RE-REVIEW: Def Leppard – Adrenalize (1992)

Part Thirteen of the Def Leppard Review Series

Original review:  Adrenalize deluxe (2009)
Singles reviews:
“Let’s Get Rocked” (1992)
“Make Love Like a Man” (1992)
Have You Ever Needed Someone So Bad” (1992)
“Heaven Is” (1993)
“Tonight” (1993)

DEF LEPPARD – Adrenalize (CD Collection Volume 2 Disc 1) (Originally 1992, 2019 remaster)

Here they were again!  A #1 album.  Adrenalize eventually sold three million, no small feat during the peak of the grunge era.  A step down from Hysteria, but a success.  And after yet another devastating loss.  Choosing to record without replacing the fallen Steven Maynard Clark, it was up to Phil Collen to handle all the guitar work.  He rose to the occasion and the quartet emerged from their years of toil with an album they were satisfied with.  And they figured out how to do it on their own, without Mutt Lange tending to every detail.

It all begins with Joe asking the musical question:  “Do you wanna get rocked?”

“Let’s Get Rocked” didn’t break any new ground nor did it need to.  It served it purpose of putting Leppard back on the charts.  But it also highlighted something missing.  Where were the riffs?  “Let’s Get Rocked” is decidedly unriffy.  It relies on a bass groove and guitar pyrotechnics, but the razor sharp riffs of the past are seemingly missing.  That didn’t stop it from hitting #1 in the US during a year when bands like Def Leppard were getting dumped by their labels.

One of the most poppy of the new tunes, “Heaven Is”, hits the second slot running.  A little of that Steve Clark is present, but this one’s main feature is the melodically constructed vocal melodies.  The thick chorus harmony proved that Leppard had learned Mutt’s tricks.  Lange did help co-write most of the tracks, but his meticulous studio touch was no longer needed in a producer’s capacity.  This time, Leppard produced with Mike Shipley.  Mutt was “executive producer”, which pretty much means “quality control”.

The first stumble of album the was second single “Make Love Like a Man”.  This cowbell-inflected mid-tempo rocker would have been B-side material five years earlier.  Listen carefully for Phil Collen’s “Cockney rhyming rap”.

Fortunately side one is redeemed by one of Def Leppard’s greatest ballads.  Demoed during the Hysteria sessions, “Tonight” was the darkest Leppard ballad to date.  The standout Rick “Sav” Savage guitar structure is the foundation for a damn special song.  There’s Joe utilising his screaming voice a little bit on the chorus.  It used to be his trademark, but here reserved only for moments of great expression.

The first side concludes on the Steve Clark tribute “White Lightning”.  The brilliant Collen intro is designed to emulate Clark’s trademark guitar drones on “Gods of War”.  Tesla tried a similar trick on their own tribute called “Song and Emotion”.  In this track, Elliott warns of the dangers of addiction.  “You wanna dance with the devil, you gotta play his game.”  Clark’s demons are starkly laid out in the words, and the seven dramatic minutes of music are as epic as any of Leppard’s most ambitious moments.

Remarkably, side two opened on another top tier Leppard track.  “Stand Up (Kick Love Into Motion)” boasted an odd title, and some of Leppard’s catchiest music.  Call it a ballad?  Sure, why not.  It’s somewhere in between ballad and rock tune, but every minute that it’s playing is a minute of the best of Def Leppard.  Something about its pulse; its uplifting chime.  The undeniable chorus is the icing.

Next is the ode to monogamy called “Personal Property”, not essential Leppard.  We do love the part when Joe threatens/screams, “You wanna stay healthy man? Take my advice! You better hit the road Jack, and don’t come back.”

A decent, but syrupy throwaway ballad with the overlong title “Have You Ever Needed Someone So Bad” is the weakest of the three here, but that didn’t stop it from being chosen as a single and going top 10 in Canada and the US.  It’s just nothing special given the quantity of superior ballads in the past (and future).  Following that is the most pop track of the batch, “I Wanna Touch U”, a bouncy good song if vastly removed from “Wasted” and “Ride in the Sun”.

The 10th and final track is the new version of the familiar “Tear It Down”.  This born rocker has been polished up and produced just right for album release.  Which do you prefer?  The final Adrenalize rendition, or the raw B-side from ’87?

Like Hysteria before, Adrenalize came complete with a number of important B-sides.  Perhaps the most crucial of these was a track that could have been a throwaway, but “Two Steps Behind” turned into Leppard’s first acoustic song.  This opened doors to entirely new worlds for the band.  We will take a closer look at these B-sides when we arrive at the appropriate discs in the CD Collection Volume 2 box set.

With an album completed, released, and on the charts, there was another challenge ahead.  Def Leppard were a two guitar band.  Phil Collen did admirably well, playing all the guitars on the album.  Live, they’d need someone both capable and dedicated.  What are the odds of finding the exact right match?

Adrenalize did what it had to do.  It kept the band alive and viable.  Hysteria was a period of exponential musical growth for Def Leppard.  If they couldn’t repeat that kind of experimental innovation this time out, they’d have to give it a shot next time.  And they would.

3/5 stars

 

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD
  12. “Let’s Get Rocked” – The Wait for Adrenalize – Record Store Tales

Next:

14.  Live at the Freddie Mercury Tribute Concert

 

VHS Archives #119: Rik Emmett of Triumph’s Solo MuchMusic Debut

The final of my three epic Rik Emmett interviews in the VHS Archives.

August 1990:  It was the Magic Summer Tour and the Perfect Gentlemen were opening for New Kids On the Block at the CNE in Toronto.  That was the big news.  With all that teenage hype looming outside the big glass MuchMusic windows in the form of young girls, in walked Rik Emmett with his first solo material since leaving Triumph in 1988.  Nobody knew what to expect!

Interviewer Steve Anthony is his usual goofy self and loosens Rik up with a few joke questions about New Kids, Perfect Gentlemen and the Iraqi invasion of Kuwait, before diving into the big ones.

Topics discussed:

  • What artistic expression was he not able to fulfil in Triumph but now can as a solo artist?
  • The new album Absolutely and the response from Triumph fans and the music industry.
  • The writing process.
  • Hair production.
  • The Judas Priest trial.
  • His (awesome) new six piece band.
  • Being a guitar player vs singer/songwriter.
  • The new song and video “Big Lie”.

That’s it for my Rik Emmett treasure from the Archives, I hope you enjoyed them.

 

VHS ARCHIVES #25: RIK EMMETT OF TRIUMPH – THE HOLY GRAIL OF VIDEOS – POWER HOUR 1987 LIVE PERFORMANCE
VHS ARCHIVES #109: RIK EMMETT – THE AXEMEN COMETH (1988)

Sunday Chuckle: Tee Bone Needs an Intervention

The other night, Tee Bone was making the artwork for next week’s LeBrain Train episode, Top 5 Ballads.  I asked if he could add in a picture of me playing acoustic guitar.  It started there, turned into “me recording my acoustic ballad album on the beach”, and it simply grew and grew!

Can you name them all?

 

 

 

 

 

 

Don’t You Know These Are 2000 Lists? Top 5 from the year 2000 on the LeBrain Train

Lots of surprises and a couple F-bombs on the show this week!

Normally you would expect Tim Durling (Tim’s Vinyl Confessions) and I to agree about everything.  This week, we did not!  Instead, Eric Litwiller and I matched nearly album for album.  Meanwhile, John T. Snow (2Loud2OldMusic) snuck in some really different picks.  Plenty of discussion, disagreement, love and laughs!

We started the show with an “ABSUЯD” unboxing and a special surprise from Aaron!  Thanks for watching!  If you missed it you can catch it below.

 

 


Upcoming Schedule:

  • Friday February 25, 7:00 PM:  Top Ballads with Eric, John, Harrison, and Rob Daniels
  • Saturday February 26:  Tim’s Vinyl Confessions – Journey
  • Friday March 12, 7:00 PM:  Ten Year Anniversary of Record Store Tales
  • Friday March 26, 7:00 PM:  Two Year Anniversary of the LeBrain Train with Tee Bone
  • Friday April 1, 7:00 PM:  The Prank Show featuring Michael Morwood and Chris Thuss

The Millennium Show: Top Five Albums from the year 2000

The LeBrain Train: 2000 Words or More with Mike & Friends

Episode 98 – The Millennium Show: Top Five Albums from the year 2000

A suggestion from the Meat Man — why not do our top albums from the year 2000?  The turn of the millennium was a weird time in metal.  A lot of bands were still suffering from the fallout of the past decade, while others were in the midst of big comebacks.  But there were so much more than just metal in 2000, as you will see with tonight’s lists!

The panel this evening:

Give ’em a follow while you’re at it, and make sure you don’t miss tonight’s show!  As always, the best way is to catch it live so you can participate in the comments.  And as usual, there will be special unboxings for those who show up early!  There could be something “ABSUЯD” in there.

Saturday February 18, 7:00 PM E.S.T. on YouTubeFacebook and also Facebook!

 


Upcoming Schedule:

  • Friday March 12, 7:00 PM:  Ten Year Anniversary of Record Store Tales
  • Friday March 26, 7:00 PM:  Two Year Anniversary of the LeBrain Train
  • Friday April 1, 7:00 PM:  The Prank Show featuring Michael Morwood and Chris Thuss

REVIEW: Ghost – “Hunter’s Moon” (2022 7″ single)

GHOST – “Hunter’s Moon” (2022 Loma Vista 7″ single)

The new Ghost album Impera is almost upon us!  (March 11.)  The group’s sound has changed from album to album, progressing from a gothic metal band with a foot in the past, to something more perversely pop.  Their last album 2018’s Prequelle, pushed further in that direction, with at least one song (“Danse Macabre”) sounding like a keyboard-drenched rock single from back in ’86.  So who knows what we will get this time out?

The single “Hunter’s Moon” from the film Halloween Kills might be a clue. The single version does not appear in the film, but a much more elaborate mix runs during the end credits.  Presumably, the single version will be on Impera as well.

The beat is strong, and the melody is prominent.  The chorus is a little more old-school Ghost, so perhaps the album will be a hybrid of styles.  There’s a cool guitar line and the usual idiosyncratic Tobias Forge vocals.  It sounds like latter-day Ghost with a little of the early thump, and one particularly Sabbathy guitar bend.  Plenty pop, plenty gothic.  Good song though not up there with “Rats” or “Danse Macabre”.

According to Max the Axe:  “All the neat metal tricks save it from being a simple pop song, and transcends it to hook-laden heavy rock.  Lots of breaks and dynamics.”

On the B-side is the Halloween Kills main title theme by John Carpenter.  It’s a variation on the familiar, iconic Halloween piano theme, bare with synth and choir.  A very nice add-on to this cool single.

3.5/5 stars

#974: I Was a Bit of a Jackass

RECORD STORE TALES #974: I Was a Bit of a Jackass

Part of my process, after breaking up with Radio Station Girl in 2003, was simply to explore new things.  Music, piercings, and movies.  Moving on, adapting, becoming a new me, and resurrecting parts of my old self as well.  The immature inner child that persists.  As kids, we weren’t bad boys, but we did get into mischief and play pranks.  I always felt that if we had access to a video camera back then, we could have been Tom Green before there was a Tom Green.  But we didn’t, and Tom Green was the real pioneer in that regard.  And he took things way further than we did.  Still, Green reminded me of me when I was younger.

It’s not a controversial statement to say that Jackass, particularly Bam Margera, owe a debt to Tom Green.  Green was pranking his parents before Margera was on MTV doing the same.  Where Green did it with a coy faux innocence, Margera’s version of the same was with manic violence.  Jackass turned everything up several notches.  As soon as a copy of Jackass: The Movie entered the store where I worked on used DVD, I grabbed one.  I was curious.

Soon I was hooked!

I could remember taking shopping carts for a ride when I was teenager.  Early teenager.  When Bob started working at the grocery store, he told me “Do you know how much those carts cost?  $1000 each.  So from now on we return them.”  Before that though…yes, we sure did give them a spin in parking lots.  Parking lots were empty on Sundays and you could do just about anything.  We never took serious tumbles like Johnny Knoxville and crew, but we did race them around a bit.  I could live vicariously through Bam, Steve-O, Knoxville, Ryan, Ehren, Dave, Pontius, Preston and Wee Man.  They could do the things I thought were funny but would never do myself!  I killed myself laughing when Johnny rented and destroyed the car at the smash-up derby, then refused to pay for the damage.  Just the absurdity of it all.  You know that everybody signed waivers and got MTV reimbursements after the fact, so all’s even-steven in the end.  In other words it’s OK to laugh.

Another reason I dove hard into Jackass:  girls that I thought were pretty cute seemed to really like them (especially Bam).  So if I was into Jackass, that was something I had in common with the cute punk and goth girls I liked.  I also took style pointers from the guys.  I had piercings and a couple tattoos, and I had one photo with curly blond hair that I thought looked just enough like Ryan Dunn.  I bought wristbands and shirts at Hot Topic and skate shops.  I dyed my hair frequently.  I looked the part.

Visiting my parents regularly was something I really enjoyed doing after moving out and getting my own place.  I liked to watch movies with them.  Rather, I enjoyed making them watch things of my choosing.  And so it happens that I tricked them into watching Jackass: The Movie with me.

They liked documentaries, so I told them that “Jackass is a documentary about stuntmen.”

I just re-watched the movie recently to refresh my memory for this story.  Calling it a documentary was a bit of a stretch, but calling it a documentary about stuntmen was really pushing it.  There are stunts, yes, but there was also poo, pee, puke, and bottle rockets firing out of Steve-O’s anus.

My mother was not impressed.  “I hated it!  I don’t like crude things,” she insists.

Jackass was indeed crude, with the climax being a prank involving Dunn sticking a toy car up his ass and then getting a hilarious reaction from an X-ray doctor.

“That kind of humour to me is not very intelligent,” says my mom, correctly.  It’s fact it’s quite anti-intelligent.  But that can also be escapism.  My mom didn’t see it that way.

I asked her which sketch she thought was the worst.  “The only one I can remember is the guy pooping in the toilet.”

Ah yes!  Dave England walked into a hardware store with a newspaper in hand, sat on one of the display toilets, and took a dump right there.  This is funny?  My mom didn’t think so.  But as kids, when we were dragged out into hardware stores by parents for (seemingly) hours on end, did we not sit on those toilets making farting sounds?  I bet we did.

That’s the side of me that Jackass appealed to.  The inner child, the immature side that still laughs when someone farts in a movie.  That’s OK.  What makes you laugh could be very different and that’s OK too!  I needed to get back to that a little bit, and rediscover my childish side after having my heart crushed by a Radio Station Girl.

Just don’t share this side with your parents.  Trust me, they won’t get it!

The Aftermath: Tim’s Vinyl Confessions Episode 351 with Tim and LeBrain

On Saturday Tim Durling, and I recorded a fantastic episode of Tim’s Vinyl Confessions about rare CDs that received loads of comments and questions!  Tim has been wanting to try going live for a while now, so Sunday morning we went for it with a followup show!

So, yes: That means this weekend there were three hours of Tim and I yammering about music!  But apparently they were a good three hours according to viewer feedback.  Here’s the “Aftermath” show that we did at 7:30 AM on a Sunday!  Loads of fun — I love mornings!


LeBrain Train Upcoming Live Schedule:

  • Friday February 18, 7:00 PM:  Top Albums from the Year 2000
  • Friday March 12, 7:00 PM:  Ten Year Anniversary of Record Store Tales
  • Friday March 26, 7:00 PM:  Two Year Anniversary of the LeBrain Train
  • Friday April 1, 7:00 PM:  The Prank Show featuring Michael Morwood and Chris Thuss

#973: “Let’s Get Rocked” – The Wait for Adrenalize

Part Twelve of the Def Leppard Review Series

RECORD STORE TALES #973: “Let’s Get Rocked” – The Wait for Adrenalize

Before the internet, the best way to access your rock news in Canada was to buy magazines and watch the Pepsi Power Hour.  We had all the US magazines plus M.E.A.T and some of the best rock coverage with MuchMusic.  You’d be negligent in your rock and roll duties if you didn’t buy some magazines.

I remember buying one at the end of the 80s, the turn of the decade.  It might have been Metal Edge or something of a lower tier.  (You bought what was on the shelf when pickings were slim.)  But they had a column by a psychic who was making rock and roll predictions for the coming decade.  Stuff like “Will Jon and Richie break up?”  What interested me the most was what she predicted for Joe Elliott of Def Leppard.  The biggest rock band in the world, she claimed, would get only get bigger.  Joe’s next album would outsell Hysteria, and he would get involved with some important causes.

Was she confusing Joe for Bono?  Cool if true, but outselling Hysteria?  Hard to imagine.

A few things were known about the next album at the start of the new decade.  They’d be trying to produce it without “Mutt” Lange for one.  “Mutt will be involved,” said Joe, but in a different capacity.  The goal was to make a “quick” album — one year instead of several.  They had one song earmarked from a B-side called “Tear It Down”.  They also had some unfinished ideas left over from Hysteria such as the ballad “Tonight”.  As kids, we imagined an album less produced than Hysteria, but hopefully just as good.  I had actual dreams of anticipation at night, imagining the new album cover sitting there on the shelves.  Continuing with the “-ia” naming convention, the next album was said to be titled Dementia.  A title they dropped in favour of something less negative, when once again things went down the toilet.

Rick Allen’s car accident was extremely unfortunate, but what happened this time was tragic.  Steve Clark, always the band’s riff-master and shape-throwing classic rocker, was gone.

The guitarist had been suffering from his addictions, and this time a deadly mixture of prescription pills and alcohol was enough to end his life.  January 8 1991, “Steamin'” Steve Clark was no more.

The band didn’t know what to do but carry on.  Record the the album as a four-piece.  Dedicate it to Steve.  Don’t even think about replacements until it’s necessary.

And so the fans mourned, and waited.  As the band toiled away, now producing with Mike Shipley, we anxiously awaited news.  Any news.  A few song titled leaked out:  “Have You Ever Needed Someone So Bad”, “Stand Up”, “Tonight”, “Tear It Down”.

And then, over a year after Clark’s death, listening to the radio one snowy afternoon:  Q107 out of Toronto, announced:  new Def Leppard.  Coming right up.

My sister and I huddled around the radio.  We may have popped in a tape to record it; I can’t remember.  We didn’t need to since it was about to carpet-bomb the nation with radio and video play.  “Let’s Get Rocked” was here!

And it was…

OK.

It was OK.  It sounded like Def Leppard.  It didn’t push the boundaries in any fashion.  It was safe, straightforward, and simple.

“Well, that classical section with the violins was different,” I said trying to see the bright side.

“Yeah, but that was just one short part,” answered my more realistic sister.

Through the years of anticipating a new Def Leppard album, we imagined some growth.  Maybe not as drastic a transition as they made from Pyromania to Hysteria, but something at least.  The one-time biggest band in the world shouldn’t just spin their tires musically.

“You know what, I’m gonna let it go,” I said.  “They’ve had to deal with so much, and when Steve died, they just needed to get an album out.  They can grow on the next album.”  (And boy did they!)

With that attitude, I counted the days until I would trek to the mall and finally get the new Def Leppard in my hands.  Now with the title Adrenalize, and with “Let’s Get Rocked” climbing up the charts, it was time for Leppard’s return.  A long time coming, if not the way it was planned!

 

Previous:  

  1. The Early Years Disc One – On Through the Night 
  2. The Early Years Disc Two – High N’ Dry
  3. The Early Years Disc Three – When The Walls Came Tumbling Down: Live at the New Theater Oxford – 1980
  4. The Early Years Disc Four – Too Many Jitterbugs – EP, singles & unreleased
  5. The Early Years Disc 5 – Raw – Early BBC Recordings 
  6. The Early Years 79-81 (Summary)
  7. Pyromania
  8. Pyromania Live – L.A. Forum, 11 September 1983
  9. Hysteria
  10. Soundtrack From the Video Historia – Record Store Tales
  11. In The Round In Your Face DVD

Next:

13:  Adrenalize

“Mrs Tibbets” by Jethro Tull on the Sunday Song Spotlight

Jethro Tull’s brand new album The Zealot Gene has people talking not just because it’s their first album without Martin Barre on guitar since their debut.  It’s also because it’s really good!  Christmas music aside, this is the first studio album under the Jethro Tull banner since 1999’s J-Tull.com.  It’s essentially an outgrowth of Ian Anderson’s solo band, which he finally felt comfortable bringing back full circle to Jethro Tull.  Whatever!  It’s all good.

“Mrs Tibbets” is the first song on The Zealot Gene, and a surprising one at that.  Thought it’s not short at 5:53 in length, it has distinct pop qualities.  The 80s keyboards certainly bring to mind a past era, when Van Halen was topping the charts with their own keyboard-drenched music.  The flute is a main feature, delivering the first melodies and, as always, many jaw-dropping passages.  Florian Ophale on guitar makes comparisons to past lineups unnecessary, when the track gets heavily progressive mid-way through.  The axework has a nice vintage sound to it.

The lyric book references Genesis chapter 19 verses 24-28.

24 Then the Lord rained down burning sulfur on Sodom and Gomorrah—from the Lord out of the heavens. 25 Thus he overthrew those cities and the entire plain, destroying all those living in the cities—and also the vegetation in the land. 26 But Lot’s wife looked back, and she became a pillar of salt.

27 Early the next morning Abraham got up and returned to the place where he had stood before the Lord. 28 He looked down toward Sodom and Gomorrah, toward all the land of the plain, and he saw dense smoke rising from the land, like smoke from a furnace.

I don’t think this is a song I’m going to crack conceptually after a few listens.  Give it a go and see what you think.  Brilliant track!

 

Blinkered against the harsh and raging sun
They said, divert your gaze, don’t look behind
It was time, they said, to do that thing
Mindful, they, of peace and peace of mind

Don’t feel bad, they said, about the numbers
Don’t feel bad about the melting heat
The burning flesh, the soft white cell demise
And the shattered ground beneath the trembling feet

Mrs Tibbets’ little boy
August morning silence breaks
Eyes to Heaven, Manhattan toy
Drops in for tea and Eccles cake

All for the good and ultimately
Saving precious lives in longer run
Set a course for home and happy holidays
Tell yourselves thank God what’s done is done

Mrs Tibbets’ little boy
August morning silence breaks
Eyes to Heaven, Manhattan toy
Drops in for tea and Eccles cake

Maybe if Lot had stopped and stood his ground
And maybe if Peter hadn’t turned away
What if that Judas stole no kiss?
What if, what if, Enola Gay?

Mrs Tibbets’ little boy
August morning silence breaks
Eyes to Heaven, Manhattan toy
Drops in for tea and Eccles cake

Have yourselves a merry little Christmas
Open parcels, gifts of different kind
A bigger bang will call for bigger bucks
So pay the ransom, don’t look behind