A Music Fan’s Nightmare? Too Much Music Part 3 on Grab A Stack of Rock!

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 54: Too Much Music Part 3

Welcome to the third (and final?) “Too Much Music”, a series on Grab A Stack of Rock where I simply grab a stack of nearby random CDs and show them to you, the rock fan!  Inevitably, I run into multiple discs that have never been played, or have gone unplayed in years.  That’s why we call this series “Too Much Music”!

On this show, we will dig through some of the following:

  • My favourite album of all time
  • Marillion box sets, remix albums and singles
  • Deep Purple reissues
  • Compilations
  • Soundtracks and rare promos with rare tracks
  • Blaze
  • More Canadian content
  • Lots of King’s X
  • Alice Cooper
  • Dio
  • Catherine Wheel
  • Queen
  • Loudness & more Japanese imports
  • Scorpions
  • April Wine
  • Faith No More
  • Steve Vai
  • Pearl Jam
  • Brant Bjork
  • Tribute albums
  • Deluxe editions
  • And a look at a really weird format called Vinyl Disc

All this and more.  I do not think I will be able to do the comments section due to illness.

 

Friday March 8 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic.   Enjoy on YouTube, or (HOPEFULLY) Facebook!

The Writer’s Room: Outside the Writer’s Room

The Writer’s Room: Outside the Writer’s Room

Each one of the four was holding John T. Snow down by a limb.  The normally kind southern gentleman was struggling to escape.

“I’ll kill them!  I’ll kill them both!  Let me go!” screamed Snow.

The friends each struggled to keep him stable.  Mike had the left arm, Harrison the right.  Meanwhile Aaron and Metal Man had a leg each.  Each man grunted at the strain of holding John Snow down.

“I don’t understand!” protested Aaron.  “He’s gone crazy!  What happened?”

“He he hasn’t been the same…urgh!” Mike strained under the strength of John Snow’s left arm.  “He hasn’t been the same since he returned from that weird portal!”

“I fear something terrible has happened,” added Harrison the Mad Lego Artist.

“I second that,” said the 80s Metal Man as he gasped for breath.  “I can’t keep holding him!”

“Let…me…GO!” screamed John Snow again.  “I’ll kill them both!”

“No more Simmons soda for this guy,” joked Aaron.  Nobody laughed.

Suddenly the board room doors slammed open.  A team of Police ran in, guns out, and fanned about the room.

“Everyone stand back and release the suspect!  He’s coming with us!”

With quick and efficient movements, the experienced crisis team swiftly had the manic John Snow restrained, and they escorted him to an adjacent room.  It was over in what felt like seconds.  Everything happened so fast.  Before long, Snow was calmed and seated.  The Police Captain came to speak to Mike.

“We’re taking him to hospital for observation and questioning,” informed the Captain.  “He will be safe and in good hands.  You are all welcome to follow and wait there for results.  I don’t think there’s any reason to press charges.  That doesn’t seem to be appropriate for this situation.  We’ll get your friend some medical help and we’ll go from there.  The hospital will keep him in custody for the time being.”

“That sounds good to us,” said Mike.  For some reason he was picturing himself as a Police captain in a strange Noir-like universe where Harrison had a long handlebar moustache.  A funny vision.  He snapped back to reality.  “Thank you officer, Harrison and I will go.  These guys can go home to their patient families!”  He then paused a moment and looked across the room at John Snow.  “Can I…can I go speak to him a moment?”

“Just a moment,” answered the Captain as he motioned Mike to speak to John.  Mike walked across the room and put him arm on Snow’s shoulder.

“Hey buddy,” he said in a calm voice.  Snow nodded back in acknowledgement.  He was sweating.  He looked scared.  “These guys are going to take care of you, but don’t worry.  We’ll be at the hospital if you need us.  We won’t be far.  We’ll be following in my car.  OK man?”

John nodded again, but said nothing.  The Police escorted him while Mike and Harrison prepared to leave.

“If eternity should fail, we have his back,” said Harrison as he fastened his jacket.  “I’m ready.”


Mike and Harrison were exhausted.

It had been 16 hours.  They were told nothing except that John Snow was undergoing emergency surgery.  That was last night.  It was now past noon.  Mike had managed to get four hours sleep, but Harrison was having trouble adjusting to this time zone.  He fidgeted nervously with some Lego bricks he had in his pocket.  Mike was slouched so far down in his chair that he was all but horizontal.

A doctor emerged in mask and scrubs.  There were traces of blood on his tie.  He saw the pair slouching in their plastic chairs.

“Are you gentlemen here for John Snow?”

“Yes doctor!” answered Harrison immediately while Mike slowly got himself up into a more dignified position.  “What has happened?”

The doctor held up a small metallic oval.  It was egg-shaped, but longer and narrow.  It gleamed like a mirror with no visible markings or seams.

“We removed this from his skull.  There was no entrance wound.  It’s not a bullet.  We have no idea how it got in there.”

Mike’s jaw dropped, as if he could identify the object.  Harrison listened intently.

“The first thing we did when you first arrived was schedule a brain scan.  When sudden, violent behaviour happens unexpectedly, we look for brain trauma.  That’s when we found this.  We spent 12 hours extracting it.  Mr. Snow is unconscious in recovery.  He is going to be fine.  You may see him when he awakes.  But this…this is extremely troubling.

“May I?” asked Mike as he got out his camera to take a photo.  The doctor nodded and Mike snapped a shot of the silver object.

“This is going to Police headquarters for analysis,” said the doctor as he placed the object in a baggie.  “You guys may as well go get some rest and come back in a few hours when John is ready to be moved.  We’ll call you if there are any developments.”

“Thank you doctor,” said Mike and Harrison in unison.  They both looked exhausted and hungry, but with relief now entering their bodies as the adrenaline faded away.


Mike and Harrison sat with their drinks.

“So, Harrison,” asked Mike after a sip from his straw.   He held up his phone, and opened it to the photo of the silver capsule.  “Do you know what this is?”

Harrison squinted but shook his head.  “I must confess I do not.”

“I do,” dropped Mike like a bomb.

“Do tell,” said Harrison.  He sprinkled some candy sprinkles on his bagel to make his own form of Australian Fairy Bread.

“You’re not going to believe this…or maybe you will, given we’re seemingly seeing our stories come to life,” began Mike.  “This object is impossible…it is fictional.  It does not exist.  It is…” he paused for dramatic effect, “…a cerebro shell.”

Harrison’s expressionless face was without reaction.

“A cerebro shell.  From Transformers Generation One?  The Decepticons used them to control people.  The Insecticon named Bombshell would insert these into a victim’s brain, and control that victim with it.  Very hard to remove surgically, which is why it took so long.”

Harrison laughed.  “No, really, what is it?” he responded.

“I’m telling you what it is!” answered Mike.  “That, my Australian wunderkind, is a cerebro shell from the Insecticon named Bombshell.  A Transformer has entered our universe from theirs, and attempted to take control of John T. Snow, of our writers’s room.  And you know what that means.”

Harrison did indeed know what that meant.

“That means…they are trying to influence the story we are writing!  The Adventures of Tee Bone Man!  John said he wanted to kill ‘both of them’!  The Decepticons want Tee Bone Man and Superdekes dead!  But…why?”

“Don’t you see?” answered Mike.  “They’re real!  All of them!  And we’re writing the final battle of their reality!  Tee Bone Man and Superdekes, in some universe somewhere…they exist!  And their stories are playing out exactly as we are writing them!”

“We can’t let them lose,” answered Harrison.  “Tee Bone Man and Superdekes could be the only thing holding the evil back from invading our universe!”

Mike put his coffee down.  “Dear God…Harrison…you’re right!  The ultimate stakes here could be our very universe!”

Harrison thought a moment.  He had an idea.  “Last time we talked, I suggested we shut down Tee Bone Man and stop this mess.  What happens if we do that?”

“I fear utter disaster awaits,” said Mike gravely.  “If we stopped writing Tee Bone Man, there is nothing stopping them from finishing the story for us, with his death!  And then nothing would stand between them and our universe!  Every universe!  Harrison…the entire multiverse may depend on us writing this story to its very end.  And it has to end with Tee Bone Man and Superdekes winning.  No matter the cost.  We have to finish!”

Harrison wiped sprinkles from his moustache.  “Then that is what we shall do,” he said with great resolve.  “I suggest we begin to move our pieces into position for the coming battle.”

Mike nodded.  “I agree.  We have characters to introduce, others to bring home, and events to set into motion.  Now’s the time.”

Mike’s phone buzzed.

“It’s the hospital.  John is awake.  Let’s go.”


John was seated in his bed, white bandages over his head.  He was sipping a Gene Simmons ginger ale from a bottle with a straw.  He smile grew wide when he saw the two friends enter his room.

“Harrison!  Mike!  Am I ever glad to see you guys!”

“We’re glad to see you too!” said Harrison.

“We were worried!” added Mike.  The two took seats on opposite sides of Snow’s bed.

“Do you guys know what happened?” asked John.

“I do,” said Mike, “But let’s not worry about that right now.  You need to rest.  Harrison and I have the situation in hand.”

“You do?” asked John, turning his head from Mike to Harrison in search of answers.  “What situation?”  Mike and Harrison exchanged glances, but chose not to say too much.

“Everything is going to be fine,” calmed Harrison.  “You’re safe.  Nobody will be messing with your brain again.”

“And we brought you a gift!” exclaimed Mike while removing something from a bag.  “You’re going to love this.”  He handed Snow a small package.

“What is it?” asked John as he tore the paper open.

“It’s a new mini-sized Gene Simmons Vault!  All the songs at a fraction of the cost!”

Snowman looked at his gift and smiled.  “Do you guys know how much I paid for my original Simmons Vault?”

“Well now you have two!” said Harrison.  “One to look at, and one to play!”

“Thanks guys,” said Snowman.  “Sincerely.  My goal is to collect at least two copies of everything Gene ever made.   Thank you.”

A nurse popped her head in the room.

“Sorry folks, visiting hours are over.  You can come back tomorrow.”

“See ya, John.  Have a good rest.  We’ll be back.”  Mike and Harrison said their goodbyes, and exited into an empty corridor.


“We have a big problem,” said Harrison as the two walked.  “We stacked the deck against the super heroes in our story.  We have Satan, Trump’s clone, Shinzon, Darth Tyranus, who has the Force I must remind you, and of course the Eater of Worlds.  Now, we just introduced Doctor K as the latest villain.  I don’t think anyone has faced such danger in the history of fiction!”

“Then it’s time we even the odds,” answered Mike.  “Let’s bring them back.”

“Bring who back?” answered Harrison, puzzled.

“Us!  Bring us back!  The heroes need Moustachio and the Brain again.”

“But the Brainiac is dead,” said Harrison.  “You insisted we kill him in dramatic fashion.”

“You think there’s only one Brainiac in this multiverse?” chided Mike.  “Let’s get plotting!”

“Now that’s a sentiment I can get behind,” said Harrison.  “Off to the Toys R Us store.  I need bricks.  Lots and lots and lots of bricks.”

“Let’s go!” said Mike.  “You know, the real life Toys R Us store in Kitchener is the location where we first introduced your clone, Shinzon, in our stories?”

“I do remember that detail, yes,” answered Harrison.

“I knew you would.  To the Lego section!” said Mike.  “Allons-y!”

And with that, the two friends set about their business, as forces of both good and evil began to align for the final battle.

To be continued….


THE ADVENTURES OF TEE BONE MAN:  PHASE ONE – THE SQUIRREL SAGA 

THE ADVENTURES OF TEE BONE MAN:  PHASE TWO – THE MULTIVERSE SAGA

 

 

THE COMPLETE ADVENTURES OF EDIE VAN HEELIN’

THE WRITER’S ROOM

 

 

 

 

 

Grab A Stack of Rock: Brighton Rock Collections with Len Labelle, on CD & Vinyl

GRAB A STACK OF ROCK With Mike and Len Labelle

Special Edition Episode:  Our BRIGHTON ROCK Collections

Established in 1984 under the name Heart Attack, from Niagara Falls Ontario came the mighty BRIGHTON ROCK!  Powerhouse screamer Gerry McGhee, Greg “Shredder” Fraser, Stevie Skreebs, Martin Victor and Mark Cavarzan comprised the original lineup.  Johnny Rogers joined in the by the first album on keyboards, and the band began making their footprint in rock history through an EP, three studio albums, a live CD and a handful of standalone recordings.  We walk you through all of it from start to finish.

Joining me for this special episode is longtime friend Len Labelle, a local collector whose history with Brighton Rock goes back to the debut.  Len talks first impressions, a brief encounter with a band member, and favourite songs.  We played two vintage MuchMusic interview clips with the band and talk about a VHS tape that we believe never came out.  Towards the end, we detoured and took a great look at A World With Heroes, a Kiss tribute album featuring Brighton Rock.  We returned course and talked about the final Brighton Rock recordings, and the present day with Storm Force.

We hope you find this episode fun, informative, and full of love.  We lost Gerry McGhee to cancer in 2020, and fans continue to miss him.  I hope we did Gerry justice.

Please enjoy this special episode of Grab A Stack of Rock with Mike and Len.  If you know anything about that Brighton Rock home video, please leave a comment or drop us a line!

Discussed this episode:

  • Brighton Rock EP (1985)
  • Young, Wild and Free (1986)
  • Take A Deep Breath (1988)
  • “Hangin’ High & Dry” 12″ single (1988)
  • Unreleased home video? (1989)
  • Love Machine (1991)
  • Room For Five Live (2002)
  • “Creatures of the Night” (2013)
  • “End of Time” (2019)
  • and Storm Force Age of Fear (2020)

REVIEW: Brighton Rock – “Can’t Wait For the Night” (Remix) (1986 single)

BRIGHTON ROCK – “Can’t Wait for the Night” (Remix) / “We Came To Rock” (1986 WEA single)

Niagara Falls’ Brighton Rock had a knack for rockers and ballads in equal measure.  Though “ballad” was often whispered as if it were a dirty word, Brighton Rock released a couple as singles over their career.  “Can’t Wait For the Night” was the first.  With a soft keyboard backing, the guitar melody by Greg Fraser sketches out the hook of the song.  Gerry McGhee shows a tender side to his voice, while unleashing the scream on the chorus.  His voice takes on a third texture as the chorus goes out, a grittier version.

On the 7″ vinyl format, the song was given a remix and an edit.  It was taken down from 4:25 to 3:56, and labelled as the “single mix with guitar solo”.  Presumably all that means is that the guitar solo wasn’t chopped for the edit, since the album version seems to have the same solo.  The edited music is mostly outro, and it’s hard to discern exactly what the remix adds.  Keyboards and guitars seem to be the same.  Vocal is the same.  But here it is; the “single remix with guitar solo”!

On the B-side is the rocker “We Came to Rock”, which to me was always the “first single” because of the great music video they used to play on Much.  This dramatic little number mesmerized us as kid.  It began soft and ballady, with keyboards and the sound of violins seemingly being plucked on the verses.  Then, Gerry McGhee released the beast that was his scream on the captivating chorus.  McGhee’s voice had tremendous diversity within single songs, and this is a prime example.  Finally you get to Greg Fraser’s solo, which as always was a composition unto itself.  This is the standard album version.  Simply awesome as-is!  It is one of those rare songs that is a treat to play on repeat.

This awesome little picture sleeve single isn’t hard to find nor expensive to buy.  Highly recommended.

4.5/5 stars

Tomorrow on a Grab A Stack Special Edition, new co-host Len Labelle and I go through our entire Brighton Rock collections. Don’t miss this!

Top Five Ozzy Tunes on Grab A Stack of Rock with Peter Kerr, Mike Slayen and John Clauser

Hot on the heels of his excellent interview with bassist Bob Daisley, Peter Kerr suggested we run through the Top Five Ozzy Osbourne solo songs, and a brilliant idea it was!  Ozzy’s solo career is rich, especially in the early years, with beautiful ballads and incendiary metal.  There are heavy progressive moments, advanced arrangements, and brilliant lyrics. We gave Ozzy’s career a solid listen this week and extracted our lists, and not without difficulty!

Your panel this week:

  • Peter Kerr of Rock Daydream Nation with loads of insight and some great picks.
  • John Clauser of My Music Corner, with a guest list from Jake Not-From-State-Farm.
  • The “Dude” Mike Slayen, from San Diego, home of Jake E. Lee, and that little bit of extra guitar knowledge we needed.

I bought a guest list from Jex Russell, and the combined six lists covered a lot of ground!  Hits, deep cuts, lots of ballads, and almost every lead guitarist who played with Ozzy.  Lots of love for Randy and Jake here especially.  Besides the first two classic Ozzy records, there was a lot of respect here for No Rest for the WickedThe Ultimate Sin, Ozzmosis, No More Tears and Scream were mentioned multiple times.  There were a number of B-sides mentioned, and one track that almost got me disqualified!

Stay tuned for some cool honourable mentions!

Thank you everyone for watching tonight, and we’ll see you Monday with brand new guest Len Labelle, and a run through the discography of Brighton Rock.  See you then!

 

ALL ABOARD! Top Five Ozzy Tunes on Grab A Stack of Rock with Peter Kerr, Mike Slayen and John Clauser

GRAB A STACK OF ROCK With Mike and the Mad Metal Man

Episode 53:  Top Five Ozzy Tracks with Peter Kerr, John Clauser, and the return of Mike Slayen!

All aboard!  Ah ha ha ha ha!

Peter Kerr is back, having survived his encounter with Stevie Rachelle and his army of trolls!  He is also fresh from an interview with bassist Bob Daisley, so why not do a list show on our Top Five Ozzy Osbourne songs?

For this epic topic, spanning Ozzy’s solo career, I have recruited a special panel:

We continue to wish Harrison a speedy recovery.  I hope to see you back on the show soon, my friend.  We all miss you.

Tonight will be all about the Prince of Darkness, and together we will list Ozzy’s Top Fives according to each of our tastes.  Deep cuts guaranteed!

Friday March 1 at 7:00 P.M. E.S.T. / 4:00 P.M. Pacific.   Enjoy on YouTube, or Twitter!!  (Facebook has been problematic of late.)

#1111: Every Copy I Have Ever Seen of This CD Was Flawed – KISS: “Forever” CD single – with audio sample

RECORD STORE TALES #1111: Every Copy I Have Ever Seen of This CD Was Flawed
KISS: “Forever” CD single

Some stories, people just don’t believe!  In my years at the Record Store, I encountered a number of anomalies.   A Four Horsemen CD with Dwight Yoakam music on it?  I witnessed it with my own eyes and ears.  This actually isn’t an uncommon phenomenon.  Mis-printed CDs happened occasionally.  The wrong artwork would be printed on a CD, and it would get sent out in the wrong packaging and sold to an unsuspecting customer.

Far more common are CDs with audio flaws.  Sometimes it’s noise, sometimes the audio drops out.  Even the glorious Judas Priest 50 Heavy Metal Years of Music box set sadly has audio flaws, on a very very expensive item.  Frustratingly, it’s on one of the songs exclusive to the set.  There is a jump the in audio during “Diamonds & Rust” on the 2nd CD of Beyond Live & Rare.  Priest have never corrected this or sent out new discs to people who bought it.

However, there is one more common flaw in a CD single that nobody seems to know about.  Whaddaya mean, every single copy of Kiss’ smash hit “Forever” single has a skip?

I worked 12 years at that used Record Store.  In 12 years, I played every single copy of the “Forever” single to check, including the one I own.  It happens, unfortunately, on the only non-album song:  the remix of the title track!

It happens at roughly 1:40 of the song, right before the solo.  The lyric should be “Until my life is through, girl I’ll be loving you forever…yeah!”  In the CD single version, it goes “Until my…rrrr, yeah!”  The remix clocks in as 3:48 on the single.  In the Kiss box set, it is 3:50.  Two seconds are missing.

It’s not a scratch on the CD (or every other copy of the CD).  There is absolutely no visible flaw.  The music was simply printed incorrectly.  Perhaps the master copy had a skip?  Who knows.  It’s there.  Hear it for yourself below!  Here is the evidence.

 

 

VIDEO: Mike and Roger Unbox Australia! CDs and Marvel Blind Box from Harrison the Mad Metal Man

Harrison the Mad Metal Man continues to be under the weather, and insisted that I open his parcel in the meantime.  So I got Metal Roger on the line and opened Harrison’s box.

My memory is horrible and there is a good chance I already knew about all of this stuff, but here’s what Harrison sent me in a handy-dandy video.  Or, if you’re not patient, there are some photos with additional details below as well.

I also opened one package from Amazon, furthering my quest to complete my Journey collection.

This video is for fans of metal, CDs, and those damned Marvel Lego blind boxes that cursed me last fall!  At the end, Roger and I took a brief foray into an interesting subject – the Mount Rushmore of metal mascots.  A topic for a future show to be sure.

Thank you Harrison for your generosity once again.

 

Iron Maiden – Live After Death – remaster in digipack

Food For Thought – Iron Maiden tribute

Dio – Holy Diver – 2005 Rock Candy reissue with bonus interview track

REVIEW: Journey – Departure (1980, Remastered CD & 8-track) – Happy birthday Neal Schon!

JOURNEY – Departure (1980 CBS 8-track, Remastered 2010 Sony CD)
CD from the set 3 Original Album Classics

Changes were afoot in Journey, and alluded to on Departure.  Aside from the Japan-only soundtrack Dream, After Dream, this was the last stand for Gregg Rolie.  While he would also appear one more time on the Captured live album, he was not there for the new studio track included.  For all intents and purposes, Departure is his “last album”, to use an inaccurate but easy term.  For the man who once was Journey’s only lead singer, Departure only has one of Rolie’s lead vocals, and only two co-writes.  (In the discography, Departure directly followed 1979’s compilation of early material, In the Beginning, featuring early material and a large number of Rolie vocals.)

With Steve Perry leading the charge, Departure commences with the party anthem “Any Way You Want It”.  Those who don’t know it, know it.  It has been featured in the Simpsons, twice!  A rare honour, and mega-exposure, for good reason.  Perry’s impeccably arranged chorus is irresistible.  Rolie’s organ is the perfect accompaniment to keep in the realm of classic rock and roll.  Of course Schon’s solo is also tasty as heck, but this song is know for its party-hardy chorus.  For those who like to dig deeper, Ross Valory’s pulsing bassline goes underappreciated today, and Steve Smith’s smooth cymbal work is often taken for granted.

A surprising twist is taken on track two, the laid back blues pulse of “Walk Like A Lady”.  Sounds like Smith is playing with brushes, and Neal really plays it classy.  Then, a jab of organ and the players are off to indulge themselves.  “Oooh yeah!” shouts Perry, as if enjoying the jamming himself.  Soulful harmony vocals by the band really take this out on an authentic note.

Third song, third musical direction:  power balladeering!  Rolie sings a duet with Perry backing him on “Someday Soon”, a melancholy but punchy ballad.  Though it was not a single, perhaps it should have been.  There’s a cool, unique angelic vocal section near the end that nicely complements Steve Smith’s drum fills.

“People and Places” is like an exercise in creative vocal arrangements, if not showing off.  Neal Schon sings lead with Steve Perry on this complex track.  It’s more like the Dream, After Dream material than a lot of Departure.  If only the modern Journey were unafraid to create more unique music like this.  It still has room for a powerful melody and some warming cascades of guitar.  This song moves directly into “Precious Time”, which has a vibe like the still-in-the-future track “Liberty”.  Lyrically it foreshadows the “Line of Fire” on side two, and also has Rolie on harmonica.  It turns into a more typical Journey rocker by the midpoint.  Lots of tasty Schon guitars to be savoured here.

Unusually for an album of 1980, Departure had 12 tracks:  five on the first side, and seven on the second.  This is where we’d flip.

The big concert rocker “Where Were You” kicks off the back end of Departure.  This one pounds the pavement with beats, riffs and boppin’ piano.  It too could have been a single, though it did open their concerts on tour.  Then, a completely different mood drops:  “I’m Cryin'” hits like a cold wave of grief, though not without its musical thrills.  Soon it’s over and the rockin’ “Line Of Fire” brings the party back.  There’s no better way to describe it than a fast, good time rock and roll song.  “So don’t go sayin’ Steve is a liar!” warns Perry to some young lady who done him wrong.  “Bye bye bye Susie, so long girl!”  (He sure got over what was bothering him on “I’m Cryin'” pretty fast.)  Take note of Schon’s technical solo work here.

“Departure” / “Good Morning Girl” is softly progressive, with strings and light guitar, and little else.  This is over quickly, and then it’s the ballad “Stay Awile”, one of the sweetest songs Steve Perry or Journey have ever done.  Once again, listen to the bass and drums for a different perspective.  Perhaps the only thing better than Perry’s lead vocals are when he does it live.

Fortunately, Journey had the wisdom to end the album on a rocker:  “Homemade Love”.  Some of Perry’s worst words accompany some of his most acrobatic singing.  Still, at least it’s a good jam to go out on, with some fretboard burning fingerwork by Neal.

Interesting, the 8-track tape might have what would be called a bonus track here:  a reprise of “Line of Fire”.  It’s here mostly for timing reasons; there are no songs split between tracks anywhere on this album.  So, 8-track buyers got an uninterrupted listen, plus a reprise of “Line of Fire”.  Information is scarce, but it would be fun to hear the tape this way,

On remastered CD, we got some slightly more interesting bonus tracks than 8-track offered.  “Natural Thing” is a bluesy B-side, which was later released as the B-side to “Don’t Stop Believin'”.  Chronologically though, it is from this era and is as strong as any similar material on the album.  Funny how some tracks don’t make the cut when others do.  If you were told this was a standalone single, you wouldn’t have a reason to doubt it.  The CD also includes “Little Girl” from Dream, After Dream which is a difficult album to find and Rolie’s studio farewell.  It is a string-laden power ballad, very progressive, and far darker than anything on Departure.

Departure features an unusually rougher sound than other Journey albums.  The production seems unpolished despite the complexities of some tracks, with the vocals sometimes occupying a strange space that’s not quite in front of the music.  Still, a classic album is a classic album and there are so few flaws with Departure that it’s easy to dismiss them all.

5/5 stars

Our Journey Collections, on Six Formats (With Tim Durling) – Happy Birthday Jon Cain! – Grab A Stack of Rock Special Edition!

GRAB A STACK OF ROCK With Mike and Tim Durling

Special Edition Episode:  Our JOURNEY Collections

 

Happy birthday to Jonathan Cain of JOURNEY, as we celebrate his discography today with Tim Durling on this very special episode of Grab A Stack of Rock!  We look back at the entire discography of the legendary rock band, all the lineup changes, all the big songs, and a bunch of deep cuts as well.  On six different formats, I show you the entire catalogue, with help from Tim to fill three holes in the official collection.  (There’s still one or two essential things I need to get, but you’ll have to watch the video to find out.)

Tim Durling is what I would call a “Journey expert”.  He knows the facts and the sales numbers and the singles, and he was essential in this video coming to be.  Not just the live albums I’m still missing, but also the knowledge and personal history.  I was late getting into the band, in the late 1990s.  Tim had 10 years on me.  Thank you Tim for helping me make this video!

Together we presented CDs, cassettes, vinyl, 8-tracks, Blu-rays and DVDs of all the essential Journey.  We looked at imports from Japan, Europe, the US, and Mexico as well as different pressings with different bonus tracks.  A wide variety of Journey CD editions are here for you to examine.

Thank you Tim and thank you Journey for the music!

 

Discography included:

  • Journey (1975)
  • Look Into the Future (1976)
  • Next (1977)
  • Infinity (1978)
  • Evolution (1979)
  • In The Beginning (1979)
  • Departure (1980)
  • Dream, After Dream (1980)
  • Captured (1981)
  • Escape (1981)
  • Frontiers (1983 and 2023 40th Anniversary editions)
  • Raised on Radio (1986)
  • Greatest Hits (1988)
  • Time3 (1992 boxed set)
  • Trial By Fire (1996)
  • Greatest Hits Live (1998)
  • Arrival (2000-2001)
  • The Essential Journey (2001)
  • Red 13 (2002)
  • Generations (2005)
  • Live In Houston 1981: The Escape Tour (2005)
  • Turn the Page (Live Bootleg w/ Jeff Scott Soto (2006)
  • Revelation (2008)
  • Live in Manilla (2009)
  • Eclipse (2011)
  • Greatest Hits 2 (2011)
  • Escape & Frontiers Live In Japan (2019)
  • Freedom (2022)
  • Live In Concert Lollapalooza (2022)
  • Alive In America (2022 booteg)
  • Neal Schon’s Journey Through Time (2023)