s LeBrain Train, G1 Fortress Maximus was my #4 favourite Transformer of all time.  I don’t have a G1, but I have an (even better) Encore reissue.  I mentioned during the show that although the figure is now in storage, I did film an animated Transformers movie starring the toy.  He featured in a big battle scene with Galvatron, an homage to their original fight in Marvel’s Transformers #79.  I filmed the whole thing on the May long weekend in 2013 but lost my script and never edited it together.

However I’ve dusted off a couple shots, edited them together and I present to you a clip from the unfinished film Transformers 4:  Fortress Maximus.*  Music is “Immortal” by Max the Axe, from Trillion Dollar Threats.

* The series is as follows:

  1. The Transformers:  Death and Rebirth of Optimus Prime (unreleased)
  2. Transformers 2: Revenge of the Schnauzers
  3. Transformers 3: The Ghost of Starscream (unreleased)
  4. Transformers 4: Fortress Maximus (unfinished)

 

The History of the Transformers + Top Five = AstroLeBrainTrain Action!

A long show with lots of visuals tonight, and an absolute treat for fans of robots in disguise!  For those of you who joined Rob Daniels, Harrison the Mad Metal Man and myself — thank you!  From the early Japanese origins, up to the present day, we took you on a guided tour of the Transformers brand.  Plenty of vintage and modern toys on display, and genuine toy ads from back in the day too.  (Facebook copyright strike — they killed the stream.  Sorry about that, but you can still watch on YouTube.)

Show format:  the first hour and 15 minutes are a history lesson.  The lists begin then!  Three lists, 15 picks, and no repeat!

This was an absolute blast.  Thanks for watching.