I just felt like saying “thank you”.Β And a few other things.Β Enjoy this unofficial episode of the LeBrain Train.
I just felt like saying “thank you”.Β And a few other things.Β Enjoy this unofficial episode of the LeBrain Train.
One of the things I love most about doing these shows is how spontaneous they are. John and I came into this Paul Laine interview with pages and pages of notes and questions.Β Yet some of the best moments were spur of the moment.Β Paul Laine is a music nerd just like us!Β But not just a music nerd — he loves Star Wars and history as well as rock and roll!
Tonight we learned all about his early years at Little Mountain sound.Β The perils of the music biz.Β Joining Danger Danger.Β Touring.Β Shugaazer.Β The Defiants.Β Darkhorse.Β Who his favourite captain on Star Trek is.
We also corrected some misinformation, touched on some emotional stories, and all around had a very enlightening night.Β We had a barrel of laughs!
Paul joins the broadcast at approximately the 0:21:00 mark.Β (Prior to this, I did some music onboxings.)Β Β Paul chatted for over two hours.Β Brew a hot coffee.Β Sit, get a comfortable chair, and watch the whole thing.Β It was solid gold from start to finish.
Best show ever?Β My mom thinks so.Β Thank you Paul for being such an engaging and entertaining guest, and thank you John for making this happen!
The LeBrain Train: 2000 Words or More with Mike and John
Episode 63 β Paul Laine
John from 2loud2oldmusic is to thank for this week’s guest:Β the hugely talented Paul Laine!Β He became a solo star here in Canada back in 1990, but has since worked with Danger Danger, the Defiants, Shugaazer and Darkhorse.Β He’s also sung backing vocals on all kinds of records.Β Maybe he’s even on that Scorpions CD in your collection.Β Stick It In Your Ear, and don’t miss this show!
Friday May 7, 7:00 PM E.S.T.Β onΒ Facebook:Β MikeLeBrainΒ andΒ YouTube:Β Mike LeBrain.
A pretty messed up prequel to #631: The Locker Door
RECORD STORE TALES #902: The Print Shop The Adventures of “B” Man
In the mid 1980s through to the 90s, my dad had an old client named Skully.Β He was a computer guy.Β Every so often, he would gave my dad a list of games and programs he could copy for us.Β If we sent him a pack of floppy discs with a checked-off list, in a few weeks heβd come back to us with all the games we wanted.Β Classic Concentration, Alleycat, Kingβs Quest, Into the Eagleβs Nest, Digger, and so many more games with names long forgotten.Β All on 5Β 1β4” floppy discs — double sided, double density.
One of the programs we checked off from Skullyβs list was a program called The Print Shop.Β And strangely enough, it was Print Shop that had a personal impact bigger than any of the games.Β In fact it was one of the most widely pirated Commodore 64 programs of 1985, although we had the IBM PC version.
We mostly used it to make birthday and Christmas cards.Β It was great for that, all pre-formatted and everything.Β You could use pictures from its own library.Β Stuff like birthday cakes, turkeys, Easter bunnies, and so on.Β Or, you could painstakingly make your own graphics, block by block.Β In fact we used Print Shop all through the mid to late 80s.Β It had a poster feature and a banner printer.Β We used that to print a βDEMOLITIONβ banner when we went to see WWF wrestling at the Aud.

My sister, Bob Schipper and myself learned how to use The Print Shop to make blocky pictures.Β The first experiments involved modifying pre-existing graphics. That was a good way to learn. The Easter bunny fell first to our mischievous ways. Bob changed his smile to a scowl, and we changed his happy wave to a middle finger! Of course we did. I was 12 and he was 14.
The next thing I obviously had to do was figure out the
Β logo.
With some trial and error, I drew a pretty good recreation of the legendary Kiss double lightning bolt.Β I proudly printed it out in poster mode. But what else should be on the poster? I was fascinated with the Kiss discography and had memorized every album and year. So I painstakingly typed out each line of text to go beneath the logo. KISS (1974) HOTTER THAN HELL (1974) DRESSED TO KILL (1975)… all the way to ASYLUM (1985).
I taped that “poster” to my wall. I was so proud of it!
Wanna know something funny? In 1987, I updated it. CRAZY NIGHTS (1987) had to be added! It took some work trying to make everything fit. I knew if Kiss continued to release new albums, I wouldn’t be able to make space forever! SMASHES, THRASHES & HITS (1988) was the last album I could squeeze onto to my humble Kiss poster before I gave up. I didn’t have a lot of things to put up on my walls, and I didn’t like to cut up my rock magazines. A printout from The Print Shop just had to do!
When the time came to start highschool in the fall of ’86, Bob helped me prepare some locker artwork. I had a Gene Simmons poster — the one of Gene from the Asylum era with his tongue stuck in the bass strings. We also thought the Easter bunny giving the finger would be a cool addition to the locker, as long as the teachers didn’t make me take it down! But what should it say? Bob and I discussed numerous sayings, shooting them down one after the other. Somehow, he came up with “The End Of Rock Is The End Of Life!” and I went with it.Β “OK!”Β Up it went in my very first locker. That way the girls will know I’m serious about the music. I’m in it for the music; it says so right on the poster with the Easter bunny giving the finger!
I know what you’re thinking at this point.
“What a loser!” you say. “But what the hell is ‘B Man’ and what are his adventures?”
This is really embarrassing. But what the hell.
That autumn (’86) I remember one of us somehow caught a bee, and pulled off its head. OK, I said it. I don’t know who it was. But we thought it was pretty cool, and Bob had an idea. He drew a little muscle-y body, and we taped the bee’s head to the paper right over it. “I AM ‘B’ MAN!” wrote Bob in a word bubble.
And once again, I thought it was a good idea to tape it in my locker. Now, I cannot remember if Bob was onside with me on this. He didn’t need “‘B’ Man” in his locker. He already had awesome posters. But I thought, hey. It’s all about getting the attention of the girls, and they’ll love that I removed the head from a bee and taped it to a poster with a drawing of a little muscle body on it. They’ll think A) that I’m good at drawing and B) I’ll protect them from bees. I showed the bees who the boss really was. Me! I was the bee boss.
It comes as no shock that none of my posters did anything to attract girls. A pair of them gave my “The End Of Rock Is The End Of Life!” the old side-eye. I think “‘B’ Man” was too small for them to be disgusted by him. My cluelessness was rivalled only by my awkwardness. I had completely misjudged the female gender. My colossally bad assumption, that because I thought something was cool they would too, was profoundly and predictably incorrect.
And so that’s the irony of the title. There were no adventures of “‘B’ Man”. He wasn’t even shot down in flames. He was a total dud and came down with no fanfare.
Now, to anyone who’s sitting there going “what a psycho! Eww!” We were kids. It was 1986. Virtually every neighbourhood had a group of kids participating in a good ol’ bug burning. It happened. It was for science n’ stuff. We all turned out pretty good.
And so, a seemingly innocent story that began with kids nerding out with primitive printing software, ends with insect mutilation. Bees, no less, the guardians of plant life on this Earth. I guess metal really does pervert the hearts of the young.
JULY TALK – Pray For It (2020 Sleepless Records)
You can’t put July Talk in a box.Β As soon as you do, they’ve climbed out the top and are exploring the ground around them.Β “I wanna be transformed,” sings Pete Dreimanis and Leah Fay on the first track.Β And their wish is made true by their efforts.Β The melodic pleasures of 80s pop rock hits shines through on Pray For It.Β Less screaming, more whispering.Β No fear to just let the melody breathe.
The pulse of synth on “Identical Love” creates a dusky atmosphere, punctuated by quiet sax.Β Only the vocals of Peter and Leah easily identify it as July Talk.Β A quiet and melodic hit, “Identical Love” pulls at the heart while setting a mood.Β Following the 80s template, “Good Enough” has an upbeat summery vibe, sounding like a sibling to hits you remember from youth.
The first emphasis on guitar comes with a cool, spare riff on “Life of the Party”, but the direction remains the same:Β a synth backbone, with a quiet understated arrangement. Leah Fay’s vocal is the melodic anchor of this excellent slow burning track with bonus riff.Β Β Peter takes center stage on “Pretender”, showcasing his rougher lower voice.Β This time the arrangement is traditional rock band stuff with guitars, bass and drums jamming as they do.Β Then it’s back to a more electronic atmospheric style on “Pay For It”, augmented by piano and breezy, humming sounds.
Unexpectedly “Pay For It” perfectly sets up the soul singin’ of “Champagne”.Β Guest vocalists James Baley and Kyla Charter deliver on this one, with an undeniable hook and legitimate soul.Β The massive melodic majesty of “Champagne” makes it a clear album centerpiece (and it just so happens to occupy the center slot in the track listing).
A light, quirky “Friend of Mine” sounds like something that originated in the 1960s if not for the reference to “my mother in the next room, gambling on computer screens”.Β But this gentle duet lies in the shadow of the smashing “The News”:Β pure pop rock perfection sung solely by Leah Fay, with timely lyrics.Β “Gimme context, without context everything is true,” sings Leah.Β It’s truly a remarkable song.Β The crashing guitars and chiming chords that July Talk have kept in reserve until now are well served by a perfect song.Β Vocals, lyrics, melody, and arrangement come together in a flawless 3:39.Β Listen carefully to the voices in the noise, meticulously mixed in as part of the pleasure.
Headlining the closing three songs, “Governess Shadow” is one of the singles, and has an upbeat Bosstones-like vibe only without the horns.Β “See You Thru” has a haunting quality, like closing time at the bar, while somebody’s mopping the floor and putting the chairs up on the tables.Β Then the album closes on the digital heartbeat of “Still Sacred”, almost a coda to the whole thing.
There’s a sense of painstaking assembly to the songs on Pray For It.Β The impression is that a lot of time and inner soul went into the arrangements.Β Each song sounds like it was meticulous assembled.Β Maybe that’s a bi-product of a band with two vocalists singing lead simultaneously; maybe the music has to be arranged meticulously.Β July Talk are hands-on when it comes to details like their artwork, music videos and performances.Β It makes sense the same attention to detail would be in the bones of their songs as well.
4.5/5 stars
Distilling some stories from the 5150 live stream.
RECORD STORE TALES #901: 5150 Time Again?
Van Halen’s 5150 was their first #1.Β It was their first with Sammy Hagar and their first truly divisive album.Β As a young kid on a weekly allowance, I had to pick and choose what to buy.Β Van Halen’s marketing campaign involved making no new music videos for 5150, only releasing live clips.Β Since music videos were 99% of my new music exposure, 5150 didn’t make it high on my priority lists.Β Van Halen didn’t want to compete with David Lee Roth, seen as the master of the music video.Β Unfortunately this meant kids like me only had live versions to preview.
In particular, the live video for “Why Can’t This Be Love” turned off many of the kids in the neighbourhood.Β Scott Peddle remembers not buying the album specifically because of that video.Β It was a combination of Sammy’s new haircut and the off-key scatting.Β This is all we had to judge the new album by!Β I didn’t have any friends who owned 5150.
I ended up getting a second hand cassette off a kid in school named Todd Burnside.Β I was sorely disappointed that after paying him five bucks; the front cover to the tape was all ripped.Β I had to put it back together with Scotch tape.Β I couldn’t figure out why he didn’t bother taking care of his tape.Β Then again, Burnside’s nickname in school was “Burnout”.Β At least it played well.
Maybe two years after 5150 came out, there were rumblings about Van Halen working on new music.Β In the 80s, there was no internet but there was a rumour mill.Β You’d read something in a magazine, or hear it on the TV.Β For example, there were almost always rumours that Van Halen were on the verge of splitting.Β This happened in 1987 when Sammy Hagar released his self-titled solo album (even though said solo album was made with Edward Van Halen himself).Β At the same time, there were rumours that they were also working on a brand new Van Halen album.
It wasn’t inconceivable, with our naive little insular world view, that the forthcoming new Van Halen album could leak, and someone could get a hand on a tape.Β It seemed possible.Β Kids in my neighbourhood had all kinds of rare music on tape that we couldn’t trace back to a source.Β Live tracks by Iron Maiden, or even the legendary “Rodeo Song”.Β Β It was taped from one kid to another to another until you didn’t know what generation you had.Β This story is about the time I thought the girl I liked got her pretty little hands on the new Van Halen.
The story goes like this.Β Her boyfriend taped her a Van Halen cassette, with no titles written down.Β Huge pet peave, right?Β Such bad habits lead to misunderstandings like this story.Β I was friends with her younger brother, and one day I was talking to her on the phone and she mentioned her favourite song by Van Halen.Β “I love ‘Contact’,” she said.Β “It’s on this tape my boyfriend made.”
“Contact”?Β I never heard of that song.Β I knew my Van Halen song titles and “Contact” was not one of them.Β Not realizing that she had to be making up the title herself because no songs were written down, I concluded she might have her hands on a pirated tape of the new Van Halen.Β I wanted to hear it next time I came over.
I told my friends about this possible lead into the next Van Halen album and promised to report back.
I went to visit one afternoon.Β They had a pool.Β But I wanted to get down to business first.Β I brought a blank 60 minute tape with me in case I needed to dub what I was about to hear.Β Let’s see this Van Halen tape!
She brought out the tape and I noticed there was nothing written on the cover, so there was absolutely no information available about any of the songs.Β But I didn’t need information as soon as she hit “play”.
The familiar cascading keyboard melody echoed from the tinny speakers of her ghetto blaster.Β What the hell?!Β This song wasn’t called “Contact”!Β It was called “Love Walks In”!Β How could she not know that?
My disappointment was only assuaged by a dip in the pool, with extra splashing.Β I came home empty handed.Β No Van Halen, and worse than that…the girl I liked didn’t even know the proper name of “Love Walks In”!Β How the hell?
My crush on her dissipated shortly thereafter and I moved on to other interests.Β She wasn’t a real Van Halen fan after all.
The LeBrain Train: 2000 Words or More with Mike and John
Episode 63 β Paul Laine
JOHN –Β We are joined this week by the multi-talented singer, songwriter, musician, composer, engineer, producer and all great guy, Paul Laine. We will cover his career from his 1990 solo album debut Stick It In Your Ear to his time as lead singer of Danger Danger in the 90βs, all the way up to his current band The Defiants, who just confirmed a third album is coming. We will find out about his time with Bruce Fairbairn at Little Mountain Sound Studios, his other bands Shugaazer and Darkhorse and everything in between. Come join the fun.β¦
MIKE – Paul Laine is a remarkable talent.Β At age 16 he was playing clubs.Β Knowing he needed money to record a good-sounding demo, he started and sold a management company, raising the needed $50,000.Β The tape went from MuchMusic’s Terry David Mulligan to uber-manager Bruce Allen.Β By age 22, he had Stick It In Your Ear produced by Bruce Fairbairn under his belt!Β As John says, he made the leap from solo artist to band member in 1993 when Danger Danger needed a new singer.Β We will be covering it all this Friday night on the LeBrain Train.
Friday May 7, 7:00 PM E.S.T.Β onΒ Facebook:Β MikeLeBrainΒ andΒ YouTube:Β Mike LeBrain.
From his excellent solo debut Stick It In Your Ear, here is next week’s guest on the LeBrain Train: PAUL LAINE!Β Thank John Snow for booking this guest as he co-hosts next week.
Not only does he still have an incredible voice still today, but he has a knack for melodic songwriting.Β But not pedestrian songwriting.Β His songs tend to have more complexity and attention to detail than most hard rock.Β Give his first big hit “Dorianna” from 1990 a listen!
The LeBrain Train: 2000 Words or More with Mike Ladano
Episode 62.5 β Unboxing Halford & Testing the Laptop
Went live this afternoon to test out my new laptop. I also tried out a new two-camera setup that worked really well. Introducing: ToyCam!*
We took a close look at the new Rob Halford (Judas Priest, obviously) ReAction figure by Super7.Β It’s a sweet figure complete with microphone, whip, and chains!Β I also opened up a Twilight Zone Eddie (Iron Maiden), which is a clear figure.Β I’ve always had a thing for clear action figures.Β And he looked sweet.Β And finally, I opened a large size Transformers Devastator which is double the height of the regular ReAction line.
These ReAction figures are inspired by the original 1977-1984 Kenner Star Wars figures.Β Similar scale, similar modelling, and completely backwards compatible.Β I can have Darth Vader vs. Jean-Luc Picard vs. Rob Halford vs. Papa Emeritus III vs. Alien vs. Andre the Giant in a battle royale if I so choose.**
Enjoy this impromptu but very successful Saturday stream.
* I have summer plans for this dual-camera setup.Β With the new laptop and new cottagewifi ready to go this summer, picture this:Β SunsetCam.Β As we interview the stars, or run down a Nigel Tufnel Top Ten, I can have a dedicated camera just showing the changing landscape as the sun goes down.Β It’s going to be awesome.
** Super7 have licenses for so many properties, it’s insane.Β In music alone, they have ReAction figures for Lemmy (Motorhead), Slayer, the Misfits, Rancid, Ol’ Dirty Bastard, Ghost, King Diamond, Venom, and Anthrax, with many variations thereof.Β And that’s just the music.
Hold onto your seats, folks, because T-Bone will blow you away with his 5150 knowledge and insight. In fact, all six panel members tonight brought it!
While it wasn’t fun being the lone dissenting voice when you’re up against heavyweights like Kevin and Meat, this was one of the best discussions on 5150 that you are likely to hear. And you need a dissenting voice, right?Β I was happy to play the role of punching bag too!
The Van Halen talk begins at exactly 0:48:00 and runs through to the end.Β Before that we unboxed some action figures, talked about the new Coney Hatch live album, and a little bit of current events.Β Watch right from the start to catch all that.Β We also played three music videos:Β “Donna (Do Ya Wanna)” by Deadline, “Open Door Piss” by T-Bone, and “Victim of Changes” (Priest cover) by Clockwork Orange.
Enjoy!
May 7:Β Β Paul LaineΒ from Danger Danger and the Defiants with co-host John Snow.
May 14:Β List show by Uncle Meatβs suggestion βΒ Best Cover Tunes β with panel TBA.
May 21: Β Sean KellyΒ (Coney Hatch, Crash Kelly, Helix, Lee Aaron, Trapper, Nelly Furtado) joins us with co-host Deke!
May 28:Β Β Dave LizmiΒ of the Four Fuckinβ Horsemen!Β Co-host will be T-Rev.
June 4:Β One year anniversary ofΒ Harrisonβs first appearance.Β We re-hash theΒ Top 11 Priest AlbumsΒ and will have Geoff Stephen to graph it!Β Co-host is TBA.
June 18:Β Β Robert Lawson, author ofΒ Still Competition: The Listenerβs Guide to Cheap Trick.Β Hosted by Superdekes.
All aboard!