KISS – 20th Century Masters: The DVD Collection (2004 Universal)
These 20th Century Masters DVDs were a fun way to pick up key music videos from major bands at a cheap price. Today this role is largely filled by sites such as YouTube. The Kiss edition features five of their biggest from the 1980’s: One with makeup, four without. One each from Creatures, Lick It Up, Animalize, Asylum, and Crazy Nights.
“I Love It Loud”, of course, features the band in full makeup and costumes, including Ace Frehley, even though he did not play on Creatures of the Night. This brilliant video spoofed the popular “rock and roll is brainwashing our kids” fears of the 80’s. In this video, Kiss use their incredible brain powers to do that very thing. Gene can even melt objects with his fire breathing, through a fucking television set.
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Let me set the stage for you in the clip for “Lick It Up”: It is the Future. Nuclear war has seemlingly reduced America to a wasteland, the population are dressed in rags. The only human beings left alive are women…and of course the four guys from Kiss (now including Vinnie Vincent on guitar). Only they can bring salvation (and music) to the surviving ladies.
“Heaven’s On Fire is a pretty standard 80’s video. The band frolic with babes, Gene wags his tongue, Eric shakes his hair. This video is however notable as the one and only appearance of guitarist Mark St. John (who replaced Vinnie Vincent) on lead guitar.
The clip for “Tears Are Falling” isn’t the best. It’s a better song than a video, but there’s a cool part where Bruce plays a guitar solo in the rain. It’s too bad that Kiss chose the Asylum period for a garish set of sequined covered bathrobes, a popular 1985-86 trend.
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“Crazy Crazy Nights” boasts some pretty big production values and the debut of the “new” late-80’s KISS sign. I hated the softening of the musical and visual direction of Kiss in this video. This is the beginning of Paul Stanley merely dancing with his guitar in videos, rather than playing it. Watch the video. At no point is Paul doing anything more than wearing or dancing with his guitar!
Eric Carr was the drummer on all tracks, rest his soul.
Alright people. I got a question for everybody here (and I didn’t forget about you people upstairs neither, woah yeah!). How many of you people believe in rock and roll?
If you believe in rock and roll, like you say you believe in rock-and-ro-oh-oll, then you know that 2014 is the 40th anniversary of the very first Kiss album. Gene Simmons believes in rock and roll. So does Universal music. They believe in rock and roll’s ability to fill their pockets again and again. As fans, we have learned to accept this. You don’t have to buy every re-package and reissue that comes out; we all choose which releases to buy based on our wants and budgets.
Unreleased music is a top priority for me, so seeing Kiss 40 coming out with a number of unreleased tracks, I was excited about this release. I bought the Japanese edition from the folks over at CD Japan, for the Japanese exclusive bonus track. I’ll talk about that track in a bit, for now I want to express how happy I am with Kiss 40, as a compilation aimed at fans both new and old.
Sets like this are tricky. You have to include familiar versions of familiar hits for the people buying their first Kiss CD. You have to include value to the cantankerous old fan, and present the old songs in novel ways. What Kiss and Universal chose to do was include one song from every Kiss album, including every live album. Sprinkled into that are the unreleased songs.
High points:
I love that they used the Paul Stanley version of “God of Thunder”, the fast one. Marko Fox has been using that as his theme song on his show for a while, and I’ve really grown to love this version. All four solo albums have a song included. (I would have preferred a harder song from Paul’s album, but “Hold Me, Touch Me” was the single after all.) Killers is represented, via “Down on Your Knees”. Not a bad song. I’m glad to have the radio edit of “Jungle”, finally. I never had that before, and “Jungle” probably wouldn’t be on the album if it wasn’t edited down from its full seven minutes. (Although not stated, “Psycho-Circus” is also edited to remove the “circus” intro.)
Low points:
The goal of including Kiss songs from every album also means that you have to hear “Let’s Put the X in Sex”. Although this would have been a great place to use a rarer remixed version, it’s just the same one from Smashes, Thrashes & Hits. Another total miss that is here is the dreadful “Nothing Can Keep Me From You”, from the Detroit Rock City soundtrack. Whyyyyy.
Nitty gritty details:
The first rarity is a 1977 Gene Simmons demo called “Reputation”. You can hear that aspects of this song later made it into other Gene Simmons compositions such as “Radioactive”. This is one of those song titles I’d read about for years, but have never heard until now. Cool. While the song is definitely a demo, and not quite as good as most finished Kiss songs, it does boast a cool dual guitar solo and rocking piano a-la “Christine Sixteen”.
On the second CD are the rare live tracks. In addition to live songs sampled from You Wanted the Best, You Got the Best!!, Alive IV: Kiss Symphony and The Millenium Concert, there are rare ones here from Instant Live CDs. Instant Live CDs are live albums you buy at the concert, immediately after the concert — a souvenir of the show you just saw. Extras are then sold online. I have a handful myself, but nobody has all of them (at least, nobody I know of!). “Deuce”, “Cold Gin”, and “Crazy Crazy Nights” are all from these Instant Live albums. “Crazy Crazy Nights” is the one I was most interested in. Live performances of that song are scarce in my collection. It is from the Sonic Boom tour, and it’s pretty solid. The song is played in a lower key to accommodate Paul, who does pretty good anyway. Eric and Tommy help him out on the chorus. Thayer simplifies the original Kulick solo, adapting it to his style and keeping the key hooks intact. The result is a tasty guitar solo which is a cross of both players.
Finally, those lucky lucky fans in Japan got a brand new live song: “Hell or Hallelujah” recorded at Budokan. Although the song itself smokes, Paul’s voice is really sore on this one. (Both the intro and outro, which could have been neatly edited out, are really harsh.) The song includes the line, “No lies, no fakin’,” and that is totally appropriate, because this sounds 100% live and untouched. Gotta give ’em credit for not trying to fix Paul’s voice in the mix.
Notable omissions:
“Love Gun”, “Creatures of the Night”, “Hotter than Hell”, “I Stole Your Love”, “Rocket Ride”, “Sure Know Something”, “Hide Your Heart”, “Domino”.
The verdict:
Buy this CD. The concept of “one track per album” creates some interesting listening results. The ratio of rarities to hits keeps it fresh all the way through. And if you’re a Kiss fan absolutely get the Japanese version. Just go to CD Japan and order it.
4/5 stars
Disc One
‘Nothin To Lose’
‘Let Me Go, Rock ‘N’ Roll’
‘C’mon and Love Me’
‘Rock And Roll All Nite’ (Live)
‘God Of Thunder’ (Demo)
‘Beth’
‘Hard Luck Woman’
‘Reputation’ (Demo) – Previously Unreleased
‘Christine Sixteen’
‘Shout It Out Loud’ (Live)
‘Strutter ‘78′
‘You Matter To Me’ (Peter Criss)
‘Radioactive’ (Gene Simmons)
‘New York Groove’ (Ace Frehley)
‘Hold Me, Touch Me’ (Paul Stanley)
‘I Was Made For Lovin’ You’ (Single Edit)
‘Shandi’
‘A World Without Heroes’
‘I Love It Loud’
‘Down On Your Knees’
‘Lick It Up’
‘Heaven’s On Fire’
Disc Two
‘Tears Are Falling’
‘Reason To Live’
‘Let’s Put The X In Sex’
‘Forever’ (Remix)
‘God Gave Rock ‘N’ Roll To You II’
‘Unholy’ (Live)
‘Do You Love Me?’ (MTV Unplugged)
‘Room Service’ (Live)
‘Jungle’ (Radio Edit)
‘Psycho Circus’
‘Nothing Can Keep Me From You’ (Detroit Rock City soundtrack)
Eric Carr, who should by all rights be in the Rock and Roll Hall of Fame with his bandmates, is such a tragic loss. He earned himself a legion of fans after just 10 years in Kiss. Knowing that Marko Fox is one such fan, I asked him what the other Fox meant to him:
“Being both a Fox and a drummer, I can positively say that Eric Carr’s work on Creatures of the Night remains one of the coolest achievements in rock…If only I could figure out how to master his makeup design…”
All true. But Eric Carr wasn’t just a drummer. He could play enough guitar and bass to write songs, and he could sing. His voice wasn’t super commercial, but neither is Gene Simmons’. One reason his loss is painful is because Eric was a virtually untapped well of creativity. I think every Kiss fan knows that Eric Carr was unhappy that he had so few lead vocals and writing credits on his Kiss albums.
Rockology is a series of demos, some in a near-finished state and some left incomplete. Recorded in the late 80’s, before Eric knew he was sick, these were to be used for cartoons and other miscellaneous projects. Bruce Kulick finished recording some guitar parts and mixed it 10 years later. He also wrote liner notes explaining origins and intentions for each track.
While there is nothing here that screams “hit single” today, in the late 80’s it would be easy to imagine “Somebody’s Waiting” on the radio with Paul Stanley singing. It would fit right into that Kiss Hot In The Shade or Crazy Nights era. Other songs here are more heavy and riff based, such as the Gene-esque opener “Eyes of Love”. When Eric sings the heavier songs, his voice falls into a Gene-like monster growl. On the ballads, his falsetto echoes Paul Stanley. Most songs here would have made excellent Kiss album tracks. Most are better than the filler that Kiss was padding their albums with in the late 80’s. It is a shame none of these songs were finished by Kiss themselves, as the full band would have made them more special.
Best track: the unfinished “Just Can’t Wait”. This instrumental has a really catchy guitar part, and I just know if it had been finished with verses and a chorus, it would have been classic. It was written for Crazy Nights by Eric, Bruce and Adam Mitchell.
Special mention must of course go to Bruce Kulick. He overdubbed guitar solos for a few of the songs, and I am sure each one came from the heart. Bruce is a very intelligent musician, but he’s also more passionate than he often gets credit for. I’m sure for Bruce it was passion rather than money that inspired him here.
Buyer beware, however: These songs are definitely unfinished. They are as polished as possible given some of their rough origins, but in some cases there are no drums, just drum machines. In other cases, there are no lyrics, just scratch vocals. Eric’s talent still shines on every song. His is a life that Kiss fans will continue to mourn.
The Kiss army, especially the lovers of the 80’s, need this as a crucial companion piece to their collections. Everybody else will have a tough time justifying owning it.
You had to know Kiss were going to come out with another Greatest Hits set to celebrate their 40th anniversary. This is in addition to the massive, beautiful Kissteria vinyl box set. I’m looking forward to KISS 40, since it will include some live recordings previously only available on Kiss’ Instant Live discs. It will also include “Reputation”, an early Kiss demo previously unreleased.
In addition, the Japanese will get their own exclusive bonus track, so I have pre-ordered that version from the fine folks over at CDJapan. I have been a satisfied customer there since 2008.
Complete KISS 40 tracklist is below:
‘Nothin To Lose’
‘Let Me Go, Rock ‘N’ Roll’
‘C’mon and Love Me’
‘Rock And Roll All Nite’ (Live)
‘God Of Thunder’ (Demo)
‘Beth’
‘Hard Luck Woman’
‘Reputation’ (Demo) – Previously Unreleased
‘Christine Sixteen’
‘Shout It Out Loud’ (Live)
‘Strutter ‘78′
‘You Matter To Me’ (Peter Criss)
‘Radioactive’ (Gene Simmons)
‘New York Groove’ (Ace Frehley)
‘Hold Me, Touch Me’ (Paul Stanley)
‘I Was Made For Lovin’ You’ (Single Edit)
‘Shandi’
‘A World Without Heroes’
‘I Love It Loud’
‘Down On Your Knees’
‘Lick It Up’
‘Heaven’s On Fire’
‘Tears Are Falling’
‘Reason To Live’
‘Let’s Put The X In Sex’
‘Forever’ (Remix)
‘God Gave Rock ‘N’ Roll To You II’
‘Unholy’ (Live)
‘Do You Love Me?’ (MTV Unplugged)
‘Room Service’ (Live)
‘Jungle’ (Radio Edit)
‘Psycho Circus’
‘Nothing Can Keep Me From You’ (Detroit Rock City soundtrack)
SLAUGHTER – Stick It To Ya (1990, 2003 Definitive Remasters edition)
“Just like a Led Zeppelin album stands up today, we hope our album stands up in 10 or 20 years.” — Mark Slaughter (1990)
I remember reading that quote in a magazine interview and thinking, “Well, I doubt THAT will happen.”
Maybe Mark was partly right though, as a handful nostalgists do still listen to Slaughter, in particular this debut and the followup The Wild Life. However, for Mark to compare this to Led Zeppelin I was simply short sighted and hopelessly optimistic. It never was going to be another Led Zeppelin I. This is a decent debut album, maybe even a pretty good one. Listening to it, there are certain things that are really grating today. Mark’s vocals are still hard to swallow as he really gets up there with these shrill squealy high notes. Dana’s bass is too happy and bouncy for my kind of rock. The guitar playing of Tim Kelly is nothing to write home about, rest his soul, just another typical early 90’s rock guitar player with very little identity of his own.
What made Slaughter work was the songwriting of Mark and Dana, and most of it still stands up. A lot of this material — straight up hard rock with a little flourish — is solid. Some songs are simply too pop for me today, such as “You Are The One” and “Spend My Life”. However, mercifully, there’s only one ballad! “Fly To The Angels” is nothing special as a ballad, but it has a little more atmosphere than the average and of course lyrically it had integrity. I don’t think it’s making anybody’s top ten ballads list, unless one has a personal connection to the lyrics, but it’s not too sappy and like I said, there’s only one!
Some songs, such as “Up All Night” and “Eye To Eye” have some balls and groove. If only the production was a little heavier, these would be bonafide classics. However, even on “Eye To Eye”, Dana’s happy bouncy bass lines brighten things up too much. Not enough groove in the bass! There’s also some 80’s style fast and speedy numbers such as “Loaded Gun” (with some just awful lyrics). Also awful in the lyrical department were “She Wants More” (which is a shameless AC/DC ripoff musically), and possibly “Burning Bridges”.
“Bridges”, it must be remembered, was a cutting attack on former bandmate Vinnie Vincent, from the Vinnie Vincent Invasion days. The original album even had a disclaimer on it so that the band wouldn’t get sued! “So you wanna play another solo, huh? Well not here, pal!” Disclaimer aside, it was pretty obvious who the song was actually about, and statements from Paul Stanley and Gene Simmons since then have only confirmed Vinnie’s character traits. Shame that the lyrics are no longer included with the album. I guess that’s why the disclaimer is also missing! Instead, you get decent liner notes from Mark and Dana. Inside they credit Kiss drummer Eric Carr for helping to get the band on the opening slot of the Hot in the Shade tour. I didn’t know that before!
Personal highlights:
“Up All Night”, “Eye To Eye”, “Desperately”, “Thinking of June (instrumental)”. These are all great tunes in my books, particularly the darkly cool single, “Up All Night”.
Onto the bonus material! These two bonus tracks were included on the original CD too, but not the cassette or LP versions of Stick It To Ya.
14. Fly to the Angels [Acoustic Version]
15. Wingin’ It
These remain intact on this edition. The acoustic version of “Fly” mostly just ditches the electric guitars but is otherwise the same backing track. “Wingin’ It” (my favourite) is an accapella joke tune, only a minute in length, but absolutely hilarious to this day. I wish the album had been re-sequenced so that it still closes the album, as this is an obvious closer!
After that, there are four demos. These demos are remarkable in how fully realized they are. Unfortunately that doesn’t make them interesting listens. It is amazing that Mark and Dana had the demos down so perfectly from the get-go, but as a listener, it’s like hearing the same song twice. In the case of “Fly To The Angels”, three times on one album which is way too much. Perhaps some live B-sides should have been included instead, or the track “Shout It Out” from the Bill & Ted’s Bogus Journey soundtrack. I am sure you can think of your own bonus material that you’d like to hear.
Remastering is fine and dandy, packaging is great apart from the deletion of the lyrics. However you can read those just by Googling these days, and I think I’d rather have the liner notes from Mark and Dana.
3/5 stars, worth buying for fans of the era. Everybody else should steer clear.
KISS – The Ritz On Fire (2013 Gold Fish, recorded 1988)
This is hard to get. I got mine via eBay; Scott the Scot found his locally. Fandom went into panic mode when all Amazon pre-orders were abruptly cancelled. We all figured that Kiss’ lawyers stopped its release. It had still made it to the manufacturing stage, and enough copies have surfaced on the market that it is already a collectible that can be afforded.
If you love that poorly documented period that is late 80’s Kiss, you will love The Ritz On Fire. August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. It’s not live album quality, but it’s a radio broadcast and therefore listenable. There are issues on some songs, such as “Love Gun” where Paul’s voice is too low in the mix while the drums remain more than audible. It’s such a joy to have a live recording with Eric Carr and Bruce Kulick that fans will be happy to overlook such defects.
It’s also cool to revisit some under-appreciated Kiss klassics: “Fits Like A Glove” from Lick It Up, “War Machine” from Creatures, and “Tears Are Falling” from Asylum are among the songs that are hard to find in live form. It’s also a pleasure to hear this lineup tackle Destroyer‘s “Shout It Out Loud” which was rarely performed back then.
MVP: No disprect to the late Eric Carr intended, but Bruce Kulick blows me away with his dexterity and diversity. His solos are highlights of every single song. He doesn’t emulate his predecessors, nor does he play inappropriately for the songs. Also worth mentioning is Paul Stanley. Once they get the vocal levels right, it’s a pleasure to hear Paul Stanley at his vocal peak singing live. The songs aren’t all downtuned like they are today, and some songs like “Crazy Crazy Nights” are really up there.
Eric Carr…he had his own style, and after hearing Eric Singer ably fill his shoes for so long now, we can be reminded how Eric Carr played them. He had his own signature drum rolls, and of course that unmistakable raspy voice on “Black Diamond”. Nobody was confusing Eric Carr with Peter Criss, on the drums or on the microphone; Eric’s rasp was completely different from Peter’s. He was almost a cross between Criss and Simmons.
Best of all, this is really live. We saw Kiss “singing” to backing tapes at Dodger Stadium on Saturday January 25 on national television. Meanwhile, Paul wasn’t actually singing anything at all. Not so on The Ritz On Fire. Yes, keyboardist Gary Corbett was backstage sweetening the sound and adding backing vocals, but they were live. The Ritz On Fire is all the stronger for it.
Part 7.5 in my series on Ace Frehley, sorta! Plenty of Ace related coolness here. For the last part of the Ace series,12 Picks, click here.
A World With Heroes – A KISS Tribute for Cancer Care – A 40th Anniversary Celebration
Cancer sucks. Kiss rules. Agreed? Buy this CD.
Mitch Lafon executive produced this sucker, and I suspect that means a hell of a lot of work. I have never in my travels discovered a cooler Kiss tribute album. Do you really need to buy another Kiss tribute album? Do you? Yes, you do. Why? For the following reasons:
Profits benefit the Vaudreuil-Soulanges Palliative Care Residence in Hudson, Quebec.
Obscure track selections.
Rare Kiss related gems, such as two Peter Criss Band demos with Phil Naro.
Superstar performers including Mark Tornillo of Accept, Russ Dwarf, Don Dokken, Bonfire, Sean Kelly, Vinny Appice, L.A. Guns, Doro, and many more.
Members of the Kiss family including Eric Carr, Peter Criss, Frehley’s Comet (minus Frehley), Bob Kulick and Phil Naro.
I can’t say enough good things about this compilation. Upon first sight, it had enough rarities from artists I liked, as well as Kiss obscurities, to make it a must-have. Hearing it, I’m blown away repeatedly. It is a heady brew of hits and deep, deep cuts. Since there are 51 tracks in total, I can’t go into too much detail. I’ll point out some personal favourite moments.
I’m a huge fan of the Revenge album, and I’m a huge fan of Accept. Hearing Mark Tornillo do his thing through “Spit” was awesome. I think the man’s vocal cords must be made of steel or something for him to sing like that. I also loved “Sure Know Something”, although I don’t know Chris Buck & Anthony Cardenas Montana. It’s a slinky version, very true to the original but with a Rod Stewart vibe. Jeff Paris does a pretty authentic “Shout Mercy” and I give him full points for doing a Monster tune, the newest Kiss song on A World With Heroes.
I’ve loved Brighton Rock since I was a kid, but I never expected them to unplug “Creatures of the Night”. This twist takes a moment to get used to, but their haunting arrangement is very original and cool! “Larger Than Life” from Alive II is revisited by Brian Tichy and friends, and they do it pretty straight to the original, almost lick for lick. It’s great. I love that Ron Young from Little Caesar sings “Little Caesar”, a nice wink and a smile there. A band called Shredmill contribute their original song “Outerspace”…which was later covered by Ace Frehley on his Anomaly album (giving himself a writing credit). Shredmill’s version is more Danzig, where Ace’s was more Ace.
On the second CD, surprises and highlights continue. Ron Keel and friends from Tesla and Cinderella knock it out of the park on “Rock N’ Roll Hell”, with a nod at the start to Keel’s own “The Right To Rock”. Rick Hughes of Quebec metal masters Sword helps blow the doors off “The Oath”, a favourite from The Elder. The L.A. Guns guys (Phil Lewis included) tackle the difficult “Master & Slave” from Carnival of Souls, and it smokes. They do it authentic to the grungy original but with Phil’s snarky vocals.
As a Killer Dwarfs fan, I’m always pleased to hear Russ Dwarf’s nasally twang, and he turns in a decent “Hard Luck Woman”. (Meanwhile, another bunch of L.A. Guns guys did their own version on disc one.) Bonfire contribute a live version of Paul Stanley’s unreleased song “Sword & Stone”, from their Live at Wacken CD. I don’t really know who American Dog are, but I love that they covered the Paul Stanley version of “God of Thunder”, not the Gene Simmons take from Destroyer. They do it the speedy rocked-up way that Paul originally demoed. Jim Crean does justice to “Magic Touch”. He’s almost Joe Lynn Turner style on this one.
The second CD ends with two takes of “Beth” (Chris VanDahl sounding like the hoarse Peter Criss on Alive II, and Phil Naro). This is in addition to Michael Lardie’s (Great White) version on disc one. Naro’s is easily the best of the three.
But wait, that’s not all, folks. iTunes are selling a 51 track version of A World With Heroes, including 11 exclusives. Thankfully, you can buy these exclusives separately if you already bought the CD (like I did). Once again, highlights are many. Doro contributes a 2013 re-recording of “Only You”, which she had a previous hit with back in 1990. Russ Dwarf returns with an outstanding “God Gave Rock and Roll To You II”. There are two previously unreleased demos by the Peter Criss Band with Phil Naro. These feature Peter on drums, but believe me, you can hear that it is the Cat Man and no one else. In addition, there’s a third song from this period, but recorded by Phil in 2013. There is also a second version of “Larger Than Life”, this time by somebody called Robot Lords Of Tokyo. I don’t know who Robot Lords Of Tokyo are, but I love “Larger Than Life” and I have no problem with another version of it. This one’s done quite differently, and heavier too.
But wait! There’s still more! Pledgers who pre-ordered the CD got four bonus tracks. I missed the boat on these, and you can’t get them anymore. I’m bummed about that, but for the sake of completion, the four bonus tracks are:
‘Calling Dr. Love’ – Performed by: Crash Kelly
‘Comin’ Home’ – Performed by: Sudden Flames
‘Heaven’s On Fire’ – Performed by: The Feckers (ft. Irene Slade)
‘I Was Made For Lovin’ You’ Performed by: Alain Pernot
I’d love to have these, especially Crash Kelly, but alas. The project is still awesome and worth your coins. Especially if you’re a self respecting Kiss fan. Get it.
5/5 stars
EDIT: I now have the tracks. Crash Kelly’s is awesome! Fun and awesome.
Disc 1:
‘Psycho Circus’ – Performed by: DDRIVE (Phil Naro, Don Mancuso, Dave Sessions, Jt Taylor & Bobby Bond)
‘Spit’ – Performed by: Ken Dubman, Jimmy Callahan, Scott Metaxas, & Mark Tornillo
‘Deuce’ – Performed by: Bill Leverty, Kevin Valentine, John Regan, & Russ Dwarf
‘Sure Know Something’ – Performed by: Chris Buck & Anthony Cardenas Montana
‘Detroit Rock City’ – Performed by: Ron ‘Bumblefoot’ Thal, Rex Brown & Brian Tichy
‘Eyes Of Love’ – Performed by: Eric Carr, Benny Doro & John Humphrey
‘Shout Mercy’ – Performed by: Jeff Paris, Troy Lucketta, Eric Brittingham Jeff Labar
‘Creatures Of The Night’ – Performed by: BRIGHTON ROCK
‘Larger Than Life’ – Performed by: Rex Brown, Brian Tichy & Mark Zavon
‘Cold Gin’ – Performed by: Don Dokken & Tommy Denander
‘Love Gun’ – Performed by: Tony Harnell, Mark Kendall, Scott Snyder, Sean Michael Clegg, Kevin Valentine & Tommy Denander
‘Little Caesar’ – Performed by: Ron Young, John Regan & Tommy Denander
‘Hard Luck Woman’ – Performed by: Chris VanDahl, Stacey Blades & Adam Hamilton
‘Outerspace’ – Original demo later covered by Ace Frehley on his Anomaly album – Performed by: SHREDMILL (David Askew, Jesus Mendez Jr, Jaime Moreno)
‘Goodbye’ – Performed by: IMPERIA & BOB KULICK (J.K.Impera, Matti Alfonzetti, Tommy Denander & Mats Vassfjord) – Additional Guitars by Lars Chriss
‘See You Tonight’ – Performed by: TODD FARHOOD & MYSTERY (Todd Farhood, Michel St-Pere, Sylvain Moineau, Jean-Sébastien Goyette, Francois Fournier & Benoit Dupuis)
‘Beth’ – The Grand Piano Version – Performed by: Michael Lardie
‘Tomorrow’ – Performed by: DRESSED TO CHILL (Matt Bradshaw, Rav Thomas & Rhys Lett)
‘Anything For My Baby’ – Performed by: SLAVES ON DOPE (Kevin Jardine, Jason Rockman, Seb Ducap & Peter Tzaferis)
‘Unholy’ – Performed by: Fred Duvall, Glenn Belcher, Mark Slaughter (Guitar Solo), Rob Zakojc & Russ Dwarf
Disc 2:
‘Breakout’ – Performed by: Tod Howarth, John Regan & Kevin Valentine
‘Rock N Roll Hell’ – Performed by: Ron Keel, Troy Lucketta, Eric Brittingham & Jeff Labar
‘Nowhere To Run’ – Performed by: DRUCKFARBEN (Phil Naro, Ed Bernard, William Hare, Troy Feener & Peter Murray)
‘The Oath’ – Performed by: Rick Hughes, Chris Buck & Bob Richards
‘Master & Slave’ – Performed by: Adam Hamilton, Scott Griffin, Stacey Blades & Phil Lewis
‘Calling Dr.Love’ – Performed by: BURNING RAIN (Keith St John, Doug Aldrich, Sean McNabb & Matt Starr)
‘I Stole Your Love’ – Performed by: S.U.N. (Brian Thomas Tichy, Sass Jordan & Tommy Stewart) With Derek Sharp (Of The Guess Who)
‘Reason To Live’ – Performed by: Johnnie Dee & Derry Grehan of HONEYMOON SUITE with Michael Foster & Bill Leverty of FIREHOUSE
‘Hard Luck Woman’ – Performed by: Fred Duvall, Glenn Belcher, Rob Zakojc & Russ Dwarf
‘Forever’ – Performed by: Terry Ilous, Sean Kelly With Jeff Paris.
‘Sword And Stone’ – Taken From Bonfire Live In Wacken – Performed by: BONFIRE (Claus Lessmann, Hans Ziller, Chris Limburg, Uwe KöHler, Harry Reischmann)
‘God Of Thunder’ – Performed by: AMERICAN DOG (Michael Hannon, Steve Theado & Keith Pickens)
‘She’ – Performed by: RAZER (Chris Powers, Chris Catero, Jordan Ziff, Paul Sullivan, Eric Bongiorno & Chuck Alkazian)
‘New York Groove’ – Performed by: SLAVES ON DOPE (Kevin Jardine, Jason Rockman, , Elizabeth Lopez & Peter Tzaferis With Marty O’Brien)
‘Magic Touch’ – Performed by: Jim Crean, Phil Naro, Vinny Appice, Steve Major & Stan Miczek
‘Tears Are Falling’ – Performed by: Willie Basse, Bruce Bouillet, Scott Warren & Mike Hansen.
‘Rock N Roll All Nite’ – Performed by: Harley Fine, John Regan & Atom Fellows
‘Shandi’ – Performed by: Dani Luv, Scott Griffin & Matt Starr
‘Beth – Bonus Track’ – Performed by: Chris Vandahl & Scott Griffin.
‘Beth – Bonus Track’ – Performed by: Phil Naro, William Hare & Ed Bernard
iTunes exclusives:
‘No, I’m Not Afraid’ (Previously Unreleased Peter Criss Band Demo from 1991) – Performed by Peter Criss and Phil Naro
‘Wait For A Minute To Rock N’ Roll’ (Previously Unreleased Peter Criss Band Demo from 1991) – Performed by Peter Criss and Phil Naro
‘Back On The Streets’ (2013 Mix originally from Return of the Comet) – Performed by Richie Scarlet, John Regan, Tod Howarth, Arthur Stead & Steve Werner (The Comet Band)
‘Only You’ (2013 Recording) – Performed by DORO
‘God Gave Rock N Roll To You II’ – Performed by Russ Dwarf
‘I’m An Animal’ (2013 Mix originally from Return of the Comet) – Performed by the Comet Band
‘Let Me Go Rock N’ Roll’ – Performed by The Oddfathers
‘Surrender In The Name Of Love’ (Written by Peter Criss & Phil Naro) – Performed by 24K featuring Phil Naro and Mladen Alexander
‘Love Gun’ (Tommy Denander Guitar Solo Mix) – Performed by Tony Harnell, Kevin Valentine and Tommy Denander
‘Larger Than Life’ (2013 Remaster – Robot Lords Of Tokyo version) – Performed by Robot Lords Of Tokyo
‘Cold Gin’ (2013 Remaster from L.A. GUNS’ 1998 Wasted EP) – Performed by L.A. Guns
This arrived in the mail today. Haven’t even taken off the shrink wrap yet! Thanks @mitchlafon!
A World With Heroes – A KISS Tribute for Cancer Care – A 40th Anniversary Celebration.That’s a buttload of songs, people! (I love that Ron Young of Little Caesar SINGS “Little Caesar”.)
LOOK! It’s Rock and Roll! I’m gonna review all of Ace Frehley’s solo albums. Welcome to the series! For Ace’s 1978 solo album, click here! This review goes out to MARKO FOX! Thanks for inspiring this idea. And happy birthday to ANTON FIG!
“Rock Soldiers come, and Rock Soldiers go. Some hear the drum, and some never know. Hey, Rock Soliders, how do we know? ACE is back and he told you so!”
It’s very daunting for me to review this. My sister bought this album for me, for my birthday, in July 1987. I had been a Kiss fan for a few years, and immediately liked Ace best. Yet he’d been quiet for so long. I didn’t even know what he looked like. Then, the powerful video for “Into the Night” premiered on Much, and I knew right away. I absolutely needed the album.
Frehley’s Comet is the debut release by Ace Frehley’s new band. He had quite a band, too. Singer / guitarist / keyboardist Tod Howarth had a really powerful, commercial voice and added keyboards to the mix, which was an edge in the late 80’s. Meanwhile, on drums, was Anton Fig. Veteran of at least three Kiss releases (Ace’s 1978 solo album, Dynasty, and Unmasked), there’s a reason David Letterman refers to Anton as “Buddy Rich Jr.” Having Anton in the band was a serious coup. On bass was John Regan, who proved to be a the only member to stick around for all of the 80’s.
“Rock Soldiers” was a great opening track. Ace is back and he told you so? Yeah! This stomping anthem is the tale of Ace’s own carnage. “And the devil sat in the passenger’s side of DeLorean’s automobile.” And later, “When I think of how my life was spared from that near-fatal wreck, if the Devil wants to play his card game now, he’s gonna play without an ACE in his deck!” How could Me 1987 not have loved this song? It had a killer singalong chorus and was released as a single.
“Breakout” is interesting because the riff was written by Eric Carr, Ace’s old Kiss bandmate. “Breakout” is in fact “Carr Jam ’81”, the song written at the time of The Elder. Kiss never used it, so Ace did. Tod sings lead on this one, and Anton plays his own drum solo where Eric once did. Ace then turns in a friggin’ classic Frehley solo.
“Into the Night” is a Russ Ballard song, which surprised me, as I always felt that the lyrics fit Ace’s New York background like a glove. It’s a mid-tempo rocker, and as first single, it was the first song that I heard. Today, it still sounds dramatic and cool.
“Something Moved” is another heavy rocker, written and sung by Tod. It’s similar in vibe to “Breakout”, and I really like when it goes into what I call the “Stryper riff” at the 2 minute mark, right after Ace’s solo. Side one ended with “We Got Your Rock”, a sleezy one about groupie with a backstage pass. To be honest, this one disappointed me back then. I still find the lyrics to be pretty bad. Ace co-wrote this one, hopefully not the lyrics, because the music’s decent enough. If it were a Kiss song, it would be one of those Gene Simmons monster tunes.
Thankfully, side two starts on a better note. “Love Me Right” is an Ace song, with a hard, solid riff and beat. Yet it’s Tod’s “Calling To You” that is the gem of the album. It’s a nice hard rocking commercial song with a scorching lead vocal. The chorus is killer, and I couldn’t understand why this wasn’t the biggest hit of 1987 back then. Sounds like a dual guitar solo too, with Tod taking the first solo and Ace finishing ‘er off.
The weirdest song is, without a doubt, “Dolls”. Ace wrote this one completely by himself, words and music, and I have no idea what the hell he’s singing about. I don’t think I want to know. Anyway, musically it’s a bright pop rock number, based on the keyboards. “Stranger In A Strange Land” is back in riff rock territory. The chorus sounds great, with Tod and Ace singing together.
The album closes with “Fractured Too”, an instrumental sequel to “Fractured Mirror” from Ace Frehley. It’s not quite as good as the first “Fractured”, but it has stood the test of time. It’s this kind of music that Ace doesn’t always get recognized for, but his layers of shimmering guitars are very cool.
I wish the lyrics on Frehley’s Comet were better. At least the music smokes!
I’ve had numerous requests for some rock book reviews. So let’s start with a new release: Dale Sherman’s The KISS FAQ!
DALE SHERMAN – The KISS FAQ – All that’s left to know about the hottest band in the land (2012 Backbeat Books)
Dale Sherman’s written two of the best unofficial Kiss books: Black Diamond, and Black Diamond 2. Both are noted for their almost OCD level accuracy, objectivity, attention to detail, and ample Eric Carr content. Sherman was lucky enough to get some really excellent Eric Carr interviews, and his perspective is one that isn’t often reflected in Kiss written works today.
A new book from Sherman was very welcome to this fan. According to the author, this book is about “the various topics that fans discuss at the hotel bar after a Kiss expo,” and that about covers it! The minutaie. The tall tales, myths and truths. The who-played-what-when. Lists, lists, and lists. The albums, the personalities, and the personas.
There are also some nice black and white pictures of memorabilia and artifacts from the author’s collection. The author seems to have a large collection, so there are plenty of pictures to leaf through. Colour would have been nice, but then I wouldn’t be paying $22.99 for the book, would I?
Don’t expect writing with a lot of flare, but do expect encyclopedic knowledge. My one beef is this. I’ve already read Black Diamond and Black Diamond 2 numerous times, and there’s quite a bit of overlap between those and The KISS FAQ. It’s not the same text, but the subject matter overlaps. The compensation for this is that The KISS FAQ is up to date, where Black Diamond and Black Diamond 2 were both circa the reunion era.
As a Kiss fan who likes to pretend I already know it all, I enjoyed this book. It was like a refresher course in Kiss. There’s lots of obscure facts I’d forgotten about. It was a helpful reference when I did my recent series of Kiss album reviews. Recommended.
mikeladano.com 