Part 320: End of the Line #1: The First Interview

RST

RECORD STORE TALES Part 320:
End of the Line #1: The First Interview

Every journey starts with a first step.

By 2005 it was obvious that my career at the Record Store did not have a future. Franchises were struggling, and I found myself on the outside of the clique of people who ran the show. I had sunk into a deep depression, which was exacerbated daily by the store. I was working as hard as I ever had, returning home exhausted each night, but the writing was on the wall.  It had been for years. I put together a resume and began applying for jobs.

Assembling that first resume was interesting. I hadn’t had to look for a job in over a decade.  Retail experience was one thing, but I was beaten down so much that I struggled to play up my skills. I couldn’t see my strengths. As I worked on it and sought advice from people I trusted within the organization, I realized my experience was anything but limited to a cash register. I had been responsible for training dozens of employees, and even some franchise owners too.  I had been responsible for bank deposits, and sometimes I was carrying thousands of dollars in cash on my person. I had also spent a couple years running our website. I had travelled all over southern Ontario helping to deal with staffing issues. There was so much responsibility, and I had received so little credit for it, that I was selling myself short. Once I got some help and got that resume into shape, I started applying for jobs.  One franchise owner wrote me a glowing letter of recommendation that I still treasure.  It gave my spirit a huge boost.

Not having done a job interview in a decade, I was applying to anything, just to get my interview chops back. I had applied to sales and management-type jobs, but was shot down each time for “only having retail experience”. Even though I had managed a staff many times, it didn’t seem to matter. I worried that spending 10 years in one job wasn’t necessarily a good thing, like I thought it was.

I got a call back from a local chicken restaurant. They were hiring for an assistant manager position, so I gave it a shot. The interview with the manager was set for a Sunday; an odd day for sure but at least I had it off. I put on a pair of dress pants for the first time in a long time; I remember they were uncomfortably tight. I squeezed in and headed off to the interview.  As far as a first interview in years goes, I did pretty well. As this blog attests to, if there’s one thing I like talking about, it’s music. If there’s two, it’s music and myself.  I’m good at conversing, in other words.  (I get this from my Grandfather who had “the gift of gab”.) However I had no food service experience and I really wasn’t all that interested. I was more curious what was out there.

Of course I did not get the job, but that interview experience taught me two things. One, doing an interview is like riding a bike. Once you learn how, you never forget; you might be rusty but it’s easy to climb back on. The second thing I learned was to always make sure I have a pair of dress pants that fit!

PANTS

My second interview went much better.  I had applied for a position at Manulife and I nailed it.  Even though I had given what I still think was the best interview of my life, I did not get the job, and my mood sank further.  These journal entries have all the details:

Date: 2005/12/15 11:37 am

Man, that interview went so well. I was told that I was the best candidate they interviewed, but that there was also an internal candidate who was a favourite.

45 minutes after the interview concluded, I got an email saying the other candidate got the job.

Date: 2005/12/15 19:22 pm

Yeah, I guess I can admit I’m just really bummed right now. I definitely gave the best interview of my life today. And she said so many great things about me:

“You have such great personality, I would hate to see that stifled in you.”

“You are by far the best candidate I have talked to.”

We bonded over Pink Floyd, Helix, the St. Jacobs Market, Walkerton…it was a damn fun interview.

Ahh well. One thing for sure, I had a taste while I toured their building of what a REAL job is. They even had a Tim Horton’s on site! There’s a professionalism that my current job couldn’t even dream of having. It was fantastic. I have a very clear vision of what I want now, and I WILL get it.

Regardless of my bravado, this rejection hit me extremely hard.

To be continued.

REVIEW: Deadline – Tangible Vibe (1996)

DEADLINE_0005DEADLINE – Tangible Vibe (1996 Deadline Productions)

When we last checked in on this old Canadian indi band, it was on the 1994 EP So This is Limbo, which I rated a 2.75/5.  I haven’t played Tangible Vibe, the full length followup, in quite a few years.  I remember liking it back in 1996, when hard rock was all but dead and we were forced to seek out other kinds of rock music.  Will I still like it now?

“Another Low” is a pretty simple pop punk track, not the kind of thing I usually listen to.  It’s fast with heavy guitars and poppy vocals.  What stands in for a guitar solo is a simple melody.  It’s more annoying than likable.  “Frustrated” is more entertaining, taking the tempo back to a radio-ready pace.   Seems that I still like this one!  You’d be forgiven for thinking it’s a new single by Sum 41.  Hopefully you’ll forgive me for liking it.  Back then we didn’t call this stuff “pop-punk”, we called it “alt-rock”.

I recall liking “Living Proof” which sounds very much like Green Day.  It’s still a catchy little tune, that just it needs identity.  There’s certainly no reason it couldn’t have been a hit.  On the other hand, I remember not caring too much for “Headtrip”.  Its seemingly pro-drug message didn’t appeal to me and I didn’t think the song had much individuality going for it.  My feelings haven’t changed too much although I do appreciate the great vocal performance and guitars, but it could have been half as long.

Then and now, I love the title track “Tangible Vibe”.  Almost Monkees-like, it’s a soft rocker with a heavier chorus. I really like the recurring guitar melody.  Maybe I shouldn’t say Monkees-like, when I have heard Weezer do songs similar to this.  It’s a standout and now that I have re-discovered it, I plan on playing it a lot more.  Equally good is “Kill Me Slowly” which again is firmly in pop-punk territory, with vocal harmonies.

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As back in 1996, “Mary” bores me.  It feels like it’s a repeat of ideas from previous songs.  Such is the problem with these simple melodies.  Sure they’re catchy, but you run the risk of ideas that sound too similar.  There’s nothing wrong with it, but we’ve heard it before.  “Amore di Gatto” (“Love Cat”?) is a beautiful classical guitar intro to the dark song “Circus”.   This song has more in common with Deadline’s early hard rock roots than modern pop rock.  It’s mournful with with the strong melodies still intact, and a tricky guitar solo to boot.  It has the most emotion on on the album, and remains its best song.

“I Don’t Even Like You” is fast and fun; the drums are played with brushes and the guitars are acoustic.  It’s one of the shortest songs, which good because novelty songs are best kept short.  “Friend In Me” was the “hit”, and it’s the exact same version as on the So This is Limbo EP, which is great.  Closer “Go With the Flow” is another Green Day copycat, unfortunately.   It’s the early, heavier side of Green Day, but still the comparisons are unavoidable.

Shame.  A really great EP could have been made from the best songs on this album.

3/5 stars

REVIEW: The Sheepdogs – Learn and Burn (2011 bonus tracks)
SHEEPDOGS AND LEBRAIN

Ewen, Leot, LeBrain, Sam & Ryan

THE SHEEPDOGS – Learn and Burn (2011 Warner reissue, originally 2010)

SHEEPDOGS_0002Like many of you, I first heard The Sheepdogs via the excellent single “I Don’t Know”, a rollicking journey through territory pioneered by The Guess Who and Neil Young. And what a cool Canadian success story, what with that Rolling Stone cover and all.

A few months after falling in love with “I Don’t Know”, I was invited to a private acoustic session with the Sheepdogs. There were about 40 people in the room tops, including myself and my co-worker Bart who was my “+ 1”. I remember them playing “How Late, How Long” and an older tune. They were great, friendly and gracious.  They did a short meet & greet after the show, and I appreciated it when Ewen said to me, “I really like your Beatles shirt.  That’s my favourite period of John Lennon.”  I told him I specifically picked that shirt because I hoped they’d dig it!  The beards, you know?

I’m going to coin a new genre here:  “Beard Rock”.

Before seeing the band, I bought the album based on “I Don’t Know”.  That was sometime in fall of 2010; I remember listening to it on a cold, cold night at the cottage.   My impressions?  It’s a really cool mellow rock album. It sounds as if it came right out of 1969. It sounds very authentic to the period, even sonically.  Very different from their current work with Patrick Carney of the Black Keys.  I am impressed. I really like it.  Admittedly though, it’s a bit too derivative.  SHEEPDOGS_0006

Highlights for me included:

  • “Please Don’t Lead Me On”, which was very Beatles-y.  It’s jaunty, I like it.
  • “I Don’t Get By” which has a very country (or even Led Zep III) vibe.
  • “Right On” and its fat saxophone solo.
  • “Southern Dreaming” which reminds me of the Allmans, CCR and The Band
  • “Soldier Boy”,  probably the most rocking song on the album.
  • “Catfish 2 Boogaloo” kind of reminds me of a laid back version of Cream.

And, the whole Medley. These four mini-songs all meld together seamlessly, but are distinct sections.  It’s a gimmick similar to Abbey Road side two, but in miniature form.

The only song that does nothing for me is the title track “Learn and Burn”. Not into the vocal hook at all. Sorry.  I also didn’t dig the lyric referencing “Facebook invitations”, it just doesn’t vibe with the vintage 1971 sound of the song.

The two bonus tracks on the remastered edition are “Birthday” and “Slim Pickens”.  Yes, I re-bought the album to get two more songs.  You knew I would.  “Birthday” is worth it, a lovely 60’s sounding pop rock tune, with twang and banjo.  I wasn’t expecting “Slim Pickens” to rock as hard as it does, but it does!  This is a smokin’ little electric guitar bluegrass boogie instrumental.

Good album though, and a band to watch. Their work with Patrick Carney on their 2012 self-titled record expanded on their sound.  I expect them to continue to grow.

3.5/5 stars

REVIEW: Deadline – So This is Limbo (1994)

Review dedicated to Scott the Skeptic.

DEADLINE – So This is Limbo (1994 Deadline Productions)

Ahh, the 90’s, how I do not miss thee.  When I think of the 90’s, I remember how bands I liked simplified things to fit in better with the new alt-rock hordes.  Guys like Deadline initially showed a lot of promise.  They combined diverse elements and showed potential for future growth.  Then they cut down the guitar solos and streamlined everything to its melodic basics.

I like So This is Limbo, (a five song EP) but it is safe to say that I do not like it as much as their self-titled debut.  Its five songs all fit into a soundalike form.  The first two (“Friend in Me” and “Going With a Smile”) are so similar that they both feature harmonica parts as one of the hooks, bouncy basslines, and a simple guitar melody where a solo would go.  That’s not to say they’re bad songs.  They’re good for what they are: happy-go-lucky 90’s pop rock.  “Friend in Me” got a bit of airplay at the time, and it’s the best song here.  The second best is “Going With a Smile”.

MuchWest interview with Deadline by TDM and “Galactic premier” of video

“Laundry Day” is a little darker, but “You know it’s laundry day again,” isn’t the kind of chorus that really gets my angst out.  This one has a guitar solo too, and it’s a gooder.  Too bad that the song isn’t as good as the solo.  The pop-punk of “Darkest Hour” is better.  Why did singers always use distortion on their voices in the early 90’s?  It’s too bad.  “Darkest Hour” isn’t bad at all.  The last song is the dreary “Better Things to Do”, which kind of leaves the EP on a downer note.

It’s too bad really because I know they can do better.  They did do better, on the Deadline EP.  Would they redeem it on the Tangible Vibe album?  I remember liking it back then, but I haven’t played it in a long time.  That’s the next review.  As for So This is Limbo?

2.75/5 stars

GUEST SHOT! Part 319: The Musical Crimes of LeBrain (by Mrs. LeBrain)

I really had this coming.  In Part 314 (The Musical Crimes of Mrs. LeBrain) I exposed the somewhat embarrassing contents of Jen’s CD wallet.  I knew retribution would come.  Enjoy this penultimate episode of Record Store Tales, and its final guest shot, courtesy of Mrs. LeBrain.  (Warning:  LOTS of pictures!)

By MRS. LeBRAIN

RECORD STORE TALES Part 319: The Musical Crimes of LeBrain

#10 HIM – And Love Said No.  That deep dark gothic prince Ville Valo makes lonely girls swoon, but he is also hanging out on LeBrain’s shelf.

#9 Soundtrack – SMALL SOLDIERS.  I don’t know how this made it into the LeBrain home.  I understand his need for everything Geddy Lee has ever created, but “Mixed by DJ Z-Trip“??  Is that really worth it?  (Not to mention that you have to rock out to Bone Thugs-N-Harmony to get there.)

#8 ROD STEWART – “If We Fall In Love Tonight” CD single.  Going through my adventure here, I came across this single, designed to get the listener to first base.  YOU’RE MARRIED. THAT SHIT DOESN’T NEED TO STAY.

#7 Soundtrack – THE KARATE KID, Part III.  “Wax on, wax off.”  The case and book for this CD do not meet the demanding criteria that LeBrain enforces on his collection, but neither does the track list.  (I don’t know who most of these people are, but I have heard of the Pointer Sisters.)

#6 WOODSTOCK 99 – Various.  Look at the first six tracks from crap bands, and try not to laugh (a challenging task).  The second CD is just as bad.

#5 Soundtrack – SON IN LAW.  The Pauly Shore franchise was known for making really bad movies.  The soundtracks are not much better and this shouldn’t be taking up valuable shelf space.

#4 ELMOPALOOZA – Various.  If LeBrain were a daddy, this CD might make sense (Steven Tyler has a song about trash).  But LeBrain is childless, and Tickle-Me-Elmo is pretty pointless here!

#3 ZZ TOP: A Tribute From Friends – Various.  Three words:

MIKE OWNS NICKELBACK!

#2 AVRIL LAVIGNE – The Lavigne Collection (see below).  In Part 314, LeBrain threw me under the bus for wanting to marry Joey Mac from New Kids on the Block, 25 years ago.  Payback time!  Just because he wanted to be her “Sk8tr Boi” doesn’t mean he needed to buy her entire repertoire.

And #1! HIT ZONE 4 – Various.  LeBrain’s messiest musical moments have been in his “Various” section, but this one takes the cake.  My husband owns tracks by NSync, the Backstreet Boys and Boyz II Men?  And to top it off this boy band festival, here’s Hanson!  Regardless, I think the most disturbing thing about this CD is cover.  Look at the scratches and scrapes on the case.  This tells me the CD has been well enjoyed.

CONCLUSION:  

LeBrain, with all the mess on YOUR shelves, you really can’t make fun of me.  But no matter what crap you listen to, you’re still mine.

– Mrs. LeBrain

NEXT TIME ON RECORD STORE TALES…

End of the Line!

 

REVIEW: Jon Bon Jovi – Blaze of Glory (1990)

JBJ BOG_0001

JON BON JOVI – Blaze of Glory: Inspired by the film Young Guns II (1990 Mercury)

Billy the Kid was a fascinating character.  Perhaps he was the embodiment of the Old West itself: a charismatic outlaw, who reportedly had a hair trigger temper but also a heart of gold.  Unfortunately, the film Young Guns II seems more about a person called Brushy Bill, rather than William H. McCarty, also known as William H. Bonney, but best known as Billy the Kid.  Having killed his first man at 18, the Kid earned his nickname with his boyish looks.  He looked nothing at all like his screen counterpart Emilio Estevez, but it’s because of Emilio that Jon Bon Jovi recorded the soundtrack to Young Guns II.

A popular theory from the 1990’s was that Billy the Kid was not killed by Sheriff Patrick Frank Garrett in 1881.   In 1948, a character called Brushy Bill Roberts emerged claiming to be the Kid, alive and well.  There was enough facial resemblance, and also sworn statements from five people who knew the Kid. Roberts never proved that he was actually William McCarty, and today historians have dismissed his claims due to the number of facts that do not match (such as dates of birth).   Young Guns II, the film, operated on the popular theory that Billy survived, and that he faked his death with the help of Pat Garrett.

In fact Garrett did shoot the Kid and lived a life of shame afterwards, as the details of the shooting of the popular Kid didn’t paint him in a positive light.  Oddly enough, Garrett himself was shot and killed in 1908 by a rancher named Jesse Wayne Brazel, in New Mexico.  The interesting coincidence about this is Brazel was uncle to a Mac Brazel, also a rancher in New Mexico, near the town of Roswell.  It was on his ranch that something strange (almost certainly an actual UFO) crashed and was covered up.  It is an amusing intersection of two of the great folk tales in American history.

Billy the Kid. Source: Wikipedia
Pat Garrett. Source: Wikipedia

So along came this movie.  Emilio Estevez asked Jon Bon Jovi if they could use “Wanted: Dead or Alive” in the film.  Jon declined and said, “The lyrics don’t make sense.  That song is about touring, let me write you something more appropriate to the old west and Billy the Kid.”  This turned into an entire album.  Essentially Blaze of Glory is not a soundtrack album (since none of Jon’s songs are in the movie until the end credits) but a concept album based on the film.

The album begins with a snippet of dialogue:  “Yoo-hoo!” says Emilio/Billy.  “I’ll make ya famous.”  A gunshot and the song “Billy Get Your Guns” begins.  That’s Kenny Aranoff on drums in case you were wondering.  “Billy Get Your Guns” isn’t a hard rock song like Bon Jovi was doing at the time.  But it’s still rock and roll, featuring some great slide guitar riffing by Waddy Wachtel.  Jon’s voice is young, strong and loud.  It’s a sound I miss.  I think it’s impossible to dislike the excellent “Billy Get Your Guns”, especially when topped by a Jeff Beck guitar solo, who plays on pretty much the whole album.  (The album also features two Journey bassists:  Randy Jackson and Bob Glaub.)

Jeff even appeared in the music video for “Miracle”, the hit ballad from the album.  The lovely accordion and spare arrangement gives it quite a different feel from old Bon Jovi ballads. Once again I am reminded that Jon once possessed quite a powerful voice.  It’s also worth noting that Jon wrote every song himself.

“William H. Bonney, you are not a god.” – Keifer Sutherland as Doc Scurlock

“Why don’t you pull the trigger and find out.”  – Emilio Estevez as Billy the Kid

I still love “Blaze of Glory”.  It’s timeless, more so than a lot of Bon Jovi’s hits from the time — “Bad Medicine” and so forth.  I remember seeing Aldo Nova on TV playing the riff on an acoustic guitar, and it is perfect in its classic simplicity.  Aldo is one of Jon’s oldest friends and he plays on the whole album as well.  This dynamite hit song has become so loved that Bon Jovi play it live and included it on their greatest hits compilations, even though only Jon was part of it.  Jeff Beck’s smoking solo is as much part of the song as Jon is.  I cannot understate how great this song is. From quiet acoustic strumming to bombastic aplomb, the song is a great achievement.

“Blood Money” is a short ballad, with spare acoustics, tambourine and accordion.  Jon sings as Billy the Kid, directly to Pat Garrett.  Historically we don’t know if Garrett and McCarty were friends as they are portrayed in the film, but likely they were not.  Regardless, even though the lyrics are implausible historically, it is still a powerful little song.

This leads into “Santa Fe”, which is from the perspective of Doc Scurlock.   You want epic?  Look no further.  An album highlight, “Santa Fe” boasts strings, powerful Aranoff beats, and Jon’s most vivid lead vocal.  If it had been on a Bon Jovi album, I think it would be regarded as highly as a song like “Dry County” which it resembles slightly.

JBJ BOG_0003

Side two opened with Lou Diamond Phillips (Chavez y Chavez in the film) singing a native chant.  The song “Justice in the Barrel” refers of course to the barrel of a gun, and Jeff Beck’s playing in the opening reminds us why he is one of rock’s most legendary gunslingers.  The song however is more laid back, a slow rock groove.  “Never Say Die” is the most straightforward rocker on the album, and it features Robbin Crosby of Ratt on electric guitar.  This song most closely resembles Bon Jovi, the band, even lyrically.  It is followed by a song that sounds nothing at all like them, and also my favourite:  “You Really Got Me Now”.  From first listen, way back in 1990, to today, this is a song that always puts a smile on my face.  Imagine Jon Bon and Little Richard building a time machine, travelling back to 1881, and jamming in a saloon.  That’s “You Really Got Me Now”.  Richard plays piano and sings the second verse, and I love it.  It’s a shame this little tune is only 2 1/2 minutes long, but I guess it was a bit of a novelty.

“Bang a Drum” is a pleasant soft soul rock anthem, but the Hammond organ and Jeff Beck help maintain its integrity.  The soul comes from the backing vocals of Julia and Maxine Waters.  This is the climax; the denoument is “Dyin’ Ain’t Much of a Livin'”.  The delicate piano is provided by one Elton John (before he would become Sir).  Elton also joins Jon on backing vocals.  “All this fame don’t bring ya freedom,” sings Jon, a line that may apply to a rock star life as well as an outlaw.  The powerful song is a natural ending to a story such as this.

There’s a brief coda, an orchestral piece from the movie by composer Alan Silvestri called “Guano City”.  I always wondered why this piece (as good as it is, sounding like some of John Williams’ more exciting segments) was on the album.  Nevertheless, there it is, and the album is done.

Jon was very emphatic in stating that Blaze of Glory was not his true solo album.  It was 10 songs written specifically for a movie, to fit that movie.  His solo album would come seven years later with Destination Anywhere, but first it was time to get Bon Jovi, the band, back on track.  This began with a 1991 live performance of “Blaze of Glory” at the Academy Awards, by the full Bon Jovi band, augmented by additional guitarists Waddy Wachtel and Danny Kortchmar.

If you consider solo albums and soundtracks as part of the overall catalog, Blaze of Glory still clocks in as one of my absolute favourites.

5/5 stars

REVIEW: Trailer Park Boys – Season 8 (Netflix)

NEW RELEASE

TRAILER PARK BOYS – Season 8 (2014 Netflix)

Thank Santa’s tits! It was with tremendous joy that I watched the long-awaited Season 8 from the Trailer Park Boys this past weekend. I watched five episodes on Saturday night, and five more Sunday morning. Then on Monday, I re-watched my favourite episode, “Orangie’s Pretty Fuckin’ Tough”. As a long time fan, to say that I am pleased is an understatement. I am thrilled. Knowing in advance that a couple characters weren’t coming back (Ray and Trevor are no longer on the show), everything I wanted out of the show was there. There are even a couple new characters, who look like they may be important in the already finished Season 9.

TPB2

As if there was no pause at all, Season 8 feels like classic Trailer Park Boys, immediately. Some new characters are introduced, such as Don, who joins Randy as the new Assistant Supervisor. “Officer Highcock”, another new face, is no George Green. He’s smart. But fear not, George Green is back too, although Lahey is approaching retirement.

Trinity is tending bar at Julian’s new in-park club/gym, “The Dirty Dancer”. Bubbles is building his “Shed & Breakfast” for humans and cats. Julian and Ricky have numerous schemes on the go. Ricky’s growing dope at a mad rate, and refining it into honey oil, by special order of Sebastian Bach. He’s also realized that he can use hash as currency almost anywhere: on the bus, at the hardware store, or the dentist’s office. Seems just about everybody accepts Ricky’s $2 hash coins!

There’s also plenty of shady horsecockery. Cyrus and Sam Losco are working together again, and they want to buy the park and bulldoze it to the ground. The only solution is for Julian and Barb Lahey to work together to keep it. Needing capital, Julian sets into motion businesses and schemes galore. Steve Rogers returns for a hell of a bachelor party at Julian’s bar, attracting the attention of the cops.

ORANGIE

Ricky’s life is complicated by some unexpected news. The only thing holding him together is Orangie.  My buddy Chris and I agree on this:   the best element of Season 8 has to be Ricky’s goldfish, Orangie.  Ricky loves to party with him, and takes him everywhere in a bowl with ORANGIE scrawled on it in magic marker.  Ricky’s car now has a sun roof (of sorts), which functions as Orangie’s swimming pool after it rains.  Ricky wakes one morning to find Orangie unresponsive:  “Orangie, you finally passed out in the pool, did you buddy?”  When Bubbles asks what happened, Ricky explains: “We got fucked up on hash tokes and shooters.   Orangie’s pretty fucking tough.  Woke up this morning with my fucking pants down and my hands on my cock, thanks to Orangie.”  Now it’s up to Bubbles to replace Orangie before Ricky realizes the fish is dead.  As if minding a goldfish isn’t enough, Ricky also decides to turn his trailer into a hockey rink.

Bubbles’ doesn’t have it easy either. Due to a complex series of events regarding Steve Rogers, hookers, crabs, and Bubbles’ shed(s), he goes nucking futs at a drug store and is sentenced to community service. Where Ricky has Orangie for support, Bubbles turns to his new puppets…Bobby Turkelino, and little Ricky! And you know what happens when you mix Bubbles and puppets.

The story arc in this season was hilarious, with only one dud in the bunch (I’ll let you figure out which).  Some story points hint at what may be coming in Season 9, and that has me anticipating more hilarity.  Hopefully, Orangie will make an appearance in Season 9.  With a few more trips to the pet store, Bubbles should be able to make that happen.  Trailer Park Boys is off to a hell of a new start, and with the progress made in Season 8, I see no need to stop.

4.5/5 stars

Review by LeBrain with contributions from Chris Thuss.

My series of Trailer Park Boys TV reviews:

IMG_20140712_183919Part one: Seasons 1 & 2
Part two: Season 3
Part three: Season 4
Supplimental: “Dear Santa Claus, Go Fuck Yourself”
Part four: Season 5
Part five: Season 6
Part six: Season 7
Part seven: “Say Goodnight to the Bad Guys”

REVIEW: Deadline – Deadline (1992)

DEADLINE – Deadline (1992 Deadline Productions)

DEADLINE_0008Old school adherents of the classic Pepsi Power Hour may remember the video for “Donna (Do You Wanna)” by Sarnia Ontario’s Deadline.  This self-titled mini-album was not their first release, they did have an indi cassette before this.  Their 1992 CD debut was impressive quality for the period.  “Friction Addiction” (heard in re-recorded form on Raw M.E.A.T 3) is a cool, innovative hard rock number with a funky lead vocal.  The guys were all musically and vocally talented:  the Wood brothers Tim and Tom (vocals and drums respectively), Paul Albert (bass), and Shawn Meehan (guitars).  “Friction Addition” was exactly the kind of song that could have become a hit in 1992.  It was still upbeat, good-time hard rock, but with modern elements that the 1990’s demanded.

“Donna” sounds like an outtake from Extreme’s first album, a bit dated now.  It’s a nice shuffle complete with harmonica blasts, and fans of that old time hard rock will still like it.  The juvenile lyrics however are way below the quality of the music and playing.  “Nothing Left to Lose” is a somber ballad, a cross between Europe’s “Tomorrow” and Dokken’s “Alone Again”.  Bassist Paul Albert is credited as the pianist on the track.

DEADLINE_0001“Imagine That” is one of those early 90’s Ugly Kid Funk Metal™ tracks.  Paint a visual picture and you’ll probably be pretty close.  Regardless of the dated sound, it is still a pretty fun song.  Following that is the less-funky “Do You Believe”, a fun hard rocker that even quotes “Bomehian Rhapsody”.  How 1992!  Once again, Extreme comparisons are apt.  Slaughter too, especially vocally.  “Set Your Sails” is the “inspirational” track.  You always had to have one of those, didn’t you?  As such it’s upbeat and plenty good.  The tricky guitar solo reminds me of Richie Kotzen in style.

The CD ends with the jokey acoustic jam, “I Hate Workin'”.  It has that old Van Halen vibe of the “drunken party” in the background, and the singalong chorus.  Their hearts were the right place, but the song is a bit on the corny side.  Still, for a first CD?  Not bad at all.

After this the band released an EP called So This is Limbo and an album called Tangible Vibe.  These releases had a marked change of direction.  Guitar solos were chopped and songs shortened; as the 90’s progressed so they did, right into pop punk.  Both are pretty good releases, but we’ll have to look at them another time.  Deadline, the debut, scores a respectable:

3/5 stars

Incidentally, this CD will not rip on any machine.  No computer will play it, only an actual CD player.  I have had that problem with a few Canadian made CDs from the early 90’s.

From M.E.A.T Magazine

From M.E.A.T Magazine