BRANT BJORK βΒ JalamantaΒ (1999 / 180 gram vinyl 2009 reissue)
I still remember the circumstances surrounding me originally getting this on CD. Β As recounted in an earlier Record Store Tale, Tom and I were at a party.Β We were listening to some sHeavy, and Tom mentioned the Brant Bjork solo album as another must-have.Β Β Being a fan of Brant Bjorkβs drumming from Fu Manchu, I ordered it without hearing a single track. Β Tom attempted to describe it by calling it “a cross between Fu Manchu and surf rock.” Β Interesting.
10 years later, when Bjork reissued it on vinyl, he added the UFO-centric Blue Oyster Cult cover bonus track, βTake Me Awayβ.Β Automatic re-buy.Β It doesnβt really sound like the rest of the album, but who cares?Β Itβs Brant Bjork covering Blue Oyster Cult. Β But that’s not the only reason to re-buy Jalamanta.
What a beautiful record! The first thing youβll noticeΒ is the new cover.Β Β All black with the Brant Bjork skull embossed.Β Beautiful.Β Open it up to get at the booklet with all new photos. The booklet truly is a work of art. Remember when you used to buy an LP, and youβd sit down in front of your stereo staring at the pictures, trying to make out every little detail until the record was done? Brant Bjork takes us back to that time.
The cover page is what appears to be an awesomely greasy Mexican meal, and then the final page is the empty plate β a satisfied customer. Just like withΒ this LP. Β You can really get stuffed on the grooves and tones contained herein. Β There are plenty of low-key, incessantly grooving instruments. Β The music is simple, repetitive, but effective. Β It’s not heavy, but it feels weighty nonetheless.
The lyricsΒ are included. Β Here’s an example, from “Automatic Fantastic”:
The man shakes me down, thatβs why Iβm broke. Rich manβs got all the green but it ainβt the kind you smoke. So we turn up the rock, and we roll it slow. Weβre always flying high, and the ride is always low.
Musically, if you havenβt heard this album before, I donβt really know how to describe the songs.Β Bjork plays almost everything himself, and the vibe is laid back. Β He sings on every song but “Toot” which is handled by Mario Lalli (Fatso Jetson). He’s chosen to mix his vocals way back and emphasize the unadorned guitars and drums. Β The mixΒ is spare, quiet at times, loud at others, but always trippy. Imagine driving down a deserted highway on a hot summer night with the windows down. This is the soundtrack to that ride.
This is one of those album that sounds like it was just meant to be heard on 180 gram vinyl. Thereβs no sound like it in the world. I noticed a heck of a lot more bass, the bassline on βLets Get Chinese Eyesβ being particularly sublime. This album just sounds stunning now.
5/5Β stars
- “Lazy Bones” – 1:29
- “Automatic Fantastic” – 6:59
- “Cobra Jab” – 3:18
- “Too Many Chiefs…Not Enough Indians” – 3:44
- “Sun Brother” – 4:45
- “Lets Get Chinese Eyes” – 4:45
- “Toot” – 5:58
- “Defender of the Oleander” – 7:53
- “The Low Desert Punk” – 5:20
- “Waiting for a Coconut to Drop” – 4:17
- “Her Brown Blood” – 4:16
- “Indio” – 4:15
- “Take Me Away” – 5:35 (Blue Γyster Cult cover) vinyl only bonus track






