July 21, 2023, 11:10 PM, Kincardine Ontario. Total coincidence but “Moon Voices” by Max Webster was actually playing.
Thank you Grant, Aaron, Tim & Harrison for celebrating my birthday with me! We did a Nigel Tufnel Top Ten – Mike’s favourite birthday years. We showed off all his gifts this year, and looked at photos and gifts from years past.
Tim treated us to a guitar solo, and the guys had cool stuff to show us as always. Aaron’s signed Mystique poster was a highlight!
Lastly, Mike unboxed the new Grab A Stack of Rock theme song picture disc by vinyart.co. Tee Bone Erickson’s first vinyl. Now I need him to sign it! Thanks for celebrating everyone!
1981
1984
Transformers – Skywarp and Windcharger – my very very first two!
MOVIE: Saw The Last Starfighter for Bob’s birthday.
1985
Transformers – Slag (Dinobot)
GI Joe Dragonfly, Cobra A.S.P.
1987
1988
MOVIE: Saw Spaceballs for my birthday.
1989
1990
MOVIE: Saw Total Recall for my birthday.
1991
1992
1993
1994
1999
2001
GRAB A STACK OF ROCK With Mike and the Mad Metal Man
Episode 29: Happy Birthdays to Us!
It’s that time of year again! We didn’t celebrate last year, because the LeBrain Train ended on July 15 2022. But we’re back and we’re celebrating 2023 in style. Join us, won’t you?
Special guest for this show will be Grant Arthur of Grant’s Rock Warehaus! Thanks for celebrating with us!
We are expecting lists! Unboxings and de-packagings! What are the best birthday gifts you’ve ever received? Mike will be listing, year by year, the most memorable albums he received for birthdays past, from 1984 to the 1990s, everything that he can remember! He even still has a few of the oldest ones to show you. What are the best albums you have received for your birthday?
Please join the party tonight. We’ll be ready to bring it!
Friday July 21 at 7:00 P.M. E.S.T. / 8:00 P.M. Atlantic. Enjoy on YouTube or on Facebook!
A sequel to #653: The Reset King (Music and Gaming and other stories)
RECORD STORE TALES #1074: Have You Played Atari Today?
The Atari 2600 might have been the dominant video game system in our childhood lives in the early 80s, but it was far from “the best”. Intellivision offered better graphics. Colecovision was also impressive, and had a pretty good home version of Donkey Kong. Atari had a greater breadth of games available, though its graphics were pitiful by comparison. Atari boasted the blockiest graphics on the market! Did we care? Well…yes! We did care about graphics, but we also wanted all our favourite games on one system: Pac-Man, Asteroids, Defender, Space Invaders, Centipede, The Empire Strikes Back, Frogger…all of them. Though it should be noted, it was the parents who chose the video game systems in the neighbourhood, and price was also a major factor.
Domo arigato, parents of Owen Avenue, for spoiling the shit out of all the kids.
We had a 2600. The Schippers had a 2600. The Szabos had a 2600. George Balazs had a 2600. The Morrows had a 2600. The only kids that didn’t have a 2600 were the weirdos (just trust me) across the street, the uber-religious Dolph family, who had a Commodore Vic 20. With so many families in the neighbourhood owning the same systems, borrowing games was commonplace. The typical length of a game borrow from a neighbour was three days. Just enough time to get pretty good at a game, and often enough, to get bored with it as well.
No, those old Atari games didn’t have a lot of longevity. Most of them got a little monotonous after a certain number of plays. The games barely had any memory at all, so things tended to get…repetitive, shall we say. Most Atari video games just got faster as you played, repeating the same screens and obstacles. Eventually, you got fed up and died. Then you pulled out the cartridge to put in something else, because you were sick of that game!
The truth is, as iconic as the Atari was, we were often disappointed with their actual adaptations of the games. We did our research. We read reviews in video game magazines, and we watched reports on TV. We all knew in advance that we would be disappointed in E.T the Extraterrestrial well before we received it for Christmas in 1982. But we tended to get the games anyway, because we liked to try the games ourselves…and sometimes the choices weren’t really all that great! Occasionally, the low rated games like Combat and Adventure were our favourites. E.T., not so much. I know we received E.T. for Christmas….
Christmas! Atari and Christmas…they went hand in hand. Every Christmas, my uncle and aunt from Stratford would come to stay over. There was a nice finished room in the basement with a pull-out couch bed. Unfortunately…the Atari and TV were also down there! Which meant, when my sister and I inevitably woke up at, like, 5 AM to see what Santa got us (Atari games), we had to wait and wait to go downstairs to play them. Often we’d wake them up by constantly checking to see if they were awake.
So many disappointments back then! Pac-Man? That goes without saying. Beyond minor things like the annoying clangy sound effects and messed up colours, they also changed the layout and orientation of the maze. Usually Pac-Man’s escape tunnels are on the sides. Atari put them on top and bottom of the screen, which really felt wrong. It wasn’t…terrible…I mean, Pac-Man was still eating pellets, being chased by ghosts, before chasing them after eating a power pill. Same idea just…really poorly executed.
E.T. was all but unplayable at anything but the easiest difficulties, without agents and doctors chasing you. It was also extremely annoying, as you searched a large multi-screen play area for your phone’s pieces and the location of your spaceship’s eventual landing pad. The landscape was dotted with pits. Aren’t they all? Common problem in the suburbs. E.T. constantly falls in these pits, costing him energy when he levitates out of them. What, you don’t remember that scene from the movie?
Here’s the thing though. It was ironic that even though actor Henry Thomas was pictured on the box for E.T. the Atari game…Thomas himself was contracted by rival Intellivision, selling their system in TV ads! This irony was not lost on my dad, who thought we should have bought the system that Elliott himself was hawking on TV.
Indiana Jones’ Atari adaptation fared marginally better. Now this was a game we were able to beat, thanks to a detailed step-by-step instruction booklet. Yet…the game had no relation whatsoever to the movie. Oh sure, your character kinda looked like Indy with a brim-hat shaped head, but…when did Indy need to find a grenade to throw at a wall exposing a cave? When did he need to retrieve an Anhk (Vinnie Vincent fan?) to…oh shit, you know what? I cannot remember the convoluted plot to this game! There were caves with weird cells you could get trapped in. There was a cliff over a jungle, filled with thieves and tsetse flies. There was a black market where you could buy bullets and the all-necessary shovel to eventually dig for the Ark of the Covenant. There was also a “lunatic” there who would kill you instantly if you passed him. Eventually you find the map room, which has a narrow walkway you must not fall off, and if you are in the right spot at the right time with the right item activated, eventually the sun will come out and illuminate a specific mesa on a map that is concealing the Ark! You remember the mesa scene in the film, right? Indy must jump from mesa to mesa using his whip, an annoyingly frustrating task. Then, he must parachute off the mesa, and maneuver past an annoying treebranch, into a little hole in the side of the mesa. There, you must…dodge aliens…and go to the bottom of the screen where there is a mound of dirt. If you have acquired a shovel, then you can dig for the Ark. Just like in the movie.
It took us forever to beat some of these games. Of course, most Atari games back then didn’t have endings. Most just kept going on, getting faster and faster until you “died”. Some that did have proper endings included Adventure (another bizarre and primitive quest game), Haunted House, and E.T.
Despite the numerous…ahem…pitfalls of trying to find a decent Atari 2600 video game, there were some exceptions: A handful of truly great games on that primitive system. Many of these were made by another company called Activision. Activision typically made the best 2600 games, and had a really cool unified line of box art. Best of all, their video games were original concepts. Pitfall was one of the best games for any system of the era. A huge side scrolling adventure and treasure hunt, this game saw “Pitfall Harry” seeking gold and diamonds in the jungle, trying to navigate a series of obstacles such as fire, scorpions, rolling logs, quicksand, and alligators. You could try taking a shortcut through the tunnels below, but you’ll get there eventually just by falling through a pit! Activision really had a hit with Pitfall, but there were so many more. Chopper Command had you piloting a really cool helicopter, taking out both ground and air enemies in a side scroller where you had full control. River Raid scrolled upwards without any control on the player’s part. You had side-side freedom of movement, and a lethal forward gun. The necessity of stopping for fuel was a unique and challenging aspect. There was a clever game called Dolphin that involved the concept of sonar, and listening for tones to know your next move – which you must make in an instant. Many of these games came out later in the Atari’s life. That system really had legs. We were still playing it into 1986. Eventually, the Nintendo NES supplanted it.
Graphics and simplicity aside, the Atari 2600 had one weakness we don’t often hear about. It is generally said that the Atari had the superior controller over the Coleco and Intellivision systems. Intellivision had a sleek controller with a directional disc instead of a joystick, Coleco’s joystick was stubby and uncomfortable. Atari’s was just right. It fit perfectly in your hands, with a smooth-moving rubber-covered stick and a single “fire” button. Definitely the easiest, if simplest, of the controllers. But it was not sturdy. Inside that rubber outer shell was a fragile plastic skeleton. It only took my cousin, Captain Destructo, one visit to destroy two controllers. They were never the same after that. You could try to fix them, glue the inner frames back together, but the joystick’s response became mushy, as the frame flexed more easily in the weak spots. Eventually they’d break again. I think we went through six joysticks in total, including some third party models.
The Atari didn’t just have joysticks. It also had paddles – basically a wheel and a button. These paddles were wired in pairs, so some paddle-based games could have up to four players. Warlords was one such Atari game. The paddles were used for rapid side-to-side motion necessary for pong-like games such as Breakout. There was an addictive variant called Circus that was a lot of fun as well.
Then we had Star Raiders, the game I saved and saved and saved up to buy. The first cheque I ever wrote might have been for Star Raiders. It was expensive because it came with a third controller: a number pad. We always imagined what Atari could do with that number pad in new games going forward…but they never did. Star Raiders was a first person shooter that had you defending yourself from TIE Fighters and “Zylon” (Cylon) Basestars (I’m not kidding), while managing your shields, and warping in and out of different zones. As you take on damage, your shields, weapons and sensors can malfunction. Hopefully you have enough energy to warp to homebase and get repairs, before the enemy fleets destroy it! Though the combat scenes could be difficult, and annoying asteroids were frequent, it was an immersive game. The hum of your engines, the glow of your shields…the game did the best it could for what the Atari 2600 was capable of. In many respects this was a highpoint for the whole system.
The many hours and Christmases spent in the basement playing Atari peaked at the end of 1984. December 26th, in fact. While playing Atari in the basement, my best friend Bob “The Reset King” Schipper introduced me to something new called Iron Maiden. Life was never the same after that. Video games took a sudden back seat to cassette tapes.
Still, even after music took over, Atari had a comeback later in the 80s when I acquired Activision’s excellent simulator, Space Shuttle. By this time, I was in highschool. This intricate little game was impossible to win without paying exact attention to the instructions, and taking the precise steps in the correct order as needed. Just like a real shuttle launch. Landing it was even harder! Once you got the hang of it though, you couldn’t help but beam in pride at landing a space shuttle!
Even though Atari’s successor, Iron Maiden, taught me not to waste my time searching for those wasted years, I don’t look at those days in the basement playing Atari to be wasted time. While my skin may have grown pale playing Armor Ambush in the dark, I had a damn good time. And what’s wrong with a kid having fun and creating good memories in his own way?
Absolutely nothing. Have you played Atari today?
I always think of my best friend growing up, Bob, on my birthday. Our birthdays are only 10 days apart, so for us, July was a busy month full of music new and old. We always gave each other music. The last birthday we celebrated together was 1991 as I recall, and he gave me Van Halen’s For Unlawful Carnal Knowledge on CD. Same copy I still own today.
My favourite birthday memory might actually be his party in 1984. He was into Marvel comics limited series because they were easy to collect, and he loved The Last Starfighter, which was three issues. Obviously we had to go see the movie. His parents took us to Mother’s Pizza for dinner and then to the movie. “It’s better than Star Wars!” I raved back home.
This year on my birthday I’d like to share this new video I made from Mike and Bob’s Cross Kitchener Adventure. I set it to the Gene Simmons song “Waiting For the Morning Light”, written by Gene and Bob Dylan. (Don’t ask why I set it to that song.) I hope you enjoy this nostalgic music video from about 9 months before Bob gave me that Van Halen CD!
Major events on this date: Deep Purple broke up in 1976!
If you would like to celebrate this year’s birthday with Harrison and I, you can do that live this Friday at 7:00 PM on Grab A Stack of Rock! Please join us, won’t you?
“Hey, Nurse Kat!” I asked on Twitter one summery afternoon. “I already have and love High Noon and Michigan Left by the Arkells. What album should I buy next?”
“Morning Report,” answered Nurse Kat.
“Morning Report,” answered Nurse Kat’s friend.
“Ordered!” I responded.
In sum: Nurse Kat and her friend were right.
4.5/5 stars
Wait wait wait…that’s not how we do reviews around here! OK folks, let’s get ready to dive deep. Coffee: heated. Let’s go.
ARKELLS – Morning Report (2016 Last Gang)
First of all I will preface all of this by saying that this album and this band has recently helped me get through a rough patch, so there is a certain attachment that I have made with Morning Report that colours everything I will say about it. The fact that it made that connection is the important part. An album that connects, that’s special. That’s for life!
Here’s the interesting thing. For an album I love so much, I don’t particularly care for the first two tracks! I also find the closer underwhelming, but that leaves nine tracks of pure awesome to gush over. But first, let’s get the opening pair out of the way.
I don’t particularly like when the Arkells get too much into modern mainstream pop, because I do not care for modern mainstream pop. The opening pair “Drake’s Dad” and “Private School” would fall in this category for me. Having said this, both songs have awesome choruses. “Drake’s Dad” has a powerful soul/gospel chorus of “I just wanna hold you, so high!” that raises the roof. It also has a lush arrangement with strings and samples. “Private School” has a fun hook of “Ah, fuck off, don’t say I’d do the same!” Silly fun.
The serious stuff starts with track #3, “My Heart’s Always Yours”. This suave pop rock ballad just hits all the feels. Max Kerman has a way with words and I’m certain that the ladies love him for it. Though keyboards are the prominent hook-delivering instrument, the pure passion and panache of this song just elevates it to the clouds. A brilliant song, made indelible in the brain and heart!
Things get even better on “Savannah”, the fast acoustic-based song with killer lyrics. “She was named after, she was named after her dad’s favourite city. I was named after, I was named after the fact…” How does Max come up with this stuff?! He paints a picture of characters, often female, coming in and our his life. He tells their stories, often depicting musty old apartments, messy beds, and empty refrigerators. Musically, “Savannah” is even better. It’s powerful and it has a trumpet solo, so what more could you want? The chorus is probably the most immediate one on the album.
Then…get ready for chills, for it is time for “Passenger Seat”, the most haunting song on the album and easily one of the most chill-inducing I’ve ever heard. But then the chorus comes, with Max in a high falsetto, accompanied by sparse piano and keyboard effects. “Driving on the highway home, this time alone, doesn’t mean the same without you. I turn on the radio, to something slow, just to let it fuck with my mood…but songs don’t sound the same without you in the passenger seat.” Who can’t relate to that? (People without driver’s licenses I suppose.)
Brightness returns on “Making Due”, the song that really means something to Nurse Kat. I can see why. The music is pure uplifting magic, and the lyrics cut clean through. A sunny guitar hook opens the track, and then Max delivers some of his best melodies and words to date. That falsetto really nails the hooks home. Favourite lines: “I thought we made a deal, you were crossin’ your fingers!” Or “Got a pulse, but there’s a few beats missin’.”
Acoustics come to the fore on “Round and Round”, a folksy number (at first) that serves to bridge two very upbeat pop songs. The band comes in partway and it becomes a little more late Beatles-y in a weird way. Horns come blastin’ through, then synth, and it becomes something else entirely: something birthed in the early 80s, but talking about MuchMusic’s Electric Circus TV show circa 1999. An interesting track that is more than meets the ear.
“Hung Up” is impossible not to dance to. “The gatekeepers are keepin’ me out, let me in! Who made you the president, well fucker?” The horns also return, along with the synth, creating a modern pop rock classic. And I just love Max Kerman’s trio of “Well fucker?” at the end of the song. (Also listen carefully for a reference to “Fake Money” from the prior album High Noon.) No folks, he may be no Axl Rose, but Max Kerman is not afraid of dropping F-bombs right and left. Fortunately I’m easily entertained and I find his use of the word (usually) effective and not overdone.
The beautiful “Come Back Home” is a quieter, slow ballad, with a thrumming bassline that provides a dreamy foundation, like a pillow. “All would be forgiven if you’d come back home,” begs Max. “‘Cause I just wanna be yours again.” Filled with regret, Max is looking for reconciliation. Morning Report could in fact be a concept album about shattered relationships and our reactions to them. “And I thought about all the ways I could hurt you, to even the score of feelin’ deserted.”
The upbeat moods return on “A Little Rain (A Song for Pete)”. Max has indicated he’s probably an atheist in past lyrics, but here he says “I stumbled in St. Peter’s Cathedral, there I was. I never tried religion but man, I’ll try anything once.” I can’t tell if this song is about someone name Pete, or if Max is singing as if he’s having conversations with St. Pete himself. It means whatever you want it to! This incredibly catchy tune has a fun, bouncy beat and a suitable synth riff to go with it. Drummer Tim Oxford is definitely an underrated percussionist who doesn’t play it simple and always has catchy fills.
A slower but powerful song called “And Then Some” is next to last. The romantic dreamer is so good! “And I love every inch of you, and then some and then some.” Beautiful song and I can’t help but think of Tom Cochrane on the chorus. Something about Max’s delivery sounds like the Red Rider frontman.
Strangely, after all this power, all these hooks, and thick arrangements, the final song is very different from anything else. Quiet, understated and short, “Hangs the Moon” is like a coda. The arrangement is very bare, and Max’s voice is the main feature. The Arkells occasionally choose interesting, unconventional closing songs, and this is one. It works, but it’s not among my favourite songs on the album.
For me, Morning Report is 9/12 awesome songs, with 3 that are not bad but not my bag.
Morning Report is an album that I have listened to intensely for the last couple months, and has made a permanent impression on my soul. With Max’s lyrics tattooed on my heart, my score will come as no surprise.
4.5/5 stars
Thanks Nurse Kat and friend for the recommend.
I decided like Aaron to cover an hour in the morning, so it’s not too different from the programming he heard. If I had done an afternoon, there would be some LeBrain promos on Marko’s show, but I chose the Midday Lockdown with DJ Patrick Dynamite.
PATRICK DYNAMITE 10:00 – 11:00 Aug 12 2014
Station ID
Patrick announces Kiss/Def Leppard show tonight, and upcoming songs. “Here’s Kiss from ’79’s Dynasty, thanks for rockin’ with Dave.” Knew the album and year – bonus. (The computer doesn’t always give them this info because it often pulls songs like this from a greatest hits CD.)
Station ID for morning show (5 seconds)
Patrick announces contest to win tickets to Alice In Chains/Monster Truck next week. Also meet and greet!
COMMERCIALS: Funny clip from morning show, Tim’s, car loan, auto parts, lawyer, Athletic Club, Waterloo Brewing Company, Seagram coolers, station ID.
Station ID for “new rock” – Theory of a Dead Man.
Patrick announces chance to win the last Dave FM Backyard Bash for the summer. Party for 20 plus a new patio set.
COMMERCIALS: Tim’s, Hyundai, arrive alive (drive sober), Moparfest.
Patrick – weather
LEGENDS OF CLASSIC ROCK with Jeff Woods – Eric Clapton throws a legendary party in ’79: the Beatles reunion that never was, because Lennon didn’t know.
Station ID (5 seconds)
Patrick – recaps the last songs, announces Alice Cooper concert on Halloween in Kitchener! Pre-sale info available for Dave FM members.
COMMERCIALS: Dave FM ride to end Multiple Sclerosis, debt resolution, Subway, auto sales, Fido, drivercheck.ca, Moxy’s, an evening with Alice Cooper, station ID.
Station ID (about 30 seconds)
*pictured above: Gimli, the secret star of the show
Folks, I am so proud of this new show intro! Grab A Stack of Rock is almost at 30 episodes, so the show intro should consist of entirely original footage, should it not? Yes it should! I’ve finally removed all the old footage and guests from the LeBrain Train shows (I think?) with two exceptions; both clips of original music videos that we still play frequently today.
There are more clips and less photos – the new version is faster and far less static. This means it takes an hour or so to load all the files into my editor, but it’s worth it when the results come out this good.
Our fans and Sarre have spoken, and they want more music and more lists on this show. We’re gonna bring ’em to ya baby.
I want to thanks Harrison Kopp for being awesome support and my rock of a co-host. I wanna thank Jex Russell for bringing a new energy to the show. I wanna thank Rob, John, Tim, Aaron, and Marco for helming some great episodes with me. Dr. K, Grace Scheele, Spenny Rice and Nurse Kat have been generous with their time and made their own episodes something really special to watch. Uncle Meat sparked the concept of this show and he’s in the new theme video too. He did after all make some cameo appearances on special occasions. Also a special thanks to Grant Arthur for welcoming me on his Rock Warehaus and helping me stay focused.
Spoilers: There’s a new revision coming in a couple weeks with a new opening, but I’m waiting for a specific “prop” to come in the mail. You’ll see!
Thanks for watching folks.
GLASS TIGER – Private Concert: Greystone Racquet Club Waterloo, Ontario July 13, 2023
Photos and review by Dr. Kathryn Ladano
About a month ago, I saw a social media post on Glass Tiger’s Instagram page that was announcing a very special private, acoustic concert, with only 50 tickets available to the public. I immediately thought, “well that sure is cool, but I’m sure it won’t be happening anywhere near me”. To my surprise, that event was happening in Waterloo, 15 minutes from my home. The ticket price was steep – $199 plus tax for one ticket. However, I knew that this was a once in a lifetime experience to see the band that was my absolute favourite growing up. I hesitated at the price for about 2 minutes and then reserved a ticket to ensure I got one before they sold out. I only bought one because I didn’t think I’d be able to convince anyone to pay that price. So, I opted to go to the show alone. This would be my third time seeing Glass Tiger live. The first time was when they opened for Roxette in 2012 at the Budweiser Stage in Toronto. The second time was five days before this concert – at the Kincardine Scottish Festival (a very large, outdoor event with thousands of people in attendance). I’d like to say that I saw them in their heyday in the 80’s and early 90’s, but I was a child living at home then, and my mom wouldn’t let me go!
I received an email two days before show advising us that for general admission ticket holders (me), the doors would open at 6:30pm, we could enjoy a cash bar and free appetizers, and the show would start at 8:30pm. The email mentioned there were also VIP tickets, and those people got to come earlier, receive several free drinks, and were able to access a private reception after the concert. I honestly have no idea how one could get those tickets. They were not advertised on any posting I saw. Because I was going alone and had no one to talk to, I decided to leave my house around 7:30pm, arriving around 7:45pm. As soon as I got there, I bought a beer (Waterloo Amber) and then claimed my spot at the very front of the stage right in the centre. To my surprise no one had staked out their spots to the concert! Everyone else was socializing and hanging out farther away from the stage. I’m sure I looked like a bit of an idiot, standing in front of the stage all by myself for so long. However, I wanted the best possible experience, and I didn’t want a little bit of social discomfort to ruin that. People could think whatever they wanted!
To my surprise, Glass Tiger emerged and came on stage at 8:15pm (not the 8:30pm that we were told). The entire band had to walk right beside and in front of me to get on stage. I was inches away from all of them! Glass Tiger still has three original members that perform in all of the live shows: singer Alan Frew, keyboardist Sam Reid, and guitarist Al Connelly. Their bassist, Wayne Parker, is still a member of the band but he no longer performs live with them due to his wife contracting Lyme disease several years ago. He’s opted to stay at home and care for her, which he can’t do when he’s on the road with the band. Alan Frew has a really great recurring Insagram live show called “Frew the Looking Glass”, where he talks to fans and often has special guests. I tuned in when Wayne was the special guest two years ago, which is where I learned all about this. Glass Tiger now has a different bassist when they perform live. Last week, at the Kincardine Scottish Festival, Tom Lewis filled that role. Last night though, because it was an acoustic show, they had a second acoustic guitar player and I unfortunately do not remember his name. The band was also joined by back-up singer Carmela Long and long-time drummer Chris McNeill.
Every other time I’ve seen Glass Tiger live I’ve been nowhere near the front – always pretty far away from the stage. This concert was the exact opposite. At various points in the show, I was able to make eye contact with every member of the band and I was always met with a big smile (probably because I had a huge smile on my face the entire night). Right from the start of the show, Alan Frew informed us that he was sick, and I noticed that he was sipping tea (rather than beer) during the show. Despite this, you couldn’t tell by hearing his voice. Where you could tell was in his energy – he was definitely lower energy than the previous week. However, it was clear that he still wanted to put on a great show, and he did. The show began with the relatively new song, “Fire it Up”, which absolutely fired up the audience. They played 13 songs in total for the main set, and then two more songs in their encore. The show lasted about an hour and a half in total. I could see the setlist from where I was watching the show, so I was never surprised about what was coming next. For some reason though, they switched up the last song and the second last song. On the setlist, the final song was supposed to be “Animal Heart”, but they went with “Thin Red Line” instead (which ultimately, I think was a better choice). The setlist (as played in the concert) was as follows:
Encore:
The setlist was almost identical to the one I heard in Kincardine. There were only two differences: Instead of “Healing Hands” and “This is Your Life”, they played “Rhythm of Your Love” and “Ecstasy”.
While most of the audience was pretty dressed up, I opted to wear my Glass Tiger t-shirt that my mom got me for Christmas in 1988. For some reason, she got me an XXXL shirt – and I’m still swimming in it. The shirt (pictured) is from the album/song “Diamond Sun” and includes the song lyrics, “Love Gives Live” (which in the song is followed by the words, “and life is love”). When the band started playing Diamond Sun, and those lyrics came up, keyboardist Sam Reid looked at Alan Frew and pointed at my t-shirt. Alan then knowingly nodded his head. At another point in the song, Alan Frew also pointed to my shirt when singing those lyrics. The song has a new memory associated with it for me, and I’ll never forget that! Much to my surprise, I only saw one other person wearing a Glass Tiger shirt that night, and it was a significantly newer one. There were literally people of all ages at the show. The youngest was a child – maybe around 10 years old (I have a very hard time knowing what age children are, so I could be way off on that). There were also several seniors there – and many of them were right out front dancing beside me!
When the concert ended, I stuck around for a while on the off chance that I could get an autograph (I brought my CD copy of the “Thin Red Line” special edition, released in 2012). Because there was a VIP ticket option, the staff were clearly trying to ensure that only the people with those tickets had access to the band. I thought I’d wait anyway, just to see. To my surprise, guitarist Al Connelly came out by himself to grab some of his gear on the stage. A security guard was standing right in front of the stage, so I asked him if it would be okay if I asked Al for an autograph. He said absolutely, as long as I didn’t go onto the stage myself. I got Al’s attention and he said he’d come right back to sign my CD because his hands were full. True to his word, Al grabbed a beer and then came right back to where I was waiting and signed my album. Shortly after that, the security crew were telling us “regular” ticket holders that we had to move out of the space to make room for the VIP reception. I figured I would have no other opportunities to get more signatures, so I left the concert.
All in all, a fantastic show. It was a night I’ll never forget and I’m glad that I went ahead and got a ticket even with the higher price tag. While there were some songs I would have loved to hear live and didn’t (such as “Watching World’s Crumble”, “Far Away From Here”, “After the Dance”, and “Stand or Fall”), I still immensely enjoyed the experience and I would do it again in a heartbeat if such an opportunity ever came up again (and I’d have to figure out how to get a VIP ticket!). It was just announced that Glass Tiger will be inducted into Canada’s Walk of Fame – the crowd gave them a lot of cheers to recognize that accomplishment.
5/5 stars
Awesome show tonight hosted by Harrison and Jex! Top Five Alice Cooper albums, plus a nice collection from Harrison for bonus show & tell. Harrison has three Alice Cooper albums that I would like to steal from his house. Which ones? You’ll have to watch to find out. But you can check out the boys’ Top Fives below! And as a bonus, I’ll throw in my Top Five as well. Check ’em out!
This was one of my favourite shows to watch! Thank you to Harrison and Jex for doing such an amazing job! This was a great set of lists, and some awesome show & tell from Harrison. My list will be drastically different from theirs!
Thanks for watching and we’ll see ya next week for my birthday!
JEX
5. Special Forces (1981)
4. Trash (1989)
3. Constrictor (1986)
2. Killer (1971)
1. Flush The Fashion (1980)
HARRISON
5. The Last Temptation (1994)
4. Welcome To My Nightmare (1975)
3. Flush The Fashion (1980)
2. Dirty Diamonds (2005)
1. Special Forces (1981)
LeBRAINLESS
5. Welcome 2 My Nightmare (2011)
4. Killer (1971)
3. Love It To Death (1971)
2. Welcome To My Nightmare (1975)
1. School’s Out (1972)