brant bjork

REVIEW: Fu Manchu – King of the Road (1999)

DOUBLE DOSE OF FU MANCHU
Check out Mr. 1537‘s review of this same album (except on vinyl)! Right HERE!

KING OF THE ROAD_0001FU MANCHU – King of the Road (1999 Mammoth)

Of course it had to be Iron Tom Sharpe, Meaford’s Greatest Athlete, that introduced me to Fu Manchu.  It was at a Record Store staff party, and the song he was obsessed with was “Saturn III” from The Action is Go (as recounted in Tyler and LeBrain episode two).  Since collecting most of the Fu Manchu albums, I’ve managed to boil it down to three favourites.  Of these favourites, King of the Road from ’99 may be their best album.

If you don’t know Fu Manchu, they are certainly not for everybody.  Lumped into the stoner rock scene, their repetitive drone-y songs are not commercial enough for many rock fans.  Lyrics are about cars, skateboards and UFOs are not typical rock fare.  The half-spoken half-sung vocals of Scott Hill are very different.  Yet these are some of the factors that make them Fu Manchu.  On top of the cake, the incredible drummer Brant Bjork played on some of the albums, including King of the Road.  Ready for the ride?

The appropriately titled “Hell on Wheels”  opens the proceedings on a decidely adrenalized note.  That repetitive detuned riff enables the band, powered by the inimitable Bjork, to groove their way through your skull.  “So put the keys in my hand! In my hand!” sings Scott Hill, over and over again.  The lyrics are straight and to the point: “El Camaro never dies, look closely and you’ll know why.”  So it’s one of the car songs, then!  I strongly advise you to exercise caution if choosing to play King of the Road in the car.  Traffic tickets are your responsibility, not mine.

“Hell on Wheels” fades into “Over the Edge”, pure groove at a mid-tempo pace.  One doesn’t necessarily have to differentiate between Fu Manchu songs in a review.  They all feature heavy-as-fuck repetitive riffs, Hill’s unmistakable flat vocal stylings, and an unstoppable groove.  It’s just a matter of fast, slow or in-between.  “Over the Edge” is absolutely an album highlight on a CD containing little else.  “Boogie Van” is less a highlight but boasts a vintage-Sabbath style riff and some cool slide courtesy of Bob Balch.  Then the doors are blown off the place on the title track, similar to “Hell on Wheels” in speed but even more intense. It’s one of the UFO songs, but the lyrics are as muddy as the music:

Under forty over is UFO,
Hell bent, stacked in rows,
The galaxy is lined with hundreds more,
Small town, you bet we’re sure,
All through my head,
It’s happenin’ over again,
As the day is long, they keep movin’ on.

As this sucker builds towards its end, I dare you to try and not bang your head.  It’s my favourite song on the album.

King of the Road says you move too slow

After a ride like that, you need to come down, and “No Dice” does the trick with a groove right in the pocket.  “No shoes, no shirt, no dice!” sings Scott, and for a while I really wanted to post a sign that said that on the door of the Record Store.  (They never let me have any fun!)

Kicking back now, “Blue Tile Fever” keeps the grooving movin’.  “It’s all brand new, just like I told you,” is the repetitive vocal hook, and Bjork gives you some tasty cowbell to gnaw on.  Bob Balch’s squirrely lead guitar stylings keeps things interesting.  “Grasschopper” is cool but not as hooky as the previous songs.  That’s alright, because “Weird Beard” (the theme song of Iron Tom Sharpe himself) is hilariously catchy.  My sister started calling Tom “weird beard” a few years earlier because of his sometimes unique facial hair stylings.  When Fu Manchu came out with a song called “Weird Beard”, I couldn’t stop chuckling.  No idea what this one’s about at all, but dig that groove!

Wikipedia tells us that the next song “Drive” was only on the North American version of King of the Road. Other territories got a song called “Breathing Fire” (wishlisted!).  “Drive” kicks ass at maximum rpm.  Brant Bjork and Bob Balch keep it interesting, while bassist Brad Davis keeps the groove going with pedal to the metal.  (Do not play while driving!)   Once again a comedown is necessary and “Hotdoggin'” does the trick as a slow cruiser.  The surprise is the closer, “Freedom of Choice”, a Devo cover.  It’s surprising because of how heavy they make it.

The CD is “enhanced” and contains the music video for “King of the Road”, as well as the single “Evil Eye” from The Action is Go.  (So you can consider “Evil Eye”, an awesome tune with a cool video, as a bonus track.) This outdated technology never really worked well in the first place and now with YouTube, nobody cares anymore.  It’s there if you want to check it out.

There are a few Fu Manchu albums that I would bestow the coveted 5/5 upon.  King of the Road is one.

5/5 stars

Tom and Meat’s Top Whatever of 2014

For my Top Five of 2014, click here.

For Dr. Dave’s Top Ten of 2014, click here.

For the Top Whatever of No Pre-Determined Amount from two of Canada’s most knowledgeable rock gods, stay tuned right here.  From Meaford Ontario, weighing in at XXX lbs, it’s Iron Tom Sharpe, who turns it up to 11.

SAM_2973

Tom’s Top Eleven of 2014

BEN WARD11. Various ArtistsRONNIE JAMES DIO: This Is Your Life
10. JUSTIN TOWNES EARLE – Single Mothers
9. MASTODON Once More ‘Round the Sun
8. EARLY MAN – Thank God You’ve Got the Answers For Us All
7. OPETH – Pale Communion
6. JOHN GARCIA – John Garcia
5. ST. PAUL & the BROKEN BONES – Half the City
4. sHEAVY – The Best Of sHeavy – A Misleading Collection
3. DRIVE-BY TRUCKERS – English Oceans
2. BRANT BJORK and the LOW DESERT PUNK BAND – Black Power Flower
1. ORANGE GOBLIN – Back From The Abyss


Saving the best for last, here’s Uncle Meat.  For added rocket sauce he’s also given me his top movies of 2014.

SAM_2788

Meat’s Top Eight of 2014

Copy of IMG_20140706_0857128. MASTODONOnce More ‘Round the Sun
7. ECHO AND THE BUNNYMENMeteorites
6. FOO FIGHTERSSonic Highways
5. “WEIRD AL” YANKOVIC – Mandatory Fun
4. FLYING COLORSSecond Nature
3. BRANT BJORK and the LOW DESERT PUNK BAND – Black Power Flower
2. DRIVE-BY TRUCKERS English Oceans
1. ORANGE GOBLIN – Back From the Abyss

Meat’s Top Twelve Movies of 2014

WHIPLASH12. Lucy
11. X Men : Days of Future Past
10. St. Vincent
9. Interstellar
8. The Lego Movie
7. The Grand Budapest Hotel
6. Captain America: The Winter Soldier
5. The Hobbit: The Battle of the Five Armies
4. Guardians of the Galaxy
3. Get On Up
2. Birdman
1. Whiplash


#339: Tyler and LeBrain episode two – Monster Truck & More

1a a a a a a a a a a a a monster furiosity live

RECORD STORE TALES Mk II: Getting More Tale
#339: Tyler and LeBrain episode two – Monster Truck & More

Missed the last episode of Tyler and LeBrain? Click here for episode one: Nickelback, and get up to speed.

Today’s subect:  Continuing our Nickelback discussion, Tyler and I turn to a controversial comparison: Do Nickelback and Monster Truck sound the same?  Listen to what we have to say, and leave your thoughts in the comments.  Enjoy.

*NOTE: I got the name of the Fu Manchu song and album wrong.  It’s “Saturn III” from The Action Is Go.  

REVIEW: Brant Bjork – Jalamanta (1999/2009 vinyl)

 

BRANT BJORK – Jalamanta (1999 / 180 gram vinyl 2009 reissue)

I still remember the circumstances surrounding me originally getting this on CD.  As recounted in an earlier Record Store Tale, Tom and I were at a party.  We were listening to some sHeavy, and Tom mentioned the Brant Bjork solo album as another must-have.  Being a fan of Brant Bjork’s drumming from Fu Manchu, I ordered it without hearing a single track.  Tom attempted to describe it by calling it “a cross between Fu Manchu and surf rock.”  Interesting.

10 years later, when Bjork reissued it on vinyl, he added the UFO-centric Blue Oyster Cult cover bonus track, “Take Me Away”.  Automatic re-buy.  It doesn’t really sound like the rest of the album, but who cares?  It’s Brant Bjork covering Blue Oyster Cult.  But that’s not the only reason to re-buy Jalamanta.

What a beautiful record! The first thing you’ll notice is the new cover.  All black with the Brant Bjork skull embossed.  Beautiful.  Open it up to get at the booklet with all new photos. The booklet truly is a work of art. Remember when you used to buy an LP, and you’d sit down in front of your stereo staring at the pictures, trying to make out every little detail until the record was done? Brant Bjork takes us back to that time.

The cover page is what appears to be an awesomely greasy Mexican meal, and then the final page is the empty plate — a satisfied customer. Just like with this LP.  You can really get stuffed on the grooves and tones contained herein.  There are plenty of low-key, incessantly grooving instruments.  The music is simple, repetitive, but effective.  It’s not heavy, but it feels weighty nonetheless.

The lyrics are included.  Here’s an example, from “Automatic Fantastic”:

The man shakes me down, that’s why I’m broke. Rich man’s got all the green but it ain’t the kind you smoke. So we turn up the rock, and we roll it slow. We’re always flying high, and the ride is always low.

Musically, if you haven’t heard this album before, I don’t really know how to describe the songs.  Bjork plays almost everything himself, and the vibe is laid back.  He sings on every song but “Toot” which is handled by Mario Lalli (Fatso Jetson). He’s chosen to mix his vocals way back and emphasize the unadorned guitars and drums.  The mix is spare, quiet at times, loud at others, but always trippy. Imagine driving down a deserted highway on a hot summer night with the windows down. This is the soundtrack to that ride.

This is one of those album that sounds like it was just meant to be heard on 180 gram vinyl. There’s no sound like it in the world. I noticed a heck of a lot more bass, the bassline on “Lets Get Chinese Eyes” being particularly sublime. This album just sounds stunning now.

5/5 stars

  1. “Lazy Bones” – 1:29
  2. “Automatic Fantastic” – 6:59
  3. “Cobra Jab” – 3:18
  4. “Too Many Chiefs…Not Enough Indians” – 3:44
  5. “Sun Brother” – 4:45
  6. “Lets Get Chinese Eyes” – 4:45
  1. “Toot” – 5:58
  2. “Defender of the Oleander” – 7:53
  3. “The Low Desert Punk” – 5:20
  4. “Waiting for a Coconut to Drop” – 4:17
  5. “Her Brown Blood” – 4:16
  6. “Indio” – 4:15
  7. “Take Me Away” – 5:35 (Blue Öyster Cult cover) vinyl only bonus track

Sausagefest XII: MY top 20 picks

SAM_2878Most of the stuff I picked this year was too obscure.  Stuff like “The Cut Runs Deep” by Deep Purple.  “The Hockey Theme” by Neil Peart.  “Wall of Sound” by Kiss.

I did however vote for the Countdown’s #1 song, “Toronto Tontos” by Max Webster.  It was 33rd on my list, but six people also picked it, putting it at the #1 spot on Saturday night.

Four picks from my top 20 made the countdown:  “Die Young”, “Zero the Hero”, “Caught Somewhere in Time”, and “Breadfan”!

So, here were my top 20 picks.  Tomorrow, I will post the entire Countdown!  Stay tuned…

1 HERBIE HANCOCK WELL YOU NEEDN’T
2 IRON MAIDEN FOR THE GREATER GOOD OF GOD
3 BLACK SABBATH DIE YOUNG
4 KISS BLACK DIAMOND
5 QUEEN IT’S LATE
6 UFO LOVE TO LOVE
7 ALICE COOPER BALLAD OF DWIGHT FRY
8 JOHNNY CASH DON’T TAKE YOUR GUNS TO TOWN
9 TED NUGENT GREAT WHITE BUFFALO
10 QUEENS OF THE STONE AGE IF ONLY
11 THE WHO A QUICK ONE
12 BRANT BJORK CHICO
13 JUDAS PRIEST THE RIPPER
14 IRON MAIDEN CAUGHT SOMEWHERE IN TIME
15 BLACK SABBATH ZERO THE HERO
16 FAITH NO MORE SURPRISE YOU’RE DEAD
17 FAITH NO MORE LAND OF SUNSHINE
18 FAITH NO MORE EVIDENCE
19 BUDGIE WHISKEY RIVER
20 BUDGIE BREADFAN

The official video

Part 204: An Introduction to sHEAVY

sHEAVY_0002

Back then in the olden days, you were actually expected to type that whole url into your browser!

RECORD STORE TALES Part 204:  An Introduction to sHEAVY

MARCH, 2000.  Saturday night.  One of our store owners was throwing a house party.  Tom, being the usual musical selector at parties, put a cassette on for me.  He rewound to the beginning and hit “play”.

“Mike,” he said, wild-eyed with excitement.  “One of my customers gave me this tape.  It’s the new Ozzy.  It’s not out yet.  This is a bootleg copy.”

This intense, guitar heavy distortion faded in.  The voice, also distorted and processed, was a dead ringer for a young Ozzy!

“Ozzy’s singing great, isn’t he?” Tom inquired mischievously.

“That’s not Zakk Wylde on guitar,” I retorted.  “I’d know if it was Zakk, and that guy’s not Zakk.”

Tom faltered.  “That’s, uhhh, the new guy.”

I called bullshit.  “This isn’t Ozzy.  It sounds a hell of a lot like early Sabbath, and it’s really good, but it’s not Ozzy.”

“Fuck!” Tom spat out.  “I can’t believe you got it so fast.  When I heard it, I truly thought it was new Ozzy at first.  At least the way the new Ozzy should be, you know what I mean?  Hear all that fuckin’ Sabbath going on there?”

I did indeed hear all the Sabbath going on.  In fact, of all the bands that people hyped to me as being “Sabbath-y”, this band came closest.

The band is from St John’s, Canada, and they are called Sheavy.  They kicked serious ass.  The album we were listening to was 1998’s The Electric Sleep.  The song:  “Virtual Machine”.  Often found on many bit torrent sites as a “lost” Black Sabbath reunion song.  It is not.  It is Sheavy, and that’s how close they nail the vintage Black Sabbath sound.

sHEAVY_0003The singer is a fellow named Steve Hennessey, and according to the CD booklet, he once had an audition with Tony Iommi and Black Sabbath’s then-producer, Bob Marlette!  What could that have been for?  An Iommi solo album, or Sabbath itself?  The CD doesn’t reveal.  “Special thanks to Tony Iommi, Bob Marlette, Ralph Baker and Paul Loasby for the audition and an experience I will never forget,” is all it says!  He nails every inflection that Ozzy used to do, it’s that uncanny.

I marveled at the music, and decided to buy it the next day.  I ordered it from Amazon along with Jalamanta, the first solo album from then-Fu Manchu drummer Brant Bjork.  (Even though I worked in a record store, there was no point in trying to order obscurities like these through our supplier.)  When they arrived, I was blown away by both.  I occasionally brought Sheavy to the store to play at work, and many people asked if this was the new Sabbath or the new Ozzy.  “Nope,” I’d say.  “This is a band from Newfoundland and Labrador called Sheavy.  They’re awesome.”

Unfortunately for a Canadian band, their albums were really hard to find!  A little while later, I picked up the next album, Celestial Hi-Fi, on Japanese import, from HMV.  The bonus track “Nine December” is an asskicker that made it worth the extra cash.  They’re just an awesome band, and they grew past the Sabbath-clone tag after a couple albums.  Unfortunately, toiling away in relative obscurity for almost 20 years has taken its toll, and the band’s future is uncertain.  For that reason I’m grateful they’ve left many great albums behind.

Tomorrow, we’ll look at The Electric Sleep in a detailed review.  Check back soon.