MOVIE REVIEW: Paths of Glory (1957)

PATHS_0001PATHS OF GLORY (2010 Criterion Blu-ray, originally 1957)

Directed by Stanley Kubrick

It is the First World War. The French have dug into trenches, 500 miles long, from the English Channel to the border of Switzerland. As the film’s intro eloquently states, victories are counted in hundreds of yards gained, at the cost of hundreds of thousands of men. This is the setting of Paths of Glory, certainly and easily one of the greatest war movies of all time.

Paths of Glory, one of several Stanley Kubrick masterpieces, contains some of the most realistic First World War battle scenes ever put to film. The landscape is a cratered no-man’s land of mud, wire and bodies. The desperation is captured beautifully. The references to “shell shock” are historically accurate (it was considered to be a mythical condition by the generals of the day).

Kirk Douglas is Col. Dax, once a lawyer in his old life, now ordered to take the “Anthill”.  It’s a fortified position that German forces have held for a year. Now the French intend to take it and keep it.  All they have to do this with is tired and worn out men. Dax doesn’t think it can be done, but cannot disobey an order. The only alternative for him would have been to be relieved of duty, and Dax won’t abandon his men when they need him.

General Mireaux, his ambition clouding his judgment, set up an impossible undertaking. As is inevitable, the man are slaughtered, not even able to clear their own  barbed wire.  The few survivors were forced back by more guns and shells. A humiliated and embarrassed General Mireaux then orders his artillery to fire on his own trenches (that should keep them from retreating to them, right?)  When that order is refused, he decides to charge them for cowardice in the face of enemy. After all, someone must take the blame for this failure, and why should it be an officer? Col. Dax returns to his role of a lawyer and defends the three token men chosen at random to face the charges of cowardice.  Then, the movie morphs into courtroom drama.

PATHS_0002

Paths of Glory paints a picture of the way it was, based loosely on the practice of executing men for cowardice before they “infect” the rest of the men with it.  It’s not a pretty picture.  The trenches in the film are perhaps drier than the real trenches but the landscapes look very real indeed. Kubrick’s style here was still that of an observer, which came from his years as a newspaper photographer. He places his lenses where an observer would sit, and you can watch the events unfold like a fly on the wall.

Kirk Douglas is joined by Kubrick regulars Timothy Carey (two Kubrick films to his name), Joe Turkel (three Kubrick films) as well as Adolphe Menjou and a very young Christiane Kubrick.

The story itself is a heart wrenching look at the realities of First World War Europe, and also the human spirit. It attacks our prejudices and practices while reminding us that we are all the same regardless of our station in life. Kubrick seems to have been both fascinated by war while being repulsed by its necessity.

This being such an historically important film, I am glad that it finally received the Criterion treatment.  The restoration is very well done compared to the original DVD edition. The audio is in mono just as the original film was. I appreciate that nobody tried to tinker with the audio to make it multi-channel. This is the way Kubrick made it. Supplemental features are here including audio commentary, an essay, and a fun interview with Kirk Douglas from the 1970’s, among numerous others.

This is absolutely necessary for any fans of real war films and Stanley Kubrick. Hopefully this ushers in a set of brand new Kubrick Criterion editions. I bought two copies; the second was for my dad.

5/5 stars

Kirk Douglas … Col. Dax
Ralph Meeker … Cpl. Philippe Paris
Adolphe Menjou … Gen. George Broulard
George Macready … Gen. Paul Mireau
Wayne Morris … Lt. Roget
Richard Anderson … Maj. Saint-Auban
Joe Turkel … Pvt. Pierre Arnaud

REVIEW: The Black Crowes – Wiser For The Time (4 LP box set)

THE BLACK CROWES – Wiser For The Time (2013 4 LP box set, Silver Arrow/Megaforce Records)

I enjoy when bands do releases that are exclusive to certain formats.  In 2013 the Crowes put out this mammoth live album/box set, and let me tell you it’s gorgeous.  All it lacks is a booklet with pictures or liner notes.  I am otherwise completely thrilled with this release.  I’ve been on a Crowes kick these last few weeks, being drawn to the feel and impeccable musicianship of the band.  Wiser For The Time is largely acoustic, featuring mellow songs and arrangements spanning their entire career.  It also has plenty of electric rock, funk and blues.  It boasts 26 tracks and a running time of over 2 1/2 hours.  There was also a bonus 27th song given away for free last year, “Under A Mountain” taken from the same series of five New York concerts that comprise the album.

The Black Crowes pulled out all the stops.  From familiar hits such as “Jealous Again” to non-album obscurities like the scorching “Exit”, Wiser For The Time is treat after treat.  “Exit” in particular was a delicacy for me.  I had never heard the song before and was taken aback by its heavy groove.  And this is a song that has never been released on an album!?  Well, until now.  Even familiar songs like “No Speak No Slave” have new exciting moments, making the album a fresh listening experience.  Other songs like “Only Halfway to Everywhere” are extended to the 10 minute mark.

Covers?  Of the Crowes always surprise with interesting covers choices.  Here the biggest joy may be “Hot Burrito #1” and “Hot Burrito #2,” in sequence, by the Flying Burrito Brothers. That’s pretty hard core.  There were plenty of unfamiliar songs to me on Wiser For The Time.  Whether they are covers or Crowes obscurities I don’t know.  Regardless, I enjoy a good live album with unfamiliar material on it.  Who wants the same songs all the time?

SAM_0439Personal highlight:  “The Garden Gate” is my favourite song from 2009’s sprawling 2-LP Before the Frost…Until the Freeze.  I’m pleased that it made the album.  It’s every bit as good here as it was on Before the Frost.

But whether it’s the funky “Make Glad” or the extended jamming that makes up the end of “Tied Up and Swallowed”, there is not a dull moment on Wiser For The Time.  I solidly enjoyed the whole album.  I hope I can find the time to do so frequently in the future, but let’s be honest.  In our rat-race lives, few of us have the time to really spend time with an album anymore, particularly a 4 LP live box set.  And this isn’t a cheap set.  Sunrise had it for about $81, but Amazon were asking $73 with free shipping.  For those who can’t justify paying that much, iTunes have it too.  But these are beautiful 180 gram records, and iTunes can’t sell you the warmth that you will hear on a turntable.  Think wisely before buying.

4/5 stars

4 LP setIMG_00001630

  1. Cursed Diamond
  2. Sister Luck
  3. Smile
  4. Downtown Money Waster
  5. Hot Burrito #1
  6. Hot Burrito #2
  7. The Garden Gate
  8. Better When You’re Not Alone
  9. Darling Of The Underground Press
  10. Jealous Again
  11. Hotel Illness
  12. Thunderstorm
  13. Oh The Rain
  14. Soul Singing
  15. Tonight I’ll Be Staying Here With YouIMG_00001632
  16. Exit
  17. No Speak No Slave
  18. Only Halfway To Everywhere
  19. A Conspiracy
  20. Title Song 
  21. My Morning Song/Stare It Cold
  22. Tied Up and Swallowed
  23. Make Glad
  24. Waiting Guilty
  25. She Talk To Angels
  26. Willin’

Free Download Bonus Track

  1. Under A Mountain

Part 253: Angry Man Go Boom!

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RECORD STORE TALES Part 253:  Angry Man Go Boom!

September 6, 2005.

It was 11 am. Sales were slow so far on this first post-summer morning. I was feeling fantastic after a perfect night’s sleep. I only had one customer in the store. He was a somewhat odd fellow, late 30’s, liked to look stuff up in the computer, write it down, and then not buy it. Different strokes for different folks, I say. All the bosses were in the back office, as is typical. I was listening to Jethro Tull, Elvis Costello, and Max Webster. Nothing later than 1981, of course.

In walks our main character to this story. He’s a tall fellow, very tall, but even now I can’t quite put his face into focus. I can’t even clearly recall if he had a beard or not. I do remember his height, because he towered over me when I stood next to him. In his hands was a copy of Shaggy’s Hot Shot-Remixed album.

To get the proper effect, please read all of his dialogue in a Jamaican accent, a forceful Jamaican accent.  He was holding the Shaggy CD in his hands, and I saw our price tag on it.

“Yo, I bought this one but…it’s not the right one. Can I get somethin’ else?”

“Sure, just take a look around if you want. Do you have the receipt?”

His eyes got wide, he smiled a huge toothy “just ate the cat” smile, and then said, “Ahh man, I think I lost it somewhere.”

The price tag looked quite worn, it could have been purchased some time ago. We had our exchange policy: 7 days (+ an unspoken 7 more days just to avoid hassles). We also needed a receipt for all exchanges except in special cases.  All of this was clearly stated on the store signage as well as the lost receipt.

“Ahh, see, we need to have the receipt for all exchanges. Sorry man…”

“Ahh come on man! You remember me buying this thing don’t you?”

“Actually, no, I don’t, not really, without a receipt…”

“Ahh come on man I just want to switch it!”

Prior to this I was on the sales floor. I walked behind the counter, and said, “Without a receipt, I can’t do that.  The best I could do would be to buy it back from you.” I motioned for him to hand me the CD.

“Huh?” He handed me the CD. I opened the jewel case and examined the condition of the disc.

“I could buy it back from you used.”

Shaggy was quite scratched indeed. I chose not to say anything about it, since he’d claim he bought it like that. They always say that whether they did or didn’t, so my saying anything about it wouldn’t help. However, to buy it back in that condition normally we would give less, to cover the cost of having the CD buffed back to a new finish. I chose not to do that either, since I was being a hard ass on the rules I’d cut him a break on the condition.

“I can give you four dollars for this.”

“What?” Eyes go wide again. “I just want to switch it man, I’m the customer!”

“I know, but as I said, I can’t do that for you. What I can do is give you four dollars for that CD, but that’s the best I can do.”

“You know what, I’m the customer, and [accent gets too thick for me to continue]…”

Then, he took the CD in his hands, jewel case and all, and crushed it.  Pieces went flying everywhere. He stomped to the door, where he stood in the doorway and yelled “I am the customer!”

Out he went.  There was this moment of awkward silence. Then, the man at the lookup computer (who I’d forgotten all about) chimed in.

“So, let me get this straight. You were going to give him $4 for that CD.  Then he crushed it. Now he can’t get anything for it. How did that guy think that was a good idea?”

Took the words out of my mouth.

REVIEW: AC/DC – Stiff Upper Lip (Bonus CD)

AC/DC – Stiff Upper Lip (Bonus CD edition, 2000 Warner)

So much music, so little time! I reviewed the AC/DC album Stiff Upper Lip months and months ago. Previously, I only owned the single disc version of Stiff Upper Lip. I knew of the 2 CD Australian version, but I didn’t own it.  I thought and assumed all those bonus tracks were included on the massive AC/DC Backtracks box set. It has pretty much everything else.  However I was wrong, and I promptly bought a copy of the 2 CD version from Discogs, with plans to review it shortly after I reviewed Stiff Upper Lip itself.  That was in July.  Like I said, so much music, so little time!

Backtracks is missing two songs from the bonus CD: “Back In Black”, live from Madrid, is exclusive to this set. So is the 11 minute “Let There Be Rock”. (Meanwhile, Backtracks had plenty more songs from the Madrid show that are not on this bonus CD. Those songs are “Dog Eat Dog”, “Hail Caesar”, and “You Shook Me All Night Long”.

Confusing, huh? That’s why I’m here. To help the fans and collectors out there.

The Stiff Upper Lip bonus CD has a mix of live tracks, videos, and one rare studio recording:

      1. “Cyberspace” (Non LP Track)
      2. “Back in Black (Live – Plaza De Toros, Madrid, 1996)”
      3. “Hard as a Rock (Live – Plaza De Toros, Madrid, 1996)”
      4. “Ballbreaker (Live – Plaza De Toros, Madrid, 1996)”
      5. “Whole Lotta Rosie (Live – Plaza De Toros, Madrid, 1996)”
      6. “Let There Be Rock (Live – Plaza De Toros, Madrid, 1996)”
      7. “Stiff Upper Lip” (Music video)
      8. “Safe in New York City” (Music video)
      9. “Satellite Blues” (Music video)

I don’t care so much about music videos on a CD. Since the early 2000’s, bands tend to include a bonus DVD with their albums instead of videos on an enhanced CD. Plus we have Youtube now, most music videos are available online 24/7 on demand.

Skipping the videos, the most interesting track here is “Cyberspace” which was also a B-side to the “Safe in New York City” single. I hate songs about the internet (see: “Virtuality” by Rush) but thankfully “Cyberspace” kicks real ass. Sonically it’s the same as the rest of Stiff Upper Lip: hard, loud, stripped back. It’s also fast and memorable, making it one of the most interesting Stiff Upper Lip songs. Highly recommended to fans of this album.

Then you get the five live songs, originally from the 1996 concert in Madrid that was released on DVD as No Bull. I always prefer an audio format to a video one. I’ll tell you that the “new” songs from Ballbreaker were awesome live! In particular the title track, but “Hard as a Rock” is relentless and classic sounding. Meanwhile you can’t say anything bad about “Back in Black” or “Rosie”. You could argue that you didn’t need more live versions; I’d argue just to not buy this CD.

Finally “Let There Be Rock” is present in full-on extended live version. Angus wails away like a man possessed, a man in a trance, a man at one with the rock! With the rest of AC/DC behind him, you couldn’t ask for a more solid backing band, which makes the whole thing work.

As a companion piece to the whole Stiff Upper Lip album, I give the bonus CD:

4/5 stars

More AC/DC at mikeladano.com:

Live at River Plate (German import, 3 bonus tracks) – Backtracks (3 CD/2 DVD guitar amp box set) – Bonfire (5 CD box set)- Stiff Upper Lip

WTF Comments: Inaugural edition

WTF

WTF Comments:  Inaugural edition

Welcome to a new feature at mikeladano.com!  A spin-off from the popular WTF Search Terms, I now present to you WTF Comments.  These are real unpublished comments that were left for me, for whatever reasons.

First, we have “Tony Tony” (leaving me to wonder where Toni and Toné were) from Obregon, Mexico. Tony Tony apparently did not like my comments about the 1998 movie turd Godzilla:

tony tony aahh1985@xxxxxxx.com:  ad that’s because you all haters are A BUNCH OF FAGS COMPLAINING… HAHAHA what an asshole hehehe… the movie was great… and the soundtrack kicked your asses out…

Thanks Tony.  That doesn’t really need any additional commentary from me.

Then we have Max, from Russia.  In the past I’ve been clear that I will not share my music.  Max asked me to email him a copy of my “Get Your Hands Off My Woman…Again” mp3 single, by The Darkness.  As is my general policy, I deleted the comment.  A few days later, Max returned with this one:

max fedjudas@xxxx.xx:  I got this version, checkmate!

I didn’t realize it was a competition, but good on you.

This comment was sent to me on Facebook.   This person posted a comment using a word in a negative connotation that I personally dislike: “retarded”. I replied that it was now 2013 and saying that word in that context is no longer cool. If it ever really was cool.  Several people agreed with me, but then I got a private message from this person, Mike F.  Private presumably because he didn’t want to be publicly scolded by somebody else for using the word again. This is what he needed to get off his chest:

Mike F*****:  Retarded is retarded… Remember the meaning of it? Stupid… Dumb… Ya know… Retarded. 2013 and all its political correctness can kiss my fuckin asshole!

Dear Mike:  Welcome to my “block” list! Population: you.

Finally, we have the 164 comments that made up what I called the Neue Regel Saga.  I don’t blame you if you do not have the appetite to wade through that nonsense, but here it is, staggering in its absurdity.  The first time I had to close comments down!

Thankfully these flavourful comments are few here.  If you enjoyed this, and if I receive any more comments that make me “WTF?” then I promise to post them in the future!

REVIEW: Frank Zappa – Shut Up ‘n Play Yer Guitar (1981)

 

FRANK ZAPPA – Shut Up ‘n Play Yer Guitar (1981, 2012 Universal/Zappa remaster)

This is the first time I’ve ever seriously tried to write a Frank Zappa review; a daunting task indeed. I rely heavily on the excellent booklet inside the 2012 Universal/Zappa Record reissue of Shut Up ‘n Play Yer Guitar. For example, an advertisement for the album tells me that it was originally issued (in 1981) as three mail order records. You could buy them at once or separately, and they were individually titled Shut Up ‘n Play Yer Guitar, Shut Up ‘n Play Yer Guitar Some More, and Return of The Son of Shut Up ‘n Play Yer Guitar.  Then they were later re-released as a 3 LP box set.

ZAPPA_0006I also like how the spines of this series of remasters are all numbered, so you can easily file them in chronological order. That’s how I file my albums (alphabetically by artist, then chronologically by album). These three records were 31, 32, 33. For shits and giggles, I separated the tracks from this 2 CD release into the original 3 LP running order. My logic was, this gave the listener (me) a more “original” listening experience, as I took coffee breaks between “records” to collect my thoughts.

The whole Shut Up ‘n Play Yer Guitar set is a collection of instrumental guitar solos.  Many of these are taken from live performances of other songs, but presented on their own, sometimes with humorous dialogue sprinkled in between.  All solos are by Frank, although giants such as Steve Vai and Warren Cuccurullo are behind him on rhythm guitar.  Frank’s playing is diverse (it better be if your album is an hour and three-quarters long) and interesting at all times.  I’m not a guitar head, I can’t sit here and tell you, “Oh right now he’s playing the such-and-such mode in the key of whatever.”  I can just tell you when my jaw hits the floor (frequently).

Rhythmically, “five-five-FIVE” (the opener) is one of my favourite tracks.  The internets tell me that the time signature is a repeated sequence of 5/8 + 5/8 + 5/4.  On top of that are some exotic and mindblowing Zappa tones.  I was hooked on the first time.  The next one, “Hog Heaven” is slower, a respite.  Zappa remains the architect of electric guitar sounds you just don’t get to hear every day.  I also love the aptly named “Variations on the Carlos Santana Secret Chord Progression” which does indeed have a vaguely Santana vibe.

Other highlights included “Ship Ahoy” which I’m not even sure how to describe so I won’t.  “Pink Napkins” is a jazzy jam session with Eddie Jobson on keyboards that hits just the right notes.  The 10 minute closer “Canard Du Jour” is remarkably by being sparse, without wasting precious playing time by being boring.  It is aided and abetted by Jean-Luc Ponty on violin, a treat indeed.

I think I’ve said enough.  I paid nine freakin’ bucks (Sunrise) for almost two hours of Frank Zappa playing guitar.  How is that not one of the smartest decisions I’ve ever made?

4.5/5 stars

Part 252: That Smell

RECORD STORE TALES Part 252:  That Smell

Working in a retail environment with the public exposes one to a variety of interesting smells.  90% of customers didn’t have a particular smell to them.  They were pretty inoffensive.  However, about 10% of customers did have distinct odors.  Here are the Top Five things that customers in my store smelled like:

4% – Weed

If I had to break it down, I would say the majority of customers that smelled like marijuana were shopping in the rap section.  The red bleary eyes were also a giveaway, but some of these kids just reeked of pot!  Didn’t matter if it was 10am and they were selling their CDs to buy another dime bag, or if it was 7pm and they were looking for fast food money.  They were omnipresent.

3% – Booze

I’m only hoping that the customers who had booze stench on their breath were not driving.  (At the end, I worked on the “wrong side of town,” many of my customers could not drive anyway.)  Never mind the fact that some people would be coming in piss drunk at noon on a Wednesday.

1% – B.O.

The dreaded body odor stink afflicted men and women alike.  The only thing they had in common: customers with B.O. were always oblivious to it themselves, even though my eyes were watering.  Many times these guys were construction workers on break, but not always!

1% – Really strong perfume or cologne

I had a few customers who were used car salesmen.  Apart from impeccably trimmed moustaches, they often wore too much Drakkar Noir.  There were also plenty of women that smelled so strong you couldn’t breathe.

1% – Bad breath

Halitosis isn’t fun.  Some of the people who knocked me out with their breath looked like their teeth weren’t doing so well either, particularly at the stores located on the wrong side of the tracks!

If you enjoyed this, perhaps you’ll enjoy Record Store Tales Part 57:  Top Five Things A Record Store Smells Like.

THAT SMELL

REVIEW: Helix – Smash Hits…Unplugged! (2010)

HELIX – Smash Hits…Unplugged! (2010 Helix Records)

Smash Hits…Unplugged!, the first ever acoustic release by Helix, was certainly a release that deserved more attention.  While Helix have continued to make albums (and good ones, too), many of them have been ignored by the media in general.  While an album such as The Power of Rock and Roll kicked as much ass as Walkin’ the Razor’s Edge, it went largely unheard.  Smash Hits…Uplugged! was a more accessible version of Helix, but it still failed to garner the attention it deserved.  I do hear “That Day Is Gonna Come” from this album on the radio from time to time, but this album is too good not to be heard by masses.

This, to me, was the real “classic Helix lineup” reunion album. Unlike Vagabond Bones, you can actually hear Brent and Daryl singing. Daryl Gray in particular contributes a lot to this album, including singing, bass, guitars, and more exotic instruments such as bodhran. All five Helix members participated, including Kaleb Duck with his first Helix album. Old friends such as Sean Kelly and Cheryl Lescom also dropped in.

Every song on this album was a hit somewhere or another, and every song on this album had the potential to be a hit once again. Vollmer sang his butt off as always.  Some of these arrangements are startlingly original. Particularly “Gimme Gimme Good Lovin”, which shines with great harmony vocals and mandolin courtesy of former guitar slinger Brent Doerner. This excellent, energetic version is followed by a great single-worthy take of “The Kids Are All Shakin”. The ballads are also well done, in particular the shoulda-woulda-coulda-been hit “That Day Is Gonna Come” and their cover of “Dream On”.

It is a new cover version that really blew me away. Vollmer sings his very best on “Touch of Magic” originally by the late great James Leroy. This long forgotten song is a wonderful tribute to Leroy, an under-appreciated Canadian singer and songwriter from the 1970’s.  His original version of “Touch of Magic” was a #6 charting single.  While I can’t say that Helix have topped or equaled him, it is a nice tribute and let’s leave it at that.

Really in total honesty, every version here is great — I can’t say much more than that. I found some arrangements, such as “Rock You”, to be pretty standard, while others to be more adventurous especially in instrumentation. A sprinkle of fiddle here, some 12-string there, and you get a rich unplugged album much more interesting than most major bands’.

Pick up Smash Hits…Unplugged! by Helix. Not only do you know all these songs already, but you’re supporting a band that really deserves it.

5/5 stars

More HELIX at mikeladano.com:

EXCLUSIVE INTERVIEWS:  Brian Vollmer (2012) + Brent Doerner (2007)

CONCERTS:  The Power of Rock and Roll CD release party 08/18/2007, London Ontario

REVIEWS: Best Of 1983-2012 + “All I Want For Christmas is the Leafs to Win the Cup” single
+ 30th Anniversary Concert DVD + “Good To The Last Drop”/”S.E.X. Rated” cassette single
+ Live! In Buffalo + No Rest for the Wicked

RECORD STORE TALES: Part 2: Gimme an R! + Part 234: Wild in the Streets

REVIEW: Paul Stanley – Live To Win (2006)

PAUL STANLEY – Live To Win (2006 Universal)

This album is significant to me for one reason only:  It was the first CD bought for me by my lovely wife, Mrs. LeBrain.  She knew I liked Kiss and she knew I didn’t have this album.  It was a total surprise!  It was also a total disappointment.

Paul’s 1978 solo album is a milestone for me, it’s one of those albums I can put on any time, any where, anyhow, and I always love it. When Paul wrote (quoted in the “Kiss: Behind The Mask” book) “Let’s just say it needs a sequel right about now,” I was so excited. Yet I forgot, the word “sequel” has many different connotations.

LIVE TO WIN_0002Unfortunately, Live To Win is a sequel in the sense that it’s inferior to the original in every way. The production is plastic, modern synthetic, and boring. The songwriting is good in parts, but there are three ballads here. Paul’s first solo album had nine songs and one ballad. Here, there are ten songs and three ballads. You can work out the math on your own. The playing is bland and generic. John5 plays guitar a bit, and he’s always great, and Bruce Kulick plays bass (why bass?) on a few songs. Everybody else is just a studio cat, guys who are paid big bucks to make people like Avril sound good.  Good players, but there’s no personality on this album.  Not like when Bob Kulick ripped Paul’s first solo album to shreds.

There are two good songs.  They are “Wake Up Screaming” and “Where Angels Dare”. “Wake Up Screaming” starts off with some terrible drum machines. (Yes, not a misprint. There is far too much ProTools and programming on Live To Win.) It’s generic sounding, until Paul’s melody and vocal elevates the song to a whole different level. Still, it’s not aggressive enough for a song called “Wake Up Screaming”. Raw production would have turned this into a classic.  The other good song is “Where Angels Dare”.  It’s another great song with Paul’s riff, vocal, and melody taking it where it should be. A highlight.

“Live To Win” is also decent, it has a good chorus, but the riff and verses are boring. “Bulletproof” sounds like a Hot in the Shade outtake.  “Lift” should have been on Carnival Of Souls, it has that grungy sound. The rest of the album is just plain boring, especially the ballads. Among the ballads there’s nothing here that can hold a candle to the dynamics of “Hold Me, Touch Me” even though they are every bit as schlocky.

Paul, I’m disappointed. For a guy who had the idea to go back to basics and record the Kiss album Sonic Boom on analog tape, this just doesn’t even sound like it came from the same person. Maybe if your first solo album wasn’t so good, so classic, then I wouldn’t have expected so much. Yet, Paul, you are a rock god. There’s no denying it even to non-fans. You are an icon, and you are responsible for a dozen or more of the best songs in rock history. There’s no denying it! For you to put this out, I can only conclude you were out of touch with your fans and rock in general. Or, worse, you were trying desperately for a hit.

Disappointing. But still better than Asshole by Gene Simmons.

2/5 stars.  One for each good song.

More KISS at mikeladano.com:

Complete KISS reviews + Complete ACE FREHLEY reviews 

PETER CRISSCriss EP review + GENE SIMMONSAsshole review

Record Store Tales Part 3:  My First KISS + Part 8:  You Wanted the Best +
Part 77:  Psycho-Circus Part 151:  24kt KISS…cheap at twice the price +
Part 152:  Carnival of Lost Souls Part 173:  Gene Simmons’ Asylum Demos 
Part 179: Phantom of the Opera Part 241:  Halloween, KISS style!

Also available: iTunes exclusive live soundtrack to Paul’s One Live KISS DVD.

ONE LIVE KISS