The Artist Formerly Known As LeBrain

Most Unrightfully Ignored Albums of the 1990s – LeBrain’s List Part 3

In alphabetical order, here’s Part 3:  88 albums that meant the world to me in the 1990′s but never got the respect I felt they deserved.  

King’s X – Faith Hope Love (most KX discs didn’t get the attention they deserved!)
King’s X – Dogman
King’s X – Ear Candy
King’s X – Tape Head
Kiss – Carnival of Souls (while you can’t argue it wasn’t a sellout, it sure wasn’t wimpy!)
Leadfoot – Bring It On (Karl Agell and Phil Swisher ex-COC)
Marillion – Brave (what a brave, brave album)
Marillion – Radiation (a lot of people don’t like this one, but I consider it a highlight for them)
Duff McKagan – Believe In Me (diverse, fun and pissed off)
Kim Mitchell – Aural Fixations (a little soft, but Kim in the 1990’s was scarce indeed)
Kim Mitchell – Kimosabe
Motley Crue – Motley Crue (they were better without Vince, honestly)
Vince Neil – Exposed (…and Vince wasn’t doing too badly himself)
Ozzy Osbourne – Ozzmosis (it sold by the buckets, but I think today it’s ignored which is a shame)
Poison – Native Tongue (Ritchie Kotzen took them to a new level of maturity and virtuosity)

Pride & Glory – Pride & Glory (Zakk Wykde’s first album without Ozzy, and one of the best)
Queen – Innuendo (in North America, most of what Queen did went ignored before Freddie passed)
Queensryche – Promised Land (spacey and mature)
Queensryche – Q2k (riffy)
Quiet Riot – Terrified (the only thing they’ve done since the 80’s worth playing)
David Lee Roth – Your Filthy Little Mouth (I didn’t need to hear Dave do reggae but it ain’t bad)
David Lee Roth – DLR Band (John 5 on lead guitar…crank it up)

Most Unrightfully Ignored Albums of the 1990s – LeBrain’s List Part 2

In alphabetical order, here’s Part 2:  88 albums that meant the world to me in the 1990′s but never got the respect I felt they deserved.  

Dokken – Dysfunctional (reunion with George, adventurous album)
Steve Earle – I Feel Alright (jail obviously did him some good — his best record)
Steve Earle – El Corazon (among his best records)
Extreme – III Sides To Every Story (don’t get me started!)
Extreme – Waiting For the Punchline (a stripped-down oft-forgotten classic with Mike Mangini)
Faith No More – Angel Dust (…)
Faith No More – King For A Day, Fool For A Lifetime
Fight – War Of Words (I didn’t like Halford’s followup effort but this one is brutally heavy)
The Four Horsemen – Nobody Said It Was Easy (it wasn’t easy, is why)
The Four Horsemen – Gettin’ Pretty Good…At Barely Gettin’ By (but they released two great records in the 1990’s)

Fu Manchu – The Action Is Go (started me on my Fu Manchu addiction)
The Gandharvas – Sold For A Smile (my cousin turned me onto this one while I was in Calgary)
Halford – Live Insurrection (better than any of the live albums that Priest did without him)
Harem Scarem – Mood Swings (brilliant album, you can hear Queen influences, but it’s the guitar and vocals that set it apart)
Harem Scarem – Karma Cleansing (…now a bit more progressive, like progressive-lite)
Harem Scarem – Big Bang Theory (…and now, short and to the point!)
Helix – It’s A Business Doing Pleasure (too soft for the general Helix masses)
The Hellacopters – Grande Rock (the album Kiss should have made instead of Psycho Circus)
Glenn Hughes – From Now On… (anthemic and spiritual)
Iron Maiden – Fear Of the Dark (it gets a bad rap but it pretty much got me through 1992)
Journey – Trial By Fire (I don’t think they’ve ever made a better record to be honest)
Killer Dwarfs – Dirty Weapons (ditto!)

Most Unrightfully Ignored Albums of the 1990s – LeBrain’s List Part 1

In alphabetical order, here’s Part 1:  88 albums that meant the world to me in the 1990’s but never got the respect I felt they deserved.  When appropriate, I’ll pop in with comments.  Part 1!  Enjoy!

  • Aerosmith – Nine Lives (better than Get A Grip)
  • Armored Saint – Symbol of Salvation (John Bush lead vocals, nuff said)
  • Barstool Prophets – Last of the Big Game Hunters (from Ottawa Ontario Canada, great album)
  • Big House – Big House (from Edmonton Alberta, long forgotten hard rock classic)
  • The Black Crowes – Amorica (my favourite)
  • Black Sabbath – Cross Purposes (bleak gooder from the Martin-era Sabs)
  • Blue Rodeo – Nowhere To Here (psychedelically delicious)
  • Blue Rodeo – Tremelo (acoustically psychedelically delicious)
  • Bon Jovi – These Days (their most mature albeit darkest work to date)

  • Gilby Clarke – Pawnshop Guitars (the all time best GN’R solo album)
  • Alice Cooper – The Last Temptation (fans love it in hindsight, but it sold poorly in 1994)
  • Corrosion of Conformity – Deliverance (I was hooked upon hearing “Clean My Wounds”)
  • Coverdale Page – Coverdale Page (unrightfully ignored? well, most just disrespected)
  • Cry of Love – Brother (guitarist Audley Freed plays his Fenders like bluesy butter)
  • Deep Purple – Slaves & Masters (I have a soft spot for this ballady Deep Rainbow disc)
  • Deep Purple – The Battle Rages On (there are some strong forgotten tracks here)
  • Deep Purple – Purpendicular (one of the best records of their career)
  • Def Leppard – Slang (ditto)
  • Bruce Dickinson – Balls To Picasso (I believe I’ve discussed these enough in my in-depth reviews)
  • Bruce Dickinson – Accident of Birth 
  • Bruce Dickinson – The Chemical Wedding
  • Dio – Strange Highways (it took a while to grow on me, but at the time it was criminally ignored)

Part 2 of 4 coming tomorrow…

VIDEO BLOG: Rock The Nation

Join LeBrain as he searches for more rarities….

 

 

 

The “real” Queensryche — new song samples, new trailer!

Far too early for comment. But I will anyway.

The first song snippet didn’t sound like Queensryche to me (more like Racer X!).  The second and beyond did…keep in mind these must be demos because they’re not hitting the studio until next month.

I’m sure the Tate camp will be pissed off at them saying they are the “masterminds” behind Mindcrime and Empire…that was probably taking it too far.  This is turning into a PR war.

I’m encouraged.  Produced with Jimo Barton again!  You’re not gonna get that much from a few seconds’ worth, but a couple of these songs sound like possible winners, and have the “Queensryche sound”.  (Nobody sounds like Rockenfield!)  It does sound a lot better than pretty much anything from Hear In The Now to present.  But will it be memorable and live up to The Warning or Rage For Order?

We’ll see in 2013.

Discuss.

MORE Geoff Tate news: His side of the split?

OK folks, as usual I’ll let Geoff say it all.

On the “original” Queensryche with Todd La Torre:

They started a side project called Rising West, and they quickly found out that it didn’t have any value in the marketplace. They couldn’t sell any shows. They couldn’t get booked for shows. And that’s when they fired me and tried to use the name Queensryche to book shows, so they could all make a living.

So what you’re saying Geoff is that the firing had nothing to do with the spitting and the physical assaults and so on and so forth?  This argument doesn’t even make any sense.  Geoff’s claiming that Queensryche fired him, because their side project couldn’t sell any shows?  I’m sure they don’t need a side project to sell shows to make a living while they’re in Queensryche?  If business was as good as Geoff claims, anyway.

On Glen Drover, guitar player in Tate’s new “second” Queensryche:

I had known of him but never met him, but I’ve seen him play a number of times with Megadeth, and I thought he was a fantastic player; just a real fluid, effortless guitar player. And then talking with him, he’s just a really cool guy, very down-to-earth. He’s a Canadian guy who likes hockey and beer, and I’m all down with that.

Alright.  I’m down with that too.

And lastly, on his solo album:

It just happened pretty quickly, and I worked at a pace that’s pretty normal for me, really. A lot of what you hear on it are first, second or third takes. It was pretty immediate, us sitting in the same room, playing together, feeding off each other, and just kinda making stuff up as we went. So it was a fun, immediate record, without a lot of rehearsing it into the ground. Not a very polished record, not over-produced and slick. It’s pretty raw.

OK, that doesn’t sound bad.  Has anybody heard the record yet?  I’ve read good things, but Christmas is coming.

More:

http://ultimateclassicrock.com/geoff-tate-2012-interview/

More Queensryche:

Mike Ladano: Exclusive EDDIE JACKSON interview, part I

Mike Ladano: Exclusive EDDIE JACKSON interview, part II

Mike Ladano: Exclusive EDDIE JACKSON interview, part III

Mike Ladano: Exclusive EDDIE JACKSON interview, part IV

VIDEO BLOG: Japanese Import! KISS Monster!

Think of this one as a coda to Mike And Aaron Go To Toronto.

And if you missed the original video, it is below.

Part 128: VIDEO BLOG – Mike & Aaron Go To Toronto! (now with Store Report Card!)

Join Mike and Aaron as they hunt for rare albums!

REPORT CARD

Sonic Boom, 782 Bathurst St – 5/5 stars

BMV, 471 Bloor Street West – 3.5/5 stars (Mike) 4/5 stars (Aaron)

Rotate This, 801 Queen St. W – 3/5 stars  (no rating from Aaron)

Pauper’s Pub,  539 Bloor Street West – 3.5/5 stars

Paradise Bound, 270 August Ave – 4/5 stars * note I got the name wrong in the video

Moonbean, 30 Saint Andrew Street – 5/5 stars

Sonic Boom Kensington, 201 Augusta Ave – 4.5/5 stars

HMV, 333 Yonge Street – 1.5/5 stars

Sunrise, 220 Yonge Street, 1.5/5 stars (no rating from Aaron)

 

See what Aaron bought by clicking here!

FINAL NOTE:  I procured a the Japanese import from eBay a week later, October 27, for $41, free shipping.

Can Tate and Queensryche patch it up?

Blabbermouth asked that question.  Tate says he’s up for it, now it’s up to Queensryche I guess.

http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=180790

When asked about the now-infamous “knife incident”, Geoff said, “Definitely, I regret my actions that night,” he said. “And I’m not making any excuses for it; it was definitely the wrong way to handle things. And I’m not trying to justify it, but bands are bands and we’re a bunch of guys, and sometimes guys are physical [laughs], and it’s happened many times over the years. The Who, for example, is a band that is pretty known for getting into brawls and things like this. It’s not uncommon, definitely.”

I don’t think Tate’s a bad person, he’s an artist, so are Queensryche, artists can be emotional sometimes.  Maybe they can patch it up.  Who knows.

But on the other hand, I’m curious what the new Queensryche with Todd La Torre have in store.  I dig the return to the metal.  I want to see what they can do, because the Queensryche name has been (in my opinion) tarnished in recent years by substandard albums and cabarets and all this.  I’d like to see Queensryche make a real metal album again, and I don’t know if they can do that with Geoff Tate.

But what do I know?  I’m just a guy.

What do you think?

More Queensryche:

Mike Ladano: Exclusive EDDIE JACKSON interview, part I

Mike Ladano: Exclusive EDDIE JACKSON interview, part II

Mike Ladano: Exclusive EDDIE JACKSON interview, part III

Mike Ladano: Exclusive EDDIE JACKSON interview, part IV