#947: Last Of Our Kind

A sequel to Record Store Tales Part 80:  The Darkness

 

RECORD STORE TALES #947: Last Of Our Kind

By the time that I decided “enough with the bullshit” and quit the Record Store at the end of 2005, The Darkness were truly one of my favourite bands.

The band’s newest album One Way Ticket To Hell…and Back was really resonating with me.  It was the kind of triumphant rock that felt appropriate as I started my new life, post-store.  Uplifting.  Carefree.  Nostalgic.  I had a Darkness shirt with their logo in silver scroll.  I was downloading rare live tracks from Limewire and buying imported singles.  All the stuff that properly qualifies a person as a “fan”, but with the additional emotional kick that this was “my” band.  I didn’t know anyone else who liked them.  Well, there was one.  I had just met Jen, my future wife.  In her CD collection was a copy of Permission to Land.

Two weeks after quitting the store I was back in the workforce.  I had what I wanted:  a boring job!  There were several days straight of just make photocopies.  Nobody to talk to, and with the clanky-clank of the copying drowning me out, I passed the time by singing.  Specifically, I sang my favourite Darkness tunes.

The most attractive tunes have the biggest and most bombastic choruses it seems.  Huge drum fills, big multi-layered vocals, and all the trimmings.  Songs like “Dinner Lady Arms”.

I used to be able to come close to hitting the notes. Just approximating the correct intonation, because who the fuck cared? Nobody could hear me.

Also on the playlist:  “Hazel Eyes”, “One Way Ticket”, “Growing On Me”, “Givin’ Up”, and “Friday Night”.

I made a Darkness “Greatest Hits” CD with all those tracks, a bunch of great B-sides, and couple bootleg live tracks.  The best of which was a ragged live take of “Givin’ Up”, sadly now lost.  That’s the problem with downloads.  In the golden glow of memory, it was the best version of the song ever!

Sadly, the Darkness were hitting a rough patch.  Justin Hawkins went to rehab to clean up, and then quit the band afterwards.  In shock, the band looked inward to new bassist Richie Edwards (who replaced original Frankie Poullain).  His surprisingly powerful rasp was perfect for a new start.  They reconfigured themselves as the heavier Stone Gods, while Justin launched his new band Hot Leg.  In this battle, Hot Leg sounded more like the Darkness, while the Stone Gods had a stronger album in hand.

Lineup changes continued to ensue.  Original Darkness drummer Ed Graham left the Stone Gods due to ill health, and was replaced by Robin Goodridge, formerly of Bush.  This left guitarist Dan Hawkins as the only Stone Gods member that had been in the Darkness.  Regardless, they managed to record a second, more stripped down album.  This second album was never released, because suddenly in 2011, the original lineup of the Darkness was back!

The comeback album Hot Cakes returned the band to their classic sound.  Most importantly, it was only the first in a series of great albums, the best of which might be 2015’s Last of Our Kind. The title track of which is the most quintessentially “Darkness” of any song they have released since their debut.  The music video features Justin Hawkins at his most Freddie, and a new drummer:  Rufus Tiger Taylor, son of Queen’s Roger.  Talk about rock royalty!

Not to ignore the important contributions of Emily Dolan Davies, who played drums on the album and in the music video for “Open Fire”.  As an in-demand session drummer, Davies was praised by Justin as having “revitalized” the band with her hard-hitting style.  Since her departure, Rufus has held down the drum stool on Pinewood Smile, Easter is Cancelled and the forthcoming Motorheart.

That’s right.  The Darkness have a new album coming.  They may or may not have doomed us to a long pandemic with the prophetic Easter is Cancelled, but they sure are going to rock us anyway.

Long live The Darkness!

VHS Archives #105: The Sandbox Wake (1999)

MuchMusic ran this Sandbox special shortly after the band announced their sad demise at the end of the 1990s.  Since every cloud has its silver lining, we can be glad that guitarist Mike Smith found greater success as Bubbles from the Trailer Park Boys.  This collection of interviews and live clips was run on the MuchEast program as “The Sandbox Wake”.

This memorial covers the band’s early days, writing terrible songs, improving, eventually getting signed and then onwards to the second LP.  The clips cover 1995-1997.  Graceland, The Junos, the East Coast Music Awards, concert footage…it’s here in this motherlode of Sandbox on MuchEast.

 

Sandbox:  Jason Archibald, Mike Smith, Paul Murray, Scott MacFarlane, Troy Shanks.

VHS Archives #104: MuchMusic ads for the Pepsi Power Hour, Springsteen, Michael Jackson, U2 and GN’R

Here’s a grab bag of ads from MuchMusic from 1988 and 1992. They are:

  • A bumper for the Pepsi Power Hour (Molten Mondays!) featuring Metal Tim (the blonde guy).
  • Bruce Springsteen’s “only televised concert ever”!
  • Guns N’ Roses Live at the Ritz on the Miller Big Ticket, a legendary concert.
  • Michael Jackson’s Dangerous tour
  • U2’s Zoo TV tour.

A fun little collection of ads that bring back the memories.

#946: Novel 30 Year-Old CD Packaging

RECORD STORE TALES #946: 30 Year-Old Novel CD Packaging

It’s not every day that I run into a CD packaging design that is new to me.  From all sorts of digipacks, to variations on the classic jewel case, to the SACD and DVD Audio, I thought I had seen it all.  Today I found one that is new to me.  It belongs to a CD single by the Scottish band Gun, from their first album Taking on the World.  That dates the single to over 30 years ago, so it’s surprising I haven’t seen anything like it before.

This is how it happened.  I was looking for a specific Metallica single (“The Unnamed Feeling”) to begin completing my St. Anger collection.  (I still need the Australian version with unique Australian live tracks, and an annoying version with a remix on it.)  Because I don’t like to buy just one thing, I checked other discs that the seller was offering.  I chose a 1994 Jackyl single for “Push Comes to Shove”, and the Gun single.  It was the title track from Taking on the World, a brilliant song itself, backed by a 12″ mix of their other big single “Better Days” and a non-album cover of Thin Lizzy’s “Don’t Believe a Word”.  The singles arrived in the mail last week and now I’m getting around to listening.

The Gun single comes in a regular thin cardboard sleeve, like many typical CD singles.  Here’s where it gets interesting.  I popped out the disc, and what should I find inside?  Not the usual 5″ single, no.  This is a 3″ single, much less common.

I have seen 3″ singles come in four different kinds of cases before.

1. Simple 3″ cardboard sleeve, like this copy of Queen’s First E.P.

2. 3″ Jewel case, like Metallica’s “Enter Sandman” 2021 release.  (Click here to see a version of the same jewel case, but sold with a blank 3″ CDr.)

3. This unusual white plastic stickered case, from Poison’s “Every Rose Has Its Thorn”.

4. Finally and least interestingly…just a regular 5″ CD single jewel case.

The Gun CD, released on A&M Records in 1990, is now the fifth storage system I’m found for the 3″ disc.  From inside the regular 5″ cardboard sleeve came a 3″ CD attached to a white plastic tray.  I have never seen one like it before.  It is specifically designed to hold 3″ discs, and has a three-pronged center to grasp the CD securely.

Isn’t it fascinating that after almost four decades of collecting music over different formats, that I just found a packaging design that I’ve never encountered in my travels?  I spent 12 years in a used CD store and this is the first 3″ white plastic tray I’ve ever seen.  Thank you Discogs!

VIDEO: Max the Axe – Oktoberfest Cheer (2021)

Today is the last day for Oktoberfest…but “Oktoberfest Cheer” goes on and on!

From the new EP Oktoberbest Cheer, written by Mike Koutis, here is the video for “Oktoberfest Cheer”.  Have a schnitzel on a bun and a frosty cold one, and get your copy at Encore Records in Kitchener, or by dropping us a line here.

  • Mike Koutis – guitar
  • Eric Litwiller – lead vocals
  • Mike Mitchell – bass
  • Dr. Dave Haslam – drums

 

  • Accordion by Catherine Thompson

 


Notes:  Since Eric deleted the only rehearsal footage of “Oktoberfest Cheer”, I was forced to use the video for “Randy” live at the Boathouse somewhat ham-fistedly.  However this works perfect with the punky off-the-rails nature of the song.  Speeding things up and slowing things down hides a multitude of sins in the edit, and the Keystone Cops flavour of the high-speed footage lends a comedic profile to the video.  Which is necessary for any song that contains lyrics like “don’t crush my smokes, don’t spill my beer.”

Sunday Screening: Techmoan’s Mitsubishi TX-L50

This average looking boom box has a notable feature that you’ve never seen before on a machine of this class.  It can play up to five cassettes (both A and B sides) continuously in a clever drawer design.  If you were using 120 minute tapes, you could hit “play” and have 10 hours of continuous music.  I’ll let Techmoan show you the clever feature; enjoy.

Tim Durling gets Unspooled with music and stories on the LeBrain Train

Have you ever had a conversation when you just knew what the other person was about to say?  Not like a déjà vu, just a…synchronicity.  A crossroads in time and space, intersecting with a very specific subsection of music fandom.  I experienced that tonight with Tim Durling, but you will have to watch this episode yourself to hear the stories.  Keywords:  “Soundtrack to the Video Historia“.

Tim has just written what could be the very first book dedicated to the subject of 8-track tapes.  You can support Tim’s project by clicking here!  As a collector, he has sought to determine what exactly has been released on the format and what has not.  There are a lot of unknowns in this little-documented realm, but what you will find in his book is only information that is 100% verified.  If he wasn’t satisfied that something was released, it didn’t go in the book.

I can’t wait to get my copy of Unspooled, and you have until October 23 to kickstart it.  The colour photographs of these tapes are sure to melt your eyeballs.  But before that happens…watch the show below!  Thanks again to Tim for stopping by.  And thanks to Aaron for co-hosting!

Unspooled! Author Tim Durling joins the LeBrain Train Friday at 7:00 PM

The LeBrain Train: 2000 Words or More with Mike Ladano

Episode 83 – Unspooled with Tim’s Vinyl Confessions

8-track tapes:  While many of us know what they are, very few of us have ever played one.  I still remember the clicky-clacky of the tape changing tracks!  So does Tim Durling, from Tim’s Vinyl Confessions.  But he’s not here to talk about vinyl tonight.  Tonight we talk 8-track tapes!

Unspooled:  An Adventure in 8-Tracks is the title of Tim’s forthcoming book, which you can help fund right now on Kickstarter.  Tim’s knowledge of the format, and his mighty collection, have enabled him to write a must-have book loaded with pictures of ultra-rare releases.  If you have ever been curious about this most intriguing of formats, then this is an episode that you do not want to miss!

Joining us for co-hosting duties will be Aaron from the KMA.  Tune in, won’t you?

Friday October 8, 7:00 PM E.S.T. on Facebook:  MikeLeBrain and YouTube:  Mike LeBrain.

#945: Spinning Vinyl ’75

RECORD STORE TALES #945: Spinning Vinyl ’75

If there was ever a photo that prophesized the future, I have found it.  Taken in late 1975, there I am listening to a record with a big pair of headphones on.  I was merely three, but look at the smile on my face.  And the clothes…am I wearing shoes in the house?

Behind me, the original family stereo.  Every family in the neighbourhood had one.  Ours had an 8-track player and a turntable.  You can tell I’m playing a record, and not a tape, because the cover is off the turntable.  The big clunky headphones didn’t fit my head, but they would later.  Because this system had an 8-track deck, it also came with two microphones.

Oh my God I just realized my mom put a plant on top of the stereo!

Since this is before Star Wars, I probably wasn’t listening to music.  I only remember owning two records.  One was a Lone Ranger story record, and the other was The Flintstones.  But they came out after this picture was taken.  If this photo had been taken in the Instagram era, the cover would be prominently displayed behind me.  Sadly we’ll never know what I was listening to.

A Year to the Day: Rest in Peace, Eddie Van Halen

‘Twas only a year ago I wrote these words:

There will never be another Van Halen.  No player before or since will have the ingenuity and influence he did.  From modifying his own guitars and amps to achieve the perfect “brown sound”, to brutalizing the strings with a drill, he was an innovator.  He was the most important of all the guitar innovators. And he sheepishly grinned through the whole thing as if to say, “Who, me? I did that?”

A year later, it’s only more certain that there will never been another Eddie.  You can read my full memorial here:  Rest in Peace to the greatest guitar player of all time.

The week Eddie passed, we did a tribute to him on the LeBrain Train.  You can watch that tribute below, starting at the 20 minute mark.

As if that wasn’t enough, we followed that with another Van Halen show: VH deep cuts!  One thing for sure, Eddie certainly inspired a lot of conversation on the LeBrain Train over the past year.  You can watch the deep cuts below, starting again at 20 minutes.

Let’s all take a moment to reflect, and play some Van Halen tonight.  Tonight, I’m going to go with “Dirty Movies” from Fair Warning to spotlight the greatest gee-tar picker of all time.  What song or album will you play for Eddie tonight?