Record Store Tales

Part 191 / REVIEW: Respighi – Pines of Rome

RECORD STORE TALES Part 191:  Respighi

In the early 2000’s I was very interested in growing a little bit of a classical music collection.  Classical music can be had in reasonably priced but expansive box sets, but I wanted to be a little more discerning.  There were some things I knew I wanted to get just based on reputation, such as Niccolò Paganini and Glenn Gould.  I knew the CBC had a lot of classical programming so I used to tune into them driving home from work after the night shift.

The first time I did so was a turning point.  I heard some music, but I didn’t have a clue what it was.  It sounded dramatic and soundtrack-esque to me.  I could picture a sprawling epic such as Spartacus unfolding in front of me.  It wasn’t until I stopped at the red lights that the announcer came back on the air and told me that the piece I heard was “The Pines of Rome” composed by Ottorino Respighi.  Respighi…Italian!  My countryman!

I went into work the next morning, and checked the computer for anything by Respighi.  Turns out, we had one in stock, a London Records recording of Pines of Rome.  It was my first true classical purchase, not counting movie soundtracks.  Working at a record store enabled me to cheaply expand into any genre of music I wished.  I’m strongly in favour of trying new music, no matter what section of the store you find it in.

RESPIGHI FRONTOTTORINO RESPIGHI – Pines of Rome / Fountains of Rome / The Birds (1969 Decca / London)

Reviewing classical music is tough for me because it’s way out of my zone of expertise.  All I know is what I like and what sounds good to my ears.  This old recording, conducted by István Kertész, fit the bill for me.  “The Pines of Rome” is such an incredible piece.  Apparently this is considered a “symphonic poem”.  In other words, the classical music equivalent of a concept album!  It has majestic moments that phase into romantic interludes; scenes, basically.  By the end, it is a triumphant anthem worthy of the most awe-inspiring movie soundtrack.  You can easily visualize the sun rising over the tall pines; apparently that was the composer’s intention.  It works!

“The Birds” starts as jaunty piece, perfect for a fancy dinner or event!  What I enjoy about music like this is that it enables me to travel back in time, in my mind.  It is easy to place yourself at the hearth of a warm fire, almost 100 years ago.  This piece’s different sections attempt to transcribe birdsong into a musical arrangement:  doves, hens, nightingale, and the cuckoo.  I can’t help it, I like the cuckoo best.  It’s whimsical.

“Fountains of Rome” is another symphonic poem, this one beginning at daybreak.  The second movement sounds like a summoning, as creatures begin to frolick.  The piece paints a picture, allowing the listener to really just sink in.

Great gateway album.

4.5/5 stars

Next time on Record Store Tales…

Do you still have the first mix CD you ever made?

Part 190: The Early Bird Drops the Discs

RECORD STORE TALES Part 190:  The Early Bird Drops the Discs

I hated the mornings.  What I really hated were people banging on the door to get in before we opened.  I don’t know why it bugged me so much.  I guess I was just peeved that somebody wanted to cut into my last few moments of unpaid time.

I rarely let people in early.  Usually I would go about my business, sometimes I’d let them know I’d be open in 10 minutes, or whatever.  My journal records one instance when a fellow didn’t check to see if we were open yet.

Date: 2004/05/19

This one dude was outside the store at 15 minutes before open, trying to get in. The door was locked and when he tried to open it, his bag of CDs fell down to the ground and smashed. He was cursing up a storm out there!

SMASH

Next time on Record Store Tales…

Let’s talk about classical music!

 

Part 189: Hiding the Music

RECORD STORE TALES Part 189:  Hiding the Music

1985:

There was a group of kids on the street (Bob, myself, Rob Szabo, and Peter Coulliard) that were competing for a cassette copy of Kiss Alive II.  There was only one copy that we knew of in town on cassette.   Guys like Bob and Szabo would know that — they were older, had nice bikes, and probably had been checking all over town.  The only copy we knew of was at a store called Hi-Way Market.

Other kids on the street such as George and Todd had the album on vinyl, but Bob and myself didn’t really have any decent equipment for playing records at the time.  Cassette was portable, it was our primary medium in 1985.  In 1985, you didn’t listen to “albums”, you listened to “tapes”.  The cassette copy at Hi-Way Market was priced at $12.99.  This was more expensive than most, because it was considered a “double album” even though it was still just one tape.

KISS ALIVE II BACK

None of us had $12.99 plus tax right then, but Hi-Way Market had this tape we all wanted.  Hi-Way Market was a great store.  It had old creeky wooden floors.  Downstairs were groceries and clothing.  Upstairs, the greatest toy store in town.  Every Christmas they did a giant Space Lego display.  It was incredible.  But off to the side of this store, up a narrow staircase, was a little record store.  I bought my first Iron Maiden (Live After Death, on vinyl) there.  (I think the deciding factor in buying the vinyl of that album was the massive booklet, a rarity in those days.)

Since none of us had the money, Peter Coulliard hid the copy of Alive II behind something else in the store.  Something where no Kiss fan would ever look for it.  Probably behind Duran Duran or Michael Jackson.  This enabled Peter to have the edge when he finally did gather the necessary funds, thus edging Bob, Szabo and I out in the battle for Alive II.

1999:

These two kids kept coming into the store that were fascinated by my copy of Kiss’ Carnival of Souls.  These were young kids…well, about the same age as Bob, Peter and I were back when we pulled this stuff.  They did not have the $10.99 ($12.64 with tax) to purchase Carnival of Souls.  We didn’t have the only copy they could find, but we did have the cheapest one.  The mall stores were asking at least $20 for new copies.

So these kids came in day after day, week after week, moving Carnival of Souls.  They continually got more creative with their hiding places.  My job was to make sure the shelves were also straight and orderly, and when you’d find Kiss under Anne Murray, you’d put it back.  When bosses found Kiss under Anne Murray they’d give you crap.  So, much as I sympathized with the kids’ musical choice, they were grinding my gears as manager.

Finally I got fed up.  I sent the CD to Trevor’s store with an explanation of why he had to keep it and sell it there.  Then the two kids came in again.

“Hey, umm, do you have Kiss Carnival of Souls?” asked the first one.

“Nope, sold it yesterday,” I lied.

“Awwww…” said the second kid.

It had happened.  I had become “the man”!  I had lost sight of my old self.  Didn’t I pull that “hide the album” stunt myself? In fact, didn’t I do it with GI Joe figures at Hi-Way Market?  I did!

NEXT TIME ON RECORD STORE TALES…Early Birds.

Part 188: “Limited Edition”

Garth Brooks

RECORD STORE TALES Part 188:  “Limited Edition”

In 1994, Garth Brooks issued his 10 million copy selling compilation album, The Hits.  On the front cover was an interesting notation:  “limited time only”.

Now, I’ve bought discs that were limited edition before and were numbered to prove it.  For example I recently picked up #5945 of the “Credo” single by Fish.  Even so…that’s a lot of copies out there for a single by Fish.  How many copies of a Fish single would be made anyway?  And aren’t all singles limited edition?  After all, they aren’t going to make more once they’ve run their course, no matter who the artist is.  Onto the next thing.

And then of course you have some seriously limited edition items, like that recent Thin Lizzy Live at the BBC box set!  I’m not sure how many copies were made, but everybody’s sold out, and now you have to buy it from people asking way too much.  Over $250 USD on Amazon right now.  Forget it!  That is limited edition.

When Garth plastered “limited time only” all over The Hits, it quickly became a joke.  We ordered 50 copies of them, and sold most during the first week.   We ordered another 50 copies, as Christmas was coming soon.  Those sold.  We ordered 20 more after Christmas had passed, and continued to order them every week into the new year whenever we sold out.  Some limited edition!

10,000,000 people bought it, and I’m sure 99.9% would have bought it without that “limited time” tag.  With great pomp and circumstance, Garth then had the master tapes destroyed.

The master tapes to a freakin’ greatest hits album!  Who cares?

It was really hard to take the phrase “limited edition” seriously after that.  The next release that came out that truly was a limited edition was the Smashing Pumpkins box set The Aeroplane Flies High, but even that enjoyed a second run when the first printing sold out.

So:  the lesson here folks is, when it says limited edition, be skeptical!  Very few things are, and the ones that really are limited aren’t always advertized as such.  Record labels want to make money, right?

Unfortunately, Garth didn’t put this one on his box set!

NEXT TIME ON RECORD STORE TALES…

Hide the discs!

Part 187: A Day in the Life at a Record Store (VIDEO)

RECORD STORE TALES Part 187:  A Day in the Life at a Record Store

Re-enactments of actual in-store events

DAY IN THE LIFE

Part 186: The Van Halen Tin

RECORD STORE TALES Part 186:  The Van Halen Tin

March 17, 1998.  The wait was over – Van Halen 3 was out!

Van Halen’s 3 was kind of like The Phantom Menace for me:  I was really excited about it, so much that it clouded my judgement of the music.  I wanted new Van Halen so bad I would have taken just about anything I guess.  Just like I would take Phantom Menace the following year.  T-Rev, always the level-headed one, questioned whether I was enjoying the album more simply because of the absurd money that I had paid for it.

I paid $45 for the “collector’s tin”.  I was hoping for bonus tracks, but there was nothing like that.  A pick, a tin, some paper stuff, a sticker.  It was still pretty cool to look at, and collectible.

I was living with T-Rev at the time.  I was and still am very “OCD” about my CD collection.  I don’t lend discs out anymore for example.  Back then and today I am very fussy about the condition of the album.

A day or two after Van Halen came out, our buddy Neil came by to play N64 and have a beer.  I was working the night shift that night, so I didn’t get in until after 9.  When I came in, I played some N64 with Neil and headed off to bed.

The next day I woke up and wanted to play the new Van Halen.  I grabbed it off my CD tower, and noticed something…not right.  A fingerprint!  On the tin!  I could see it!  But it wasn’t mine!  Before I filed it, I distinctly remember wiping the tin.  It had no fingerprints!

When T-Rev got up I asked him, “Hey, I know you wouldn’t have done it, you know me too well, but did Neil happen to look at my Van Halen 3 yesterday?”

T-Rev grinned and asked how I knew.  I explained the fingerprint.

“The funny thing,” said T-Rev, “is that I told Neil you were going to notice if he touched it!  He didn’t believe me!”

Trevor assured me that Neil was very careful with it, and didn’t touch the CD itself, etc. etc.  We couldn’t help laughing at the fact that I did notice.  That’s the OCD!  I had a lot invested in that Van Halen disc, emotionally and monetarily.

Listening to it today with fresh ears, it’s not the disaster that some (cough cough Craig Fee cough) think it is.  But it’s certainly not worthy of the praise that I gave it back in ’98.  If it were an Extreme album, it wouldn’t be the best Extreme album.  As a Van Halen album, well…

NEXT TIME ON RECORD STORE TALES…A Day In the Life (VIDEO BLOG!)

Part 185: Staffing 2.0

A sequel of sorts to Part 92:  Staffing.

RECORD STORE TALES Part 185:  Staffing 2.0

It’s amazing sometimes how clueless people are, when it comes to looking for a job!  I’ve seen everything.  I’ve had people hand me resumes that were folded up into teeny tiny squares.  I’ve had kids apply that were so quiet, their moms had to do all the talking for them.  Friends, too.  Who am I hiring?  You, or your friend?

When we hired new people, we’d put ads on our website and do a cattle-call for applicants.  We did that in May 2004.  Here’s a memorable candidate:

Date: 2004/05/14
07:05

Tonight I have to work a little later than usual, til 6, to deal with all the incoming resumes. Here’s a hint to people who apply to jobs: If you drop off a resume, and then decide to shop in the store as a customer, don’t be an asshole with the staff. Don’t complain about store policies, don’t come in with a group of loud roudy friends, and don’t be a smartass. How can people be so stupid? Do you want a job, or not?

Needless to say, that guy did not get the job.  Instead we hired a guy named Kam.  Kam started about two weeks later:

Date: 2004/06/02
09:44

Today I start training new boy K. Should go well. [Name deleted] said she had good vibes about this kid. I sure hope she’s right because I don’t want to be overworked right now. K looks like Chad Kroeger, if Chad Kroeger cut off his hair, but that’s not K’s fault.

The good vibes about K were in fact correct.  He worked out great!  So great in fact that a few years later he served me by being a groomsman at my wedding!  Thanks, man.

NEXT TIME ON RECORD STORE TALES…

Who put these fingerprints on my Van Halen tin?

Part 184: Alan Cross

RECORD STORE TALES Part 184:  Alan Cross

In 2003, we did a promotion with the Canadian DJ and writer, Alan Cross.  We were selling his book, although I couldn’t tell you which one anymore, and he came in to do a meet & greet / book signing deal.

I had no idea who Alan Cross was.

All I know is that I had to run down to Hortons and pick up a large container of coffee and some donuts.  And not to be alarmed, because he had a large dog that he was going to be bringing with him.  No problem, I liked dogs, and Al King from Encore Records had a large dog that he often brought with him.

Anyway, long story short:

1. The dog was cool, sat there quietly and bothered nobody.  I would have assumed the dog was dead if I didn’t know better!

2. Alan was cool to everybody.  We had a small turnout, but the people that did come out were obviously huge fans of this guy that I had never heard of.  I wasn’t into the radio at the time, but even my most recent ex, Radio Station Girl, had never heard of him either.  Her reason for not knowing him was that she knew nothing about music.  My excuse was that Cross specialized in alternative music, a genre I tended to loathe for sidelining my beloved heavy metal in the 1990’s.

But regardless, Alan was cool and spent a lot of time with every single person.  He had extended conversations and stayed longer than he was booked to stay.  So credit where credit’s due:  I’ve heard tales of people showing up to do signings and acting like total dicks.  Alan was not one of those people.  Every single person who spoke to me said how cool he was.  Which was nice, since I had no idea who he was!  At least I knew he was a nice guy!

cross

Part 183: Klassic Kwotes X!

RECORD STORE TALES Part 183:  Klassic Kwotes X – The Final Chapter

Finally the Klassic Kwotes well has run dry.  Enjoy Part X, for now this feature will be put on ice.  I have a new feature that I’ll be starting really soon.  Until then, here’s the final 10 quotes from the Record Store days…

FLOYD

1. It boggled my mind that people would expect a cheap used CD of a good album to just sit there.  So it always made me wonder what people were thinking when they’d say, “What do you mean that used copy of Dark Side of the Moon isn’t here anymore?  It was here last week!”

2. “I really want a job.  It doesn’t have to be at your store, I just want a job.  Can you tell me how to get one?”  Real phone call.

3. Dandy sometimes has his own stalker types.  One day Dandy brought a tattoo magazine to work.  His stalker kid saw it on the counter and proclaimed: “Nice!  Who’s sick tatty book?” 

4. Generic but frequent question:  “Do you have any European trance techno jungle DJ mix discs?”  Then, when you’d ask for a title or name to give you something to look up, they’d never know the name of a song or an artist.

5. “I just want one song on this CD.  Can I just buy a blank CD, and you burn it for me?

6. “Do you have any of those complication albums?”  Compilation albums.

9. “I have a CD to sell here.  One slight problem, not a big deal.  The front cover is for one CD, and the back cover is from a different CD.  Oh, and the disc inside isn’t either of those.  Can you take it?”

10.  “Do you guys buy used CD cases?  Like the plastic shells?”  No!  Nobody does!  They just throw them out!

This guy is hilarious.

NEXT TIME ON RECORD STORE TALES…

Alan Cross!

Part 182: Overstock

RECORD STORE TALES Part 182:  Overstock

In a way it was a nice problem to have.  We sometimes ended up with more CDs than we were physically equipped to store.  When we first opened we had plenty of space, and it seemed like we’d never fill it.  A few years later, we had so many discs, that the shelves were literally crammed.

I remember customers flipping through the discs, which would always seem to hit the floor, because the shelves were so packed to the brims.  They seemingly jumped off the shelves, startling people.  Sometimes, the Bargain Bin was so full, we had piles and piles of discs behind the counter waiting for space in there.  If they were good titles, you’d pull something crappy (ie, Mariah Carey) out of the bin to make room for better stuff.  You’d probably try to send this overstock to other stores too, but they usually wouldn’t want your crap because they might have had all the same junk in stock.

We came up with a few solutions.  One was obvious — we added more shelving.  That tided us over for a couple years.  Then when DVDs took off, we had to add more shelving again.  It felt like a never-ending cycle/struggle.  Sometimes you’d have buy 2/get 1 free sales just to relieve space.  Space became a major commodity.

The bigger problem, in my eyes, was storing stuff behind the counter.  That was a much smaller space, and we had a lot of stuff behind the counter.  You see, because we were a used disc store, we kept empty cases on the shelves and all the discs behind the counter, safe from theft.  Once you hit well over 10,000 discs, that tends to take up a lot of space.

Eventually we had a system of storing these discs in jewel cases, in big cardboard boxes on the floor behind the counter.  I tripped over these boxes frequently – probably at least once every day.  But before that we took an ill-advised misstep.  Here’s a tip:  Don’t ever store your discs in plastic baggies.  Ever!  The result of plastic rubbing on plastic is ugly scuffs.  In fact, some of the worst damage to a disc that I’ve ever seen was caused by us, storing the discs in plastic baggies.  Baggies are great for keeping sandwiches fresh!  Not so good for keeping discs in.

SAM_1717NEXT TIME ON RECORD STORE TALES…

The final Classic Quotes!