REVIEW: Accept – Blood of the Nations (2010)

BLOOD OF ACCEPT_0001ACCEPT – Blood of the Nations (2010 Nuclear Blast)

I had a few Accept albums at home: Metal Heart, Balls To The Wall and Eat The Heat. I’d never bought an Accept album when it was a “new release” before, and I’d never bought anything post-reunion. I suppose I was interested in the music I was familiar with and nothing beyond that. When I heard they were reuniting with a new singer I was instantly skeptical. I was ready to bring the hate!

Some glowing reviews on the Eddie Trunk show opened my ears, and when Eddie started playing new tracks like “Beat The Bastards” and “Teutonic Terror”, I was hooked! New singer Mark Tornillo (who I’d never heard before, but have found out was critically acclaimed as the singer of TT Quick) had filled Udo’s teeny tiny little shoes and somehow made them fit, plus added his own style. Tornillo is not a screamer like Udo, but he can scream when necessary, and damn…it sounds awesome when he does!

New singer or not, the difference between a real fresh start (like Accept) and a mere tribute band with a new singer (like Quiet Riot) is new material. If the new material sucks, then there is no point.  If it stands up, then the band is vindicated.  I was glad to report that Accept’s new material was awesome. I don’t like to throw that word around lightly, because too many people overuse to pump up their favourite bands. Well, a) Accept has never been a favourite of mine, and b) this album really is awesome. Every song has life. The riffs courtesy of Wolf Hoffman are alive, powerful and catchy. Vocal melodies are traditional metal. Everything about this album is traditionally metal except the loud n’ proud, raw modern production by Andy Sneap. In short the album sounds great.

There’s also some solid groove on this album.  Take “Pandemic” for example.  It reminds me of the old Testament classic, “Electric Crown” in terms of groove and tempo.   As far as I’m concerned, Accept absolutely nail it on Blood of the Nations, from the rock solid rhythm section to the screaming leads.

I’m really glad I got this album, and this edition. The bonus track “Time Machine” is one of the stronger songs. Yet every song is equally strong, there are no weak links in this chain. It’s just a great album from start to finish and I hope everyone enjoys it as much as I do.

This album is rejuvenation.  You have to hear it to believe.  That they followed it with the equally strong Stalingrad is almost as astonishing.

5/5

Part 243: Return to Niagara Falls

Since I abandoned chronological order shortly after Part 10, everything’s been scattershot since.  This story takes place a month before the events in Part 102: Dumped in Barrie.  It features she who dumped me in Barrie, as well as friends from Part 64: Niagara Falls, and the title character from Part 155: Sarge.  Got all that?

Sweet Pepper & Sarge
Lemon Kurri & Sweet Pepper
Sarge’s boots

RECORD STORE TALES Part 243:  Return to Niagara Falls

A cold Saturday morning, JJJulie and I headed down to St. Catharines, Ontario.  The purpose of our visit was to hang out with our Record Store friends in The Legendary Klopeks, and Sarge, who had flown in from Bournemouth, England!  Sarge was an imposing figure, with steampunk top hat and platform boots.  We’d been communicating online for a while and we were all looking forward to his visit.  He ended up helping the Klopeks book some gigs overseas later.

Lemon Kurri Klopek, you may remember, co-owned one of our stores.  JJJulie and I rendezvoused with him at his store, where I spent some money.  (Astute readers will realize that for me to buy a CD from Lemon Kurri, a franchisee, was against the rules!  We had some pretty stupid rules.)

The lot of us grabbed some fancy dinner together, a motley crew of tattoos, piercings, leather, and rock and roll.  Although we spent a lot of money and were nothing but polite, our appearances were apparently too much for the upscale restaurant folk.  We were given our bills and pointedly not asked if we wanted to order from the dessert menu.

We fit in much better later on at a bar in St. Catharines, where Sarge presided regaling us with stories about Lemmy from Motorhead and others.  I normally don’t like bars, but everybody seemed to know everybody there.  Sarge then presented me a Motorhead tour shirt, a gift I still have (although packed away in a box).  We had a pretty solid time, and the place was mostly empty so my crowd phobia didn’t really kick in.

SAM_0489

The Rockmobile

The following day, Sunday, we took a trip across the border to do some shopping. We all piled into Lemon Kurri Klopek’s Rockmobile.  There was some kind of outlet mall in Niagara Falls, USA that was supposed to be pretty cool.  JJJulie wanted to buy shoes (whoop-de-do!) but I was told there were a couple good toy stores there.

At K.B. Toys I found the Star Wars Game of Life for $9.99, which I still have.  That was a score.  I kept it sealed.  At that price I should have bought a second one and sold it or given it away as a gift.  But that wasn’t the only mistake I made on that trip.  A further stop at a US record store turned up a find that I didn’t know existed.

I’m admittedly not a fan of the Alice Cooper Brutal Planet period. I am however a completist, so I was still interested when I saw a Brutally Live CD/DVD combo pack.  We had the DVD in Canada, but not the CD, and CD is still my primary format.  It was $25, and I decided to pass on it simply because I knew I wasn’t going to play it that often.

Maintaining a balance between “I won’t play it that often” and “I still want it for the collection” is tricky sometimes, and erring on the side of budget, I decided to pass on the Brutally Live set for the moment.  As soon as I got back home and checked online, I regretted that decision.  I couldn’t get it from any Canadian sellers and buying from an American one was going to cost me at least $35.  (Happy ending:  About five years down the road, it was released in Canada at a budget price!  I have it now.)

My Star Wars Game of Life was a good score.  On eBay, there’s one (not sealed like mine) going for $25.99 (buy it now).  There are none on eBay that are unopened at the time of this writing.  I think I’ll hang onto mine and wait for the release of Episode VII to sell!

$9.99 at KB Toys.
Shrink wrap, baby.
One for the house, one for the car.

REVIEW: The Jam – Greatest Hits (1991)

 

THE JAM – Greatest Hits (1991 Polydor)

I’ll admit that this is the only Jam that I own; about 10 years ago I decided that I loved this compilation enough to buy the Direction Reaction Creation box set. That box contained the entirety of their studio recordings.  Maybe it was too much Jam at once, or maybe their albums were just not as good as their singles. Whatever; I found that this Greatest Hits was enough Jam for me.  Yet I love all 19 songs.  You’d think I’d be into their albums, if I already liked 19/19 Jam songs on this CD

There’s a great variety of tunes on Greatest Hits: everything’s here from the punk rock snarl of the opener “In The City” to the mournful “That’s Entertainment” to the upbeat fun of “Beat Surrender”. In between you will find some of the catchiest bass lines ever recorded, topped by the undeniable lyrics of Paul Weller. To write this many truly great singles…well you just don’t see it that often.

The Jam rocked, The Jam were cool, from punk rock to Motown soul and funk, these guys did it all and did it well. You would be well advised to pick this up.  It’s cheap now, too.  Less than $5, used.

Songs I really, really like that you may already know:

  • “Down at the Tube Station at Midnight”
  • “The Eton Rifles”
  • “Town Called Malice”
  • “David Watts”
  • “The Bitterst Pill (I Ever Had To Swallow)”

I later bought a second Jam compilation album called Collection.  It concentrated on album tracks and deep cuts and I didn’t like it.  Normally I would advise readers to pick up original studio albums rather than compilations.  This time I feel the opposite way.  I have to rate Greatest Hits:

5/5 stars

REVIEW: AC/DC – Bonfire (5 CD box set with extras)

AC/DC – Bonfire (1997 EastWest)

Bonfire is less of an AC/DC box set, but more of a tribute to Bon Scott.  LeBrain readers know that Bon was the late great second AC/DC lead singer.  (They did one single, “Can I Get Close to You” / “Rocking in the Parlor” with original singer Dave Evans.)   In every other meaningful way, Bon Scott is the first and best lead singer. That’s not a slight against Brian Johnson because he’s proven himself and then some.  I don’t always listen to AC/DC, but when I do, I prefer Bon Scott.

Featuring four special albums spread over five CDs, Bonfire is largely live. Early versions of this box, which I am lucky enough to own, were loaded to the gills with extras. More on that later, but I highly recommend the original box set rather than the reissue that comes in a digipack book.  Still, the music is what most people will buy this for, and most of it is previously unreleased.

BONFIRE_0006Part 1 – Live at Atlantic Studios. This was an old live set once released as a promotional LP to radio stations. As much as possible was remastered from the original tapes, which were partially erased. The rest of the music was taken from an actual LP and spliced. Sounds as great as can be expected, and I love the sound of AC/DC playing away in a small venue. This disc is more proof that AC/DC could gel like no other.  This is really an outstanding disc.

BONFIRE_0008Part 2 – Let There Be Rock: The Movie. Spread out over 2 CDs, this is the complete concert. It is heavy, it is fast, and it is awesome. To hear the old band jam away on a 10 minute + version of “Rocker” is simply amazing.  It’s this kind of thing we’ll never hear again.  It’s a good thing they recorded it, and the audio on these discs is perfect.  The concert was recorded in France mere months before Bon’s death.  I would consider this set to be the definitive live AC/DC album.

BONFIRE_0010Part 3 – Volts. This was the disc I was most interested in, and it’s a little strange. It’s partly rare and demo material, with a couple album hits (“Ride On” and “It’s A Long Way”) sprinkled in. Obviously AC/DC cleared out their vaults of rare stuff with the Backtracks box last year, but this is a fun taster. I’m not sure how they arrived at this track listing, considering how much material they had to pick from, and the disc’s running time is fairly short. The end of the disc has hidden stuff, interviews with Bon himself.

As for the rarities, five are early AC/DC demos, some with alternate titles and lyrics.  Two are more tracks are live rarities. Among the demos, there are some songs here that I like better than the released versions — “Back Seat Confidential” is superior to “Beating Around ths Bush” to my ears.

BONFIRE_0012Part 4 – Back In Black. Including this disc on Bonfire, I have bought Back In Black on CD five times. (Original CD issue, first remaster, Bonfire, second remaster, dual disc.) I’m sure if you’re reading this, you own Back In Black too.  I believe this to be the same music tracks as the first Back In Black CD remaster. It comes in a little digipack, which is unique to this set, although similar to later releases. I’m not going to review Back In Black here. It’s a great album, albeit I’m bored to death with hearing most of these songs over and over today. I don’t think it’s as good as the early Bon stuff, but it was a remarkable comeback. It was included here as a tribute to Bon, as a final coda for this box set. I guess.  But seriously, what AC/DC fan was buying Bonfire that didn’t already have Back in Black?  This is completely redundant.  I think the set would have been better off if they didn’t include it.  Cheaper at least.

And, the box.  The first release of Bonfire was loaded with great fun extras. There’s a long and informative book full of photos. There’s a poster. A bottle opener/keychain thingy.  On used copies, this is almost always missing.  Most people kept the good stuff, and sold the box set assuming the kid at the CD store wouldn’t notice.  There was also a sticker, a rub-on tattoo, and a guitar pick. Be careful when buying this used and make sure all this stuff is present, particularly the ever-popular pick. If it’s not, ask the clerk for a discount.

4.5/5 stars

Part 242: The Ego Has Landed

RECORD STORE TALES Part 242: The Ego Has Landed

In the spring and summer of 1999, Robbie Williams suddenly got big in Canada.  Previously he was all but an unknown.  That is until they compiled the best songs from his first two solo albums (Life Thru A Lense and I’ve Been Expecting You) onto one CD and called it The Ego Has Landed.  This compilation went platinum in Canada, but before that I had never heard of Robbie Williams.

One of my staff guys Matty K started spinning The Ego Has Landed in-store.  It actually grew on me quite quickly.   I bought it and still own it today.  I don’t play it often, but I have three major memories of this album that still stick with me:

1.       Once I got into it, Matt and I would play this album almost every shift together.  He’d pull his sweater up over his nose and imitate the cover.  Then in horrible accent he’d recite the hidden poem at the end of the CD, “Hello Sir”.  Good times!

2.       When we first carried it, I wanted to find out who Robbie Williams was.  I knew nothing about him, except that people were asking for the CD.  I then discovered via the magical internets that he was ex-Take That.  I knew who they were, at least.  Also, Alex Dickson from Bruce Dickinson’s band was playing with him.  I had no idea!   I remember trying to tell one of my bosses these cool details, only to have them snap at me!

“Hey, did you know who this Robbie Williams is?” I asked.

“I don’t care!” they barked.  “You’re carrying it, whether you like it or not!”

“I was just going to tell you that he used to be with Take That,” I responded sheepishly.   Somebody needed to chill the fuck out.  Bad times!

3.       I’d been waiting patiently for a used copy to come in, so I could get it cheaper.  I had a big cottage weekend coming up, and my friend Shannon was coming with me.  I didn’t want to subject her to thrash metal in the car trip, and I really wanted Robbie for the journey.  The weekend was fast approaching, so I decided to spend the money on a brand new copy.  We had a great trip and a great weekend, but the following week, guess what came in used and much cheaper?  The Ego Has Landed!  Fuck me.

I was given a free copy of the followup album, Sing When You’re Winning, by Warren from Global Bass magazine.  Unfortunately, I didn’t like it nearly as much as The Ego Has Landed.  In fact I’ve never bought a Robbie album since!

WTF Search Terms: McGangBang edition

Kyle makes a McGangBang sandwich. One Junior Chicken + one McDouble and some assembly required.

WTF Search Terms XIII:  McGangBang edition

Welcome to WTF Search Terms on your Monday morning.  There seems to be a clear forerunner in search terms that lead people to mikeladano.com this time:  dirty things!

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MCGANG BANG

Part 134: Dave [Reblog]

 Because we will never forget, this is a reblog of last year’s Record Store Tales Part 134:  Dave.  Gone 4 years today.

RECORD STORE TALES PART 134:  Dave

In late 2005, I met Dave for the first time. Jen and I had just started dating, since September 18 actually, and I think I met her dad on our second date (by complete accident, we were out for a walk and as he was driving by).  He made me very welcome to their family early on.  He treated me like a son when I spent Christmas Day 2005 with them. Dave was one of the greatest people I’ve ever met, and one of the most generous.  He truly would have given the shirt off his back.  I kept hearing the same stories over and over again:  “Dave really helped me out in the past,” or “I remember Jen’s dad let me stay with them for a week when I had nowhere to sleep.”  He never asked for repayment.  I remember when he helped my sister move from Etobicoke to Kitchener.  He drove the moving van (actually his delivery van) and he signed up for one trip to Kitchener and that was it.  Well, we couldn’t get everything in one load.  We had to do a second load.  So, he drove back to Etobicoke, and back again to Kitchener, before finally retiring for the evening.  I had to twist his arm just to get him to accept a Canadian Tire gift card in repayment!  That’s the kind of guy Dave was. Did I mention he’d never even met my sister before that night?  He just did it because he was that kind of man. We lost Dave three years ago, Nov 3 2009.  He was only 58 years old.  Jen misses him — we all miss him — every day.  It still shakes us. We lost a great man, probably one of the greatest I’ve ever known.  I couldn’t let Nov 3 go by without talking about him. Miss you, Dave.

REVIEW: Whitesnake – 1987 (Deluxe edition)

Whitesnake reviews at mikeladano.com:

Snakebite – Come An’ Get It – Slide It In – Live at Donnington – Good to be Bad – Forevermore

1987WHITESNAKE – 1987 (2007 20th Anniversary Deluxe edition)

I remember sitting at home watching MuchMusic in July of ’87. The Power Hour was on and they played “Here I Go Again”. It was my first time hearing Whitesnake and I hit “record” on the VCR.

This was and still is a great album, although it was a lot heavier than I expected back then. Also, if you’re from the 80’s you’ll remember this, the cassette was so tight that it always played slow in my tape deck. So it always sounded frickin’ awful for me and it wasn’t until I picked it up on CD sometime in the 90’s that I really gave this album a chance.

It’s overproduced all to hell, even excessive by the standards of the time. But my God it does some crunch to it. John Sykes on guitar saw to that. Neil Murray remains on bass, but buried inaudibly beneath a very dense mix. Aynsley Dunbar subbed in on drums, a very busy drummer, but it actually works. There are a few moments, particularly during “Crying In The Rain”, where he overdoes it, but in general he was exactly the kind of drummer needed to elevate the album to this caliber.

If you’re looking for the radio hits, they are pretty much all on this album, so just click “buy” on whatever site you choose.  Or visit your local brick-and-mortar and see if they carry it.  In any case this album goes beyond just the four hit singles. The aforementioned “Crying In The Rain” (a re-recording from Saints An’ Sinners, same as “Here I Go Again”) is a crucially important album track, as is “Don’t Turn Away”, a rocker/ballad closer that has some of Coverdale’s best singing. But wait, there’s more. The album has included the addition of the two songs that are usually only available on the UK version: “You’re Gonna Break My Heart Again” (awesome fast rocker, totally album worthy) and “Looking For Love” (ballad). I like what they did here — they maintained the track order of the US version (my preferred version) and put in the two UK tracks within the tracklist (tracks 7 & 9). It just works better in my opinion to have “Don’t Turn Away” at the end of the album.

Then I hate what they did next. Instead of giving you era B-sides or live songs, they stick on four live versions by a later version of Whitesnake, readily available on a common live album. (Live versions of the four big singles.) What could have been included instead: the “single version” of “Here I Go Again” which is a completely different mix! The single version of “Give Me All Your Love”, the only recording to feature guitar playing from Vivian Campbell (the solo)!  Or hell, even live recordings from the era?  Anything but these live duplicates from a much later time.

There is a bonus DVD included. The four music videos and then, again…the same four damn live songs!  Also by a later Whitesnake, from a common live DVD. Jesus Murphy!  Booklet and liner notes are decent at least, but not enough to justify me owning this any longer.  My recommended edition: Here I Go Again: The Whitesnake Collection (2CD). This contains the US versions of all three Geffen-era Whitesnake albums, all the pertinent B-sides except one*, the two UK bonus tracks from this album, and the aforementioned single mixes.

4/5 stars. Great album, but this reiusse could have been so much better.

CD track list				DVD video list
1. Still of the Night			1. Still of the Night
2. Give Me All Your Love		2. Here I Go Again 87
3. Bad Boys		                3. Is This Love
4. Is This Love				4. Give Me All Your Love
5. Here I Go Again 87			5. Give Me All Your Love (live)
6. Straight for the Heart		6. Is This Love (live)
7. Looking for Love		        7. Here I Go Again (live)
8. Children of the Night		8. Still of the Night (live)
9. You're Gonna Break My Heart Again
10. Crying in the Rain
11. Don't Turn Away
12. Give Me All Your Love (live)
13. Is This Love (live)
14. Here I Go Again (live)
15. Still of the Night (live)

* Still missing on any CD is the 1987 remix of “Standing in the Shadow” from the “Is This Love” single.

Gallery: Kathryn Ladano – “Evil Kirk” recording session

Use the embedded player below to hear a sample of “EVIL KIRK” by Kathryn Ladano, featuring yours truly

The initial concept was Kathryn’s.  She liked that Star Trek the original series had a lot of audible bass clarinet in the music.  Often just before a red shirt was about to die, you’d hear a bass clarinet melody…and then ZAP!

We decided to add a vocal element.  I compiled some of my favourite Captain James Tiberius Kirk quotations, and Kathryn had a general direction for the music but otherwise she improvised.  We performed it live in four takes at Wildrid Laurier University’s Seminary building.  A couple effects were added in mixing and voila — “Evil Kirk”!

Buy it at kathrynladano.com , amazon.ca or iTunes

Photos:  Martin LePage

Further reading: