RECORD STORE TALES Part 277.5: Klassik Kwote – The Dandy Douche Strikes Back
I’m a pretty big Led Zeppelin fan, having bought all their albums more than once (and at least once more) over the years. When this Robert Plant CD came out in November 2003, it was high on my radar. I didn’t own any Plant solo albums (beyond The Honeydrippers), but wanted something of his in my collection. This compilation of hits and rarities was perfect for my needs.
I was listening to it in the store one afternoon when Dandy sauntered in. Always eager to criticize my musical selections on any given day, he had this to say about Robert Plant’s Sixty Six to Timbuktu:
“I was talking to my dad about why Led Zeppelin sucked,”he said. “Now I know. It’s not Led Zeppelin that sucked, it was just Robert Plant all along.”
Who would have thought that little band from Quebec, VoiVod, could have survived so much adversity. The death of Denis “Piggy” D’Amour (guitar) in 2005 should have been the end, but yet the band has soldiered on with two albums utilizing his guitar parts recorded just before his death. In addition, unbelievably, the band has even continued on with returned original bassist Blacky (Jean-Yves Thériault) and new guy Chewy (Dan Mongrain) on guitar!
For those who don’t know, shortly before Piggy died of cancer, he had been working hard at recording every idea he had onto a hard drive. He explained to the band, that if they went into his PC they would find hours of meticulously recorded music and detailed instructions on how to use it. From there, Away (drummer Michel Langevin), Snake (singer Denis Belanger) and Jasonic (bassist Jason Newstead, ex-Metallica) buckled down and created the surprisingly awesome Katorz. Incredibly there was still enough music left to create one more album, 2009’s Infini. The fact that both albums are excellent, coherant pieces that add to the already rich VoiVod body of work is nothing short of astounding. It is a tribute to Piggy as an artist and as a person.
What VoiVod have created here is yet another astounding progressive metal headbanging experience. Loads of droning Piggy chords, odd Piggy solos, insane time changes, and cool lyrics abound. Snake’s lyrics are both thought provoking and cool sounding through a Francophone lens. Even the song titles alone evoke multiple images.
I’m pleased that the band has continued on with Blackie and Chewy. Their last album, Target Earth was also challenging and excellent. But that’s another review. For now I am blown away and grateful that the band have created two monstrously great albums in a row after the death of the man who seemingly defined their sound. As a metal fan, and as a fellow Canadian, I am proud of our metal heritage. I feel Piggy is a huge part of that heritage (the CD itself has Maple Leafs and Fleurs-de-lis emblazoned upon it), and I hope his music continues to live on in the new VoiVod.
Highlights:
“God Phones,” “Destroy After Reading,” “In Orbit,” and “Earthache”. I love the thunderous chorus in “Earthache”: “Blah, blah blah, is that all you say?”
Infini is not quite the album that Katorz was, it’s more challenging and abrasive, but it’s definitely one to be proud of. Very few bands could produce an album of this complexity and intensity.
When Piggy (Denis D’Amour) passed away of colon cancer in 2005, I thought it spelled the end of VoiVod. It was such a sudden, unforeseen tragedy. He was only diagnosed that year; the cancer had spread so rapidly that any operation was deemed impossible. However, Piggy loved VoiVod and he loved music. Knowing his end was near, he recorded hours of new music with his guitar onto a computer. Before passing he instructed the band on how to access the music he’d left them, and they realized the VoiVod dream was not dead. Away (Michel Langevin), Snake (Denis Belanger) and Jasonic (ex-Metallica bassist Jason Newsted) painstakingly went through his final recordings and realized there was an album there. (In fact there were two albums there, but that’s another story.)
Katorz (“fourteen”, their 14th release) was assembled from these parts. It is a loving tribute to the man who defined the VoiVod sound, and it is a gift to us, the fans. As Canadians, we should be very proud of VoiVod. They never made it big like Rush, although Rush certainly took them under their collective wings on the Presto tour. Their sound is anything but commercial — it’s a stunning, disorienting array of unusual droning chords, complex themes and precision drumming. The band have also inserted some of Piggy’s beautiful final acoustic passages in between songs as transistions, all of which are haunting statements about his impending death. Piggy was not known for his acoustic work, until now, which makes it that much more powerful. (The band has suggested in the past that there may be an entire Piggy acoustic album to come.)
Through all the hardship, VoiVod have only perfected their art of songwriting. The songs on Katorz are among the best of the VoiVod back catalogue. They have come far from their thrash metal n’ studs roots. From the band that once did a thrash version of the “Batman” theme, their music is still heavy. The complexity that they gradually began integrating in the mid-80’s is tied together with more melody and groove. Certainly, you can find few drummers as talented as Away, and his drumming here is astounding. Away jumps from time change to time change effortlessly.
The always nasal whine of Snake will not appeal to all, but it is part of the VoiVod sound and identity, and his lyrics are as jittery and potent as ever. To me it’s like Megadeth. I can’t handle a lot of Mustaine’s singing in a day, but in small doses it’s quite palatable.
Perhaps the most impressive thing about Katorz is that you cannot tell that anything is wrong with Piggy or the band. His playing is as unique as ever, pushing the boundaries as he always has. Check out the noise solo on “Mr. Clean” and you’ll see that Piggy was stretching out to the very end. Song-wise, Katorz is seamless. It sounds as if the band wrote and recorded it together, as they always have. There is a certain coldness to Katorz, but that’s VoiVod.
Katorz is thinking-man’s metal. It is over-caffeinated, constantly pushing the extremes (X-Streams?) and restless. More importantly, it is a tribute to one of the great guitarists that made Canada proud. Piggy was great not because of his speed or dexterity, but because of his sonic uniqueness. Piggy’s sound was like no other, droning and headache-inducing, just like VoiVod’s music. Our country is a sadder place without him.
Highlights:
The whole album, but especially “The Getaway”, “Odds & Frauds” and “The X-Stream”.
The Icon series of compilations is mostly shit. One of the stinkiest of the shit is Nirvana’s installment of Icon. Where’s “Sliver”? There’s not one song here from Bleach. “About A Girl” is from the Unplugged CD and “You Know You’re Right” was a “new” song added to Nirvana’s first and only official greatest hits set, Nirvana. In fact, every song here can be found on Nirvana.
Rather than bitch bitch bitch about how shitty this CD is, and how pissed Kurt would be to have his music released in configurations that nobody in the band authorized, I’d rather just rate it and change the subject. Enjoy the following essay.
1/5 sharts
A Brief History of Kitchener, Ontario by Michael Ladano
Kitchener, a city of 220,000 in southern Ontario, was settled around the year 1800 on lands by the Grand River. The Crown gifted this land to the Six Nations, who sold it. It was settled by loyalist German Mennonites from Pennsylvania, to escape religious persecution in the United States. The Mennonites who settled here included families such as the Schneiders, Webers, and Ebys whose names can be found on streets and buildings all over town today. They named the settlement Sand Hills, within the Township of Waterloo.
Land was converted to farms, and the Grand River enabled an early sawmill industry. Streets such as the present day King Street were built, as were landmarks such as the Heuther Brewery, in the early 1800’s. The town grew with waves of German immigrants, and in 1833 Sand Hills was renamed Berlin.
In 1856, Berlin was connected to railways, and industry grew. In 1912, Berlin was declared a city. During the First World War, anti-German sentiment in 1916 caused the town to be renamed Kitchener, after Lord Kitchener, a British war hero. His famous face adorned many British recruitment posters. The bust of Kaiser Wilhelm was thrown into Victoria Lake.
Although some still wish to rename the city Berlin, Kitchener today boasts strong industry, easy access to excellent post-secondary education, and a huge annual Oktoberfest honoring its German heritage. It is known for its OHL hockey team the Rangers, and for spawning many NHL athletes. It is also known as the birthplace of William Lyon McKenzie King, Canada’s longest-serving Prime Minister and possibly the only one who regularly sought advice from a crystal ball.
Kitchener is also known for its music. The annual Blues Festival is always popular. Kitchener has also spawned such international musical artists as Rob Szabo, Helix and Kathryn Ladano, and world famous writers like Michael Ladano.
Come to Kitchener (only 100 km west of Toronto) in the summer to enjoy boating, hiking, biking, music festivals, and much more, including a large population of Miniature Schnauzers. Don’t bother coming in the winter.
RECORD STORE TALES Part 276: Character Study – HH and Rasputin
HH (aka “Hobbit”) and Rasputin were regulars. They came to T-Rev’s store first, always selling, never buying. HH was known for her outrageous makeup. Usually the lipstick started somewhere below the nose and went down to the chin. Trevor used to say, “She looks like that woman from David Lee Roth’s ‘Just A Gigolo’ video! Remember her?”
“DAVID! DAVID! MY KIDS WILL DEFINITELY KILL ME IF YOU DON’T SIGN THESE PICTURES FOR THEM!”
That’s kind of how she looked. Very close. In the summer, HH wore these short skirts that were just way too little clothing. T-Rev had to deal with her more often than I did. I don’t know how he didn’t claw his own eyes out. T-Rev tells me that once, HH pulled up to his store riding a little banana seat bike, wearing that short skirt. He remembers her so clearly. “Yeah! The ‘hobbit’, the ripped nylons and the short skirt with her ass hanging out…yuck. She looked like she had a Botox stroke in her face!” he says.
Rasputin, unsurprisingly, looked a lot like Grigori Rasputin, the famous “mad monk” of Russian history. All he lacked was the long hair. His long trench coat even remotely resembled Rasputin’s long monk robes. T-Rev nicknamed him Rasputin, or Razzy for short. He had a lazy eye.
They would come in, selling crappy scratched used CDs. HH would often say she was selling them for her son. That meant she had procreated, a scary thought in itself. She never specifically identified Razzy as the father, but that certainly could have been the case. Razzy never spoke. When we would make an offer on the CDs, HH would turn to Razzy. Razzy would either nod yes, or shake his head no. Then they’d try to haggle. Their CDs were rarely worth haggling over. But haggle they did. According to Trevor, “I remember her always haggling for a better price out of me…like ‘this CD is really popular right now with the kids’. Fuck you!”
Those summers of HH and Razzy are long gone, now. I wonder if Razzy ever shaved off that black beard. I wonder if she’s still riding that bike in her skirt. I may never know…I don’t really want to know.
BON JOVI – Greatest Hits: The Ultimate Collection (2 CD)
I guess Bon Jovi were due for a new “hits” CD. Crossroads, after all, was 16 years old at that time, and Tokyo Road was only made available in Japan. Ultimate Collection isn’t the ultimate collection that I would have put out. If you’re going to do two CDs, you have room for great also-rans like “Last Cigarette” and “Something For The Pain”. Still, it’s not a bad Bon Jovi collection. Listening to it front-to-back, I was pleasantly reminded of all these hits, and man, Bon Jovi had a lot of hits. From early stuff like “Runaway” to the New Jersey classics such as “Born To Be My Baby”, to the newbies like “Have A Nice Day”, this has pretty much all the key Bon Jovi radio hits. Unfortunatly, you’re going to miss out on second-rung hits like “Dry County” and “Joey” but for the uninitiated, or those who just want a good sized Bon Jovi collection, this is the place to go. I think it’s important to explore albums such as New Jersey (the review of which is Part 2 in this series) and Keep the Faith, as well as hits.
Almost every Bon Jovi album has hits included here, right up to The Circle. The song flow is excellent, hitting you with hit after hit after hit, landmark ballads sprinkled in between. And I give credit for the inclusion of “Blood On Blood”, a song that was never a single but has been a huge concert favourite due to its real life story of JBJ’s childhood. Not to mention it’s just a great song.
The four new songs create feelings of moderate indifference to great dislike. “What Do You Got?” is another trademark Bon Jovi ballad, certainly nothing special, outshined to a great degree by all the other tunes here. It’s easily forgettable and feels tacked-on as an afterthought. But two of these new songs — “No Apologies” and “The More Things Change” are just awful songs. Cheesy, contrived, choose whatever words you like, they’re juvenile and awful and really don’t fit in among the classier hits. To me these are B-sides and perhaps should have been held back as B-sides. Or just deleted completely.
Packaging is not the greatest. There are full songwriting and production credits, but they are arranged in such a way as to make finding information difficult. Performance credits are even harder to find — I couldn’t find bassists Hugh McDonald or Alec John Such’s names anywhere in the credits, and their pictures are also not included. There are a few more recent photos of the main four guys. No liner notes.
On the whole, despite the fact that I don’t really like the four new songs, I don’t regret this purchase. It’s going to be a great road CD. It is a good way to hear tunes like “We Weren’t Born To Follow” without listening to the album it came from, which I wasn’t too keen on. So, no regrets. I think most fans will like the album, they might even like the new songs. Mrs. LeBrain’s Mom enjoyed it in the car and commented that she knew many of the songs. Newcomers would be wise to pick this up as it has a great hit-per disc ratio!
“We’re the Four fuckin’ Horsemen / Back for a second time.”
G.I. JOE: Retaliation (2013)
Directed by Jon M. Chu
I’m sorry if you saw the first movie, G.I. Joe: The Rise of Cobra (2009). That lowly turd of a film is one that I own, but can only sit through by splitting it into two or more sittings. Never in one. I saw it this way recently, and I managed to make it through. The movie was crap, and so was the toyline that went with it. All garbage. I don’t care to review the movie again, so to quote from my own old Amazon 2/5 star writeup:
The acting here is bad bordering on terrible. This Channing Tatum guy can’t act at all. Dennis Quaid pours the cheeze-wiz on every line of dialogue that General Hawk delivers. Marlon Wayons (Rip Cord), Rachel Nichols (Scarlet), and Sienna Miller (Baroness) are passable. The heavies tend to get the best roles and the best actors: Arnold Vosloo (Zartan) steals every scene he is in, and Joseph Gordon-Levitt is surprisingly serpentine as Cobra Commander. Christopher Eccleston is good as the Scottish arms dealer Destro, just menacing enough while also dignified and cool. Also, it’s nice to see Jonathan Pryce in anything…The direction by that hack Stephen Sommers (The Mummy) is gawd-awful.
Pryce was in the first movie far too briefly to be of any consequence to the finished product. That and many of the other weaknesses with the first film were dealt with here in G.I. Joe: Retaliation. Most of the cast was jettisoned. Wisely, Ray Park and Lee Byung-hun were retained as the iconic ninjas Snake-Eyes and Storm Shadow. Cobra Commander was re-cast (Gordon-Levitt being unnecessary and expensive behind a silver mask). Otherwise only Pryce, Arnold Vosloo and Channing Tatum survive to the second film. Even though Dennis Quaid was contracted to do three movies, leadership has fallen to Tatum’s Duke. Newcomers include Duke’s buddy Roadblock (Dwayne “The Rock” Johnson) and new recruits Jady Jaye, Flint, and Jinx.
Another issue that I had with the first film was that I felt the tech was too sci-fi and outlandish. This is tamed down a tad in this movie, although everything is still futuristic enough. The bad guys don’t all have ray guns and anti-gravity jets and shit this time. They usually fire bullets and fly helicopters and jets and stuff. The characters and vehicles look more like the original toys did. There are things such as the HISS (High Speed Sentry) tanks that look like the toys you had. Roadblock looks like the figure you had, or wanted (in my case the latter). So does Cobra Commander, finally.
Anyway that’s all window dressing if there’s no story. The story is this: Master of disguise Zartan is still impersonating the President of the United States (Jonathan Pryce, who is the real star of the movie). Cobra Commander and Destro are still imprisoned, but the Commander is freed by his ninja Storm Shadow. With the explosives expert Firefly (another toy you wanted), they engineer the betrayal and destruction of the entire G.I. Joe team. Only a handful survive. Then the President replaces them with the services of a new security contractor called Cobra.
There’s also a new Ultimate Weapon called Zeus which is pretty silly physics-wise, because in real life it wouldn’t work. (If a satellite merely “dropped”, ie: let go of, a rod of tungsten, the tungsten would simply settle into the same orbit as the satellite.) We’ll overlook this because BOOM! DADOOOM! KABLAAAMM! SLASH! SWISH! SWING! There’s action. There’s a frickin’ battle with ninjas hanging off the side of a mountain, people. It makes no sense in any sort of real physical way but it looks nifty and must have looked great in 3D in theaters. I found it odd that the G.I Joe team is the only military force in the world today operating without any sort of helmet or hat or head gear of any kind.
Joe Colton pic from yojoe.com
Back to the story, G.I. Joe has been wiped out. The Rock and his friends need help, so they go to the only man they know they can trust: Bruce Willis. In the original Marvel comics and Hasbro toyline (fuck Sunbow), Joe Colton was the original, retired G.I. Joe. In fact his code name was “G.I. Joe”. Willis is the perfect choice to play this hard-ass and I have to admit it’s big fun to see him and the Rock kicking ass in the same scenes.
As a self-proclaimed Marvel Comics Joe nerd, the original gospel of Larry Hama is all. I enjoyed that this movie tended to go back to the original source material for ideas more so than the original film did. I won’t get into specifics too much, except to say that certain things especially in relation to Snakes and Stormy reflect events that happened in the comics. Staying truer to the strong source material (Hama was no slouch) only helps the movie which otherwise is just a collage of BOOM!
As for the Blu-ray, I was pleased to hear a balanced 7.1 surround mix. I was a bit baffled to hear The Four Horsemen’s “Back In Business Again” in the movie soundtrack, but more power to ’em. I didn’t watch too many of the special features. I did watch both versions of the film (the “Extended Action Cut” is on the Blu and the theatrical on the DVD) but I don’t have any impressions of which is better. Most recently I watched the extended version and it was plenty cool.
I cannot believe that this album came out 20 years ago. We’d been inundated with GN’R solo albums in recent years, and I had no interest in yet another. It was T-Rev who urged me to check it out. T-Rev was a huge Guns N’ Roses fan. Gilby Clarke was in GN’R for a few years, long enough to make some friends in high places and record this amazing debut solo record before being kicked out by Axl himself. (He was replaced by Axl’s childhood friend and co-writer Paul Tobias.) Pawnshop Guitars is, of all the solo material recorded by all the ex-GN’R members, the very best of the bunch.
Every single member of the GN’R lineup circa 1994 makes an appearance here: Slash, Duff, Matt, Dizzy, and even the reclusive Axl himself, on a cover of “Dead Flowers”. Rob Affuso of Skid Row, Frank Black, Ryan Roxie and more show up for the party, and it sounds like one hell of a party. The Slash solos are unmistakable on “Tijuana Jail” (a “Radar Love”-esque smoker) and “Cure Me…Or Kill Me…”. Indeed one wonders why they didn’t just release a bunch of these songs, a bunch of Slash’s songs, and call it the next Guns N’ Roses album. Alas that never happened.
On this side of the border 20 pesos gets you dead
I don’t think there are any weak songs on Pawnshop Guitars. The influences are varied, but there is a strong vintage flavour. Whereas Izzy Stradlin tended to channel the Rolling Stones via Keith Richards on his own solo debut, Gilby draws from the Beatles and Stones in equal measure. A song like “Black” sounds like a John Lennon outtake, but mixed with a batch of Joe Perry’s Boneyard Brew hot sauce. I like Gilby’s lead vocals. He’s not a power singer but his voice has character that suits the music. It lends it a glam rock slant.
Other standout songs include the swampy “Skin & Bones” (an acoustic number that would have worked great as a GN’R tune), “Hunting Dogs”, “Jail Guitar Doors”, “Shut Up”…hell they’re all great. T-Rev talked me into buying this album and it was a great purchase. I liked it immediately. Any serious Guns N’ Roses fan would do well to own this, one of the missing links between Use Your Illusion and Chinese Democracy.
BRIAN VOLLMER – Gimme An R!
The story of Brian Vollmer, lead vocalist of Helix (2005)
Forget all those books by the mega stars like Slash and Sammy Hagar that have come out in recent years. Those books have one thing in common — they were written (or co-written, anyway) by guys who are rock superstars! Megastars! It’s hard for me as a reader to relate to a guy who hasn’t had to hold down a job in 30 years. Not that there’s anything wrong with stardom, it’s just an observation. I can’t relate to the human beings. Not so with this book!
Brian Vollmer, lead vocalist of the hardest working band in Canada (that would be Helix), comes across as a pretty regular guy. (I’ve met him a number of times, and he’s about as regular as anybody you’d know.) Yes, he’s traveled the world in a rock band and played for thousands of people, but at the end of the day the book is something I can still relate to. Through crappy jobs in crappy convenience stores, crappy apartments, getting mugged, it doesn’t seem like a rock star’s life. There are parallels in the story similar to other bands such as Anvil (another hard-working Canadian band). While Vollmer always manages to scrape by and continue to Rock Us, nothing comes easy. Incredibly through it all Brian Vollmer never really stopped being an artist. He seemed to always keep music, and Helix in his life even after dozens of lineup changes and band members. (Approximately 35 people have been in Helix since 1974. The newest member is Cambridge’s Chris Julke, replacing John Claus.)
From humble beginnings in Listowel Ontario to playing in Sweden, England and Trinidad, Vollmer’s tome has plenty of rock and roll stories. As one of the first Canadian bands to release independent albums in the 1970’s, he was a bit of a pioneer. Gimme An R! is loaded with rock star encounters one after the other, from Eddie Van Halen (on stage!) to Gene Simmons. Vollmer remains himself through it all, even after Helix signed their big deal with Capitol and released “Rock You”. The tragic death of primary co-writer Paul Hackman nearly derailed the band. Even after the departures of longtime partners Brent Doerner, Fritz Hinz, and finally Daryl Gray, Brian kept going. He kept the Helix name alive, finding success on the internet which was a brand new way for him to make contact, and sell albums directly to his fans. Then, a little TV show called Trailer Park Boys helped expose Helix to a new audience.
Included between the covers are dozens of black and white photos of the band over the years. From small-town Ontario to meeting superstars like Richard Pryor and Robin Williams, it’s a pretty cool collection of snaps. Unfortunately while reading I found myself distracted by spelling errors — “Atlantis Morissette” for example. I would like to see a second printing that corrects these mistakes. (A new chapter on the last decade would be cool too Brian!)
Vollmer’s prose is not frilly or poetic, but it’s conversational and descriptive. There’s no ghost writer, so the pictures that Brian paints of all those seedy bars in the dead of winter come straight from his memory to the page. He’s a great storyteller. The bottom line is that the story of Helix keeps you hooked. I’ve had friends come over and pick up the book, and they just get entranced. It’s a really different side of the rock and roll tales. It shows what old fashioned determination and hard work can accomplish.
I have to knock off half a star for the spelling errors. It’s just one of those pet peeves — nothing personal, Brian! I do highly recommend it Gimme An R! to rock fans world wide who’d like a different, more humble angle on the whole rock star thing.
THIN LIZZY – Thin Lizzy / New Day EP (2010 Decca, originally 1971)
Nothing against early Lizzy — I do like Vagabonds of the Western World. On this one, Lizzy’s first ever wax, they had not yet evolved into the dual guitar duelers that they were to become. A trio with Eric Bell, Brian Downey and Philip himself, the evolution of Lizzy is similar to that of Deep Purple. Both bands had to overcome three sleepy early albums with a prototypical lineup before they became the rock gods that they were destined to be.
Thin Lizzy includes a few good songs, my favourite being “Ray-Gun”. However, I must reiterate that this is a sleepy album. The component parts are all fine — great guitar work, great drumming, interesting riffs and lyrics scattered here and there. They never quite coalesce into memorable songs, except on spare occasions.
In fact, the bonus tracks on this CD version of Thin Lizzy are actually superior to the album itself! Their first single, “The Farmer” is better than most of the album tracks. The cool thing is that “The Farmer” was recorded when Lizzy were a quartet with Eric Wrixton on keyboards. Notably, “The Farmer’s” B-side, “I Need You”, is absent and I don’t know where else you’d find it. It’s not on Lizzy’s excellent Vagabonds, Kings, Warriors, Angels box set either (although “The Farmer” is). Bummer.
The New Day EP is here in its completion, containing some great songs. The mournful ballad “Dublin” and “New Day” are both great songs. Interesting is “Old Moon Madness”, a workout that sounds like Thin Lizzy meets Captain Beefheart without the growling vocals. “Things Ain’t Working Out Down At The Farm” is the final tune from the New Day EP, another decent track. What’s with Phil’s obsession with farmers? “Return of the Farmer’s Son” is another song title on the album itself….
The CD is closed by four remixes from the 1977 album The Continuing Saga of the Aging Orphans, where Gary Moore and Midge Ure overdubbed new guitar and keyboard parts to modernize the songs. These remixes are generally preferred by me to the original versions. I would love a proper reissue of The Continuing Saga of the Aging Orphans, as a handful of its tracks have yet to be issued on CD.
Not the greatest album. The bonus material is superior.
I’m a pretty big Led Zeppelin fan, having bought all their albums more than once (and at least once more) over the years. When this Robert Plant CD came out in November 2003, it was high on my radar. I didn’t own any Plant solo albums (beyond The Honeydrippers), but wanted something of his in my collection. This compilation of hits and rarities was perfect for my needs.
Anyway that’s all window dressing if there’s no story. The story is this: Master of disguise Zartan is still impersonating the President of the United States (Jonathan Pryce, who is the real star of the movie). Cobra Commander and Destro are still imprisoned, but the Commander is freed by his ninja Storm Shadow. With the explosives expert Firefly (another toy you wanted), they engineer the betrayal and destruction of the entire G.I. Joe team. Only a handful survive. Then the President replaces them with the services of a new security contractor called Cobra.
The New Day EP is here in its completion, containing some great songs. The mournful ballad “Dublin” and “New Day” are both great songs. Interesting is “Old Moon Madness”, a workout that sounds like Thin Lizzy meets Captain Beefheart without the growling vocals. “Things Ain’t Working Out Down At The Farm” is the final tune from the New Day EP, another decent track. What’s with Phil’s obsession with farmers? “Return of the Farmer’s Son” is another song title on the album itself….
mikeladano.com 