A million thank-you’s to Brent Jensen, the author of No Sleep’Til Sudbury, Leftover People: A Journey Through Post-Rock & Roll America and All My Favourite People Are Broken. Chatting music is what we love to do here, and it was a privilege to speak with someone so saturated with musical knowledge, stories and connections. When you watch this show, I hope you feel the kinship that we music diehards share.
Obscure format junkies: Check out 0:24:10 of the video for info on a format Sony were working on called “The Cube”. It would have been a six-sided format around the time of the compact disc.
You can buy Brent’s books at Amazon, and you can check out his podcasts at nosleeptilsudbury.libsyn.com. (I’ll be checking out the Sandy Horne from the Spoons episode ASAP!) If you’d like some merch, contact him directly and he’ll hook you up. Details at the end of our video.
A million more thanks to Superdekes for setting this episode up. My brother from Thunder Bay should be known as “Superfan” after his meticulous homework and attention to detail!
There will be no sleep tonight as I hit the web looking for all these tunes! From Saxon, to Kick Axe, to Maiden (with and without Blaze), to Priest (with and without Ripper), please enjoy the music that makes our skin vibrate.
For those who missed it, here is the 11 minutes that Youtube missed, but Facebook had. Unboxings: Jeff Scott Soto, John Norum, The Black Crowes, Frank Zappa, Def Leppard.
The LeBrain Train: 2000 Words or More with Mike Ladano
Episode 38
Music writer Brent Jensen is the author of No Sleep’Til Sudbury, Leftover People: A Journey Through Post-Rock & Roll America and All My Favourite People Are Broken. He also hosts the excellent No Sleep ‘Til Sudbury podcast, which, believe me, is a a rabbit hole with (currently) 184 episodes. Brent does a lot more than just talk about music. He digs deep into the history, the stories and most importantly the people. It is going to be an honour and privilege to talk music and pick the brain of Brent Jensen on tonight’s show.
Tonight’s guest host Superdekes has challenged me to come up with five songs that “makes my skin vibrate”. After several days of brainstorming, changes and second-guesses, I think I have done just that. It might get heavy!
It truly is an honour to have Brent on our little show. I mean, this is a guy who has interviewed Ron MacLean at least four times. Can you say “we’re not worthy”?! Either way, tonight is going to be awesome. Get ready to dig deep into tunes that make your skin vibrate.
Tune in tonight at 7:00 PM E.S.T.!
Bonus for early birds: Regular viewers know that I usually go live before the show officially starts at 7:00 — usually around 6:40 PM. This is so I can do some unboxings and new music reveals before the guests arrive. Tonight I’ll be unboxing a parcel from CD Japan and showing off my latest purchases from Encore Records!
A second live album to go with a second Ripper studio album seemed excessive. Double live albums, both. ’98 Live Meltdown was a suitable way to get fans familiar with Ripper Owens’ spin on Priest tunes. With only one new studio album between them, was 2003’s Live in London necessary?
Maybe not “necessary”, but certainly beneficial. Wisely, Priest avoided double-dipping on many songs. Eight songs were not on ’98 Live, including old classics like “Desert Plains”, “Heading Out to the Highway” and the rarely played “United”. Notably, “Turbo Lover” was back in the set for the first time since 1987; no longer an embarrassing pariah but slowly becoming a classic. It’s also a stronger album sonically than ’98 Live, with guitars more in-your-face.
Ripper is commanding. On the Live in London DVD, he spoke about his stage attire. He would come out on stage dressed in the leathers, but after a song or two, changed into a baseball cap. He was clearly more comfortable just being himself. And that translates into him sounding comfortable on album.
The new songs from Demolition included are “One On One”, “Feed On Me”, and “Hell Is Home”. It’s hard to ignore the modern sonic touches like Morello-inspired guitar noises. All decent enough tunes, but up against the back catalogue of the mighty Priest, they just disappear into the scenery.
One of the most impressive performances is all 10 minutes of “Victim of Changes”, probably the longest jam of the song you are likely to find. KK’s guitar solo is mental. “Diamonds and Rust” is the same acoustic version they played on the previous tour, but “Turbo Lover”…oh baby! It is strange hearing anyone other than Rob Halford singing it, but this Priest is convincing enough. It is largely stripped clean of the synths, as Priest seemed scared of this part of their history. “Desert Plains” is also special — Ripper just lets loose a molten scream at the start. This is the only version available with Ripper, or Scott Travis on drums. Scott nails the pulse of “Desert Plains”. Another special song is “Running Wild”, rarely played, from Hell Bent For Leather. It’s joyful to hear. Ripper really screams it up. The oddball anthem “United” is heavier with the guitars amped up, but it’s definitely the one that sticks out like a sore thumb.
So how does Live In London stack up “One On One” against ’98 Live Meltdown? It’s more well-rounded, and has two more tracks. That means room for more old rare classics. Overall the new Jugulator material worked better in concert than the Demolition stuff, which is an element in the favour of ’98 Live. Both albums are so close to equally enjoyable that’s there’s no point in splitting hairs. Just hit play and enjoy a “lost” era of Judas Priest that wasn’t bad at all.
JUDAS PRIEST – Priest, Live & Rare (1998 Sony Japan)
Fun fact: in 1998, there were three Judas Priest live albums released. First was the official ’98 Live Meltdown, featuring then-current singer Tim “Ripper” Owens. There was also Concert Classics, an unauthorised CD from the British Steel tour that the band swiftly took legal action to remove from store shelves. Finally, a CD called Priest, Live & Rare released by their old label Sony in Japan, featuring a smorgasbord of live B-sides.
Judas Priest’s B-sides don’t garner a lot of attention, but are worth looking in to. Fortunately, a large assortment of them are collected on this compilation. Covering a period from 1978 to 1986, Priest released a number of live B-sides (and one remix) that are included here. Only two (“Starbreaker”, and a version of “Breaking the Law”) were released on CD in the 2004 Metalogy box set. Because Priest were conscious of giving value to fans, the live B-sides are not the same familiar versions from live albums.
From the “Evening Star” single in 1978 comes “Beyond the Realms of Death”, Judas Priest’s “Stairway to Heaven”, or so some said. It’s a rather weak comparison, but “Beyond the Realms of Death” does hold special status. Glen’s solo, though imperfect, drips with the tension that comes from the live performance. From the same gig, but lifted from the “Take on the World” single comes “White Heat, Red Hot” and “Starbreaker”. You can hear the life in the songs, from Les Binks’ organic drum work to Rob’s impassioned performance. The man is in top voice especially on “White Heat, Red Hot”. Les Binks has an extended energized drum solo on “Starbreaker”. These are fantastic live versions that need to be in a diehard’s collection.
The next single visited is 1981’s “Hot Rockin'”, with two live B-sides: “Breaking the Law” and “Living After Midnight” from that year in Holland. The drum stool has changed hands from Les Binks to Dave Holland, and it is like the band has had a heart transplant. The difference is notable given that on this CD, Binks went out on a drum solo. It’s like a pacemaker has been installed and the pulse of the beast has been tamed. But that’s 80s Priest for you, and with that said, these are two excellent versions of some serious Priest hits. Refreshing to hear, after the same familiar ones over and over again.
Priest’s set at the 1983 US Festival has not been released on CD yet, but here are some for you. (The Festival on DVD is not an issue — the deluxe Screaming for Vengeance contains the whole thing.) Here you get “Green Manalishi”, “Breaking the Law” and “You’ve Got Another Thing Coming”. “Green Manalishi” is a fantastic version (at least for one with Dave Holland on drums!) and Rob is peak Halford. These three tracks are sourced from a live 1983 Japanese “Green Manalishi” EP that costs some fair funds on its own. (This is the version of “Breaking the Law” that you can also find on the Metalogy box set.)
“Private Propety” (originally from 1986’s Turbo) is a rare live take from St. Louis. It was originally released on the “Parental Guidance” 12″ single. Therefore it’s not the same one from Priest Live, nor the Turbo 30th anniversary set. This one predates the release of the others and has a nice untampered quality. Finally, also from the “Parental Guidance” single, is the only disappointing B-side in this collection. It’s the “Hi-Octane” extended remix of “Turbo Lover”! Extended remixes were a popular thing in the 80s. Every mainstream artist did them; for example Def Leppard, Kiss and Aerosmith. “Turbo Lover” is one of the poorer such examples. Were any dance clubs likely to play Judas Priest? No, but the Priest did try.
Unweildy ham-fisted “Turbo Lover” aside, Priest, Live & Rare is a highly recommended collection to get 10 rare Priest B-sides in one fell swoop. Definitely cheaper than tracking down all those singles.
JUDAS PRIEST – Defenders of the Faith (2001 Sony reissue, 2014 Special 30th Anniversary Deluxe Edition)
Let’s start this review by taking a quick look at the bonus tracks that were added to the 2001 Sony remastered CD. The first is an acoustic ballad called “Turn On Your Light”. With lead guitars overdubbed later on, this spare acoustic ballad would have been a sharp left turn for the band had it come out on the next album (Turbo). It’s very light, even more so than the material that made the album. On the other hand, given the musical climate of the era, maybe it could have been a hit that propelled Priest to heights previously unseen. We’ll never know. The second bonus track comes from Long Beach on the Defenders tour. It is the duo of “Heavy Duty” and “Defenders of the Faith”, but we’ll get into it later as it’s also included (albeit remixed) in the 30th Anniversary Deluxe Edition we’re about to discuss. Important to note: the 30th Anniversary does not include “Turn On Your Light”. If you want to get that song, you have to get the 2001 version.
When I was a kid, around the time of Defenders of the Faith, I can remember listening to a live Priest concert with the next door neighbour George. We were on his picnic table in the side yard, listening to it on the radio. That must have been Long Beach, May 5 1984, the show included in the Anniversary Deluxe set. Spread over two discs, it’s a full Priest show with nine of the ten new songs played. Only the controversial “Eat Me Alive” was not played.
“Love Bites” is an unusual set opener, but of course they did use “Out in the Cold” on the following tour too. The mix is bass-heavy with Ian Hill up front for some reason. Barking Rob spits out the words like bullets. Sticking with new material, it’s “Jawbreaker”, the second track on Defenders, performed at light speed. Rob says hello to 13,000 heavy metal maniacs and then dives into the oldies. Three well-received number from British Steel in a row: “Grinder”, “Metal Gods”, and “Breaking the Law”. Though robotic in tempo these songs were and still are landmarks for the band. “Breaking the Law” is the most lively, with Rob acting as the cheerleader in concert.
They reach way back for “Sinner”, which again suffers from the Dave Holland treatment on drums. It’s too fast and stiff. Fortunately, Halford belts out the chorus in scream-form with earnest. “Desert Plains” comes next, a song for which there are few live versions available. It’s a bit too fast, with pulse of the original song lost, but strong nonetheless.
Another batch of new songs follow, all awesome in their own right: “Some Heads are Gonna Roll”, “The Sentinel”, “Hard Hard Ride Free” and “Night Comes Down”. It speaks to the strength and popularity of the album that the set looks like this. These are ably performed, though Rob’s voice sounds very raw on “The Sentinel”. The crowd goes completely nuts when, before “Rock Hard Ride Free”, he announces that five million people are listening live on the radio! Unfortunately due to his sore-sounding voice, the version on Priest…Live makes for better listening. “Night Comes Down” (issued in an alternate live mix on the Ram It Down 2001 remaster) is one of Priest’s most unsung triumphs, a ballad of sorts set in the dusk. Try listening to it when the sun is going down some time.
Strangely, “Electric Eye” is the first song from the previous hit album Screaming For Vengeance, an album that is largely ignored here in favour of the new one. Next it’s a last gasp of new songs in the form of “Freewheel Burning” and the anthemic duo “Heavy Duty” and “Defenders of the Faith”. These are a treat. Rob uses “Defenders” to get the crowd to do a singalong. “Freewheel” is pretty manic, and then it’s into the set-ending classics.
“Victim of Changes” can’t help but be the centrepiece of the set. It’s a serious Priest epic and isn’t rushed through like other songs. This version is just a little bit different. “Green Manalishi” is dutifully tough, though every version with Dave Holland is intrinsically and unfortunately inferior to the one with Les Binks. The guitar solos are note perfect and full of sparks. Moving on to “Living After Midnight”, it’s big blockheaded fun. “Hell Bent for Leather” is a high speed thrill as always, and then Priest finally end it on “You’ve Got Another Thing Coming” and the inevitable and annoying “Oh-oo-oh-oo-oh-yeah” crowd singalong.
The 30th Deluxe has a booklet with several live pictures — none of former drummer Dave Holland however. (If you don’t know why, Google him and guess.) The remastering of the album itself may be new, but the real emphasis is on the complete concert. The fact that the setlist contained almost all the new album makes it unique among Priest releases. It’s a show worth returning to and playing again. If Rob’s voice was less rugged that night, it might have been a live album in its own right.
JUDAS PRIEST – Defenders of the Faith (1984 Columbia)
If memory serves, in contemporary times, Defenders of the Faith was considered good but not as good as Screaming for Vengeance. It was a down-ratchet in terms of tempo and intensity. With the benefit of hindsight, we can see that both albums are near-equals in quality.
It begins with a bang. “Freewheel Burning” is borderline thrash, with the kind of high octane tempos they do so well. Racing metaphors are paired with a lightspeed lead Rob Halford vocal, syllables flowing so fast that only a seasoned rapper could keep up with his flow.
Look before you leap has never been the way we keep, our road is free. Charging to the top and never give in never stop’s the way to be. Hold on to the lead with all your will and not concede, You’ll find there’s life with victory on high.
Without a lyric sheet, there was no way you were able to follow the words.
After an adrenaline rush like that, Priest wisely shifted the throttle back a few gears with “Jawbreaker”. Though not slow, it’s also not mental like “Freewheel Burning”. The pace is determined. It would not be controversial to say that Dave Holland isn’t as complex a drummer as Les Binks was. Still he and Ian Hill do lay down a pulsing, robotic metal beat.
Third in line and backed by regal guitars, “Rock Hard Ride Free” sounds like an anthem. “Rock hard with a purpose, got a mind that won’t bend. Die hard resolution that is true to the end.” For context, in the 1980s, being a metal fan was like choosing to be a neighbourhood pariah. Many of us appreciated upbeat, encouraging messages like “Rock Hard Ride Free”. We believed in something, and it wasn’t what the teachers and preachers thought it was. That’s what “Rock Hard Ride Free” is about.
The first side closes on “The Sentinel”, a mini epic. A street battle is taking place in a shattered apocalyptic landscape. It could very well be the same world inhabited in “Blood Red Skies” or “Painkiller”.
Amidst the upturned burned-out cars, The challengers await, And in their fists clutch iron bars, With which to seal his fate. Across his chest in scabbards rest, The rows of throwing knives, Whose razor points in challenged tests, Have finished many lives.
A multi-parted dual guitar solo animates what the rumble must look like. Rob tells the story with the necessary urgency. In the end it’s a scream-laden metal triumph.
Ominous echoing bass notes ring as soon as the needle drops on Side Two. “Love Bites” was a single, an unusual song with a very spare riff. Its simplicity is its weapon as it bores its way into your brain. Halford sounds absolutely menacing. Then they go turn on the afterburners for the very naughty “Eat Me Alive”, a song which got them a bit of trouble in the 1980s. It was one of 15 songs the Parents Music Resource Center wanted stickered for “explicit content” . “I’m gonna force you at gunpoint to eat me alive” sings dirty Rob, as the parents of America weep in their Cheerios. Not an album highlight, except in terms of pure aggression.
Much more interesting is the slower, menacing “Some Heads Are Gonna Roll”. A great deep cut. Dave Holland could have been a drum machine for what it’s worth, but this song is a champion. Interestingly they followed it with the even slower “Night Comes Down” which might be the album ballad (albeit a heavy one). Great pulsing bassline by Ian Hill on this track. It’s a more sensitive, thoughtful side of Rob. “Call me and I’ll wait till summer. You never understood that I would wait forever, for love that’s only good.”
The album closes on a dual track: “Heavy Duty” / “Defenders of the Faith”. “Defenders” itself is an epic outro with “Heavy Duty” being the main part of the song. As it implies, this is a heavy duty stomp. The highly processed drums are accompanied by a repeating riff until Rob breaks into the outro. Though “Defenders” itself is only a minute and a half in length, it’s among the best minutes on the album.
Not a perfect album, but even though this is a simpler Judas Priest for the 1980s, it still commands respect. Defenders of the Faith is undoubtedly an 80s album. It’s aimed at a wider demographic that wouldn’t necessarily get their earlier more complex material. Defenders does it well, with some truly timeless riffs, and great song after great song.
Tonight on 107.5 Dave Rocks, check out Jessie David’s show The Essentials, because this week she’s covering Led Zeppelin! I spoke with her about Zeppelin for the show, and she asked me a question that makes me chuckle: “Have you ever seen them live?”
I laughed and told her I’m not that old! I was only 8 when the band broke up.
Her fellow radio personality Darryl Law was in line to get tickets at the Montreal Forum the day that John Bonham died. How’s that for historic? But I’m not as old as D-Law!
I thought this was worthy of a Sunday Chuckle, and a good opportunity to tell you about her show. 8:00 PM tonight, listen to Jessie David play some Zeppelin Essentials!
This might get emotional here, so hold on to your hats and grab some tissues.
I just wanna say thanks.
In March 2020 the world went into lockdown, and we all dealt with it one way or another. Now, at least where I am, lockdown 2.0 is looming. Christmas is coming and seeing my family is a question mark. I’m not able to see my friends. Yet in a bizarre twist I’m feeling so connected to everyone. This pandemic has forced us all to stay home, but instead of moping and watching Simpsons re-runs, together we’ve turned Friday nights into a fun weekly event.
Not that there is anything wrong with Simpsons re-runs!
This first started with just me, talking into a camera and hoping people were watching. They were. And they wanted to play along. Then Uncle Meat came up with the “Nigel Tufnel Top Ten” countdown theme and it was a huge success. And here we are now! I had to invest a little money into this, to take it up to the level I wanted. I bought a new camera, two new microphones, lights, cables (lots of trial and error here), a streaming subscription…several hundred dollars later I’m where I want to be and I wouldn’t have done it without so many awesome humans.
Thank you Eric, my friend of 20-plus years, but soulmate for 40. I love you, you big stinky Meaty Uncle.
Thank you Derek, also know as “Superdekes”. It’s hard to believe we never spoke to each other except by keyboard until this pandemic began. You have become a friend, a collaborator, a creative genius (“Paper Plate T-Bone”) and the facilitator for bringing on some great guests.
Thank you Aaron for being a reliable regular, not to mention 24 years of friendship. Now we can speak regularly about the music we love!
Thank you Kevin for getting me on Streamyard, and for being a reliable co-host for many weeks now! Sorry I’ve been mangling your last name for years now, though you didn’t know it until recently!
Thank you Geoff and Sarah for your recent contributions. I’ll be seeing you both again soon — that’s a promise/threat!
Thanks to Rob Daniels for 35 years of friendship, amazing co-hosting duties, and for bringing your own shows to us every Wednesday and Saturday! You are weathering the storm like a superhero Rob. And of course thanks to Gimli who I suspect could actually be the real star of your show….
Thank you John Snow for helping me out multiple times as co-host, and for very cool backdrops every time!
Thank you Harrison for watching on the opposite side of the world, since the very beginning. We’ll be having you on again real soon for another great list show. No spoilers!
Thank you Holen, wherever and whoever you are! Thank you Saige for the amazing LeBrain Train graphics. Thank you to Tyler(s), plural. Thank you to my family especially my mom for watching week after week even if you do not care about AC/DC or Van Halen. Thanks to Chris, Scott, Len, Seb, Michael LeFevre, Lana, Rosana, and Никола́й Черныше́вский for watching regularly. Huge appreciation to the guys from Storm Force, Steph Honde, and Frank Loffredo for coming on and supporting the show. Taking the time to come on and talk to us means everything to me.
Frank mentioned that he loved the “DIY” method of what we do. That’s it exactly. He gets it. This is a bunch of stir-crazy friends getting together every Friday night to hang out, geek out, drink coffee (some of us anyway) and talk music together. On a personal level, it’s me trying to stay connected, but also trying to give back to the community. I’m not making money on this, it’s happening out of love. And necessity. We need to take care of each other. As a classic introvert, this pandemic has brought out hidden talents. Not just in me; in all of us. One of us (not naming names) got kind of sour on the idea of doing interviews a couple years ago. He had a bad experience. But this Friday night show has allowed us to have some really great interview experiences together and I’m glad to have been a part of that. DIY is right. We have been figuring it out as we go and it keeps getting better week after week.
The worst thing about making thank-you lists is forgetting someone. I hope I didn’t. I appreciate every single person who has watched, contributed, left a comment, and or just hung out and watched. I think we’re just getting started. Just like this pandemic keeps going and growing and evolving…so will we.
Thank you to Sarah and Kevin (Caught Me Gaming and Buried On Mars respectively) for co-hosting, and for some amazing Nigel Tufnel Top Ten Led Zeppelin songs lists! Thank you to Aaron (Keeps Me Alive) and Uncle Meat (no affiliation) for adding your lists to the mix. We heard about some brilliant songs tonight with some personal touches of what makes them so special.
But the hero of the night is Graph Wizard Geoff from 1001albumsin10years! Thanks to him, we can call some clear winners or losers in this race!
Or can we? You’ll just have to watch to find out!
If you don’t feel like watching the whole thing, you can just check out Geoff’s cool graphs below!
mikeladano.com 