alex lifeson

GUEST CONCERT REVIEW: W.A.S.P. w/ Metallica and Armored Saint – January 19, 1985

A treat for you boys & girls today!  A guest shot, a vintage concert review, and a significant one at that.  Remember when Metallica was just an opening act for mediocre bands?  Meat does.  And he’s back to tell you the story.  Enjoy the first guest shot of 2013, by Meat!

TALLICA

W.A.S.P. w/ METALLICA and ARMORED SAINT – January 19, 1985

By Meat

I was lucky at a young age to have the opportunity to see some great concerts.  The first concert of my life was at The Center in the Square in Kitchener, Ontario.  It was The Monks (remember “Drugs in my Pocket”?)  and I went with my childhood friend, Scott Hunter, and his mother.  I also saw the almighty Black Sabbath play the Kitchener Memorial  Auditorium, three days before my 12th birthday, on the Mob Rules tour on November 19, 1981. I saw Triumph on the Allied Forces tour play the Center in the Square, with my father not long after that.  But really my early concert experiences were mostly, and most memorably, with the aforementioned Scott Hunter.   I believe it was his uncle who had connections with a concert promotion at the time called CPI.  He would leave free tickets at Will Call for us at Maple Leaf Gardens or wherever the show was.  We saw the last Kiss tour with makeup at the time (Creatures of the Night tour) on January 14, 1983 with The Headpins opening.  Also saw the first ever Kiss tour without makeup (Lick it Up tour) on March 15, 1984 with Accept as the opening act.  As well as Motley Crue on the Shout at the Devil tour on June 10, 1984, at what is now the Ricoh Coliseum, also with Accept as support.   Many of these shows are quite memorable and monumental, but none so much as the first time I saw Metallica live.

I remember the first time Scott and I heard Metallica.  We would have a sleepover at his place every Friday night specifically because Toronto radio station Q107 had their “Midnight Metal Hour” on that night.  We would have first heard Metallica (“Seek and Destroy”) either late 1982 or early 1983, before Kill ‘Em All was even released.  Obviously it was an instant shot of Metal Up Our Ass!   Kill ‘Em All was released on vinyl and cassette on July 25, 1983.   I specifically remember  (but not exactly when) walking into a record store downtown Kitchener called Records on Wheels and buying that album, Anthrax’s Fistful of Metal and Van Halen’s 1984 on vinyl,  all during the same visit.   I also remember buying Metallica’s second album, Ride the Lightning, the day it was released.  Thanks to the World Wide Web, I know now that date was July 27, 1984. Starting grade ten that September, I was pushing Metallica on anyone that would be open to it at my high school.   There were a very select few of us who were die-hards and would have Sony Walkmans stuck to our heads at every opportunity possible.  Now I cannot recall if we got free tickets for this particular show, but I do remember how pumped I was when I knew I was gonna see Metallica live.

The bill was as follows: Armored Saint (with Anthrax’s John Bush on vocals), Metallica and W.A.S.P.  Yes you read that right.  Metallica was opening up for W.A.S.P.  I do know that further along on the tour, Metallica and W.A.S.P. would trade headlining sets due to the obvious buzz around Metallica at the time.  Here is a picture of an actual ticket stub of this show.  Note the price ($15.00) and Armored Saint being spelled wrong on the ticket.

ticket 1

One thing I will add before I go on.  Of all the concerts and bands I have seen multiple times live, it is kinda strange I only saw Metallica live twice ever.  One of the reasons for this is quite obviously that after their album Load (otherwise known as Mighty Load of Shit), I never really had a great interest in seeing the band live again.  But it is worthwhile noting that I have seen Metallica live twice and BOTH TIMES they were opening for someone else.  (The second time being the strange bill of The Black Crowes / Warrant / Metallica / Aerosmith on June 29, 1990 at CNE Exhibition Stadium in Toronto) Again, note the ticket price for this.  This was before The Eagles ruined ticket prices for all acts with the ridiculous prices for their shows.   To quote “The Dude”  I hate the fuckin’ Eagles.

ticket 2

So there we were, January 19th 1985 standing in line in front of the late great Toronto concert venue named The Concert Hall. It was freezing cold out, and windy too.   So since this was a General Admission event, standing in line braving at least -15 Celsius weather, you can imagine how cold and bitchy people were.  I recall the rush of metalheads being ushered  quickly into the venue.  The second I got in there I went straight for the merch booth and bought a Ride the Lightning tour shirt for me and a high school friend named Joe DeLeo.  After that, like seemingly everybody, I had to take a wicked piss.  After doing that, I was horrified when I tried to zip my probably really tight jeans back up, and couldn’t because my hands were numb from the cold.  My embarrassed horror turned to laughter as I turned my head to see dozens of much older and much larger long-haired headbangers all having the same problem.  Only in Canada I guess eh?

Sometime later, Armored Saint took the stage.  I remember them being great and how loud it was in there.  They were received well and that venue was filling up. While enjoying their set my buddy Scott gets my attention and points to the much-shorter person beside me.  Immediately I recognized him as Russell Dwarf from the Toronto band Killer Dwarfs. Their name was very apropos considering this band consisted of nothing but short dudes with long hair.  I can only imagine how this band got together.  Wonder if an ad went out that said.  “Metal musicians needed.  Must not be over 5 foot 6 inches tall and have long hair”.  I loved that first album.  If you don’t know of them, here is their first single and video.

It was time for the Mighty Metallica.  They started out with the first track off Ride The Lightning, the classic riff-monster “Fight Fire With Fire”.   At this point I was probably about mid-way to the stage in a sea of metalheads.  This was before the days of the “moshpit”.  This was more of a Hair Swarm packed with long-haired sardines covered in denim and leather.   It would have been about half-way through the show that I wormed my way to the front of the stage.  This was no easy task as I am sure you can imagine, however being only 15 and much smaller than the masses (with the exception of the Killer Dwarfs of course), there I was literally feet from what would become the best-selling metal band of all-time.  This brings me to a memory I will cherish forever.  The seemingly monstrous Cliff Burton was right in front of me.  I reached out and had in my hand, the bottom leg of his ragged bell-bottom jeans.  He tried to kick me in the face, and thankfully missed.  Can’t blame him either for trying to kick my head off, and honestly it was the first thing I thought of  when said legend died in a bus accident a year and a half later in Sweden on September 27, 1986. R.I.P. Clifford Lee Burton.  Check out this YouTube audio clip I found of Metallica playing “Seek and Destroy” from this exact show.  Gotta love YouTube.

Check out this set list of the show the next night in Buffalo at some place called the Salty Dog Saloon. (I couldn’t find the Toronto set list online but I am sure it is identical)

  • “Fight Fire With Fire”
  • “Ride the Lightning”
  • “Phantom Lord”
  • “(Anethesia) Pulling Teeth”
  • “For Whom the Bell Tolls”
  • “No Remorse”
  • “The Call of Ktulu”
  • “Seek & Destroy”
  • “Whiplash”

Encores:

  • “Creeping Death”
  • Guitar solo
  • “Am I Evil?”
  • “Motorbreath”

Which brings me to winding down this novel of a concert review.  How could W.A.S.P. possibly follow Metallica?  Well, I do remember chants of “you suck”.  I remember that the front was nowhere near as packed as it was for Metallica.  Maybe Blackie thought he could follow them by drinking fake blood out of a skull (which he did).  Here is a quote from Mr. Blackie Lawless comparing separate tours with both Slayer and Metallica and musing about this particular tour.

Blackie: I’ll tell you what was worse – us and Metallica.  It was our first or second U.S. tour.  It was us, Metallica, and Armored Saint.  When they (Slayer) went out with us, they were still an up n’ coming band, didn’t have a lot of fans, so there was a pocket of division every night.  With Metallica, I kid you not, it was like an invisible line was drawn right down the middle of the room, and half was theirs and half was ours.  It didn’t matter what we were doing on stage.  It looked like two opposing armies.  Sometimes we just stopped what we were doing and watched. It was a war.

I realize that the merit of music is subjective and it is all in the Ear Of The Beholder.  But lets face it.  W.A.S.P. really does kinda suck.  Some good moments but really not much to speak of.  During their set myself and others that with us were just kind of mulling about as most others were really.  It was during this time that a guy we were with named Kevin B. (nicknamed Little Dude) said that he saw Geddy Lee and Alex Lifeson leaving out a side door during their set.  Now to give some perspective on this, this person was a known bull-shitter.  None of us believed him.  True story:  Kevin years later had trans-gender surgery and now is known as Treva. But anyways, we shrugged this off as yet another lie from Little Dude.  It was months later reading a Blackie Lawless interview in Circus magazine that I read this quote.  “Geddy Lee and Alex Lifeson were actually at one of our shows in Toronto last year…. But they were not there to see us.”    A classic example of the Little Dude who cried wolf.

Meat

 

REVIEW: Rush – Sector 2 (box set)

This one goes out to Rich from KamerTunesBlog, a great, informed site that you should check out.

I got the other two Sectors for Christmas, but this is an older review.

RUSH – Sector 2 (2011 box set, 5 CD + 1 DVD)

Damn you Rush.  Damn you!

If it wasn’t for the fact that I liked their past 5.1 mixes so much, I wouldn’t have bought each of these albums again in this box set.  And the fact that only one album (A Farewell To Kings) has been mixed in 5.1 really grinds my gears.  Because you know more is coming.  2112, recently released as a part of Sector 1, in normal stereo, is now coming again in 5.1.  It’s obvious Rush are going to continue to issue 5.1 mixes of their albums, in seemingly random order, which will probably make these box sets completely redundant in the future.

Rich Chycki did the 5.1 mix once again, and once again, it’s a pleasure to listen to.  In particular I found “Cygnus X-1” to really benefit from the treatment.  The swirly opening section made me feel as if I too was aboard the Rocinante, wheeling through the galaxies.  The album sounds three dimensional, clear, shimmery.  I’m very happy with the 5.1 mix.

Farewell is included on a standard stereo remastered CD, and also in stereo on the DVD.  I have read online that there are flaws with the stereo mix of this DVD but I’ve never played it.  I’m not that much of an audiophile that I would really care to, when I already have a CD.

The other CD’s included in the set, aside from A Farewell To Kings, are:

  • Hemispheres
  • Permanent Waves
  • Moving Pictures
  • Exit…Stage Left

…all of which I have now bought more than once.  In Moving Pictures‘ case, three times now, since they just issued that as a deluxe edition with a 5.1 surround blu-ray last year!  (Reviewed here.) Bastards.

I’m not going to review each individual album in this set.  That comprehensive task would require separate blog entries of their own.  They’re all great, of course.  Some (Moving Pictures) more so than others (Hemispheres) in my own personal opinion.  And of course, within this box set you will get such classics as “Closer To The Heart”, “The Trees”, “The Spirit of Radio”, “Freewill”, “YYZ”, “Limelight”, and “Vital Signs”.  In addition there are plenty of brilliant album tracks like “La Villa Strangiato” and “Natural Science”.

The box itself is attractive enough, and if you’re sucked into buying all three, then they all fit together on your shelf as one handsome library.  But you already own some of these albums, if not all, don’t you?  The bait is that 5.1 mix of Farewell.  And it pisses me off that Rush would treat their fans in that way.  Why not just remaster and re-release these albums on their own and in a box set?

The individual album packaging is nice enough too, mini record sleeve reproductions, with a nice booklet with lyrics and liner notes for the whole shebang, all taken from the albums.  As far as the booklet goes, there’s no exclusive essays or other content that is new to me.

And as for the new remastering?  I can’t tell the difference between this and the 1997 remasters.  I can’t.  Sorry.  I’m sure an audiophile would call me an idiot for saying so.

I probably won’t buy Sectors 1 and 3, not unless the prices drop dramatically.  I was able to re-gift my original Rush remasters off to other people, which is one way of dealing with the duplicates, but I’m not going to be getting rid of my deluxe Moving Pictures, since it has the blu-ray and a David Fricke essay.  So I’ve got two copies of that, and people who collect 5.1 mixes and have Sector 1 will end up with two copies of 2112.  Nice eh?

A Farewell To Kings 5.1 mix:  5/5 stars

Sector 2 box set:  1/5 stars

REVIEW: Trailer Park Boys Xmas Special w/ Conky Puppet, Dope and Liquor Editions! With Video! (DVD)

TRAILER PARK BOYS Xmas Special  (Conky Puppet, Dope and Liquor Editions)

Upon first release in 2004, I bought the Trailer Park Boys Xmas Special.  It was a compulsory purchase.  This excellent show, one of the funniest on TV, had yet to issue the special as a part of a box set.  Plus it came with a Conky puppet!  Fans of the show know Conky to be the evil but hilarious puppet who has a tendency to take over Bubbles’ brain.  Surely, “Conky” is one of the two best episodes of the show.  The other would be “Closer to the Heart” featuring Alex Lifeson.

See the video to check out LeBrain’s Conky puppet!

I remember Tom used to put the Conky puppet on top of his Christmas tree!

Then, in 2006, I found the reissued “Dope and Liquor Edition” at a store for $5, and re-bought it, even though I already own the version that came with the Conky puppet. Why?

1. Because I’m crazy like that and I love TPB.
2. Because it was cheap enough to warrant the second purchase.
3. Because the previously unreleased (on DVD) “Trailer Park Boys 101” special as hosted by Alex Lifeson was worth it to me.

This double-length episode (actually titled, “Dear Santa Claus, Go Fuck Yourself”) on its own is one of the best the series ever produced. Taking place in 1997, well before the fictional adventures of Ricky, Julian, and Bubbles were documented, this episode reveals a lot of Trailer Park Boys backstory and delivers a lot of laughs.

Ricky is bailed out of jail on Christmas Eve to help Julian with his present stealing racket. Ricky’s unhappy because Christmas is the best time to be in jail (“12 days of partying,” Ricky says). It doesn’t take long for Mr. Lahey to get wise to the theft scheme, and with his new friend Randall in tow, he promptly gets back on the liquor. In the meantime, sidekicks Jamie and Tyrone discover rap music and marijuana, while Ricky and Julian use “nerds” Corey and Trevor to help steal Christmas trees.

Some of the funniest dialogue in the show’s history was right here in the Christmas special. Ricky mistaking God for Santa Claus is priceless (if you’re not offended).

Ricky: Dad, I write letters every year, you know that. I mean, I’m sending a letter off to the big guy tomorrow. So, it’s taken care of. Done. No problem.

Ray: Huh?

Ricky: The letters… You and Mom got me to write them every year at Christmas. I’m sending one off tomorrow again.

Ray: To Santa Claus, Rick?!

Ricky: Yeah, the big guy.

Bubbles: The big guy?! The big guy? That’s God, Ricky.

Ricky: Yeah, God. That’s what I said. Santa.

Ray: Ricky, come on, you know Santa and God aren’t the same guy, right?

Ricky: Dad, you didn’t know that? I mean, think about it! How would he get around the world in one night? Of course he’s the same person. Right, Bubs?

Bubbles: No, Ricky. Santa and God, that’s two different things.

Ricky: What? Oh my fuck! You know, I did maybe think that I fucked that up. I wasn’t sure, and I didn’t want to say anything just in case Santa was God. Like, it would obviously, probably, wouldn’t it piss him off that I got that mixed up like that?

By the time you get to his big speech at the end, (“Christmas is about getting drunk and stoned with your family!”) you’ll be howling.

Like I said, this is hilarious if you’re not easily offended. If you are, I would advise you to stay far away from everything Trailer Park Boys. If you enjoy well delivered, largely improvised dialogue performed by the east coast’s favourites, then dig in for some Christmas dinner.

The special features here are the typical TPB fare. Alternate takes, extended takes, bloopers, and so on abound, making this worth your coin. As I mentioned before, to make up for the lack of the Conky puppet, the Dope and Liquor Edition has the Alex Lifeson documentary. As a Rush and TPB fan, this was worth the re-buy for me. You also get a preview for the first TPB movie, although this is well out of date now.

Merry Christmas, make sure mom is nowhere around when you watch this!

5/5 stars (for both)

Conky

BOOK REVIEW: Kevin J. Anderson – Clockwork Angels

KEVIN J. ANDERSON – Clockwork Angels  (2012 ECW)

From a story and lyrics by Neil Peart

It was bound to happen eventually.  Somebody had to write a Rush concept album into book form.  I’m sure a lot of highschool kids in the 1970’s wrote their own short story versions of 2112.  Now in 2012, Kevin J. Anderson (the Dune spinoffs) has teamed up with Neil Peart to novelize Rush’s latest album, Clockwork Angels. The end result, according to Aaron, is a near total ripoff of Harlan Ellison’s Repent, Harlequin! Said The Ticktockman, but Rushified.  I’m sure both Peart and Anderson are familiar with the previous work, so their plaigarism is not forgiveable.

I found Clockwork Angels, the album, to have a sparse story that begged to be opened up in more detail.  There’s text in the CD packaging to help illustrate the story a bit more, but that only scratches the surface.  I had a hard time visualizing the world that these characters inhabited.

Like many novels of this ilk, the world of Clockwork Angels is Earth-like in some respects.  There’s a massive, unexplored eastern sea, a far away land called Atlantis, and a vast deserted land of wonders unimagined beyond that, all waiting for our hero Owen Hardy to explore.

Owen Hardy, an apple orchard manager from Barrel Arbor, Albion, is a dreamer.  (Hmmm…ever heard that setup before, in Rush songs past?)  He dreams of the faraway lands that he’s only read about in his mother’s books.  Their world is run by their loving Watchmaker, an ancient old man who has mastered the power of “coldfire” and alchemy.  Using his mastery of these arts, he has created a clockwork society:  everything has its place, and every place has its thing.  Everything runs precisely, on time, and every person fulfills his or her role in society.  It is a place where everyone is content.  Everyone but the dreamer.

One night Owen Hardy suddenly departs Barrel Arbor for the wonders of the capitol Crown City, home of the Watchmaker and his Clockwork Angels.  The Angels are glowing coldfire-powered mechanical beings that inspire awe in the citizens lucky enough to have a ticket to see them.  Owen wishes to see them for himself, but the Angels would never be enough for this young dreamer.  Along the way Hardy meets colourful characters from airship pilots to carnies to the notorious pirates, the Wreckers.

Owen gets tangled up with a character called the Anarchist.  The Anarchist lies at the opposite extreme from the Watchmaker.  Where the Watchmaker believes in rigid order to achieve happiness (called “The Stability”), the Anarchist believes that true happiness can only come with the freedom to do whatever you want and go wherever you please.  But both the Anarchist and Watchmaker have designs on young Mr. Hardy, an exceptional man because dreamers are rare.

Through it all, Hardy journeys to lands far away, glimpses parallel universes and discovered his own inner strength.  All the while, Kevin J. Anderson sprinkles his journey with Rush references.  “Tough times demand tough hearts”.  Lyrics from songs past and present find their way into the text, and unfortunately I found this touch to be distracting.  I get it – a nod and a wink to the Rush fans who will buy the novel – but as a Rush fan, these references stick out like a glowing beacon of coldfire.  (Coldfire’s another one, by the way.)  This is a minor complaint; the novel soon took on a life of its own and was impossible to put down.

One of the best features of Clockwork Angels are the glorious illustrations by Rush cover artists Hugh Syme.  From steampunk airships to the glowing Seven Cities of Gold, Syme’s art helps the reader visualize this fascinating world that Peart and Anderson have created.  Clearly, Syme was in sync with the authors when he created these paintings.

While I enjoyed Clockwork Angels thoroughly, and this enjoyment only enhanced my appreciation of the album, its template is far from original.  The archetypes are familiar, as was the plot.  Having said that, Anderson and Peart successfully conjured up a vivid landscape, interesting characters, and a rollicking good story.

3.5/5 stars

Under piercing stars
I stand watching the steam-liners roll by

Ignored Albums of the 1990’s: I liked ’em them…LeBrain’s List Part 6

Thanks for checking out my 88 underrated albums from the 1990’s that I believe deserved a second look.  There were a few albums that, had I written that series of articles in the 1990’s, would have made the list.  Today, they just don’t cut it.

Here’s a selection of albums that I felt were under-appreciated at that time.   Today, these very rarely get any play in my house.  The shine obviously wore off the apple.

Once again, this is alphabetical.

BIG WRECK – In Loving Memory Of…  (T-Rev teased me about it…it’s half decent, but only half)
BUSH – The Science of Things (good song: “The Chemicals Between Us”)
JERRY CANTRELL – Boggy Depot (Alice In Lite Chains)
CINDERELLA – Still Climbing (Never even upgraded to CD from cassette)
ALICE COOPER – A Fistful of Alice (Dunno…never play this anymore!  Good song: “Is Anyone Home?”)
EDWIN – Another Spin Around The Sun (Good song:  “Alive”. The rest? Suckiness.)
GEEZER – Black Science (only decent, certainly not great)
IOMMI – Iommi (too modern sounding, has some great tracks, but not enough)
MEGADETH – Cryptic Writings (T-Rev and I were into this big time! I can’t play it anymore)
METHODS OF MAYHEM – Methods of Mayhem (I fucking bought this one!)

MR. BIG – Hey Man (“Take Cover” is a good song…the rest I can barely remember)
ALDO NOVA – Blood On The Bricks (I’ll review this at a later date, just doesn’t cut it anymore)
NUNO (Bettencourt) – Schizophonic (One customer will never forgive me for recommending this)
SCORPIONS – Pure Instinct (pure lite-rock)
TWO – Voyeurs (sorry Rob, this just wasn’t a good idea)
STEVE VAI – Fire Garden (perhaps it’s just too dense for me)
VAN HALEN – 3 (no comment…)
VARGA – Prototype (I was trying to get into industrial metal. I grew out of it!)
VICTOR – Victor (Bought because it was Alex Lifeson, therefore my civic duty)

Part 74.5: The Best Part of Sausagefest (Clockwork Autographs)

Meat gave this to me.

“You’re the collector, not me,” he said.

That’s really not a good excuse to give away an autographed Rush disc, man.  But, as Burgess Meredith said so wisely in Clash of the Titans, “A divine gift should never be questioned, simply accepted.”  And are Rush not gods of rock?

Thank you Meat Man.

Alex, Tom, Meat, Geddy

Part 70: Canada Day Weekend Rush!

Canada Day Weekend, 1997.  Rush were closing up their final bunch of dates on Leg 2 of the Test For Echo tour (June 30 and July 2).  Tom, myself, Trev, and several other record store guys had the whole weekend off and went to see Rush on the Monday show, which was the first of the two shows.  Outdoor show, at Molson.  We did not know that a few months later, Neil Peart would experience unbelievable personal tragedy.  For years, it appeared that we had seen some of the final Rush shows, ever….

One of the guys,Troy, brought his younger brother Tyler. Tyler worshipped Zeppelin.  Still does.  He named his (black) dog “Zep”.  Back then, he was 17 and had never heard Rush.  He thought Bonham was absolutely the greatest drummer who ever lived.  We told him, “Tyler, Bonham was god-like.  But you haven’t seen anything until you’ve seen Neil Peart.”  He scoffed.

We brought some beer in the trunk of the car, and snuck into the bushes and had some drinks.  We stumbled into several groups of people in the bushes, drinking, smoking (cigarettes I’m sure) and partying.  It was great.  We were all there, every one of us, to bask in the glory that is Rush.  It was a giant communal party.  Some people were already out of it, and slurring, “Duuuude…they’re gonna play 2112 dude!  We are the priests of the temples of the sphinx! (sic)”

Indeed, I had heard from one of my customers at the store, that Rush were playing all of side 1 of 2112 on this tour.  What would that sound like?  Could Geddy even sing it anymore?

There was no opening act.  There was instead a brief intro before Rush hit the stage to “Dreamline”.

At the halfway point, Rush did indeed play side 1 of 2112 (as chronicled on their Different Stages LP).  They took a brief break before coming back to finish the show.  These being the last Toronto shows of the tour, the roadies were out there clowning around, playing with puppets, all to the delight of the patriotic crowd.

Of course, the Professor did his unbelievable drum solo.  This was around the time that Freddie Gruber had been teaching Neil, and Peart was beginning to feel jazzier in his style.

Tyler was blown away.  “You were right…that guy was almost as good as Bonham!”

Tom and the rest of the guys were so blown away, they actually bought some more tickets from scalpers and came back to see the second show on July 2.

By far, the best and most patriotic Canada Day Weekend I ever had was seeing Rush.  What could be more patriotic than rocking to Canada’s official ambassadors of music?

Part 52: Air Guitar

RECORD STORE TALES Part 52:  Air Guitar

I can’t help it.  When a good song comes on, it’s an unconscious reaction:  I start strumming the chords in air guitar…beating the air drums…slappin’ da bass!  (Nobody plays air keyboards.)

Everybody around me was embarrassed to the nines.  But you can’t stop the rock!

I jumped on counters.  I even once jumped down on the floor and did the Angus Young spinny spinny thing.  When there were no customers.  Sometimes I had to jump right off the counter as a guy was coming in.

“Yeah…heh…just playing some air guitar…”

The first time I was ever caught playing air guitar at work, it was actually at my first job at the grocery store.  I was working in the parcel pickup area, and it was March break, about 11 in the morning, and it was dead down there.  So they get you to sweep up the area, clean it up real good.  And we had a tape deck down there.  Well, I started playing air-broom-guitar when one of the assistant managers walked in.  He just smiled.  Probably thought I was half out of my mind.

My air guitar at weddings is now legendary.  It is now tradition that I get down on the dance floor and do the Angus Young spinny-spinny during “You Shook Me All Night Long”.  Last time, I did it in a kilt.  Don’t worry, I didn’t wear the kilt “traditionally”.

Air guitar is an expression of one’s connection to the rock.  If the rock connects, then the air guitars come out.  Next thing you know, you’re doing Van Halen on the countertops, pretending it’s the “Hot For Teacher” video.  It happens!