I don’t know what kind of workplace books Max the Axe and Nancy Vicious and the Nasty Bitches for their office Christmas party!?Β The kind I want to work at, obviously.Β Here’s Max’s lead singer Uncle Meat with the lowdown.
I don’t know what kind of workplace books Max the Axe and Nancy Vicious and the Nasty Bitches for their office Christmas party!?Β The kind I want to work at, obviously.Β Here’s Max’s lead singer Uncle Meat with the lowdown.
GETTING MORE TALE #804:Β Freestylin’
I thought I’d try something different, and just sit down at the keyboard and write.Β I have a warm coffee next to me (I drink large regular now) and some music in my speakers.Β I’m listening to a Japanese import of Quiet Riot’s new album Hollywood Cowboys.Β Just listening; not reviewing.Β You have to spend time just listening.
I do most of my listening at my keyboard these days.Β My main room music setup is seldom used anymore.Β Only when I’m spinning something in 5.1 surround do I usually roll out the big guns.Β Otherwise I’m content to just listen at my desk or on a pair of headphones.Β It’s a nice comfortable spot for me, right by a window.Β Outside the ground is dusted in a shallow layer of white.Β It is December 20th, 2019.
I dared go to the mall today.Β Long story short, a bunch of stuff I ordered for Jen for Christmas got cancelled (out of stock).Β Not having much choice this late in the game, I went to the mall where I accomplished my mission.Β It wasn’t what I’d call “fun” but it was also pretty painless.Β I stopped at Sunrise records where I inquired about The Rise of Skywalker soundtrack.Β I would have taken CD or vinyl, but their stock had not yet arrived.
I do know this.Β A “deluxe edition” of the soundtrack is coming in March.Β Then, later in 2020, a 27 Blu-ray (!) Skywalker Saga boxed set.Β I don’t know how far that will put me back, and I actually don’t care!Β I’ve been enjoying speculating what could be in that box.Β The press release specified it was being billed as a complete Skywalker Saga.Β That’s 9 films.Β Let’s guesstimate that each movie will be a 2-disc set.Β That’s 22 discs, plus 5 extra Blu-rays?Β That’s one possibility.Β With George Lucas out of the picture, we could be getting an “original” original trilogy and a Holiday Special.Β Sky’s the limit, so let’s make some wishes.
This Quiet Riot album is decent.Β I liked Jamed Durbin with that band.Β You simply cannot hear that Frankie Banali was ill.Β I hope Frankie fights a hard battle against that bitch named cancer, and many more albums are still to come.Β You can do this, Frankie.Β The Japanese bonus track this time out is an acoustic version of the bluesy “Roll On”.
I’ve been listening to a lot of Ozzy Osbourne over the last few weeks.Β You’ll see some of that in future content I’ve written.Β I played a few of his more recent albums, Scream and Black Rain in addition to all the classics.Β Those two are not bad.Β They hold up better than I thought they would.Β It’s refreshing when you get to Scream, with Gus G on guitar.Β Too much Zakk Wylde can lead to ear fatigue.Β The Randy Rhoads era stands out absolutely as the pinnacle.Β The way he wrote and played guitar is unlike anyone else, and there just isn’t enough Randy music in the world.
In case you’re curious, there’s one Ozzy album I never bought, and that’s Down to Earth (2001).Β I’ve heard it and I’m just not interested.Β Too many outside writers and too much influence from the producer, would be my nutshell review.Β I have no plans to add it to my collection, though I did buy the CD singles.Β I like having B-sides.
I think I’ve rambled long enough.Β Christmas is coming and I still have one special post to go, as a gift to a reader.Β Thanks for hanging in — and stay tuned for the annual year-end lists!
And may the Force be with you, always.
STAR WARS:Β THE RISE OF SKYWALKER (2019)
Directed by JJ Abrams
The greatest saga of a lifetime; the story that began in 1977 when I was 4 years old has finally come to its end.Β And what a satisfying end it is.
JJ Abrams had an unenviable task: fix the mess that Rian Johnson created with 2017’s Episode VIII: The Last Jedi.Β Instead of winding towards a logical conclusion, the Johnson film steered the story into strange new directions poorly suited to the second-last film in a nine movie saga.Β The death of Carrie Fisher the same year threw a giant wrench into the whole thing.Β How was JJ to wind up a massive story like this, finishing not only his trilogy but the other two as well?
I’m not going to tell you, except that he managed to do it.Β It’s not perfect, but no Star Wars movie has been perfect since 1980.Β Episode IX: The Rise of Skywalker is the best movie of this final trilogy, and is certainly better than 66% of the prequels.Β He managed to pick up the ball that Johnson shat out, weave it tighter, and make lemonade from lemons.
The Carrie Fisher scenes are somewhat difficult to watch.Β You know the actors are not reacting to her, but performing to pre-recorded scenes.Β Her dialogue is necessarily vague and cloudy.Β It’s unfortunate because Episode IX was supposed to be her film.Β Nothing can be done about that.Β But wisely, JJ recruited Billy Dee Williams back into the fold as the debonair rogue, Lando Calrissian.Β Lando’s role is larger than expected which will please many fans.Β The film is also bolstered by cameos from just about every living Star Wars actor (no, not Jake Lloyd) in ways that brought nothing but smiles.Β Look for Hobbits and late-night talk show hosts too.
The villain this time, as you know from the trailers, is Ian McDiarmid’s Emperor Palpatine.Β How did he survive the events of Episode VI: Return of the Jedi?Β It only takes one line of dialogue to sell it.
With the stakes higher than ever before, the Sith and the Jedi meet one last time.Β If you’re looking for an inkling of the plot, read the old Dark Horse comic series Dark Empire.Β Not only did that series feature a resurrected Palpatine, but also Luke Skywalker doing Force projections.Β It’s highly likely that JJ Abrams took inspiration from Dark Empire, though The Rise of Skywalker is far superior to that old book.
Suffice to say, our heroes once again must face incredible odds with little on their side except friendship and heart.Β The movie stumbles after we are told repeatedly that they must succeed, or all of this – everything – has been for nothing.Β Then they go on a silly rescue, instead of completing their mission.Β There are also, perhaps, too many meetings between Kylo Ren (Adam Driver) and Rey (Daisy Ridley) which blunts their overall effect.Β At least the heroes, Rey, Finn (John Boyega) and Poe (Oscar Isaac) bond like the classic trio.Β You’re aware that you are watching a knockoff Luke-Leia-Han trio, but don’t forget, that’s the kind of stuff fans used to say they wanted.Β “No more wooden crap like the prequels,” they moaned.Β Now they moan when it’s what they said they wanted before.Β Sceptics will not be won over by The Rise of Skywalker.
Another possible weakness that fans might resist is a tenuous connection to the Disney+ TV series The Mandalorian.Β Rey and Kylo Ren can do something that a Mandalorian character can do.Β Some will accept it as fitting in with classic Star Wars lore.Β Others will baulk and call it “Disney ruining Star Wars again.”
The cutesy stuff is kept to a minimum (though there is a new droid called D-O introduced for no reason) and emotions run high.Β Nostalgia is heavy.Β Action is fast, though JJ unwisely resorted to slow motion techniques again, which breaks visual style from the six Lucas-guided movies.Β He would have insisted on the movies being consistent.Β Lens flare, though, is gladly reduced.
Hindsight is always 20/20, and The Rise of Skywalker must stand up to repeated viewings and further analysis.Β It does drag at various times in the middle, but when it drops bombs, it goes nuclear.Β Special mention to Keri Russell for a fine performance as spice runner Zorri Bliss, and again to Billy Dee Williams.Β He never abandoned Star Wars, you know.Β He returned in the animated series Star Wars: Rebels as suave as ever.Β And of course, John Williams.Β His score contained some really cool motifs, like a re-imagined Emperor’s theme that fit like a glove.
The Rise of Skywalker is probably the best ending to a saga we could have expected (and certainly better than what Lucas had planned).Β If you want to live your life as a person who only has six Star Wars movies in their head-canon, that is absolutely fine.Β (I know people who to this day consider Star Wars to be three movies.)Β It can easily be argued that this entire trilogy was just tacked on.Β But JJ did his best for it not to feel that way; for it to appear like this was always the ending.Β Did he succeed?Β That’s up to you.
4/5 stars
A sequel to Get a Haircut and Get a Real Job
GETTING MORE TALE #803: The Grocery Gang
I started working at the grocery store in fall 1989.Β While it was nice finally having a real job, it was immediately disruptive to my life.Β I worked every Thursday, which meant that I was missing at least one Pepsi Power Hour every week.Β If I pulled a Tuesday shift too, no Power Hours at all!Β I had barely missed an episode in four years.Β Now I was missing more than half of them.
That was a monumental shift.Β I prided myself in keeping my fingers on the pulse of hard rock and heavy metal.Β Keeping up with school work wasn’t hard.Β Keeping up with music was!Β I felt so out of touch with whatever the latest singles and new releases were.Β The Power Hour was my main metal lifeline!
When a door closes, another opens.
I might have been missing the Power Hours* but like a see-saw, music swung back into balance.Β Every work place introduces you to new people and new music.Β The grocery store was like that as well, but those guys liked heavier music than I had been listening to at home.Β Specifically I remember Metallica, Black Sabbath and Led Zeppelin.Β Those guys were not interested in Bon Jovi or Motley Crue, two groups I was really hot for in 1989.
There were three places I could be assigned to work at the grocery store:Β Packing, parcel pickup, or cart collection.Β That was the order of prestige involved.Β Cart collection was considered the best assignment because you’d be out in the parking lot with a buddy collecting carts with no supervision.Β It was a big parking lot so you could get lost and buy a soda at the convenience store for a minute or two on a regular day.Β Parcel pickup was also cool because they had a tape deck down there you could listen to.Β It was on that tape deck I heard a lot of my early Sabbath, Zeppelin and Metallica.Β I wasn’t sure about Zeppelin yet.Β They were telling me about this song “Moby Dick” that was a 10 minute long drum solo.**Β And those guys didn’t care about Peter Criss’ drum work on “100,000” years.
I started absorbing the music.Β There was one guy a few years older than me, Scott Gunning.Β I went to school with his brother Todd.Β I credit Scott for getting me into early Sabbath.Β All I had was Born Again and Paranoid.Β I’d never heard “Sweet Leaf”, “Black Sabbath”, “The Wizard”, “Supernaut”, “Changes” or anything else.Β I decided to buy We Sold Our Soul for Rock ‘N’ Roll and it quickly because a favourite.Β Β Bob Schipper also worked at the grocery store, in the bakery.Β He was already over early Sabbath and seemed bemused that I had bought it.Β He much preferred solo Ozzy.Β But I was really into the Sabbath, much more than I expected.Β “Sweet Leaf” took over during the spring of 1990.
As discussed in Getting More Tale #709: The Stuff, I had no idea what “Sweet Leaf” was actually about.Β I also don’t know if Scott Gunning though I’d gone drug mad, so much did I love “Sweet Leaf”.Β But there I was in the parking lot, collecting carts, and singing “I love you, sweet leaf”.
Packing groceries indoors was the usual job, however.Β It was a rare treat to be on carts.Β Indoors, all the packers raced to pack for the young cute cashiers.Β There were only a couple of them.Β Kathleen Fitzpatrick, with her jet black hair, was the newest and most popular.Β She was really nice.Β She’d drive me home in the winter so I didn’t have to walk.Β But other guys with more seniority would make me go pack somewhere else with the older ladies.
In fact, one guy had only about six months seniority on me, but he sure used it.Β He kicked me off Kathleen’s lane more than once!Β The funny thing about this guy is that his older brother would later be the owner at the Record Store.Β I would regale the Big Boss Man of the times his brother kicked me off any cute girl’s lane.
Since the grocery store was located in the local mall (the same one the Record Store would later occupy) I could go music shopping at the Zellers before my shift.Β It was there I bought the compilation Stairway to Heaven/Highway to Hell, loaded to the gills with metal rarities like Ozzy doing “Purple Haze”, the only studio recording of that lineup with Geezer Butler on bass.Β I still have that.Β I also still have my copy of Back for the Attack by Dokken, that I paid a co-worker $10 for, because he was tired of it.
I left that job in the summer of 1990 with lots of cash and new music in my back pocket.Β I was off to new adventures including a week in Alberta that also featured a ton of new music.Β The grocery store was good to me but I never went back.Β I wanted to focus on getting into the school I liked most (which I did) but I also got my Pepsi Power Hour back for another year.Β (It was replaced by the inferior Power 30 in ’91.)Β Β Still I met some great friends there like Scott, and, oh I almost forgot, bought my first Flying V guitar from a guy that worked in the bakery too!Β I can’t deny that the grocery store had an unexpected but indelible effect on my musical history.
* No, I didn’t set my VCR to record the shows.Β When I usually taped the Power Hour, I sat there with my finger on the record button, ready to grab every video I wanted.Β I didn’t record entire shows.Β I didn’t have a way of transferring one tape to another.Β I preferred missing the show entirely, to recording it and not being able to keep the videos I wanted for my collection.Β I’ve always been picky that way.Β The result is the VHS Archives that you enjoyed in 2019.Β Β
** Live version.
WE WISH YOU A METAL XMAS AND A HEADBANGING NEW YEAR (2008 Armoury)
Yep, It’s another Bob Kulick album with various guests.Β You know what you’re going to get.Β Let’s not dilly-dally; let’s crack open the cranberry sauce and see what a Metal Xmas sounds like.
Generic!Β A truly ordinary title track features the amazing Jeff Scott Soto on lead vocals, but it’s a purely cookie-cutter arrangement with all the cheesy adornments you expect.Β Ray Luzier fans will enjoy the busy drums, but this does not bode well for the album.
Fortunately it’s Lemmy to the rescue, with “Run Rudolph Run”, an utterly classic performance with Billy Gibbons and Dave Grohl.Β All spit n’ vinegar with no apologies and nary a mistletoe in sight.Β I remember playing this for my sister Dr. Kathryn Ladano in the car one Christmas.
When Lemmy opened his yap, she proclaimed “This is bullshit!Β How come they get to make albums and not me?”
Lemmy Kilmister, pissing people off since day one, has done it again.Β You can buy the CD for “Run Rudolph Run” even if the rest is utter shit.
A silly “Santa Claus is Coming to Town” by Alice Cooper echoes “The Black Widow”, but novelty value aside, is not very good.Β A joke song can only take you so far, and Alice is usually far more clever.Β (At least John 5’s soloing is quite delicious.)Β And even though Dio is next, “God Rest Ye Merry Gentlemen” comes across as a joke, too.Β Which is a shame because the lineup is a Dio/Sabbath hybrid:Β Tony Iommi, Rudy Sarzo, and Simon Wright.Β Dio’s joyless, dead serious interpretation is amusing only because of its unintentional dry humour.
Funny enough, Geoff Tate’s “Silver Bells” has the right attitude.Β Even though Geoff is perpetually flat, his spirited version (with Carlos Cavazo, James Lomenzo and Ray Luzier) kicks up some snow.Β That makes me happy, but it pains me to say that Dug Pinnick’s “Little Drummer Boy” (with George Lynch, Billy Sheehan and Simon Phillips) doesn’t jingle.Β Ripper Owens, Steve More & pals team up next on “Santa Claus is Back in Town”, so bad that it borders on parody.
The most bizarre track is Chuck Billy’s “Silent Night”, with thrash buddies like Scott Ian.Β Chuck performs it in his death metal growl, and it’s pure comedy.Β Oni Logan can’t follow that with “Deck the Halls”, though it’s pretty inoffensive.Β Stephen Pearcy’s “Grandma Got Run Over By a Reindeer” adapts the riff from “Tie Your Mother Down” and succeeds in creating a listenable track.Β “Rockin’ Around the Xmas Tree” is ably performed by Joe Lynn Turner, sounding a lot like a Christmas party jam.
The final artist is Tommy Shaw with John Lennon’s “Happy Xmas (War is Over)”.Β It’s an authentic version and while not a replacement for the original, will be enjoyable to Styx fans.
Christmas albums by rock artists are, let’s be honest, rarely worthwhile.Β This one has only a handful of keepers so spend wisely.
2/5 stars
A sequel to #488:Β Almost Cut My Hair
GETTING MORE TALE #802: Get a Haircut and Get a Real Job
βNo razor has ever been used on my head, because I have been a Nazirite dedicated to God from my motherβs womb. If my head were shaved, my strength would leave me, and I would become as weak as any other man.β – Samson, Judges 16:17
The Biblical Samson drew his great strength from his hair.Β He foolishly shared his secret with Delilah, who had his locks cut in his sleep.Β True to his confession, Samsonβs supernatural strength was gone.
As a young rock fan, I once identified a lot with Samson.
As soon as I discovered rock and roll, I wanted long hair.Β Guys seemed to have so few options to stand out in a crowd.Β Looking at the gymnasium during class, it looked like groups of clones.*Β Different body types, different heights, but all the same.Β No individuality.Β I didnβt want to look like that.Β Like them.Β Like people I shared nothing else with.Β I wanted to look like me.
I admired the long hairs that adorned my rock wall of fame.Β I thought Adrian Smith from Iron Maiden, the blonde straight mullet style, looked best.Β I didnβt like Bruce Dickinsonβs fringe, and Steve Harrisβ curls would never come naturally to me.Β That was the thing.Β I wanted something that looked natural, not hair that seemed supported by an invisible superstructure like Bon Joviβs.Β Nothing flammable due to excessive use of chemical fixatives.Β It had to look effortless β like you woke up that way.
I didnβt want my allegiances to be misidentified.Β I wanted it to be obvious:Β rock and roll, and only rock and roll.Β I didnβt want to walk down the hallway, mistaken for somebody who listened to Duran Duran.Β And so, starting in grade nine, I really tried to grow out my hair.
The major issue was, of course, parental guidance.Β Dad didnβt like my βlongβ hair.Β It never got that long; a couple inches tops.Β Then he would order it to be chopped.Β Bob and I sometimes went to the barber together, and we would always request to βleave the back longβ.Β Β Theyβd explain they had to trim the dead ends, and so what we were left with rarely looked βlongβ.Β It did look very, very 80s.
Dad just didnβt understand.Β This wasnβt about looking neat and clean and tidy.Β It was about looking different from all the clones.Β There were very few long-hairs at our school, and once they had some length going, each guy looked different and unique to me.Β Thatβs what I wanted.Β Nothing that said βconformityβ, but maybe something that said βDef Leppardβ.Β Who, by the way, had not become the biggest band in the world yet.
The cycle went on for the first three years of highschool.Β Grow it, cut it, βleave the back longβ.Β Eventually I developed a nice mullet that I considered a good start.Β This came to an end in late 1989.
It felt like the end of the world.
In October of β89, my dad insisted it was time to get a job.Β He knew the manager at the local grocery store and put in a word.Β An interview was set up.Β I dutifully went to the mall and checked in at the barber shop.Β βCut it all off,β I said despondently.Β None of this βleave the back longβ stuff.Β Not this time.
I walked out looking like everyone else, self esteem made worse by my new glasses.Β Over at the grocery store, I was expected.Β βYour hair looks fine,β said the manager.Β He had already spoken to my dad, who told him I was just getting a hair cut before the interview.
It was only about 10 minutes before I was welcomed aboard and introduced to new co-workers.Β My first day would be the coming Friday.Β But before that, I had to make it through a day at school with my new hair.
For the last couple years, I had been co-authoring a sci-fi highscool comic book called Brett-Lore.
I was quite happy with my character, the evil Darth Banger.Β Most of my classmates were being lampooned far worse than I.Β David Kidd, who was obsessed with drama class, was Emperor Kiddspeare.Β Later when we decided to go after him harder, he became the Phantom of the Opera.Β My stalker Bobby was Bobby the Hutt.Β I got off easy.Β Whatever misdeeds he was up to, Darth Banger was always rocking a guitar.Β In fact, his starship was a giant Flying V.Β He was just a stereotypical metal head, but also leader of the Evil Empire, so I went with it knowing I could have had it so much worse.
When I showed up at school with the new short hair that I was forced to adopt, Brett-Lore had to reflect it.Β I couldnβt be Darth Banger anymore.Β Because I am Italian, and because I now resembled Mussolini more than Metallica, my character was briefly reborn as Il Duce, the Guido.Β Later on, I tried letting my facial hair grow in and suddenly my new character became Beardo-Weirdo.
This was all very depressing to me.Β I didnβt care that I had a job.Β All I could think about was that I had seemingly lost the only thing that made me different.Β Now my ears stuck out.Β I looked like everyone else.Β And now even my comic book was becoming something I didnβt enjoy anymore.
The one interesting thing about work:Β for me, in my life, every job introduced me to new music.Β The guys at the grocery store liked heavier music than Motley Crue and Bon Jovi.Β They liked Sabbath, and Zeppelin.Β As soon as I was able, I added We Sold Out Soul for Rock βNβ Roll to my collection.Β “Sweet Leaf” became my new favourite although I had no idea what it was about.Β A girl named Leaf, possibly?
I worked at the grocery store for about nine months, leaving before the start of a busy summer.Β The hair started growing back as soon as I could make it.Β The Duce character never worked for Brett-Lore, and as soon as I was able, I forced Darth Banger back into the story.Β The other authors agreed but under one condition.
Everybody in the comic got teased pretty mercilessly and so I had to pay more dues before Banger was allowed to return.Β Il Duce had to be put through hell, and so I drew all sorts of embarrassing shit for him to go through, before he finally transformed back into Darth, this time with a nice single-seater Flying V spaceship to pilot himself.
As my hair grew back, I started to feel like myself again!Β I was happier.
It reached record lengths by the early 90s.Β But the landscape had changed.Β Long hair was more common, and looking unique less easy.Β One day my dad made a comment about how heβd pay me $10 per inch if I cut my hair off, so I went and did it.Β He didnβt think I would, but I did.Β Some of my biggest rocker heroes had shed their locks.Β By this time Iβd discovered something almost better than hair:Β beards.
The fact was, try as I might, I never had βgoodβ long hair.Β It always wanted to curl up; get out of control.Β Without investing in styling and products, it would never really look βgoodβ.Β And that defeated the whole βeffortlessβ idea.Β But it took grunge to get me to the point where it didnβt matter to me anymore.
Itβs funny how something as superficial as hair took up so much of my time and energy, but the fact is, these things used to matter.Β They used to matter a lot!Β Maybe not in the grand scheme of things, but when youβre in highschool, the grand scheme of things was limited to the walls of the school.Β I just wanted to walk my own path my own way.Β I think I did OK.
* Later on I wrote a tune about this subject called “Clones”, a bitter examination of all the ball-capped lookalikes in school.
When Udo left Accept, it was was hard to imagine the German metal pioneers without him.Β After a false start (including a photo session) with a singer named Rob Armitage, Accept finally settled on American David Reece.
Here Wolf and David tell MuchMusic why Reece was the guy after more than 200 applicants for the job. The album was called Eat the Heat, with lead single “Generation Clash”.Β It’s an interesting interview considering the hindsight that the lineup ultimately did not work and Accept broke up, before reuniting with Udo in 1993.
We had a urinal down at work.Β For a short time, men had to do their business exclusively in the stalls.
Overheard in the stall next to me:
βPissing in toilets is bullshit!Β This ainβt right.β
I hear ya, man.Β I hear ya!
Badlands were one of the hottest new rock acts of 1989, notable because they were bringing in this influence called “the blues” that had been absent from the scene lately.
Find out what Ozzy thought of the blues when Jake E. Lee and Ray Gillen sit down with MuchMusic at Rock N’ Roll Heaven! Raw video of their live set included.
Glad tidings and joy! It’s the final day of the least popular series in the history of this site. Yes, the daily hits took a nosedive, but we have succeeded in reviewing every single Marillion Christmas CD. You’ll find a directory below. Thanks for reading if you did! Back to our regularly scheduled program next time.
MARILLION – A Monstrously Festive(al) Christmas (2015 Racket Records)
The very last Marillion Christmas CD to date is another double live album. It’s actually a summer Festival gig (July 2015) with a shorter set, and two Christmas songs from December 2014 added at the end. Most of these tracks have appeared on other Christmas albums, all but “The Invisible Man”. It’s notable for focusing on long-bombers and only a couple of “hits”.
Not sure what’s up with the cover though, the band dressed as mad scientists, all but Pete Trewavas. It’s a suitable image I suppose, since Marillion are like the mad scientists of rock music.
17 minutes of “Gaza” opens the show, heavy as hell, one of the most intense Marillion songs of their 40 year history. It might be about the Holy land but it’s not what you’d call Christmas-y! Expect a driving ride through war-torn landscapes, with quieter respites strategically placed. Lightening the mood, “You’re Gone” kicks things up. The pop melodies and dance beats get the toes tapping.
“Oh fuck, now Pete’s gone,” says Hogarth between songs.Β Fortunately the bassist returns!Β Β “Power” from Sounds That Can’t Be Made follows, one of the better songs from the later years.Β The only anomaly on this album is “Sugar Mice”, the sole oldie in the set.Β “I prefer their old stuff”, Steve says to chuckles from the audience.Β As usual, he absolutely nails the song, a passionate poem to the down and out.Β The other Steve (Rothery’s) guitar solo is a song to itself, a beautiful complement to the perfect words.Β Β “Man of a Thousand Faces” from Marillion’s “acoustic period” (This Strange Engine) is different from the other songs, performed with extra expression.Β (“Bbbbbabble of Babylon”.)Β The crowd loves it and keep singing well after the song ends.
Nothing but long bombers for the rest of the show.Β “Neverland” (10:28), “King” (8:05), and “The Invisible Man” (15:13) represent some of the most epic Marillion music ever committed to tape.Β Heavy, heavy moods!Β Complex, driven songs, each one with mini-compositions within compositions.Β “Invisible Man” in particular is like listening to a stream of songs, and live, it breathes.
The added two Christmas songs, from Germany and France respectively, are ones that have appeared on Marillion Christmas CDs before.Β Lennon’s “Happy Xmas (War is Over)” is a go-to for this band.Β Acoustic guitars, gentle keys and jingle bells are all it takes.Β A loungey “Christmas Song” is funny for how Steve messes up the lyrics right from the start.Β So it’s not the definitive Marillion version, but it’s genuine.
That’s what makes all these live performances special.Β There’s no fixing.Β Everything is how it went down.Β There’s no point in releasing CDs of so many individual concerts if you’re going to fix them in the mix.Β Whether it’s a forgotten word or a missing bassist, it’s all in.
4.5/5 stars