queens of the stone age

REVIEW: Queens of the Stone Age – Over the Years and Through the Woods (2005 CD/DVD)

QUEENS OF THE STONE AGE – Over the Years and Through the Woods (2005 Universal CD/DVD)

First thing’s first.  You will notice that the DVD has six more songs than the CD, and that’s not including the bonus features. That’s OK. While I wish there were two CDs so you get the whole show on audio, Over the Years and Through the Woods is still a damn fine live album.

No Nick? No problem. As much as I love the Nick Olivieri era of Queens, this live album smokes. Oftentimes, I don’t give a toss for Queens without Nick (Villains being an exception).  I do own and love this. Yeah, there are tunes that I miss. Yeah, I miss his screaming. But the album makes up for it in pure tuneage. (Nick’s in some of the bonus materials anyways.)

There’s a great mix of material from all the Queens albums, with a heavy leaning on Songs For The Deaf. There are even a couple Desert Sessions tunes, and an unreleased one.  It’s one awesome set, and great value for the money. It’s a CD I play at home, in the car, on the big stereo and on the earphones. Sound and video quality are fine. Don’t expect a hi-def show from the Queens though. This is sweaty and rough.

My favourite part: Josh Homme gets pissed off at some kid throwing things at him, and berates said kid in front of the crowd a bit.  “Hey cocksmoker.  Eat a bag of dicks.”  He then breaks into the “Anti-Cocksmoker Song” (“Tangled Up in Plaid”.)

Lineup: Josh Homme, Joey Castillo, Alain Johannes, Troy Van Leeuwen and Natasha Shneider.

5/5 stars. Indispensible.

 

CD
1.”Go with the Flow” – 2:58
2.”Regular John” – 5:24
3.”Monsters in the Parasol” – 4:39
4.”Tangled Up in Plaid” – 4:00
5.”Little Sister” – 2:51
6.”You Can’t Quit Me Baby” – 9:49
7.”I Wanna Make It wit Chu” – 4:27
8.”Leg of Lamb” – 3:34
9.”I Think I Lost My Headache” – 5:24
10.”Mexicola” – 5:09
11.”Burn the Witch” – 3:12
12.”Song for the Dead” – 7:47
13.”No One Knows” – 7:47
14.”Long Slow Goodbye” – 7:20

DVD
1.”This Lullaby” – 2:40
2.”Go with the Flow” – 3:12
3.”Feel Good Hit of the Summer” – 3:41
4.”The Lost Art of Keeping a Secret” – 3:44
5.”Regular John” – 5:30
6.”Song for the Deaf” – 5:09
7.”Avon” – 3:33
8.”Little Sister” – 2:52
9.”You Can’t Quit Me Baby” – 10:27
10.”I Wanna Make It Wit Chu” – 5:10
11.”Monsters in the Parasol” – 3:16
12.”The Fun Machine Took a S*** and Died” – 6:41
13.”Mexicola” – 5:17
14.”Burn the Witch” – 4:37
15.”Covered in Punk’s Blood” – 1:57
16.”I Think I Lost My Headache” – 5:07
17.”Song for the Dead” – 8:16
18.”I Never Came” – 5:54
19.”No One Knows” – 8:09
20.”Long Slow Goodbye” – 7:44

DVD BONUS FEATURES (from various tours):
From 1998:
“The Bronze” – 3:38
“Mexicola” – 5:34
From 2000:
“Better Living Through Chemistry” – 5:54
“Auto Pilot” – 4:19
“How to Handle a Rope” – 3:29
From 2002:
“Quick and to the Pointless” – 1:34
“You Think I Ain’t Worth a Dollar, But I Feel Like a Millionaire” – 2:36
“God Is in the Radio” – 11:19
“Song for the Dead” – 6:09
“Regular John” – 2:02
“Hanging Tree” – 3:16
From 2005:
“Precious and Grace” – 3:33
“Burn the Witch” – 2:41
(Band audio commentary commentary available for bonus tracks)

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#626.5: The Big Lists of 2017 Part Five: The Mighty Meat

Uncle Meat’s Top Ten Movies of 2017

  1. I, Tonya
  2. Star Wars: The Last Jedi
  3. Jim and Andy : The Great Beyond – Featuring a very special, contractually obligated mention of Tony Clifton
  4. Baby Driver
  5. It
  6. Justice League
  7. Gilbert
  8. Logan
  9. Get Me Roger Stone
  10. ESPN 30 for 30 – Ric Flair: The Nature Boy

 

 

Uncle Meat’s Top Ten Albums of 2017

 

I must admit that it was hard doing this list, for the simple reason that Uncle Meat rarely likes anything new.  Call me a Fuddy-Duddy…call me stuck in the glorious past…But you cants call me Johnson.  Considering I am using a very old reference to the David Steinberg show, maybe I should just get on to 2017 instead.

 

10)  Queens of the Stone Age – Villains  – The first track on this album called “Feet Don’t Fail Me Now” came out and literally kicked me in the face…pun intended.  But the rest of the album drags and is kinda forgettable.  However the aforementioned track might be my song of the year so it makes up the bottom end of this list.

 

9)   Pallbearer – Heartless   – Not as blatant as my number 10 entry, but again this is based mostly off one track. The song pointed out by Dr. Dave,  “I Saw the The End”, seems to have so many intentional or unintentional “nods” within it they are hard to count.  I have heard it reminds people of Queensryche, Iron Maiden, King’s X…etc.  But the rest of the album doesn’t seem to live up to that glorious track.

 

8)  Deep Purple – InFinite  – Yet another solid output from Morse-era Deep Purple.  Steve Morse has been in the band so long now it seems weird to keep referring to the “Morse era” anymore.  Ian Gillan is writing vocal lines that seem to better suit his limited vocal range right now.  I really like the keyboards on this album.  Even Frank put one of the tracks as his song of the year.  Listen to Frank.

 

7)  Jason Isbell and the 400 Unit – The Nashville Sound  –  Someone has to mention something other than “Heavy Metal Bullshit” on this site.  2017 may have been a bit of a Metal resurgence year for me, but Jason Isbell’s 2017 offering needs to be on this list.  His lyrics are reminiscent of the great John Prine on this album.  He also rocks out a little bit more here, which is good because I found some previous album to be way too mamby-pamby and not enough guts.  Plenty of guts and beauty on this record.

 

6)  Mogwai – Every Country’s Sun  – This band was introduced to me by Doctor Doom a few years ago.  Always appreciated what they do but found it hard to get into.  A few listens of Every Country’s Sun, and it’s diverse song styles have made me more than appreciate them. It is really quite simple.  I need to hear more Mogwai.

 

5)  Steve Earle and the Dukes –  So You Wanna Be an Outlaw  – I have only had a couple listens of this in full, which just is not enough to really dig into a Steve Earle album.  But what I have heard I have loved, as per usual.  You just cant go wrong with Mr. Earle.

 

4)  Power Trip – Nightmare Logic – Was introduced to this album by a review on Banger TV (highly recommended You Tube channel run by Sam Dunn).  It was compared to Slayer’s Reign in Blood both in overall style and the album’s short running time.  Once again the past draws me in as it definitely is “old school Thrash Metal”.  Not an album I could listen to a lot, but hard not to elicit a reaction anytime it comes on.

 

3)  The Necromancers Servants of the Salem GirlIron Tom Sharpe or whatever he calls himself here on this blog introduced me to this French band that totally rocks.  Sounds like an oxymoron I know, but it indeed rocks.  I really find they remind me of Orange Goblin at times, which is a high compliment in my world.  I have found myself in the rock guitar pose frequently with this album playing.  Frank would like it.

 

2) Elder – Reflections of a Floating World  – Elder came out of absolutely nowhere for me about a month ago. Kicked my fucking ass…and soul.  Reflections of a Floating World is absolutely the greatest collection of music I heard in 2017.  I couldn’t put it number one which will be explained shortly, however it is so fucking good I would say this might be my favourite “Metal” album in many many years.  Years ago I wanted so bad to find a truly Progressive Metal band, and the closest thing I could find was Dream Theater.  But they continually had this gloss and sparkly side to them which turned me off a lot of the time.  If Pink Floyd and Kyuss had a baby, and it grew up listening to nothing but Gabriel Genesis albums, you would get Reflections of a Floating World.  The singer kinda reminds me of Perry Farrell, which seems like an odd fit but works perfectly.  No barking on this record.  The second track, “The Falling Veil”, is a song I have went to many times within the last month.  If you like good music, and have the patience to appreciate it, soak yourself in this record.  Do it, Frank.

 

1) Five Alarm Funk – Sweat  – Do I think this is the best album of 2017?  As mentioned earlier, that goes to my number 2.  However this was by far my favourite album of this year as well as my favourite band of this year.  Five Alarm Funk is Canada’s best keep secret, but subsequent albums never really captured what it was like to see this band live.  They did release a great live album in 2016, but what FAF have created with Sweat seems to be taking the energy of their live shows and writing appropriate music to suit their show.  The song “Iceberg” is as many parts Zappa and “Heavy Metal Bullshit” as it is a funk song.  Many other tracks have this groovy girth to them.  If you hear about Five Alarm Funk playing a show near you…you owe it to yourself to see Canada’s hardest working band.  The band will kick your ass and back again while you are dancing to it.  But this album will do in a pinch. Love these fucking guys.


And we love you, fuckin’ Meat!

 

REVIEW: Queens of the Stone Age – Villains (2017)

QUEENS OF THE STONE AGE – Villains (2017 Matador double vinyl)

At my heart, I am a skeptic.

I was skeptical that Star Trek: Discovery would be any good, and that it wouldn’t piss all over the fans.  (It was and it didn’t.)  I like to share light doses of my skepticism with social media followers.  One record I have been consistently skeptical about is the new Queens of the Stone Age, Villains.    The first single, “The Way You Used to Do” did little for me.  It sounded more like Eagles of Death Metal than my beloved Queens.  Craig Fee over at 107.5 DaveRocks dubbed it “The Way You Used to Write Good Songs”.

Skepticism remained high, but vocal friends such as the trusted J at Resurrection Songs urged me to be open minded and give it a listen.  Fast forward to September 2017.  While browsing at my local Sunrise Records, one of the new Queens songs came on.  I liked it.

“I’m going to ask her if this is the new Queens,” I said to myself, “and if it is, I’m going to buy it.  On vinyl.”

It was and so that’s what I did.  The song was called “Fortress”.

My fears were assuaged on first listen.  “Mark Ronson’s a pop producer,” I thought.  Ronson has probably never recorded anything as heavy as “Song for the Dead”, but the songs on Villains have their own heaviness.  It comes from a deeper place.  It’s not about the volume of the guitars and the speed of the drums, but the melding of parts in a simmering cauldron.  Even “The Way You Used to Do” has grown on me.  The stuttering guitars are layered brilliantly within that dance beat.

Villains‘ nine songs  are a unique concoction, like Queens meets Faith No More meets David Bowie at the Apple store.  You might miss Nick Oliveri or Mark Lanegan (who doesn’t?), but the current Queens are still lethal.  Be lulled into the pulse and fuzzy landscapes of these new songs, and be slowly drawn to their unmistakable melodies.  They have always been eclectic, and Villains is the latest in that tradition.  With “Un-Reborn Again”, Josh Homme quotes from the Georgia Satellites “Keep Your Hands to Yourself”, on a song that sounds crafted from the leftovers of Van Halen’s “Sunday Afternoon in the Park”.

Why vinyl?  For the gatefold vinyl and the graphic etched fourth side.  Also for the rich sound and included mp3/Flac download.

If you are one of those who has a general “No Josh Homme” rule, this album will not convert you.  If you merely skeptical like I was, then be fearless and delve right in.

4.5/5 stars

#528.5: Klassik Kwote of the day – “Side Project”

The Foo Fighters took a break in 2001.  Their new album, to come later as One By One, was not going well.  The band were infighting, and the album was put on hold.  Around that time, Josh Homme hooked up with his old buddy Dave Grohl and invited him to play on the new Queens of the Stone Age album.  Dave was growing wearing of frontman duties in his own band and was happy to just be a drummer again for a little while.

The resultant QOTSA album, Songs for the Deaf, was a smash hit.  Dave Grohl’s presence brought them a higher profile than before, but it was also just a flat-out kick ass record.

One of our store managers, Joe “Big Nose” was a Queens of the Stone Age fan going back to Kyuss.  Though I was not there personally when this happened, Joe likely had an internal meltdown when a customer asked:

“Hey, do you have that new side project of Dave Grohl from Foo Fighters?”

I bet there was steam coming out of Joe’s ears!

DVD REVIEW: 2010: The Year We Make Contact

Welcome back to the Week of Rockin’ Movies.  Each movie we take a look at this week will have a significant connection to rock music.  Today’s installment may surprise you. 

MONDAY:  House of 1000 Corpses (2003)
TUESDAY: The Devil’s Rejects (2005)

2010: The Year We Make Contact (1984)

Directed by Peter Hyams

 

Was there ever a film that needed a sequel less than 2001: A Space Odyssey? If any movie had ever defied sequel-making, it was the original 2001. It is impossible to talk about 2010 without mentioning Stanley Kubrick and the groundbreaking film that started it all. With that in mind, 2010 is still a great science fiction film, intelligent and exciting, while feeling light years away from the original.

Dr. Heywood Floyd (Roy Scheider) has taken the fall for the disasters that occurred aboard the Discovery back in 2001. The infallible supercomputer H.A.L. 9000 (Douglas Rain) did fail, four astronauts were murdered, and Dr. David Bowman (Keir Dullea) has disappeared (presumed dead). Nobody knows why, not even H.A.L.’s creator Dr. Chandra (Bob Balaban) . The Discovery is in a decaying orbit around Jupiter, and the Americans plan on sending a team there to find out just what happened. One problem:  the Russians will get there first. Floyd has been offered a ride on the Russian ship, the Alexei Leonov, to combine missions.

SCENE

You can do that now?

The premise itself shows us that the cinematic universe has changed. Politics were all but inconsequential in the first film, but here they form major plot points in the whole story.  The Soviets are still deep into a cold war with United States, but recent flare-ups threaten to go nuclear at any time. The President’s finger is hovering over the button. Amid this chaos, the Americans don’t want the Soviets to get to Dicovery first.

Heywood Floyd needs  Discovery and H.A.L. to find out what went wrong last time, with five lost lives on his hands. Along for the ride are Dr. Chandra to reactivate H.A.L., and Dr. Walter Curnow (John Lithgow), the man who built Discovery. The Russian crew, portrayed excellently by mostly Russian actors for authenticity, are distrustful of the Americans. Their commander, played by Helen Mirren, is also an officer of the Russian air force and finds her loyalties tested when Dr. Floyd tells her that the phantom of Dave Bowman has warned that they must leave Jupiter in just two days.

Is it a phantom or has David Bowman really returned?  Or at least something that once was Dr. Bowman? Keir Dullea, not looking a day older even though nearly 20 real-world years have passed, is eerie in his portrayal of Bowman.  He is clear that Jupiter’s orbit will no longer be safe, but offers no explanation other than, “Something is going to happen. Something wonderful.”

2010 BOOK SCAN2010: The Year We Make Contact was based on the Arthur C. Clarke novel 2010: Odyssey Two.  Left to his own devices and without Stanley Kubrick’s collaboration, Clarke’s story featured much more dialogue.  (The book also included entire chapters about a rival Chinese mission to Jupiter’s moon Europa, and David Bowman’s journey.)  Peter Hyams wisely chose not to try to copy Kubrick’s style for 2010, as that would have been pure folly.  The end result was a more accessible but less mind-altering film.  It is certainly less authentic (for example there is no sound in a vacuum) and less ground breaking.

In one of the more human scenes, look for the late Natasha Shneider of Queens Of The Stone Age and Eleven as the cosmonaut Irina.  Roy Scheider and Natasha Shneider have a memorable scene together that adds a lot of realism to the film.  Shneider was a sometimes-actress in the 1980’s while trying to get her music career off the ground.  When she formed Eleven with Jack Irons (ex-Red Hot Chili Peppers and future Pearl Jam drummer)  and her partner Alain Johannes, a little bit more recognition came her way.  Besides touring as a member of Queens of the Stone Age supporting Lullabies To Paralyze, she also featured heavily (writing and performing) on Chris Cornell’s solo debut album Euphoria Morning.  She died of cancer July 2, 2008 at age 52.  How sad that she never saw the year 2010 herself.

 

This film is a suitable sequel for this sci-fi fan. Such science as “aerobraking” is shown on screen, and the possibility of life on Europa is explored. And, finally, we get to see what life on Earth in 2010 actually looks like! (Not quite like the real thing turned out, sadly!)

In an effort to “explain” the mysteries of the original Odyssey, 2010 succeeds by leaving just enough to the imagination. The ancient monoliths and the beings behind them are never fully explained. There are questions left behind, thus far only explored in the pages of Clarke’s novels. (Tom Hanks once expressed interest in making a film version of 3001: Final Odyssey but that idea, thankfully, is dead.) This movie could have been a disaster in many ways, but fortunately was not. While nothing can ever equal or top 2001, or come even close to breaking the ground that it did, this film serves as a satisfying coda and it is good to watch them both together.

DVD contains a decent documentary called “2010: The Odyssey Continues”.

4/5 stars. If this were any other sci-fi film franchise, it would have been 5/5. But when comparing to the original, nothing could be equal to it.

1998 MG DVD release

1998 MGM DVD release

Roy Scheider as Dr. Heywood R. Floyd
John Lithgow as Dr. Walter Curnow
Helen Mirren as Tanya Kirbuk
Bob Balaban as Dr. R. Chandra
Keir Dullea as Dave Bowman
Douglas Rain as the voice of HAL 9000
Natasha Shneider as Irina Yakunina
Candice Bergen as the voice of SAL 9000 (credited as “Olga Mallsnerd”)

 

REVIEW: Them Crooked Vultures – “Mind Eraser, No Chaser” (10″ single)

Welcome back to the WEEK OF SINGLES 2!  We’re looking at rare singles all week.

Monday: Dream Theater – “Lie” (CD single)
Tuesday: Jimi Hendrix – “Valleys of Neptune” (7″ single)

VULTURES

 

THEM CROOKED VULTURES – “Mind Eraser, No Chaser” (10″ single)

I love unique looking items and this sure qualifies. Enveloped in a transparent red sleeve is a 10″ picture disc; this is something to behold. It looks great and you’ll want to put it in some kind of protective sleeve right away to keep it pristine, which is what I did.

The A-side contains the album version of “Mind Eraser, No Chaser” and a live cut of an unreleased song called “Hwy 1”. This  live track was recorded in January in Sydney, Australia. It’s an awesome tune, punctuated by some seriously dexterous playing from John Paul Jones. Those who have heard his solo album Zooma know exactly what I’m talking about. I really liked this song a lot, it gets into a great groove, locking in with Dave and Josh, and a melody that makes it a real standout. If it had been on the album it would have been one of the choicest cuts.

“Mind Eraser, No Chaser” itself was one of the better album tracks as well, making this side a great listen.  It’s a pretty succinct track that could be easily mistaken for a Queens of the Stone Age song.  No matter that John Paul Jones is 1/3 of the band, Them Crooked Vultures simply resembles QOTSA more than they don’t.

The B-side is an 11-minute interview conducted by film director Liam Lynch (Tenacious D: The Pick of Destiny).  It’s actually quite a good interview, with all three members of the band.  Both Dave Grohl and Josh Homme went into the album without having played their “main” instruments in a long time (drums and guitar respectively).  John Paul expresses his disappointment that many metal bands are simply parodies of the genre; but that the Vultures are certainly not.  My favourite quote is Dave Grohl’s:

“I’m never nervous about hitting ‘record’, and I’m never worried that, ‘hmmm, I hope I come up with a riff’.  ‘Cause riffs…I don’t have a problem coming up with riffs.  It’s songs that are important.  I even said that to Josh after the first we time we jammed.  I said, ‘You know, you and I could fill the Grand Canyon with riffs.  But we need to write some songs’.  That’s the hard part.  And that’s where John comes in handy ’cause he’s the genius composer/arranger.”

This was an April 17 2010 Record Store Day exclusive, but even today you can find them all over the place.  Don’t pay more than you need to, because you don’t need to.

5/5 stars

Top Five(s) of 2013 – Part 1

No bullshit, let’s just get to the lists!  Yes, lists!  This year I asked some past contributors & readers to give me their Top Five Albums of 2013.  Some have left comments with their lists.  So let’s get to the lists — I also threw my hat into the ring!

Lemon Kurri Klopek

5. OST- Alan Partridge: Alpha Papa.
Mostly for the Alan Partridge banter between tracks. Insanely funny stuff from Steve Coogan. Some decent music too. Featuring an eclectic playlist featuring the likes of; The Human League, Glen Campbell, Carly Simon, Sting and OMD.
STEVE4. TravisWhere You Stand
Quietly released in August. Solid record from the Glasgow quartet.
3. David BowieThe Next Day
I’m one of the people who like all eras of Bowie. That’s it.
2. Sigur RósKveikur
Love this band. Everything they’ve done.
1. Steve Earle and The DukesThe Low Highway
Some of the best songs Steve has written. This record is up there for me with I Feel Alright and El Corazon.

Seb

Black_Sabbath_13Sebastien, whom I first met at Sausagefest is a talented guy and you will be hearing from him in the future!  He’s a musician/ producer/ filmmaker/ Star Trek fan and we’ll be collaborating on something in 2014 for sure.   Consider this Seb’s first guest shot.

5. Killswitch Engage –  Disarm the Descent
4. Black Sabbath13
3. Philip H. Anselmo & The IllegalsWalk Through Exits Only
2. Avenged SevenfoldHail to the King
1. Protest the HeroVolition

Tom

Tom is our host at Sausagefest, and one of the Jedi Masters who helped instruct me in the ways of Rock.  Top Five was simply not possible for this rock warrior.

GHOST11. Vista Chino Peace
10. MotorheadAftershock
9. Deep PurpleNOW What?!
8. Charles BradleyVictim of Love
7. AnthraxAnthems
6. VoivodTarget Earth
5. Steve EarleThe Low Highway
4. Black Sabbath13
3. Orange GoblinA Eulogy For The Fans
2. Clutch Earth Rocker
1. Ghost Infestissumam

Meat


You guys already know Uncle Meat from his numerous lists in the past.  Please welcome back the one, the only, the man the myth the legend, Uncle Meat.  He’s submitted a Top 8 this year.  That’s cool with me.

8. MotorheadAftershock
7. EminemThe Marshall Mathers LP 2MEAT
6. Vista ChinoPeace
5. GhostInfestissumam
4. The SadiesInternal Sounds
3. Black Sabbath13
2. Sound City PlayersReal to Reel
1. Steve EarleThe Low Highway

LeBrain

NOW WHAT_0003I thought I had my Top Five nailed down weeks ago.  Then, Aaron threw a spanner in the works by giving me the new Pearl Jam for Christmas.  Instantly enamored with this sure-to-be classic, I had to re-think my Top Five.

Then, just two days ago I realized that one of my albums is a 2012 release.  But I felt so strongly about it, that I can’t take it out.  So here’s a Top Six.


6. Queens of the Stone Age…Like Clockwork
5. Pearl JamLightning Bolt
4. Alice In ChainsThe Devil Put Dinosaurs Here
3. Flying ColorsFlying Colors 2012 release
2. Black Sabbath13
1. Deep PurpleNOW What?!

I would also like to give credit to the new self-titled Dream Theater for putting out an album that caused me to rethink this list over and over and over again!

2013 was an interesting and exciting enough year that I’ve decided to do another buncha lists tomorrow!  We’ll be looking at movies, television and more.  Come back then for some bonus Top 5’s of 2013.

Oh…and HAPPY NEW YEAR!  See you in 2014!

FURTHER READING:  Check out Aaron’s 2013 lists at the KeepsMeAlive.

 

REVIEW: Queens of the Stone Age – “First It Giveth” (single)

QUEENS OF THE STONE AGE – “First It Giveth” (2002 single)

I’m on record for being a huge fan of Songs For the Deaf.  Uncle Meat and I disagree on this issue, as he considers Songs For the Deaf as being the beginning of a downturn.  I see it as some kind of peak, on an equal plane with Rated R.  “First It Giveth” is undoubtedly one of the highlights from Songs.  It has a brutally heavy groove on the choruses, coupled with haunted, frantic verses.  Dave Grohl’s best work is to be found on Songs For the Deaf.  That is my belief.   I consider “First It Giveth” to be among the evidence to this.

Track 2 is the groovy spy drama rock of “The Most Exalted Potentate of Love”.  This is apparently a Cramps cover.  Wikipedia says The Cramps are “psychobilly”.  Having heard this song, sure, I’ll go with that.  It’s pretty cool, that’s for sure.

I’ve never hidden my dislike for remixes.  9 times out of 10, the album versions are superior.  I do think a remix has some merit when it completely transforms a song into something new.  This remix of “Song For the Deaf” does that.  Unfortunately I don’t think it’s an improvement in any way.  The original song is a relentless beast.  Waves of guitar wash over Grohl’s stumbling drum rolls, while Josh Homme sings hypnotically.  This remix strips away most (if not all?) of the original instrumentation, isolating Homme’s vocal tracks.  Then it adds electronic beats, piano, guitar squeals and effects.  It’s…interesting?  I’m at a loss for words.  I don’t like remixes OK?

I have said in the past that I think remixers should come up with better, more original titles for their remixes.  At least whoever mixed this (the credits don’t say) came up with an original title:  “The Blind Can Goes Get Fucked Remix” [sic].

Although the technology is kinda dated, there’s also a music video for your computer.  This is for the main track, “First It Giveth”.  This is a cool performance video made up of tour and backstage footage.

Two out of three good tracks?  Pretty easy to rate this one.

3.333~/5 stars

 

REVIEW: Slash – Slash (Deluxe edition)

SLASH – Slash (2010 Universal Deluxe edition)

This album was a revelation to me.  Truth be told, I didn’t expect too much.  I didn’t consider Slash to be among the best songwriters in Guns N’ Roses (Izzy and Duff for that honor).  So, a couple things about Slash struck me right away. One, every track on this album is strong, almost every one would make a great single. Two, I was surprised how these songs kind of chameleon themselves to resemble the bands that the singers come from. Almost every guest does a co-write, which might explain this.

I’ll discuss my favourite tracks. I have always been a Cult fan, so Ian Astbury’s “Ghost” kicked off the album with a bang. It doesn’t quite sound like the Cult, but at first it didn’t sound like Slash either. Astbury’s voice, deep and low, is almost as strong as ever. Ozzy’s track is next, and my immediate feeling was, “This song could have been a Sabbath number with a little tweaking.” I very much enjoyed this song.

I’m not a Black Eyed Peas fan; at all!    All I really know about Fergie is “Big Girls Don’t Cry”. To my surprise, she is capable of the rock. Her vocal is highly stylized (as are many on this CD) and she just rips it up on “Dangerous Beautiful”! Of all the singers on this CD, Fergie is the most similar in attitude to Axl. Every once in a while she does a squeal or two that sound positively Axl. This is a decent song made memorable by Fergie’s vocal, although I think the lyrics leave something to be desired.

I wasn’t at all familiar with Alter Bridge, but Myles Kennedy blew me away. I guess there must have been a reason that the Led Zeppelin guys were jamming with him as a potential replacement for Robert Plant. I get that, but although he has a powerful voice with great range, he has his own sound. My new favourite singer! His two songs, “Back To Cali” and “Starlight” couldn’t be less alike. However they both boast one thing in common, and that is a chorus to raise the roof. These two choruses are among the strongest moments on Slash.

IMG_00000705

Chris Cornell is up next with “Promise”, a good song which struck me as more similar to Cornell’s early solo work than Soundgarden. Let it be remembered that Chris opened for Guns N’ Roses on their 1992 European tour. The first single “By The Sword” featuring Wolfmother’s Andrew Stockdale is another one that blew me away. It struck me as very “metal” with the kind of lead vocal that is high and powerful, like Wolfmother itself. Great song, and bears similarities to “Beggars and Hangers-On” from the first Slash’s Snakepit album.

I’m especially not a Maroon 5 fan.  I burned out on them in the record store, and the person responsible knows who she is, I do like Adam Levine’s stylized vocal on the ballad “Gotten”.  This guy is smooth like butter. My only wish is that there was more of his music with Slash. The way his vocal and Slash’s guitar melodies intertwine is quite beautiful.

Lemmy’s tune sounds like some sort of Motorhead outtake (don’t forget Slash appeared on Motorhead’s March Or Die CD). Anything Lemmy touches automatically sounds like Motorhead. Up next is an instrumental featuring Dave Grohl on drums and Duff McKagan on bass. Immediately, that familiar Dave Grohl drum sound kicks you in the face, on this rocker that is pure groove, with Slash playing a low grinding riff.

I didn’t mind Kid Rock’s “I Hold On”, and I found his vocal quite appealing. Another one that surprised me was M Shadows’ “Nothing To Say”. I’ve never listened to Avenged Sevenfold but this guy’s voice has enough melody to carry the tune. The song itself was riffy, like late 90’s Megadeth or black album era Metallica. Good song. Very similar to “Chains and Shackles” (more on that song later). I have to listen to both back to back, but it’s possible they are both based on the same music.

I have no idea who Rocco DeLuca was, but his tune is another winner. The final track of the regular album songs is the immortal Iggy Pop’s “We’re All Gonna Die”. One of the most fun tunes on the album with great lyrics, Pop and Slash have an obvious chemistry. What a great tune with which to close the regular edition!

Oh, and three ex-GN’R members appear: Duff, Izzy, and Josh Freese (who was in the band after Slash).

Among the bonus stuff, an English version of “Sahara” featuring a singer I never heard of called Koshi Inaba. Good song, but is is followed by Alice Cooper’s track with…someone I never heard of apparently from Pussycat Dolls. This actually sounds a lot like an Alice Cooper song, say circa The Eyes of Alice Cooper. Another good song, and we all know how big a fan Slash is. Lastly there is Fergie and Cypress Hill’s “Paradise City” remake. Good choice for the very Axl-ish Fergie to sing, and Cypress Hill add their sound to the verses. Great version, a guilty pleasure. There is also a Japanese version of “Sahara”, and a song with Beth Hart called “Mother Maria” which is a really nice one featuring her strong bluesy voice. I’m telling you, Beth Hart can really sing, she is a the real deal. I just wish they didn’t add distortion to her voice…she does not need it.

The new acoustic live material with Myles Kennedy is sheer awesome. Kennedy’s got an incredible voice and you can tell this is really live. The backing guitar player makes a few mistakes during Slash’s solo in “Sweet Child” and it’s right there, unfixed. I like that. It’s like a guarantee. It’s like the Stones and Henry Rollins say — “The only way to know for sure.”

I’m disappointed that Nick Oliveri’s “Chains & Shackles”, the best song in my opinion, is not present on this edition. It remains exclusive to the Australian iTunes. However, by my reckoning every other bonus track from every other format is on this disc. There are also two previously unheard demos. These demos are interesting jams and they show great interaction between Slash and his players. Also included are some live electric versions (also seemingly unpolished) and a bonus DVD. All of this is worth owning if you really love the album like I do.

IMG_00000702I made a bonus CD with the Oliveri track, and other “bonus tracks” that I found online, as well.  How official these downloaded tracks are I can’t say; Wikipedia is silent on the issue.

You may have noticed I didn’t comment on Slash’s presence too much. I dare say it, the only weakness to this album is that Slash is overshadowed by his guests. That happened to Santana on some of his records as well. Slash’s guitar playing is still unique and stylish, not hogging the spotlight but sharing it more than fairly. Slash himself explores more sounds on his Gibson than I’ve ever heard him play before. When he solos, it’s Slash; it’s the old GN’R sound, and it sure is cool.

5/5 stars

Sausagefest XII: The Complete Countdown!

There were some pretty awesome picks this year.  I have to give Scottie props for “Coming Home” by Iron Maiden, from the excellent Final Frontier album.  I found some things a bit surprising, such as the overplayed-on-radio “Black Betty” by Ram Jam, placing so high.

“Thick As A Brick” was the live version, so just over 10 minutes.  Other long bombers included all of “Supper’s Ready” by Genesis, which resulted in a tirade by Phil for just as long, about how much he thinks it sucks!  (And he’s an old-school Marillion fan…surprising.)  And of course there were several Maiden tunes that clock in well over 5 minutes.

For your edification, here is the official Sausagefest XII Countdown:  75 tracks, plus 35 tributes.  One tribute for each person that submitted a list!  110 songs over one weekend!  Awesome.

1 Toronto Tontos Max Webster
2 Long Cool Woman in a Red Dress The Hollies
3 The Grudge Tool
4 Rooster Alice in Chains
5 Supper’s Ready Genesis
6 Papa Was a Rolling Stone The Temptations
7 Mississippi Queen Mountain
8 Black Betty Ram Jam
9 Locomotive Breath Jethro Tull
10 I’m Your Captain Grand Funk Railroad
11 Wasted Years Iron Maiden
12 Low Hanging Fruit Tenacious D
13 Green Eyed Lady Sugarloaf
14 Hey Joe Jimi Hendrix
15 Headlong Flight Rush
16 Roadhouse Blues The Doors
17 Thick as a Brick Jethro Tull
18 Powerslave Iron Maiden
19 Bohemian Rhapsody Queen
20 Trapped Under Ice Metallica
21 Nautical Disaster Tragically Hip
22 No Quarter Led Zeppelin
23 Mr. Blue Sky Electric Light Orchestra
24 The Wizard Black Sabbath
25 Mama Told Me Not To Come Three Dog Night
26 Blackened Metallica
27 Jungle Boogie Kool and the Gang
28 Telegraph Road Dire Straits
29 Sanitarium Metallica
30 Renegade Styx
31 Eulogy of the Damned Orange Goblin
32 Throw Down the Sword Wishbone Ash
33 Electric Worry Clutch
34 The Alabama Song The Doors
35 Rise of the Fenix Tenacious D
36 Livin Thing Electric Light Orchestra
37 The Shape I’m In The Band
38 Mother Danzig
39 The Chain Fleetwood Mac
40 No One Knows Queens of the Stone Age
41 Die Young Black Sabbath
42 Bang Bang Terry Reid
43 Caught Somewhere in Time Iron Maiden
44 Buried Alive Avenged Sevenfold
45 Dream Police Cheap Trick
46 Would Alice in Chains
47 Don’t Fear the Reaper Blue Oyster Cult
48 Zero the Hero Black Sabbath
49 Pool of Booze Volbeat
50 Parabola Tool
51 Why Cant We Be Friends? War
52 Rock and Roll Led Zeppelin
53 While My Guitar Gently Weeps The Beatles
54 Breadfan Budgie
55 Strutter KISS
56 Holy Wars Megadeth
57 Old Man Neil Young
58 Southern Man Neil Young
59 The Pusher Steppenwolf
60 Tempus Fugit Yes
61 Fight Fire With Fire Metallica
62 Kielbasa Tenacious D
63 Green Onions Booker T and the MG’s
64 Weird Beard Fu Manchu
65 Tonight’s the Night Neil Young
66 BYOB System of a Down
67 The Zoo Scorpions
68 As the Years Go By Mashmakhan
69 Toxicity System of a Down
70 Deuce KISS
71 Space Truckin’ Deep Purple
72 South of Heaven Slayer
73 Rocky Mountain Way Joe Walsh
74 Roadie Tenacious D
75 Rock and Roll Motorhead
TRIBUTES
TOM Earache My Eye Cheech and Chong
ERIC Rosanna Toto
BUCKY A Day in the Life WAR
LAMB LORD The Wizard Uriah Heep
LEBRAIN Well You Needn`t Herbie Hancock Quartet
TROY Caught Up in You .38 Special
ERNIE Apocrophon The Sword
SCOTTIE Coming Home Iron Maiden
RYAN Still Counting VolBeat
SEB Demiurge Meshuggah
PHIL Under Black Flags We March Arch Enemy
CHUCK New Fang Them Crooked Vultures
TYLER G. Come on in my Kitchen Robert Johnson
C Time After Time Savage Steel
CHAD She`s a Rainbow The Rolling Stones
DR DAVE Ogre Battle Queen
LOGAN Cowboys From Hell Pantera
GRANT Around the World Red Hot Chili Peppers
WAYNE Inside Looking Out Grand Funk Railroad
CAM Red Hot Mama Funkadelic
AARON High Caliber Consecrator Clutch
JOHN B. I Stay Away Alice in Chains
TAL Dear God XTC
LAMB LAD Kick Out the Jams MC5
ALEX Chicken Strut The Meters
TREVER Volare Dean Martin
FRANK Whiskey in the Jar Metallica
JAGGER Frozen Love Buckingham/Nicks
MARK E. Are You Mine? The Arctic Monkeys
JON K. Stone Deaf Forever Motorhead/Metallica
TYLER W. We Are All on Drugs Weezer
MARK S. People are Strange The Doors
JUSTIN Monsters Blue Oyster Cult
MIKE Monarchy of Roses Red Hot Chili Peppers

The official video