poison

REVIEW: Poison – Hollyweird (2002)

Dedicated to Iron Tom Sharpe, who doesn’t understand that sometimes you just have to blow off steam and review a shitty album.


POISON – Hollyweird (2002 Cyanide Music)

I have a soft spot for Poison, and I have every album. Every album that is, except Hollyweird. After several spins in-store, I realized this was never an album I was going to listen to again. (Although I did, for this review actually — you’re welcome.)  Let’s face it, a “classic Poison lineup” reunion is not exactly earthshaking, especially when they traded down a true maestro in Blues Saraceno for CC to return. Not to mention Richie Kotzen before him.  CC will never be classified as a guitar hero. It’s CC’s songwriting that he brings to the Poison table, that and some sloppily good rhythms. However Poison’s songwriting on Hollyweird is much like the production values — flat and dull.

13 songs clocking in at just over 40 minutes, this is a collection of short pop rockers and ballads. The cover of “Squeeze Box” is pretty putrid, and Who fans would cringe if they happened upon it.  Most of the originals are just plain dull, lacking the bombast, hooks, flash and excitement of any previous Poison album, Native Tongue included. If only Poison could have continued along the lines that they were pursuing with Crack A Smile, or even re-recorded it with CC. Alas, this is the worst of all Poison studio albums, and it was such a lame duck that the band never recorded another one (as of 2014, this is the most recent Poison studio album aside from the covers-only Poison’d).

The opening and riff to “Hollyweird” is pretty decent, but the song itself is pretty suck-tastic.  Maybe I should take back what I said about CC.  He’s the only good thing about this song.  “Shooting Star” (a supposed sequel to “Fallen Angel”) is annoyingly bass heavy, and Bobby Dall ain’t that great a bassist.  CC’s riff is the only good thing about it, since the chorus is drowned out in mush.  Thom Panuzio isn’t a hack producer by any stretch, but he didn’t even show up on Hollyweird.  Then, somebody thought it would be a good idea to let CC DeVille sing lead on “Emperor’s New Clothes”.  The sad thing is it’s one of the better songs (even though it sounds more like Sum 41 than Poison).  CC sings three songs on Hollyweird, but who cares?

Lowlights:  Stinky “Squeeze Box,” whack “Wishful Thinkin’,” generic “Get Ya Some,” dull “Devil Woman,” horrible “Home”…or should I say “Homes,” since both Bret and CC have their own versions of this pop-punk wannabe? (In a row!)

Highlights:  “Wasteland,” maybe.

Tired, dull, derivative…pick your adjective.

1/5 stars

  1. “Hollyweird” – 3:15
  2. “Squeeze Box” – 2:32 (The Who cover)
  3. “Shooting Star” – 4:39
  4. “Wishful Thinkin'” – 2:49
  5. “Get ‘Ya Some” – 4:22
  6. “Emperor’s New Clothes” – 2:15
  7. “Devil Woman” – 3:47
  8. “Wasteland” – 3:56
  9. “Livin’ In The Now” – 2:37
  10. “Stupid, Stoned & Dumb” – 3:10
  11. “Home” (Bret’s Story) – 2:49
  12. “Home” (C.C.’s Story) – 2:47
  13. “Rockstar” – 3:33

WTF Search Terms: Heavy Porn Metal edition

It’s the regular feature where I reveal weird search terms that somehow led people here.  These are the WTF Search Terms!

 

WTF Search Terms XIX: Heavy Porn Metal edition

There seem to be two clear majorities in search terms categories that I get here:  Heavy metal and porn.  Here are 10 new ones for your perusal.  (For the last WTF installment, A Mixture of Elements edition, click here.)

10. geoff tate ruined queensryche (No argument from me.)

9. porn right motley crue shout at the devil (2 hits.)

8. blaze bayley implant crane (I have no idea what this guy’s looking for.)

7. rock shemale heavy metal ass pics

6. joe perry journey (Wrong band.)

5. why was bobby dall arrested in your mama dont dancs video (You know, I have wondered this ever since that video came out.  I have no idea.  Anybody?)

4. marilyn manson takes out rib for what (Sucking his own dick.)

3. sebastian bach model trains (I love that Trailer Park Boys have turned this into a common urban myth that has come up in my search terms repeatedly!)

2. how much is my 1993 aerosmith get a grip cd worth (50 cents, big spender!)

1. why does peter criss have a huge bass drum (Maybe you’re thinking of Tommy Lee?)

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GUEST REVIEW: The Winery Dogs – The Winery Dogs (by Jon Wilmenius)

After hearing so much praise for The Winery Dogs, I finally bought a copy.  I decided for now there was no point in writing a review:  After all, Jon Wilmenius already said it all.  So for my own review, all I’ll write is:  “What he said!”  Enjoy this review from Jon’s own excellent site, Music and Festival Reviews, reprinted with his kind permission.

Read the original here.

GUEST REVIEW by: Jon Wilmenius

THE WINERY DOGS – The Winery Dogs (2013 Loud & Proud)

Way back in the late 80′s / early 90′s supergroups were popping up like mushrooms in your garden. Bands like Bad English, Mr Big and Badlands had big success with the odd album or two before breaking up, but when the 90′s grunge era took over, supergroups were as rare as money on your bank account. Today, things have turned around and with the music industry looking like it does, musicians are forming different projects and bands with each other like never before. One guy that seems to involved a little everywhere are former Dream Theater drummer Mike Portnoy. As of now he is involved in no less than four different bands, Transatlantic, Flying Colors, Adrenaline Mob and now this thing. When The Winery Dogs started out in 2011, they consisted of Portnoy, bassist Billy Sheehan of Mr Big (formerly of Talas and David Lee Roth) and guitarist / lead singer John Sykes (Tygers Of Pan Tang, Thin Lizzy, Whitensake, Blue Murder), but since Sykes seemed to have too much on his mind, he decided to split and was replaced by multi musician and guitar player / lead singer Richie Kotzen, who also has a successful solo career going on, but also a former member of Poison, Mr Big and Forty Deuce.

Without hearing a note of their music, just by looking at the line up makes expectations rise like a virgin’s dong at the Playboy Mansion. That means that nothing worse than ‘great’ would be acceptable for this trio’s debut release. Now, I don’t know how much music that was written with Sykes in the band and how much of it that ended up on this album, but the fact is, Kotzen is all over this record. Kotzen’s solo career sky rocketed after he got the boot from Poison, at least quality wise and even a tone-deaf  could spot his style miles away. Just listen to Poison’s Native Tongue, the best album they ever released, and you’ll hear pretty fast which songs he brought to the table. He really should re-record them as a solo artist someday. So, if you’re a fan of Kotzen’s, this album is a no-brainer – as a matter of fact, it really should be a no-brainer for any a rock fan to buy this CD, because this is amazing stuff. “Elevate” kicks this album into motion with a bang, a rootsy rocker that sounds a lot like Richie’s solo stuff only with Sheehan’s famous and personal bass sound and Portnoy’s heavy groove. “Desire” follows and it is a brilliant tune, full of catchiness and groovy rhythms, “I’m No Angel” has a fantastic refrain and a killer melody, you’re stuck after the first chorus, on “The Other Side”, Sheehan and Portnoy totally rules the groove and the bass and drums are both one and separated at the same time and they give us a brilliant blues ballad in “You Saved Me”. It has a bit of a U2 – feel and Kotzen sings the hell out of it. The guy has got some feel, to say the least.

Both “Not Impossible” and “One More Time” has a lot of Kotzen over them and I find myself thinking that they probably would have been a great fit on his last album 24 Hours. “Six Feet Deeper” has a major swing to it and it strikes me that this is the first album I have heard where Mike Portnoy plays rock ‘n’ roll like this. I mean, he’s an amazing drummer, but his skills has always been in progressive metal where he doesn’t groove that much. This album shows that Portnoy is a lot more all round than people might think. “Criminal” on the other hand, is a heavy piece – not a far cry from how a Kotzen fronted Mr Big would sound. “The Dying” is a ballad, but it leans way more towards heaviness than anything else which is really cool – and it is a great song. The album ends with “Regret”, a classic Kotzen ballad, very bluesy in a 70′s style. Wow! This really is a super trio and they have made one hell of a debut album and hopefully enough people will buy this to convince the guys to keep this project alive. Another thing, has Billy Sheehan and Mike Portnoy ever played with such a groove like they do here? I mean, they are both ace players and with Kotzen, groove is in his blood, but on here Sheehan and Portnoy really makes the rhythm section swing. When we’re writing January 2014 and making a list on the best albums of 2013, this album will no doubt be up there as a contender for the number one spot. Jon says: Get this!

Jon Wilmenius (9/10)

 

WTF Search Terms: Musical Inquiries edition

Welcome back to WTF Search Terms.  These are real search terms that somehow led people to mikeladano.com.  Today, I thought I’d answer some people’s musical questions.

Click here for the last WTF Search Terms XV: Fan Favorites – Thussy Edition.

WTF Search Terms XVI:  Musical Inquiries edition

1. why is lenny kravitz last two cds a disappointment

Lenny Kravitz has sucked since cutting off his dreads.  Scientists call it “Samson Syndrome”.

2. whats the dirt on richie kotzen screwing bandmates wifes

Great question.  Kotzen was actually screwing Rikki Rockett’s girlfriend/fiance while on tour with Poison.  Kotzen later married her after being terminated by Poison.

3. glenn tipton can’t play anymore

Incorrect.

4. iron maiden lyrics “what information do you need”

“We want…information…information…information!” – The Prisoner

5. does blackie lawless ever talk to anyone? 2013

Blackie Lawless has taken a vow of silence and now speaks through a computer like Stephen Hawking.

6. i wonder book list of names in the rock roll band kiss used to be in ks benny gene simmons paul stanley ace frehley peter criss and vinnie vincent

I wonder what this person is actually asking.

7. quite riot mr roboto

No.  It’s QUIET Riot, and Mr. Roboto was by Styx.

8. did malcomb mcdowell sing in a rock band?

No.  But there’s this musical:

9. back street boys with guitar

Next.

10. lebrians bb pin

I am not posting my BlackBerry pin, thanks.

SAM_2571

Be sure to check back soon for more WTFs!

REVIEW: Poison – Double Dose: Ultimate Hits (2011)

I do not currently own this album.

POIDSONPOISON – Double Dose:  Ultimate Hits (2011 EMI)

When this one slid into my hot little hands, I couldn’t help but laugh. Double Dose of Poison? Look at that cover. Someone forget to give Bret the memo, the 80’s are over. But it was summer, and Poison were touring with the Crue. The cougars were on the prowl, and if that’s not enough reason for a classic rock band to release an album, I don’t know what is.

However, let us not forget, Poison haven’t released any new original music since the dreadful Hollyweird in…God is it almost 10 years already? So when your band is creatively on ice, all you can do is repackage the hits. By my reckoning, Poison have done that very thing almost as many times as they’ve released studio albums.

Anyway, enough of my lecturing. Let’s dig into the album, a very generous slice of Poison, albeit one that wears out its welcome prematurely. The album is wisely sparked off with “Talk Dirty To Me”, their first hit, and still a firecracker 25 (!) years later. Sequenced chronologically, this is followed by the equally familiar “I Want Action”.  The lesser known (but still classy) ballad “I Won’t Forget You” is here.  So is perhaps the best single for the first album, “Cry Tough” which still has that youthful energy. The perennial “Look What The Cat Dragged In” tops off the material from the first album  It’s an inferior song, but one that has proven to have legs over two decades later.

By the second album, Poison had tightened up their chops and songwriting a bit, and the still-great “Nothin’ But A Good Time” is next. The rest of the ’88-’89 singles follow in due course: “Fallen Angel”, “Every Rose” (of course!)” and “Your Mama Don’t Dance”. So far, CD 1 works. It sticks to (mostly) the hits, with the ballads sprinkled about sparingly, exactly as any good rock album should work.

But the first disc ain’t over yet, although this is where the chronological concept is ditched. From album #3, here’s the dreadfully awful “Unskinny Bop” (please, nobody really likes this song)!  It’s followed by the Kiss cover “Rock N’ Roll All Nite” which was actually recorded between albums #1 and #2. But the other three singles from album #3 follow in short order: “Ride The Wind”, “Something To Believe In” (another ballad) and “Life Goes On” (wait…two ballads in a row?). Then from album #3, we jump to album #5. “Stand” is the third ballad in a row. While it is more a soul song with the great Richie Kotzen now filling CC Deville’s shoes, it still serves to slow down this disc almost to the point of skipping. Then, for whatever reason, the compilation skips to albums #7 and #8 (the worst album Poison ever did, Hollyweird). “The Last Song” from Power To The People is…holy crap…another (boring) ballad. It is followed by the cover “Shooting Star”. What the devil were they thinking? Four ballads in a row? Sure, we’re not young anymore, but we’re not comatose.

Onto disc two. Keep in mind, Poison have used up most of their hit ammunition on disc one. Disc two relies heavily on covers from the Poison’d album.  That’s five more covers for those keeping score, bringing the total of covers on this whole compilation to eight. Eight freaking covers out of 35 songs, that’s 23% covers — almost a quarter of the album! Come on, guys. We know you had all your hits in a brief period of the late 80’s and early 90’s, but what about the great album tracks? Where’s “Ball And Chain”? Where’s “(Flesh & Blood) Sacrifice”? “Valley of Lost Souls”? Where are all the great album tracks that prove Poison was more than a handful of singles? Well, some are here: “Look But You Can’t Touch”, “Love On The Rocks”, but mostly we’re into the covers. If you already have Poison’d, then this disc is pretty redundant. A few tracks from the underrated Crack A Smile CD (with Blues Saraceno on guitar) are here, such as the swanky’ “Sexual Thang”. A few rarities too, “Gotta Face The Hangman” and “Livin’ For The Minute”… but they are rarities for a reason.  They don’t hold up to the quality of the hits.

Highlights on this second disc are the bright and sparkling rocker “So Tell Me Why” from album #4 (the live + studio CD Swallow This Live) and a deuce with Richie Kotzen: “Fire And Ice” and “Bastard Son of a Thousand Blues”. The disc, very unwisely, ends with perhaps the worst and most overplayed Poison song in history, “Poor Boy Blues”. Bret, I know you like the blues. I know you like them a lot. But Poison are not a blues band. Never were. Never will be. The closest you ever got was when Richie was in the band. 20 freakin’ years ago.

That about sums it up. If you want a really good, solid, to the point Poison hits album, choose one of these two:

  • 1986-1996 Greatest Hits
  • The Best of Poison: 20 Years of Rock

Both are single discs, but are boiled down to the basics.

Let’s face it, if you’re a big Poison fan, you already have all these songs, because they’re all on the CDs. If you’re not a big Poison fan…you don’t really want all these songs.

2/5 stars

Disc one:

01. Nothin' But A Good Time   
02. Talk Dirty To Me 
03. Look What The Cat Dragged In  
04. Be The One  
05. We're An American Band  
06. Life Goes On  
07. Every Rose Has Its Thorn  
08. Stand  
09. Livin' For The Minute 
10. Little Willy  
11. (Flesh & Blood) Sacrifice   
12. I Won't Forget You    
13. Rock And Roll All Nite  
14. Love On The Rocks 
15. Suffragette City   
16. Lay Your Body Down
17. Until You Suffer Some (Fire And Ice)  
18. No More Lookin' Back (Poison Jazz)  

_______________________________________________________________
Disc two:

01. Unskinny Bop   
02. Cry Tough  
03. I Want Action
04. Your Mama Don't Dance   
05. Something To Believe In 
06. Fallen Angel 
07. Ride The Wind
08. Bastard Son Of A Thousand Blues
09. Sexual Thing 
10. Can't You See   
11. So Tell Me Why    
12. What I Like About You   
13. Face The Hangman
14. Cover Of The Rolling Stone  
15. Poor Boy Blues   
16. Look But You Can't Touch   
17. Theatre Of The Soul

REVIEW: Poison – Swallow This Live (1991 2 CD set)

STL_0001POISON – Swallow This Live (1991 Capitol Records)

In 1991, hard rock was breathing its last gasp (for the moment, anyway) and Swallow This Live is a perfect example of how this happened. Many rock fans were fed up with substandard releases, and this is one of the biggest turds of that era.

Swallow This Live was a double — yes, you heard that right — a double-live CD from a band who only had three studio albums! And Poison are not Kiss. On the cassette version, two tracks were missing: “Life Goes On”, and “No More Looking Back”.  I think Poison instead should have excluded Rikki Rockett’s painful, overly long drum solo.  They definitely should have cut C.C. (billed here as “Cecil”) DeVille’s horrendous guitar flatulance.

Poison imploded before this was even released.  The fact that C.C. DeVille was only seen in the video for “So Tell Me Why” for a matter of seconds spoke volumes.  (Opening lyric of the song:  “I’d like to put to bed the rumours”.)  This was after the train wreck that was the 1991 MTV Video Music Awards.  There’s C.C. with bright pink hair, not able to play an entire song…it was no surprise when he was fired, although the band waited until after the release of Swallow This Live to tell anybody.

C.C. also hated the bluesy, more serious direction that Poison’s music was taking, which was fully realized on their next studio album, Native Tongue. With guitar maestro Richie Kotzen as the catalyst, Poison finally delivered a mature piece of work which of course did not sell. But that’s another story.

Here, we have a very rough sounding live disc, overly long, and embarassingly bad. Every song is superior in its studio version, making this album completely redundant. Ironically, coming from the band who once said, “Fans comes to see us play, not PRESS play,” you can hear lots of backing vocal tapes, especially on “I Want Action”. You do get basically every hit that Poison ever had, which was an impressive amount. However, even that couldn’t pad out a full 2 CD release, so they also played some really terrible songs live.  “Look What the Cat Dragged In” is awful, but even worse is the blues massacre, “Poor Boy Blues”.  Bret’s ad-lib is a cheesy mess.

The only reason to buy this CD is the new studio material   Two of the new songs are among the best that Poison had recorded up to this time. “So Tell Me Why” is a firecracker of a song, a brilliant rocker held aloft by fantastic guitar melodies. “Only Time Will Tell” is one of their best ballads, along the lines of “Life Goes On” or “I Won’t Forget You” crossed with some Native Tongue maturity.

If you can get Swallow This Live at a decent price (I used to sell it around $8.99), pick it up for the new studio stuff, but don’t blame me if C.C.’s live guitar solo makes your ears bleed!  (Note:  I know this has been reissued as a single disc with various track omissions, so buy according to your needs.)

2/5 stars

Don’t forget that Poison’s second album was originally to be called Swallow This!

REVIEW: Poison – Open Up and Say…Ahh!

POISON – Open Up and Say…Ahh! (1988. 2006 Captiol remaster)

Man, did I feel old when this 20th Anniversary Edition came out. I remember buying the cassette back in ’89 (the year after it was released). I even conned my dad out of the $10 for it by saying it was for a school project! (It was…sort of.)  I purchased this at A&A Records & Tapes on the way home from school.

I’m glad that today, Poison are still around (as a live entity, anyway), and back to the same four guys who rose to fame in the 80’s. Although Flesh & Blood is a good album, and Native Tongue is criminally ignored, Open Up and Say…Ahh! is actually quite strong and best represents the early Poison sound.

Starting off with “Love On The Rocks” (featuring the lyric “swallow this” which was actually the original title of this album), Poison are off to a strong start. The riff is catchy, somewhere between glam rock and old classic rock n’ roll. What C.C. Deville brings to the party is a love of rock n’ roll, and that’s why when he left.  The band went more bluesy, too bluesy for his tastes.  That and the drug addiction did C.C. in. I don’t evem mind his guitar sound on this, I kind of like it. It’s overdriven and shrill, but it rocks and C.C. manipulates his instrument to pull off some cool sub-Frehley solos.

From there it’s the classic “Nothing But A Good Time”. The riff seems ripped off from “Deuce” by Kiss, but then later re-ripped off by Kiss for their song “Never Enough”! Anyway, you know the hits already, so I won’t spend too much time discussing these songs.  Suffice to say that I still hear “Nothin’ But A Good Time” on the radio.

What was actually surprising was that Open Up and Say…Ahh! is more than the sum of its singles. The album tracks are almost entirely as strong. “Back to the Rocking Horse” is another fun, catchy Poison rocker, followed by the harmonica-laden-shoulda-been-a-single “Good Love”. “Tearin’ Down The Walls” ended side one on a fairly strong note, and actually features some interesting changes.

Side two started with “Look But You Can’t Touch”, a juvenile sex song (it sounded juvenile to me even then), which nonetheless has a lot of energy. Then, three singles in a row: “Fallen Angel” (best song on the album), “Every Rose Has Its Thorn” (no comment required), and the Loggins & Messina cover “Your Mama Don’t Dance”. Why was bassist Bobby Dall getting arrested in that video? I still don’t know! The album ended with “Bad To Be Good”, a bit too slow and ploddy, and the weakest song on the record.

This special edition has just a scant two bonus tracks, and one is a useless interview. Most people will stop the CD before the interview. The other is the very raw B-side “Livin’ For The Minute” which, if memory serves, was originally the B-side on the “Every Rose” 7″ single. It’s a fast rocker, demo-quality, and is more akin to the sound of the first Poison album. I don’t know where the interview comes from. In all my years of collecting singles, I’ve never run across it before, so if you care about it, it does seem to be a genuine rarity. “Livin’ For The Minute” has been released multiple times elsewhere. (Missing is the B-side “Gotta Face the Hangman”, available on the Crack A Smile CD.)

Also of note, if you had the censored version of this cover, the original has been restored on this edition.  Yes, this cover was censored.  Columbia House sold a version with the tongue and everything below blacked out.  Packaging-wise, don’t expect much else.

As an album, this is fun and has a great 80’s sound, thanks to the production talents of Tom Werman.  Younger kids will dig it for the pop punk-like energy. Older fans will want it for nostalgia purposes. That, and it still rocks really well.

As much as I usually maligned C.C. DeVille (Swallow This Live is almost unlistenable), I really like his work here. He may be no guitar wizard, but at some point you have to recognize the fun guitar playing here. It’s like toffee — sticky, sweet, and good. Too much might make you sick, but in moderation, it hits the spot. And really, he weaves some really fun melodic fills over his riffs, like icing on a cake.

4/5 stars

REVIEW: Bret Michaels – Rock My World (2008)

BRET_0001

BRET MICHAELS – Rock My World (2008 VH1 Classic Records)

Every once in a while I have an urge to hear some good time Poison rock.  Since Poison don’t really release new music anymore, I thought I’d give Rock My World a try.  I haven’t kept up with Bret’s solo career but apparently he has quite a few albums.  I saw this at Future Shop for like ten bucks, so why not?  And it’s not bad.  Bret wrote or co-wrote every track.

Rock My World is a compilation of (mostly) previously released songs. To the layman, that means “best of” album, and like most “best of” albums this one has some new tracks too. I’m just guessing here, but I think this was probably released to promote Rock of Love and expose people to some songs from solo albums that most haven’t heard.

What surprised me was how strong this album is. It’s certainly much stronger than the last original Poison album, Hollyweird (which was gawd-awful), though it’s not as good as Flesh & Blood. As you’d expect, it’s a strong mix of ballads and guitar driven classic rock, with modern production. Lyrics are pretty standard. What surprised me was the pop-punk rock goodness of “Bittersweet”, for me the best song and unlike anything else on the album.  I find the lyrics hilarious too.  It reminds me of an old Canadian band called Deadline that I used to like.  Unfortunately there have been a thousand bands with sounds like this in recent years.  The song’s a guilty pleasure.

I’m usually finding that as I get older, I’m not that interested in ballads anymore.  Loved ’em when I was a heartbroken youngster, but they don’t mean much to me anymore.  Having said that, “Fallen” is a pretty good song.  It’s not unique but it’s essentially the kind of song that Poison used to have massive hits with 23 years ago.  And even though it’s followed by another ballad called “Raine”, they’re both pretty good songs and it doesn’t bore me to hear them.  “Raine” is my favourite of the ballads, it has some balls and guitars to it. “Songs of Life” is also pretty strong, even if it quotes some old Poison song titles in its lyrics.

I can’t say that this album made me hungry to pick up the albums that these songs were sourced from (Freedom of Sound and Songs of Life) but with those albums so difficult to find, I think that justifies this release. I can understand why fans who already own them would be ticked that they had to buy this release to get the new songs, but let’s face it, most people don’t have those albums and are unlikely to find them at their local wax emporium.

And in my case, even if I found them, I probably wouldn’t buy them.  There are plenty of albums I don’t have that need my dollars more.

For your reference, the new songs are:  “Go That Far”, “Fallen”, “Start Again”.  There’s also a new 2008 remix of “It’s My Party”.  Whoopee!

Go for it if you like Poison, or classic rock with a good mix of ballads and rockers. Avoid if you hate dudes with headbands on motorcycles.

3.5/5 stars

REVIEW: Electric Joy by Richie Kotzen (1991)

Classic Kotzen! For a look at the new album by his new supergroup The Winery Dogs, check out Jon Wilmenius’ excellent review.

RICHIE KOTZEN – Electric Joy by Richie Kotzen (1991 Shrapnel)

Albums by Richie Kotzen were impossible to find in Canada.  My only exposure to his music was “Dream of a New Day”, from his second album Fever Dream.  Fever Dream was his first vocal album, but Kotzen returned to instrumentals on his third, Electric Joy.  I’d seen his picture in dozens of guitar magazines, but hadn’t heard his tunes until “Dream of a New Day” was included on the Bill & Ted’s Bogus Journey soundtrack.

His debut album was a hit with the shredders, but three albums in, Kotzen had already delivered three completely different pieces of work.  Electric Joy has some of the playfulness of the debut, but is mostly a jaw-dropping collection of intricately composed pieces that skirt multiple genres including funk, country, bluegrass, jazz, fusion, and blues.  If I had to pick out an influence, I would say that Electric Joy sounds like Richie had been listening to a lot of the “two Steves”:  Vai and Morse.  His technique is top-notch.

I first got this on a trip to Frankenmuth, Michigan.  My parents made a point of going there every spring and I started tagging along, and then later on my friend Peter joined us as well.  We’d stay at the Bavarian Inn and on the way back to Ontario, we’d stop at the stores in Port Huron, where I found this as well as old rare Savatage cassettes.

“B Funk” opens the album with some light-speed bluegrass-y licks, but it keeps changing, from a funked up rocker with shredding, to a melodic “chorus” section.  Then it’s back to the bluegrass from space.

At this point I’ll point out that Kotzen plays all the instruments except drums, himself.  That’s Richie’s standby Atma Anur on drums.  What this means is, that incredibly dexterous bassline you’re hearing on “B Funk” is also performed by Kotzen!  And it’s almost every bit as stunning as the guitar!

“Electric Toy” begins ballady, with some lyrical Vai-like moments.  Of course, Kotzen can’t help but do what he does, so there are different sections, some at lickity-split tempos.  This is followed by “Shufina”, which is essentially a blues jam.  Kotzen’s deep bends are appropriate, but before too long he’s harmonizing with himself on some unconventional melodies.

A smoking hot riff ignites “Acid Lips”, little lightning licks flicker in and out, but this one has a solid groove.  (It can’t be easy grooving with yourself on bass.)  “Slow Blues” contains some of Richie’s most lyrical lead work.  If you can imagine the lead guitar taking on the role of a singer, then “Slow Blues” is probably the most accessible song on the album.

The next song “High Wire” is uncatagorizable, suffice to say that like all of Electric Joy it combines quirky notes with shreddery, funk and groove.  My favourite song is “Dr. Glee”.  It sounds like it seems it should – gleeful.  I find this pleasant melody to be very summery.  Kotzen guitar has so many different sounds and shades, even just within this one song.

“Hot Rails” is another one that sounds like advertized…a train racing down the track.  Kotzen’s slide work is anything but simple.  This one’s so fast it’s hard to keep track of all the cool different guitar parts.  It almost sounds like Kotzen wrote a blues shuffle, and then decided to hit fast forward on his tape deck and learn it at that speed!

Electric Joy closes with “The Deece Song”, which thankfully is mid-tempo allowing us to catch our collective breath.  It’s another great performance, similar in style to “Dr. Glee”.  It has its sweeping Satriani moments as well.

The production on the album is very dry, which is different from what a lot of the other instrumentalists were doing at the time.  While this means it might take some more time to penetrate an album that is loaded to the brim with dense ideas already, it is a worthwhile endevour.

In a bizarre turn of events, Kotzen briefly put his solo career on hold.  He received a phone call from Bret Michaels.  The Poison frontman was looking for a replacement for the departed CC Deville.  The fact that Kotzen was from Pennsylvania, not already in a band, and wrote and sang original material caught Michaels’ eye in a magazine article.  Having a shredder, but one with some feel too, might garner Poison some respect in the tough 1990’s.

Kotzen did succeed in co-writing (and in some cases, writing entire songs himself) their most accomplished album, Native Tongue.  Of course, it did not sell.  The Poison relationship imploded because of another relationship: the one that Kotzen was secretly having with drummer Rikki Rockett’s fiance!  Kotzen eventually married her, and he was replaced in Poison by another shredder, Blues Saraceno (who was in the running with Kotzen in the first place).

As for Electric Joy?

4/5 stars

ELECTRIC JOY

Part 206: Rock Video Night!

MUCH

RECORD STORE TALES Part 206:  Rock Video Night!

Last time on Record Store Tales, we talked about Andy and Ashleigh and the discovery of great rock bands such as Rush, Max Webster, and Van Halen.  Andy was even more curious now about what great rock was out there.

Rock music is about so much more than just the songs.  There’s the concerts, the live experience.  There’s the history of the bands, the stories and the context.  And there were the music videos.  How could one possibly talk about a great band like Van Halen without mentioning groundbreaking, defining music videos that they made?  Since a picture is worth 1,000 words, I decided the best way to explain these things was to have a Rock Video Night at my place.

90% of my video collection was from the Pepsi Power Hour.  Back in the days before YouTube, a channel like MuchMusic would have an hour or two a week devoted to the heaviest videos in rock, and I tried to record the show every week.  I had amassed a large collection of VHS tapes, probably about 120 hours of music videos, interviews and concerts altogether.  That’s not including the hundred or so officially released video tapes that I bought over the years.  We had a lot to watch so I had to hone down the set list for the evening.

Since I am and always have been OCD about my music collection, I had a meticulously typed list of every track on every video that I made.  I carefully planned the evening’s entertainment.  There were some videos that I know these kids had to see.  They were all one musical generation younger than me.  They grew up on videos like “Jeremy” and “Fell on Black Days”, not “Jump” or “Go For Soda”.  I had to make them understand my time, when it was OK to have sword fights and dwarves and laser guns in your videos.

Ash and Andy arrived along with my other employees Braddy D and Chris P.  The set of videos that I chose to share with them that evening included:

SAVATAGE – “Hall of the Mountain King”.  Summary:  Dwarf seeks Mountain King’s gold.  Must try to steal it without waking him, while band is playing in the same caverns.  Not sure why the King doesn’t hear Jon Oliva singing.  (below)

VAN HALEN – “Oh Pretty Woman”.  Summary:  Lady in distress has been kidnapped by two dwarves.  A hunchback in a treehouse (David Lee Roth) telephones a samurai (Michael Anthony), Tarzan (Alex Van Halen),  a cowboy (Eddie Van Halen), and Napoleon Bonaparte (David Lee Roth) to save her.  (below)

ARMORED SAINT – “Can U Deliver”. Summary:  Band driving a Buick with armor and an anti-aircraft cannon seek a glowy sword.  Band plays concert in front of rocker dudes and scantily clad babes while wearing leather armor.  (below)

GRIM REAPER – “Fear No Evil”.  Summary:  Band drive a DIY armored APC on a quest to free long-haired slaves from an evil half-man half-something with Wolverine claws. (below)

MIKE LADANO, BOB SCHIPPER and DAVE KIDD – “Nothing But A Good Time”.  Summary:  A highschool video I made, lip synching to “Nothing But A Good Time” by Poison.  We had our English teacher do the schtick at the beginning where he plays the prick boss who gives the kid a hard time before the song comes on.  We made it in ’89 and it was our school’s selection to send to the annual regional Film Awards!  (below)

Rock Video Night was a great success in many regards.  The kids had a great time finally seeing David Lee Roth doing the splits in “Jump”.  Ash was still not won over by the rock, but that’s OK.  What wasn’t OK is that I had really sour stomach issues that night!  I tried so hard to be a good host, and I kept excusing myself, but…they tell me the smell was wafting down from the upstairs bathroom.

So, Rock Video Night ended on a rather stinky note.

NEXT TIME ON RECORD STORE TALES…

Make ’em say uhhh!