2013

Top Five(s) of 2013 – Part 3: 2013’s Rockin’ Stats

What Do the Stats Say?

I always enjoy doing these year-end lists.  I’ve compiled some of the stats from the last 12 months for you, and for my own amusement.  For the 2012 installment click here.

2013 was an exciting year for me.  I enjoyed reviewing some great albums, although I only did one real “series” in 2013 — Ace Frehley.  I did some mini-series such as the Week of Singles, but nothing as epic as the 50 part Maiden series from 2012.

In 2013, I took a bigger leap into making videos.  Three this year that I was particularly proud of:

1. Toronto Record Store Excursion 2013
2. Sausagefest XII Video Report
3. Top Five Discs that Got Us in Shit at the Record Store

Not including these end-of-year lists, 2013 had only 9 Guest Shots.  I’d really like more in 2013, so drop me a line if you are interested in contributing.  Uncle Meat was the most prolific contributor this year, with notable work also posted by Mrs. LeBrain, Lemon Kurri Klopek, and Tommy Morais.

In 2013, I posted 103 installments of Record Store Tales, 12 editions of the ever popular WTF Search Terms, and a whopping 275 Reviews.

My biggest personal blogging achievement this year however was the completion of a massive project:  A Table of Contents!  It was a mind-numbing task in its monotony, but rewarding in its final form.  Finally all Record Store Tales and Reviews are listed and easy to find in a couple clicks.

TOP FIVE  LeBRAIN-READING COUNTRIES

WHERE DID THEY COME FROM

United States FlagUnited States 31,256
Canada FlagCanada 24,154
United Kingdom FlagUnited Kingdom 9,884
Germany FlagGermany 3,479
Sweden FlagSweden 3,080

TOP FIVE REVIEWS by hits

Queensryche absolutely dominated this year, their combined hits overshadowing even the mighty Iron Maiden.

1. Iron Maiden – Maiden England ’88 (2013 CD reissue)…1,391
2. Marillion – Radiation 2013…1,240
3. Queensrÿche – “Redemption” (2013 single)…927
4. Queensrÿche – Queensrÿche (2013 Japanese edition with bonus tracks)…907
5. Geoff Tate’s Queensrÿche – “Cold” (2013 single)…737
6. (Runner-up) Brian May & Friends – Star Fleet Project…691

TOP SEARCH TERMS

1. marillion radiation 2013…145
2. queensryche redemption…127
3. 69porn…118
4. paul stanley voice problems…90
5. mike ladano…75

TOP COMMENTORS

1.  Aaron! 1047 comments

2.  Heavy Metal OverloRd 817 comments

3.  Deke 407 comments

4.  Jon Wilmenius 355 comments

* Because of a glitch I only have a Top 4

Tomorrow, we’ll be back to our regularly scheduled programming with a new Record Store Tale. Thanks for reading in 2013, and I promise more fun in 2014!

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Top Five(s) of 2013 – Part 2: Movies, TV and the rest

If you missed the Top Five Albums of 2013 lists, click here!

Some people got carried away and submitted more than 5 in their lists this year, Uncle Meat being the number one offender. But since Tom & Uncle Meat were good this Christmas, here are the Top Five (or Six) (or Ten) Movies of 2013.  And while we’re talking about movies we may as well do a Top TV Shows of 2013 as well huh?

Tom

SMAUG

Movies

6. Sound City
5. Star Trek: Into Darkness
4. This Is The End
3. John Dies At The End
2. The World’s End
1. The Hobbit: The Desolation of Smaug

TV Shows 

SCHANGhhhhhhhh10. Rick and Morty
9. PTI
8. Colbert Report
7. Daily Show
6. Eagleheart
5. Venture Brothers
4. The Jeselnik Offensive
3. Aqua Teen Hunger Force
2. Community
1. Game of Thrones

Meat

Movies

SOUND CITY
10. Carrie
9. Kick Ass 2
8. Pacific Rim
7. This is the End
6. Man of Steel
5. Star Trek: Into Darkness
4. 42
3. Sound City
2. The Hobbit: The Desolation of Smaug
1. The Wolf of Wall Street

TV Shows

Meat came up with a Top Nine.  Sure, why not!

HEISENBERG9. Marvel’s Agents of S.H.I.E.L.D.
8. The Following
7. The Killing
6. Walking Dead
5. Californication
4./3. Tie: Mad Men/Breaking Bad
2. American Horror Story: Coven
1. Game of Thrones

Seb

Movies

man-of-steel-25. Iron Man 3
4. Pacific Rim
3. Star Trek: Into Darkness
2. The Incredible Burt Wonderstone
1. Man of Steel

Seb also had some Top Concerts he wanted to mention:  “Brian Setzer and Meshuggah….. Yeah, I know its weird….he he he!”

Mrs. LeBrain

SHELDONTV Shows

5. Jeopardy!
4. Dragon’s Den
3. Blue Bloods
2. The Big Bang Theory
1. Hockey Night In Canada

LeBrain

For a variety of reasons I don’t get out to the movies often, so I decided to just post Five Movies I Saw in 2013!

MoviesGARY KING

5. Man of Steel
4. This is the End
3. Sound City
2. Star Trek: Into Darkness
1. The World’s End

TV Shows

When Mrs. LeBrain wasn’t watching hockey, I watched these shows in 2013:

5. Star Trek re-runs (best I could come up with)
4. The Liquidator
3. Toy Hunter
2. Survivorman
1. Breaking Bad

LES

Top Five(s) of 2013 – Part 1

No bullshit, let’s just get to the lists!  Yes, lists!  This year I asked some past contributors & readers to give me their Top Five Albums of 2013.  Some have left comments with their lists.  So let’s get to the lists — I also threw my hat into the ring!

Lemon Kurri Klopek

5. OST- Alan Partridge: Alpha Papa.
Mostly for the Alan Partridge banter between tracks. Insanely funny stuff from Steve Coogan. Some decent music too. Featuring an eclectic playlist featuring the likes of; The Human League, Glen Campbell, Carly Simon, Sting and OMD.
STEVE4. TravisWhere You Stand
Quietly released in August. Solid record from the Glasgow quartet.
3. David BowieThe Next Day
I’m one of the people who like all eras of Bowie. That’s it.
2. Sigur RósKveikur
Love this band. Everything they’ve done.
1. Steve Earle and The DukesThe Low Highway
Some of the best songs Steve has written. This record is up there for me with I Feel Alright and El Corazon.

Seb

Black_Sabbath_13Sebastien, whom I first met at Sausagefest is a talented guy and you will be hearing from him in the future!  He’s a musician/ producer/ filmmaker/ Star Trek fan and we’ll be collaborating on something in 2014 for sure.   Consider this Seb’s first guest shot.

5. Killswitch Engage –  Disarm the Descent
4. Black Sabbath13
3. Philip H. Anselmo & The IllegalsWalk Through Exits Only
2. Avenged SevenfoldHail to the King
1. Protest the HeroVolition

Tom

Tom is our host at Sausagefest, and one of the Jedi Masters who helped instruct me in the ways of Rock.  Top Five was simply not possible for this rock warrior.

GHOST11. Vista Chino Peace
10. MotorheadAftershock
9. Deep PurpleNOW What?!
8. Charles BradleyVictim of Love
7. AnthraxAnthems
6. VoivodTarget Earth
5. Steve EarleThe Low Highway
4. Black Sabbath13
3. Orange GoblinA Eulogy For The Fans
2. Clutch Earth Rocker
1. Ghost Infestissumam

Meat


You guys already know Uncle Meat from his numerous lists in the past.  Please welcome back the one, the only, the man the myth the legend, Uncle Meat.  He’s submitted a Top 8 this year.  That’s cool with me.

8. MotorheadAftershock
7. EminemThe Marshall Mathers LP 2MEAT
6. Vista ChinoPeace
5. GhostInfestissumam
4. The SadiesInternal Sounds
3. Black Sabbath13
2. Sound City PlayersReal to Reel
1. Steve EarleThe Low Highway

LeBrain

NOW WHAT_0003I thought I had my Top Five nailed down weeks ago.  Then, Aaron threw a spanner in the works by giving me the new Pearl Jam for Christmas.  Instantly enamored with this sure-to-be classic, I had to re-think my Top Five.

Then, just two days ago I realized that one of my albums is a 2012 release.  But I felt so strongly about it, that I can’t take it out.  So here’s a Top Six.


6. Queens of the Stone Age…Like Clockwork
5. Pearl JamLightning Bolt
4. Alice In ChainsThe Devil Put Dinosaurs Here
3. Flying ColorsFlying Colors 2012 release
2. Black Sabbath13
1. Deep PurpleNOW What?!

I would also like to give credit to the new self-titled Dream Theater for putting out an album that caused me to rethink this list over and over and over again!

2013 was an interesting and exciting enough year that I’ve decided to do another buncha lists tomorrow!  We’ll be looking at movies, television and more.  Come back then for some bonus Top 5’s of 2013.

Oh…and HAPPY NEW YEAR!  See you in 2014!

FURTHER READING:  Check out Aaron’s 2013 lists at the KeepsMeAlive.

 

REVIEW: Queensrÿche – Queensrÿche (2013 Japanese edition with bonus tracks)

QUEENSRŸCHE – Queensrÿche (2013 Avalon Japanese import)

RYCHE2013_0004I purchased and reviewed the domestic “deluxe edition” of Queensryche (2013) in July of this year.  I initially gave it a 3.25/5 stars, but I have since revised that score to 3.5/5.  The album continues to appeal to me greatly months later, which is more than I can say for most Queensryche discs since Promised Land.  At the end of that review, I cryptically added, “Oh, and the live bonus tracks absolutely smoke.”

Since nobody likes a tease, I’ve decided to focus on all four live tracks for this review.  For the very reasonable price of $32 USD plus $3 shipping, I had a sealed copy of Queensryche sent to me from Japan, so I now have all four live tracks.  If you want the short report:  They’re good enough that Queensryche should consider releasing a full live CD/DVD.  I’d buy it based on these four tracks.  But nobody comes to mikeladano.com for the short version.

“Queen of the Reich” is the first song I ever heard from the original  Queensryche, as I suspect is true for most of the band’s fanbase.  Right from the opening scream, I feel that this is the band that represents Queensryche.  Every note is nailed, as is every scream.  On this song Todd La Torre can do no wrong, but not just that.  I would say that his versions are, in general, fresh sounding.  He is reverent to the originals, but I also hear his own voice.  I must also commend Scott Rockenfield.  His drums are heavy as fuck, and his bass drum precisely punctuates every beat.

“En Force” is a welcome surprise.  In 2001, Eddie Jackson told me that it was considered in the running for the Live Evolution album but did not make the cut.  The good news is the guys still know how to play it!  This has never been my absolute favourite track from The Warning, but to hear it live with all the screams intact?  That’s something I never thought would happen again.

“Prophecy” is a difficult song, and although Todd doesn’t sing it album-perfect, I have to ask myself, who else these days can sing these Queensryche songs like this?  Not too many singers.  I just hope Todd doesn’t blow out his voice.  I’m sure this kind of singing takes its toll.

Last is the classic “Eyes of a Stranger”.  This is the only bonus track not from the stone ages of the Ryche, the only representation of Operation: Mindcrime.  It is actually this track, in many respects, that shows off the talents of Todd La Torre.  It is another side of the spectrum, and Todd pulls this off as well.  Look, I know Geoff Tate’s the original, etc. etc.  I get that.  Focused on the here and now, this is how I’d like to hear Queensryche sound.  Heavy, slightly progressive rock music with shredding vocals.  That’s what I like, and Queensryche deliver on these four bonus tracks.

Lastly, a word about Parker Lundgren.  I remember when Kelly Gray joined the band, on Live Evolution he lent a different sound to the band.  It was good, just different.  Parker fits much more seamlessly.   He doesn’t attract attention to himself by playing things differently, he played it the way you remember it.

Yeah, so I bought the album twice.  You knew I was going to.  For the bonus tracks:

5/5 stars

More RYCHE:

GALLERY: Rush and The Tragically Hip 2013 postage stamps

Rush and The Tragically Hip 2013 postage stamps – Canadian Recording Artists series

Package of 10, $6.30.

I went down to the post office to pick up my latest CD treasure from Discogs, when I noticed these beauties:  the new 2013 Rush, and Tragically Hip postage stamps!  Had to have ’em.  The budget didn’t allow for the Guess Who set (apparently their best seller).  I’ve never heard of Beau Dommage, but apparently they are “considered the Beatles of Quebec and French music” (Canada Newswire).

I love the little details.  The “Stereo 1” on the Hip package.  The “Side A” and Anthem Records serial number on the Rush.  It’s the little things like these touches that make these stamps fun to keep in package, safe in my collection!

For your viewing pleasure, please enjoy these cool postage stamps.  I’ll try to pick up The Guess Who next week.

5/5 stars!

REVIEW: Queensrÿche – Queensrÿche (deluxe edition 2013)

QUEENSRŸCHE – Queensrÿche (2013 deluxe edition)

So after all the hubbub and commotion and he-says she-says, both Queensryches have finally released their albums.  The consensus is pretty clear:  fans prefer the original band to the original singer.  The sales figures speak for themselves.  Queensryche has more than doubled the sales numbers of Frequency Unknown, and charted in the 20’s rather than the 80’s.  The judge that will settle the case of who gets the Queensryche name in November said that the market would decide.  If that’s indeed the case, Tate can look forward to a solo career.

In the meantime Michael Wilton, Scott Rockenfield and Eddie Jackson carried on with Parker Lundgren and Todd La Torre, and basically did what fans have been asking:  revert to an earlier sound.

Instead of going through this album song-by-song, I thought I would try something different.  Instead I’d like to just talk about what I like and don’t like about Queensryche.  You can feel free if you disagree if you like.  Uncle Meat couldn’t bring himself to review the album.  He hated it so much he rated it 0/5 stars.  He said that the hiring of a Tate clone only makes Queensryche look like a bunch of douchebags.  His opinion was that this act alone put Tate on top, even if he did release the dreadful Frequency Unknown.  He asked me to say this on his behalf:

“This is like the winner of the Queensryche Karaoke contest.  Worst album of the year, of any genre.”

So there’s that.  I respect the criticism about the Karaoke contest.  But lemme tell you folks, even if La Torre’s Tate is uncanny, it’s also welcome to my weary ears.  I like hearing a Queensryche album where the singer is actually hitting the notes.  I’ve heard Tate fans talk about electronic processing on La Torre’s voice.  Well, that’s pretty much rooted in the 1986 Rage For Order sound.

If I had to nail Queensryche down to a specific era, it would be Warning-Rage-Empire in that order.  Not terribly original, no.  I’ll let it slide though, and for this reason:  when a band like Queensryche, who have musically been adrift at sea for a long time (barring the odd triumph like American Soldier), they need to re-ground themselves and regain the faith and trust of the fans.  Priest did something similar with their Angel of Retribution album.  Various songs sounded pretty bang-on for specific eras of the band.  And you know what?  That worked for me.  It was what I needed.  They saved the double concept album for the next record.

So, if Queensryche can progress from here, I’ll be happy and forgive them for the lack of originality.  I’ll let it slide for one album.  I’m also a little disappointed in the brief running time of 35 minutes: 9 short songs plus 2 intros.  None of the tracks are longer than 4 1/2 minutes.

QR2013 PICKI find pretty much all the songs to be of equal quality.  That is, all of them are good, some of them are better than good, none of them are poor.  I’ve waited to listen to this album 5 or 6 times before I tried to review it.  After that many listens, none of the songs are particularly jumping out at me more than others.  But none are turning me off.  All  have moments of greatness here and there, sometimes in the guitars, other times the drums, or the vocals.  La Torre is definitely stunning at times on this album.  It’s also fantasic to actually hear Scott Rockenfield playing the drums on a Queensryche album, and sounding like Scott Rockenfield.  He has a unique sound, one of his own, as does bassist Eddie Jackson.

As for the new boy Parker Lundgren?  Sure, he played on some of Dedicated to Chaos, but now you can actually hear him.  He meshes better with Michael Wilton than anybody else the band has had since Chris DeGarmo.

Which brings me to my final point.  I still miss DeGarmo.  This is nothing against Michael, Scott, Eddie, Parker or Todd.  DeGarmo had some kind of magic.  Look at all of Queensryche’s hits.  See who wrote most of them.  Queensryche absolutely miss DeGarmo, more than they do Tate.

In closing, I enjoy Queensryche a lot more than Frequency Unknown, or many albums since Promised Land.  Do I like it more than Rage?  Warning?  The EP?  No.  It’s good, no mistake, but it’s not at that level.  Whether they are capable of ever getting there again remains to be seen.  My attention is peaked; I’ll definitely check out the next album, which the band have already started writing.  In fact I’m looking forward to the next one, and hopefully the next one after that.

Oh, and the live bonus tracks absolutely smoke.

3.5/5 stars

FYI:  The Japanese edition contains an additional bonus track, which is “Eyes of a Stranger” performed live by the new lineup.  All four live tracks are taken from the same gig.  Reviewed separately.

REVIEW: Queens of the Stone Age – …Like Clockwork (2013)

QUEENS OF THE STONE AGE – …Like Clockwork (2013 Matador)

Yeah, I’m one of those jaded pricks who “only liked Queens when Nick was in the band.”  I bought the other albums too, but of those only the live CD really did anything for me.  Until now.  I really …Like Clockwork!  It succeeds completely at taking the Queens down a somewhat quieter and more mature road, while maintaining every ounce of their integrity.  They are still sometimes heavy, experimental and haunting.  But now they are almost always melodic, too.

Opener “Keep Your Eyes Closed” starts off somewhat slowly, but morphs into a bizarre Queens-meet-Alice in Chains concoction.  It’s actually the one song on the album that I didn’t like on first listen.  Imagine my delight in finding that I liked the rest of the album much more!

The most immediate song is second:  “I Sat by the Ocean”.  I put it in a category with songs like “If Only Everything”; it’s memorable on first listen.  “The Vampire of Time and Memory” is a space-age blues, but with some Queen-like moments (Queen, not Queens).  Josh’s understated vocals are classy and the keyboards create atmosphere rather than distract.

Next, the strangely-titled “If I Had a Tail” could have been released in 1981, or 1983, some time during the New Wave movement.  If I heard this on the radio, I’d think it was an 80’s band.  Only the occasional blasts of electric guitar remind me that this is 2013.  Here’s the cool thing — this track reunites the Songs For the Deaf lineup in a way.  Homme is joined by Dave Grohl on drums (who appears on several tracks), as well as Mark Lanegan and Nick Oliveri on backing vocals.

“My God is the Sun” is one of the tunes that sound the most like vintage QOTSA, and it is also one of the songs featuring Dave Grohl on drums.  It has some serious heaviness to it, as well as that stuttering, stammering Queens vibe.  All topped by the smoove as glass Joshe Homme vocals.

“Kalopsia” is a weird underwater easy jazz slow dance.  Trent Reznor duets, and suddenly its an explosive Bowie number.  Great tune.  “Fairweather Friends” has piano.  O, it has piano alright — by Elton freakin’ John!  There’s also lots of rich guitar.  It even feels Zeppelin-y at times.  Maybe JPJ rubbed off on Josh a bit?  Then things get funky on “Smooth Sailing”, but it’s a heavy funk with Homme in vocal falsetto.  Fucked-up Disco?  Sure, why not.  The guitar solo is pure noisy heaven, but Grohl’s heavy hitting keeps it in the world of rock.

Soft guitars and a whispery Homme introduce a song called “I Appear Missing”.  It’s hauntingly powerful, and dramatic. The guitar work here is incredible and intense.  It’s also perfect as the penultimate track on a strong album such as this. And when your second last song is as intense as “I Appear Missing”, then it’s often wise to end the album with something quiet.  “Like Clockwork” exists as simply piano and Homme for a couple minutes, Josh using his voice is ways I’ve never heard before.  Instruments build, and it’s a beautiful sunset-stained closer.

I don’t know what Josh was thinking in terms of the packaging.  I know he likes the colour red.  I got that part.  But all you get is a slipcase, a jewel case and a little card cover inside with minimal credits.  It says to go to quotsa.com for “extended credits”.  I paid for a physical copy, you’d think they could at least print the credits.

Musically?  5/5 stars.  With this and Sabbath already upon us, I have two contenders for album of the year so far.

IMG_00000324

GUEST REVIEW: Black Sabbath – 13 (by Uncle Meat)

Uncle Meat is back to tell us about the new Sabbath — the standard 8 track retail version.  When I get the deluxe and Best Buy editions, I’ll do my own.  Until then, please welcome Uncle Meat for his insightful take on one of the most anticipated albums of the last 33 years.

BLACK SABBATH – 13 (2013 Universal)

What is your favorite Black Sabbath album?  How many times do you think that question has been asked over the last 30 years or so?  Before today, I would have said my personal favorite would be a tie between Volume 4 and Heaven and Hell (cop-out answer I know).   Expectedly, that has not changed after listening to the long-anticipated “reunion” album simply titled 13.  There is a case to be made that this is one of the most anticipated albums of all time.  So does this album live up to that hype?

Sabbath LogoThe true answer to that question lies within you as the listener of course.  Personally, I always find that something truly great will build momentum with every listen.   With that in mind, my first listen to 13 was one of pleasant surprise.  It has been a long time since Black Sabbath (or Heaven & Hell for that matter) has released something that I have connected with.   Even Dehumanizer, which I believe to be the last relevant Sabbath album, went in a direction that was not really what I wanted to hear from Black Sabbath.   My theory is that with Dehumanizer, they were trying to “reclaim the throne” so to speak.  Being overly heavy just for the sake of being heavy, and losing the diversity and groove that made them true rock royalty.  It appears Rick Rubin has brought back at least some of that old Black Sabbath magic.

Rick Rubin’s legacy is almost as iconic as Black Sabbath themselves.  He has been responsible for the re-birth of several artists such as Slayer, Beastie Boys, Red Hot Chili Peppers, Johnny Cash et al.  The first thing that struck me about 13 was the bass sound.  Geezer has never sounded better and is hot in the mix, complimenting and adding to every track.  I also really like Tony Iommi’s guitar sound on this album.  More than a few times I found myself reminded of that classic Iommi riff sound.  Brad Wilk’s drums are great, and this could be nit-picking, but there is no doubt that Ward’s drum style is missed here on a few tracks.  Even Ozzy gets a passing grade here but I suspect that has a lot more to do with Rubin rather than a resurgence of Ozzy’s voice.  I was pleasantly surprised as well by the vocal melody lines on the album as a whole.

SABBATH CALM

TRACK 1 – “END OF THE BEGINNING”

The guitar parts in the verses paint an almost too-reminiscent picture of Black Sabbath‘s “Black Sabbath”.  But overall this track is strong throughout its 8:07 running time.  Definitely a great start to the album. Ozzy hits some notes at the end of this song that I find hard to believe even came out of the man. Steroids?

TRACK 2 – “GOD IS DEAD?”

I was not thrilled about this song when it was released prior.  Not that I dislike this song, just nothing special here to me. Next.

TRACK 3 – “LONER”

Good track.  They are somewhat ripping themselves off here to be honest, and that’s OK ’cause every band with longevity does it to an extent.  Main riff is VERY reminiscent of “N.I.B.”, and also Ozzy’s  “Alright now” and “Come on, Yeah!” made me genuinely smile.   Anyone remember Barry Horowitz?  Patting himself on the back?

BARRY PAT BACK

TRACK 4 – “ZEITGEIST”

More self-pilfering, this is the the “Planet Caravan” of the album.  Don’t particularly like that song to begin with. There are more strong vocals from The Madman here though.  But, still glad it’s the shortest song on the album (4:37).

TRACK 5 –”AGE OF REASON”

This track is in a tie right now with upcoming Track 7 (oh the drama!) as my favorite tune on the album.  Not only are the best riffs of the album on this song, I found myself loving the progressions here.  They remind me of the diverse song-writing on Sabotage, for example.  “Age of Reason” also contains a CLASSIC Tony Iommi solo.  This cannot be under-stated.  One kick-ass monster Tony Iommi solo!

TRACK 6 – “LIVE FOREVER”

The second shortest track on the album at 4:49, this is a good little song; and a great main riff on this track.  Very reminiscent of one of my favorite Sabbath songs, “Cornucopia” and even Brad Wilk seems to channel some Bill Ward in the open crash cymbal playing on this song.

TRACK 7 – “DAMAGED SOUL”

This is what we have been waiting for.  This is Sabbath being Sabbath better than all the bands that try, intentionally or un-intentionally, to be Sabbath.  [Wait until you see tomorrow’s story — LeBrain]  This is what I want from my Black Sabbath.  Doom meets gloom meets the blues.  There is something wonderfully sloppy about the guitar on this song.  Like a cross between Iommi and Keith Richards.  We even get some Ozzy harmonica in there.  Love the bridge in this song and the harmony vocals that come with it. The last third of this song is just lovely.  Yes… I said lovely. Check it out.  I must take back a proclamation made earlier in this review.  This is my favorite track on the album.  It’s that simple.

TRACK 8 – “DEAR FATHER”

The last track on the album is solid.  Once again there are some great drums on this song.  It builds momentum as well, getting more majestic as it goes along.  The last track on the album has a very fitting ending.  The track ends with the thunder, rain and tolling of the bell that started off their very first album 43 years ago.

The bottom line is this:  Black Sabbath have released a very relevant album in 2013.  I had my doubts if that was possible, and I am sure the presence of Rick Rubin was a big part of this being a very good if not great album.  Even without Bill Ward, there is life and inspiration within 13.  I find the ending of this album (hopefully) very fitting.  They have made an album which will be rightly recognized as something special, and this should be the end for Black Sabbath.  A glorious end indeed.

A solid 3 ¼ / 5 stars

Look for Mike Ladano’s upcoming review of the super duper extra-special royale deluxe version … containing several more tracks … coming soon.

Uncle Meat

BLACK SABBATH-13 SUPER DELUXE BOX

REVIEW: Deep Purple – “All the Time in the World” (2013 CD single)

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All the time

DEEP PURPLE – “All the Time in the World” (2013 Edel single)

I tried to order this single from the Deep Purple Appreciation Society.   I was order #31.  But then Edel only hooked them up with 10 copies!  I had to order this from Amazon instead, paying $23 plus shipping.  I’m not happy about that, but it’s Deep Purple and I am a completist with this band.

I’m really fond of “All the Time in the World”.  It reminds me of the laid back Purple from Bananas.  The classy keys from Don Airey seal the deal for me, but how about that Steve Morse solo?  Fantastic!  Thankfully, the sonic qualities of compact disc bring out all the richness of Bob Ezrin’s production, lacking in the crappy Youtube videos available.  It might not sound like the Deep Purple of 1970, but that was a long time ago now.  It does sound like a rock band staying classy well into their silver years.  I don’t hear any compromise nor contrivances here.   This is a both a radio remix and an edit, so expect the album version to differ.

“Hell to Pay” is a more traditional Deep Purple hard rocker, but with a shout-along chorus.  You don’t hear shout-alongs too often in Deep Purple, as strange as that may seem, so this is new territory in a sense!  The highlights of this song are the solos by Steve and Don.  I had to play it again to bask in its awesomeness.  There are echos of “Highway Star” at times.

You’ll notice Ezrin gets a writing credit on each track (as does each Purple member).  This is indicative of both the collaborative nature of Deep Purple, and Ezrin’s usual musical input.

There are two live tracks, but I unfortunately already have these!  They are “Perfect Strangers” and “Rapture of the Deep” from the London Hard Rock Cafe in 2005.  They were previously released (and previously reviewed) with the special edition of Rapture of the Deep.  This is disappointing, I was hoping for unreleased live versions.  Regardless, they’re great versions, particular “Rapture” which is perhaps better than the album version.

Now What?! is out tomorrow, April 26.

4/5 stars (for the music, not Amazon’s price)

REVIEW: Def Leppard – “Hysteria 2013” (iTunes single)

HYSTERIA 2013

DEF LEPPARD – “Hysteria (2013 re-recorded version)” (iTunes single)

Just in time for their Viva! Hysteria & More tenure in Vegas, comes another re-recorded “forgery” (Joe’s words).  This one is really good.  It takes a bit to figure out which version it is, in fact.  Musically, you can barely hear any differences, although the production sounds slightly less shimmery and saturated.  A few guitar parts (probably Vivian) sound mildly different.  Vocally, you can slightly tell it’s not the same version, but what’s incredible is how much Joe Elliott 2013 sounds like Joe Elliott 1987.  I read that Joe spent a lot of time getting his voice into that shape again.

“Hysteria” has long been one of my favourite Def Leppard songs, probably since I first heard it.  I think it’s an incredible song, one of the best from this commercial phase of Def Leppard’s career.  Time stands still when I hear it.  An original version is always going to mean more to the real fan.  That’s just the way it is, that’s psychology.  These forgeries were designed so Leppard could sell their music on iTunes on their own terms (ie; make more money than the label was offering them).  It’s business — I have no problem with it.  For $1.29, I have an alternate version of this track.  I didn’t have to, I wasn’t tricked into it, and the song is clearly labelled as a 2013 re-recording.

Necessary for those who “have to own it all”, or those who want a quick easy cheap way of getting a studio version of the song online (like, say people downloading it for a wedding).  This will be of little value to anyone else.

4/5 stars