Bohemian Rhapsody

#729.3: Frank’s Mysterious Top 10 of 2018

Frank is the resident Sausagefest Man of Mystery.  We don’t really know anything about Frank.  We do know he likes to rock.  He also likes movies and TV series.  Here are his favourites from 2018.  Now you know as much about Frank as we do! ***


TOP 10 ALBUMS / SONGS OF 2018

  • Ghost:  Prequelle / “Faith”
  • Judas Priest: Firepower / “Flame Thrower” *
  • Evergrey: The Atlantic /A Silent Arc”
  • Lamb of God: Legion: XX / “Jesus Built My Hot Rod”
  • Jack White: Boarding House Reach / “Over and Over and Over”
  • Nine Inch Nails: “Ahead of Ourselves”
  • Greta Van Fleet:  “Age of Man”
  • Ayreon: The Best of Ayreon Live / “Star of Sirrah”
  • Godsmack: When Legends Rise / “Take It to the Edge”
  • Behemoth: I Loved You at Your Darkest / “Bartzabel”

 

* LeBrain’s note – I fucking LOVE that he put “Flame Thrower” on his list.  I didn’t care for it much when the album came out, but now it’s my favourite track too!


 

TOP 5 MOVIES

  • Aquaman
  • Deadpool 2
  • Bohemain Rhapsody
  • Solo
  • Spiderman: Into the Spiderverse

 

* LeBrain’s note:  Uncle Meat put Solo on his list too.  I’m “frankly” surprised.


TOP 5 NETFLIX SERIES

  • Altered Carbon
  • Disenchantment
  • Lost in Space
  • Castlevania
  • Bert Kreischer: Secret Time

 

*** The “Man of Mystery” thing is a nickname.  Frank likes to keep a low profile but yes, we do know Frank.  We know enough for blackmail, anyway!

#729.2: Uncle Meat Destroys 2018!

Man of few words, but many lists:  Uncle Meat presents his top movies, albums, and disappointments of 2018!

 


TOP 10 MOVIES

1. Bohemian Rhapsody
2. The Ballad of Buster Scruggs
3. Mandy
4. A Futile and Stupid Gesture
5. Avengers: Infinity War
6. BlacKKKlansman
7. A Star is Born
8. Solo
9. Ant-Man and the Wasp
10. Black Panther

* LeBrain’s comment:  I’m pleased to see the MCU and Coens make strong showings here, but Solo surprises me.


TOP 10 ALBUMS

1. The Wake – Voivod
2. Used Future – The Sword
3. The Tree of Forgiveness – John Prine
4. The Sciences – Sleep
5. Town Burned Down – Adam’s House Cat
6. The Wolf Bites Back – Orange Goblin
7. Mankind Woman – Brant Bjork
8. Our Raw Heart – YOB
9. Spaceman – Ace Frehley
10. Triumphant Hearts – Jason Becker

 


DISAPPOINTMENTS OF 2018

1. Tenacious D – Post Apocalyptico (Both the animated show and album)
2. Kiss completely playing to tracks live
3. Troy Tulowitzki
4. LeBrain’s Porn Debut

* You can’t please everybody!

REVIEW: Queen – Bohemian Rhapsody – The Original Soundtrack (2018)

QUEEN – Bohemian Rhapsody – The Original Soundtrack (2018 Hollywood Records)

“Best Queen greatest hits yet,” said a trusted fellow Rock Connoisseur.  “Nahh”, I thought, remembering the red and blue CDs I grew old with.  But his theory might just hold water.  For fans new and old, listening to the Bohemian Rhapsody soundtrack from start to finish is very satisfying.

The movie’s getting torn to shreds by the critics.  Don’t let that scare you away from the album.  Worth the price of admission for die hard fans is the new Queen version of the “20th Century Fox Fanfare”.  Who needs an orchestra when you have a Brian May?  Then it’s “Somebody to Love”, which you can imagine playing over the opening credits, can’t you?

“Doing All Right…revisited” is a pre-Freddie version of the Queen song, by the pre-Freddie version of the band, called Smile.  This is a first for collectors, and is hopefully a taste of more Smile music to come.  Moving on chronologically, it’s the scorching classic “Keep Yourself Alive” from the legendary Live at the Rainbow ’74.  Because Queen was one of the greatest live bands of all time, having live tracks mixed in with hits won’t phase the old fans.  Folks out there who hate live versions (yes they exist) will whine that the originals aren’t included.  That’s OK because sometimes Queen live was actually as good or better than Queen in the studio.  “Keep Yourself Alive” is one such track.

One can’t fault the song selection.  “Killer Queen”, “Crazy Little Thing Called Love”, “Under Pressure”, “Another One Bites the Dust” and “We Will Rock You (in a movie remix) represent the radio perennials.   Other favourite Queen songs are present in a mini-set from Live Aid.  It’s not the whole set, unfortunately, but a large slice:  “Bohemian Rhapsody” (also present earlier on the CD in its studio version), “Radio Ga-Ga” “Hammer to Fall” and “We Are the Champions” are stellar performances from an historic concert.  No one is poorer for having these.

You may question your need to own a remix of “Don’t Stop Me Now” with too much guitar, or a live “Now I’m Here” from the Night at the Odeon album.  Well, you’d do it to get “Fat Bottomed Girls”, which was chopped from the Live Killers album, or “Love of My Life” from Rock In Rio in front of 500,000 people.  It’s a trade-off with you as the winner.

4.5/5 stars

REVIEW: Wayne’s World – Music from the Motion Picture (1992)

MOVIE SOUNDTRACK WEEK

By a weird coincidence, I wrote up this review on the exact same night that Aaron wrote up his for the KMA. Weeeeeeird.

Scan_20160605WAYNE’S WORLD – Music from the Motion Picture (1992 Warner)

Today we’ll take an extreme close up look at Wayne Campbell, Garth Algar, and the movie soundtrack that returned Queen to the top of the charts.

Wayne’s World was a phenomenon.  Not only did it put Queen back on their throne, but it also kickstarted a whole wave of Saturday Night Live movie spinoffs, including the Coneheads and Pat.  The soundtrack was one that “everybody” had to have.   While I had started my Queen collection well before the movie came out, this soundtrack was the first place that I acquired “Bohemian Rhapsody”.  In many regards, you can almost regard “Bohemian” as a brand new song in 1992.  It charted as if it was brand new, and it became a cultural cornerstone only after the movie.  I know I can’t be the only one who head-banged to it in the car on weekend nights during the summer of ’92.  As one of the most campy yet brilliant tracks ever recorded in the history of rock, “Bohemian” deserved everything that came its way.

The soundtrack CD was made up of new and old material like “Bohemian”.  Also dusted off:  “Dream Weaver” by Gary Wright.  Though not to the same degree as Queen, Gary Wright experienced a bit of a renaissance thanks to the prominent usage of the song in the film.  The 1975 soft rock ballad is still cheesey fun today.  Then, Jimi Hendrix’s “Foxy Lady” was given a fresh release in one of the most memorable Garth scenes.  Admit it:  If you are over a certain age, you make the little “fox ears” on your head just like Garth Did when Jimi sings “Foxy”!  I know you do — don’t try to lie.  Although I can’t recall the song being in the movie at all, a mediocre Eric Clapton outtake from 1985 is included on the CD, in “Loving Your Lovin'”.  It’s about as memorable as you would expect a mid-80’s Clapton outtake to be; its just “OK”.  Of course, everyone knows that Alice Cooper’s “Feed My Frankenstein” was used during the Cooper cameo in the movie.  It introduced Alice to a whole new generation who still remember and love that song.

New tracks included the zippy Red Hot Chili Peppers funk blitzkrieg “Sikamikanico”.  Bass pulsing in time with the racing beats, this is the kind of Chili Peppers I love.   Meanwhile, Black Sabbath unveiled their first new material with Dio since 1981, on “Time Machine”.  This Wayne’s World version of the song is completely different from the one that was recorded for Dehumanizer, although both are included on the Sabbath remaster.  The Wayne’s World version feels faster and more frantic.  It was quite a thrill for fans to hear a brand new Black Sabbath song in a mainstream comedy movie.  (Cool scene too, with Robert Patrick of Terminator 2 fame.)  Although the soundtrack couldn’t resurrect their careers, both Cinderella and Bulletboys had new tunes on the CD.  Bulletboys tackled a cover of Montrose’s “Rock Candy”, perfect for their Van Halen worshipping vibe.  Cinderella had a new rocker to show off, a soul-infused vintage song called “Hot and Bothered”, which was a fine return to form but had no impact.  Finally, Rhino Bucket who were considered heirs to the throne of AC/DC included a new song called “Ride With Yourself” from their 1992 album Get Used to It.  It’s cleaner sounding than AC/DC but it’s in that ballpark.

Finally there are the throw away tracks.  At the time, Tia Carrere was being hyped up for a music career.  They hooked her up with Ted Templeman and recorded a cover of “Ballroom Blitz” (you know the scene in the movie) and a ballad called “Why You Wanna Break My Heart”.  Both are fine in the movie, but not really necessary for rock fans in general to own on CD.  Still, here they are!  (Tia’s version of Hendrix’s “Fire”, also in the movie, was included on the B-side of the “Ballroom Blitz” single.)  Then there is a throw-away version of the Wayne’s World theme song with Wayne and Garth singing.  I’ll take the Aerosmith version any day!

Not on the soundtrack CD, but prominently featured in the film, was Ugly Kid Joe’s hit “Everything About You”.  No big loss; you should be able to find their Ugly As They Wanna Be EP for under $5.  Party on!

3/5 stars

#484: Top Five Road Trip Movie Singalongs

HAROLD AND KUMAR

Sometimes-contributor Thussy and I came up with a list of our Top Five Favourite Road Trip Movie Singalongs!  The five songs below are forever associated with these films in my mind.  Like any other list, I’m sure you’ll have plenty that we forgot.  These are some of our favourites.  What are yours?


#5: Harold and Kumar Go to White Castle – “Hold On”

Once our heroes Harold and Kumar finally best the Extreme Sports Assholes, they not only steal their ride but also their “Extreme Mix Vol. 5” tape! Kumar and Roldie then enjoy a hearty singalong to Wilson Phillips’ “Hold On”.  So extreme!


#4: Dumb & Dumber – “Mockingbird”

“Radio?  Haha!  Who needs a radio!  Ready Harry?”


#3: Planes, Trains and Automobiles – “Three Coins in the Fountain”, “Meet the Flintstones”

Double whammy with this classic movie!  Steve Martin attempts to get a bus full of people to sing the 1954 theme song from the romance film Three Coins in the Fountain, with no success.  Much to his chagrin, John Candy’s irritating (though lovable) character Del Griffith got plenty of response to his “Meet the Flintstones”.




#2:
 The Hangover – “Three Best Friends Song”

The Hangover featured two great original songs:  “Doug” performed on piano by Ed Helms, and “Three Best Friends” sung by Zach Galifianakis. “Three Best Friends” gets the nod, because the other took place in a hotel room.  Come on, sing along folks…


#1:  Wayne’s World – “Bohemian Rhapsody”

Technically not a road movie, but they did make a trip from Aurora to Milwaukee in the film.  This iconic scene had to be #1.  There really were no other competitors.  We’re not worthy!

 

 

 

 

REVIEW: William Shatner – Seeking Major Tom (2011)

Scan_20150828 (5)WILLIAM SHATNER – Seeking Major Tom (2011 Cleopatra)

Why?  Why do I keep doing this to myself?  I spend hard-earned money on something I knew would be shit.  I knew it!  Didn’t I?

The hype was palpable in the air.  Two of my favourite worlds collided — heavy metal and Star Trek.  Captain James T. fucking Kirk, doing sci-fi rock classics, with luminaries of the art such as Ritchie fucking Blackmore, Zakk fucking Wylde, Dave fucking Davies and many, many more.  It’s almost as if it was a compulsory purchase.

I…wished I had…resisted.  (notice the Shatner-like pauses?)

You know how many times I have listened to Seeking Major Tom?  Once.

Let’s go in for round two.  Let’s see what happens.

Did I mention this is a double album?  This is a double album.  The original versions of a lot of these songs are deeply ingrained in our hearts and memories.  “Bohemian Rhapsody”, “Learning to Fly”, “Iron Man”.  I have a lot of feelings invested into these songs, and deep respect for every musician playing on the album.  There is even a mini Ozzy Osbourne band reunion on Iron Man, as Zakk Wylde and Mike Inez reteam once again.

Shatner first teams up with Nick Lalensi of the Strokes for “Major Tom (Coming Home)”, and musically it’s perfect, and very Strokes-like…Bill’s vocals take some getting used to.  Not bad though!  He’s not attempting to sing, it’s a spoken word performance.  It’s performing the lyrics as if it was poetry.  For “Major Tom”, it actually works kinda brilliantly.  The original “Space Oddity” is next, and this one features one Ritchie Blackmore and his lovely wife, Candice Night.  Candice adds melody enough with her backing vocals, and Bill makes his style work on the song.  Blackmore is the real star here, and it is too bad his electric guitar is low in the mix.  He takes a solo where there would normally be saxophone.

I’m actually surprised by how listenable this is!  Bill manages to evoke emotion with his monotone, which is remarkable to me.

I’m not familiar with the U2 song “In a Little While” at all.  The space connection here is that astronaut Frank De Winne once read the lyrics live from the International Space Station, beaming his vocals to a U2 concert, recorded for the DVD U2360° at the Rose Bowl.  Bill is joined by an unlikely guest, Lyle Lovett, but once again I am surprised by how well this works.  Lyle’s still got it, I’ll tell you that much!  This segues into a reprise of “Space Oddity”, and then the Steve Miller favourite “Space Cowboy”.  Brad Paisley and Steve Miller himself (he still plays brilliantly)  join Bill on this one, which…well, it crashes and burns in the atmosphere.  Bill takes on the persona of a drunken cowboy (?) and it’s just a bit too weird.

“Space Oddity” returns once again, but this time, we’re going “Space Trucking” with Ian Paice and Johnny Winter…acoustically.  “Come on!  Come on, let’s go Space Truckin’!” invites Bill, coming across more as a creepy old guy than the kind of person who drives a space truck you’d feel comfortable jumping into.  Just wait until he screams, “Yeah, yeah yeah yeah!”  No, no, no, no.  “Rocket Man” (Elton John), featuring progressive rock veteran Steve Hillage, works much better.  Hillage creates sounds similar to the “space whale” call from Star Trek IV: The Voyage Home.  Bill’s interpretations of old classics work better when he’s not hamming it up.  Much like his acting.  And ham it up is exactly (predictably) what he did with “She Blinded Me With Science”, featuring Bootsy Collins.   Since the original is so goofy, this works plenty well.  Reggae veteran Toots Hibbert lends some credibility to the Police classic, “Walking on the Moon”.  This is pretty good too!  The ever-excellent Peter Frampton drops by for “Spirit in the Sky”, a song I usually find irresistible due to the vocal melody.  Unfortunately that melody has been gutted, and without it, there’s not much left in terms of a song.

The first (and last) time I listened to this album, I remember being repulsed by “Bohemian Rhapsody”.  You can picture it, can’t you?  It’s terrible.  “I’m just a poor boy,” whimpers Bill, and it’s awful.  “Mama,” he cries, and I’m crying too.

Thankfully, Hawkwind’s “Silver Machine” (with Wayne Kramer and Carmine Appice) is a lot better than that.  It actually rocks pretty heavy, and Bill finds the right tone for his vocals, no problem.  This is noisy goodness and quite possibly the best track on the disc.  A segue back into “Major Tom (Coming Home)” leads into a Sheryl Crow original called “Mrs. Major Tom”.  This is a very nice piano based ballad, showcasing Sheryl’s powerful pipes.  It’s a sequel of sorts to “Coming Home”, about what happens if he doesn’t come home.  Bill doesn’t even appear on this one, strangely enough!  It closes the first disc on a somber but very classy note.

I don’t know where Bill heard The Tea Party, but that’s who he’s covering on “Empty Glass”, featuring Michael Schenker.  This track was from The Tea Party’s final album before breakup, Seven Circles, which I own but can’t remember at all.   I should revisit it soon, because “Empty Glass” (which references Major Tom, a Starman, ground control, and Diamond Dogs) is damn good and heavy.  “Lost in the Stars” is from the 1949 musical of the same time.  The dusky, sparse piano accompanies Bill’s deep speaking voice perfectly.  Still mellow but in tune with the Pink Floyd original is “Learning to Fly”.  The only thing wrong with this version is that there is nobody who sounds like David Gilmour, and his guitar hook is such an important part of the original classic.  Bill sounds perfectly at home, and the musical background is sturdy enough.

The Kinks’ Dave Davies helps Shatner out on guitar, for the Byrds’ “Mr. Spaceman”.  It has that campy feel that doesn’t particularly work well.  It’s amusing, but a novelty.  “Twilight Zone” by Golden Earring (known for that chorus of “When the bullet hits the bone), rocks.  Warren Haynes from the Allman’s kicks every ass in the room on his extended guitar solo.  There is then a Shatner original called “Struggle”, written with his producer Adam Hamilton (ex L.A. Guns).   This soft dramatic piece seems vaguely familiar, like a U2 outtake, and is very good in fact.

Winding things down, Sabbath’s “Iron Man” featuring Ozzy’s old band members Zakk Wylde and Mike Inez is an easy one to screw up, and Shatner does so gloriously.  He sounds appropriately Dalek-like on the opening line, “I am Iron Man!” but he attempts to sing the song.  I repeat: he attempts to sing the song “Iron Man” by Black Sabbath.  This goes about as well as you would expect.  Zakk backing him on lead vocals only creates an irritating cacophony.  The album ends on a very different note:  “Planet Earth” by Duran Duran.  Not having any particular attachment to the original, I quite liked this one.  Hamilton plays some killer disco bass on it.  It sounds like “I Was Made For Lovin’ You”.

Going into this for the second time, I fully expected the album to suck again.  The truth is, it doesn’t.  It sure didn’t click with me the first time, but it is truly not a bad album.  Metallica made a double album with vocals like this once; I think it was called Lulu.  From this two disc set, you could extract one good solid CD of enjoyable William Shatner interpretations.  So, given that:

2.5/5 stars

Sausagefest XII: The Complete Countdown!

There were some pretty awesome picks this year.  I have to give Scottie props for “Coming Home” by Iron Maiden, from the excellent Final Frontier album.  I found some things a bit surprising, such as the overplayed-on-radio “Black Betty” by Ram Jam, placing so high.

“Thick As A Brick” was the live version, so just over 10 minutes.  Other long bombers included all of “Supper’s Ready” by Genesis, which resulted in a tirade by Phil for just as long, about how much he thinks it sucks!  (And he’s an old-school Marillion fan…surprising.)  And of course there were several Maiden tunes that clock in well over 5 minutes.

For your edification, here is the official Sausagefest XII Countdown:  75 tracks, plus 35 tributes.  One tribute for each person that submitted a list!  110 songs over one weekend!  Awesome.

1 Toronto Tontos Max Webster
2 Long Cool Woman in a Red Dress The Hollies
3 The Grudge Tool
4 Rooster Alice in Chains
5 Supper’s Ready Genesis
6 Papa Was a Rolling Stone The Temptations
7 Mississippi Queen Mountain
8 Black Betty Ram Jam
9 Locomotive Breath Jethro Tull
10 I’m Your Captain Grand Funk Railroad
11 Wasted Years Iron Maiden
12 Low Hanging Fruit Tenacious D
13 Green Eyed Lady Sugarloaf
14 Hey Joe Jimi Hendrix
15 Headlong Flight Rush
16 Roadhouse Blues The Doors
17 Thick as a Brick Jethro Tull
18 Powerslave Iron Maiden
19 Bohemian Rhapsody Queen
20 Trapped Under Ice Metallica
21 Nautical Disaster Tragically Hip
22 No Quarter Led Zeppelin
23 Mr. Blue Sky Electric Light Orchestra
24 The Wizard Black Sabbath
25 Mama Told Me Not To Come Three Dog Night
26 Blackened Metallica
27 Jungle Boogie Kool and the Gang
28 Telegraph Road Dire Straits
29 Sanitarium Metallica
30 Renegade Styx
31 Eulogy of the Damned Orange Goblin
32 Throw Down the Sword Wishbone Ash
33 Electric Worry Clutch
34 The Alabama Song The Doors
35 Rise of the Fenix Tenacious D
36 Livin Thing Electric Light Orchestra
37 The Shape I’m In The Band
38 Mother Danzig
39 The Chain Fleetwood Mac
40 No One Knows Queens of the Stone Age
41 Die Young Black Sabbath
42 Bang Bang Terry Reid
43 Caught Somewhere in Time Iron Maiden
44 Buried Alive Avenged Sevenfold
45 Dream Police Cheap Trick
46 Would Alice in Chains
47 Don’t Fear the Reaper Blue Oyster Cult
48 Zero the Hero Black Sabbath
49 Pool of Booze Volbeat
50 Parabola Tool
51 Why Cant We Be Friends? War
52 Rock and Roll Led Zeppelin
53 While My Guitar Gently Weeps The Beatles
54 Breadfan Budgie
55 Strutter KISS
56 Holy Wars Megadeth
57 Old Man Neil Young
58 Southern Man Neil Young
59 The Pusher Steppenwolf
60 Tempus Fugit Yes
61 Fight Fire With Fire Metallica
62 Kielbasa Tenacious D
63 Green Onions Booker T and the MG’s
64 Weird Beard Fu Manchu
65 Tonight’s the Night Neil Young
66 BYOB System of a Down
67 The Zoo Scorpions
68 As the Years Go By Mashmakhan
69 Toxicity System of a Down
70 Deuce KISS
71 Space Truckin’ Deep Purple
72 South of Heaven Slayer
73 Rocky Mountain Way Joe Walsh
74 Roadie Tenacious D
75 Rock and Roll Motorhead
TRIBUTES
TOM Earache My Eye Cheech and Chong
ERIC Rosanna Toto
BUCKY A Day in the Life WAR
LAMB LORD The Wizard Uriah Heep
LEBRAIN Well You Needn`t Herbie Hancock Quartet
TROY Caught Up in You .38 Special
ERNIE Apocrophon The Sword
SCOTTIE Coming Home Iron Maiden
RYAN Still Counting VolBeat
SEB Demiurge Meshuggah
PHIL Under Black Flags We March Arch Enemy
CHUCK New Fang Them Crooked Vultures
TYLER G. Come on in my Kitchen Robert Johnson
C Time After Time Savage Steel
CHAD She`s a Rainbow The Rolling Stones
DR DAVE Ogre Battle Queen
LOGAN Cowboys From Hell Pantera
GRANT Around the World Red Hot Chili Peppers
WAYNE Inside Looking Out Grand Funk Railroad
CAM Red Hot Mama Funkadelic
AARON High Caliber Consecrator Clutch
JOHN B. I Stay Away Alice in Chains
TAL Dear God XTC
LAMB LAD Kick Out the Jams MC5
ALEX Chicken Strut The Meters
TREVER Volare Dean Martin
FRANK Whiskey in the Jar Metallica
JAGGER Frozen Love Buckingham/Nicks
MARK E. Are You Mine? The Arctic Monkeys
JON K. Stone Deaf Forever Motorhead/Metallica
TYLER W. We Are All on Drugs Weezer
MARK S. People are Strange The Doors
JUSTIN Monsters Blue Oyster Cult
MIKE Monarchy of Roses Red Hot Chili Peppers

The official video