heavy metal

REVIEW: Deep Purple – Shades 1968-1998 (box set)

DEEP PURPLE – Shades 1968-1998 (Rhino 1999 box set)

I was really excited about this 1999 box set when it came out, but what it came down to was this: I paid “x” amount of dollars for just two songs that I didn’t have on other recent Deep Purple CDs. One song, “Slow Down Sister”  by Deep Purple Mk 5 was only available here. It’s since been reissued on the Slaves and Masters deluxe edition.  The other is a very rare and very great 1971 live version of “No No No” from a compilation called Ritchie Blackmore/Rock Profile Vol. 1. So there’s your bait.

Unfortunately, the booklet and discography is loaded with errors. This was disappointing. The packaging is nice, with that sheet metal looking embossed cover. It opens kind of awkwardly though, making it hard to handle. And man, there are so many Deep Purple box sets out there now! I have Listen, Learn, Read On which is six CDs dedicated entirely to just 1968-1976. Obviously you can’t squeeze Deep Purple’s career onto just four discs. This set covers 1968-1998, which is a huge chunk.  It’s almost the entire Jon Lord tenure.  It skimps in some places and confounds me in others. Usually, Rhino do such a great job, but I felt this one didn’t live up to their other products.

SHADES_0003Disc one covers 1968 to 1971 (Shades Of to Fireball). The tracks listed here as demos or rarities are from the Deep Purple remastered CDs, all except for the aforementioned “No No No” which really is awesome. If you have the great Singles A’s & B’s and the Deep Purple remasters, you have all this stuff. Except maybe the edit version of “”River Deep, Mountain High”, I’m not certain about that one. You get a good smattering of favourites on here, like “Kentucky Woman”, “Speed King”, “Child In Time” and so on, but it’s not really sequenced all that well. The slow-ish Deep Purple Mk I material fits awkwardly with the Mk II.  Other songs of note include non-album singles and B-sides such as “Hallelujah” (first recording with Ian Gillan) and “The Bird Has Flown”.  The version of “Speed King” included is the full UK cut, with the crazy noise intro.

Disc two is 1971 to 1972: more Fireball, and Machine Head. All these tracks can be found on Deep Purple remasters. There  are some excellent tracks here, such as the rare “Painted Horse” and “Freedom”. “Painted Horse”, a personal favourite, has been available for decades on an album called Power House. I guess Blackmore didn’t like them at the time, so they languished until the band broke up before the record label released them. “I’m Alone” was rare for a long time, and “Slow Train” was completely undiscovered until the Fireball remaster. I like that “Anyone’s Daughter” is on here, a very underrated song.  Of course you will hear all the big hits on this disc: The studio versions of “Smoke on the Water”, “Fireball”, Highway Star” and “Space Truckin'”. This will be many people’s favourite disc.

The third CD continues with Mk II.  It starts off with the Made In Japan live version of “Smoke” which is fine, but now you’ve heard it twice.  Soon, it’s  “Woman From To-kay-yo”, “Mary Long”, and the scathing “Smooth Dancer”.  Then Gillan and Glover are out, and in comes Coverdale and Hughes  One rarity on this disc is the instrumental “Coronarias Redig”, which dates from the Burn period. It also includes some of Mk III’s most impressive work, including two of the best tunes from Come Taste The Band. Conspicuous by their absence is the epic “You Keep On Moving”, and Blackmore-era fave “Gypsy”. You will, however get “Burn”, and “Stormbringer” from Stormbringer itself.

SHADES_0005The fourth CD is the one that ticks me off the most. This covers the reunion era, from 1984 to the then-most recent album Abandon in 1998. The hits are here, “Perfect Strangers” and “Knocking’ On Your Back Door”, as well as some singles from the Joe Lynn Turner era. What ticks me off here is the song selection. “Fire In The Basement”? What? That song kind of sucks, why not “The Cut Runs Deep”? Only one song from The Battle Rages On is included, only one from the excellent Purpendicular, and only one from the recent Abandon? And not even the best songs? That makes no sense.

To short-change the later era of Deep Purple only serves to short-change the listener.  The band were revitalized and rejuventated by Steve Morse, and made some really good, well received music. I saw them live with Morse in 1996.

From The House of Blue Light era, a single edit of “Bad Attitude” is included, which is probably rare.  What you won’t get is the full, 10 minute + version of the instrumental “Son Of Aleric”. This is one of the best lesser known tunes from the reunion era. Instead, you get the truncated 7″ single version. That makes the 10 minute version frustratingly hard to get. It was originally released on a 12″ single, which you may be able to find. You might have better luck finding it on the European version of Knocking at Your Back Door: The Best of Deep Purple in the 80’s. It was included there, replacing “Child In Time” from the US version. I managed to get it thanks to my mom & dad who bought it for me at an HMV store in Edinburgh (along with Restless Heart by Whitesnake).

SHADES_0004Mick Wall’s liner notes offer the Morse years a mere mention, and end on a nostalgia note of “bring back Blackmore.”  Come on. Let’s focus on the present of a band that shows no signs of slowing down, shall we? But this box set short changes the present, and by picking it up you won’t hear such awesome later songs as “Sometimes I Feel Like Screaming” or “Fingers to the Bone”.

I know many reviews of this set are glowing, and each reviewer has their own reasons for doing so. I can’t. This band is too important, too vital, and dammit, still alive! This box set simply doesn’t do them justice. I was ticked off when I bought it and realized I owned almost all the “rare and unreleased” material. Collectors won’t find much here worth the coin spent, and rock fans who just want a great box set of Deep Purple won’t get to hear enough Morse.

Somebody dropped the ball on this one! 2/5 stars.

SHADES_0002

WTF Search Terms: Rock and Roll edition

ELVIS UH

WTF Search Terms VI:  Rock and Roll edition

Welcome back to WTF!  Click here if you missed the last one.  This edition collects some musical Google searches that somehow led people here to this blog.  Enjoy these head-scratchers and WTFs!

This first guy’s obviously an idiot.

10.  steve morse sucks

9. is paul stanley loosoing his voice?

8.  i wouldl like to hear mob rules (why, how polite!)

7. life+it+up+kiss

6.   black sabbath paranoid deluxe edition where is the 3 disc (right there.)

Photo0610

5.  phrase from what tv show – it’s the final countdown!! (Arrested Development.)

4. puff daddy’s embarring habit

3. new kids on the block poster greatest hits

2. real elvis videos tumblr hornny holes

And this week’s winner:

1. marilyn manson with butt plug

Like the WTF’s?  Then come back soon, or better yet, subscribe!

REVIEW: Faith No More – “Everything’s Ruined” (double single)

FAITH NO MORE – “Everything’s Ruined” (1992 Slash, 2 discs sold separately)

A short while ago I reviewed the landmark Faith No More album, Angel Dust.  This is one of four singles (that I know of, anyway) lifted from that album.  It’s a great tune, and if I may quote my own review, I said “I’m sure it was chosen [as a single] because it is a solid mix of aggressive rapping with a memorable soul-influenced chorus.  While it doesn’t sound like it would have been on The Real Thing, it’s about as close as Angel Dust gets.”  The chorus is definitely a winner, and this is a Faith No More song more likely to appeal to non-fans.

There are live B-sides a’plenty, all recorded in September 1992.  Disc 1 (sold separately but containing room for disc 2) has “Edge of the World”, from The Real Thing, and the bizarre “R.V.”, from Angel Dust.  “Edge of the World” is where Faith No More have the audience sing along, to Patton yelling “Fuck me harder!”  The trailer-trash-talk of “R.V.”  sounds a little too laid back live, something’s missing.  I’m sure it would be much better with the full visuals of a Mike Patton performance.

Disc 2 has a couple more newbies:  “MidLife Crisis” and “Land of Sunshine” live.  These two performances stand out.  Patton’s even more unhinged on the live versions.  “MidLife Crisis” in particular is an exceptional version.  Regardless, officially released live Faith No More is rare indeed.  Collectors would be advised to put these two singles fairly high on their priority lists.

4/5 stars

REVIEW: Ace Frehley – Frehley’s Comet (1987)

LOOK!  It’s Rock and Roll!  I’m gonna review all of Ace Frehley’s solo albums.  Welcome to the series!  For Ace’s 1978 solo album, click here!  This review goes out to MARKO FOX!  Thanks for inspiring this idea. And happy birthday to ANTON FIG!

 

“Rock Soldiers come, and Rock Soldiers go.  Some hear the drum, and some never know.  Hey, Rock Soliders, how do we know?  ACE is back and he told you so!”

ACE FREHLEY – Frehley’s Comet (1987 Megaforce Worldwide)

It’s very daunting for me to review this.  My sister bought this album for me, for my birthday, in July 1987.  I had been a Kiss fan for a few years, and immediately liked Ace best.  Yet he’d been quiet for so long.  I didn’t even know what he looked like.  Then, the powerful video for “Into the Night” premiered on Much, and I knew right away.  I absolutely needed the album.

Frehley’s Comet is the debut release by Ace Frehley’s new band.  He had quite a band, too.  Singer / guitarist / keyboardist Tod Howarth had a really powerful, commercial voice and added keyboards to the mix, which was an edge in the late 80’s.  Meanwhile, on drums, was Anton Fig.  Veteran of at least three Kiss releases (Ace’s 1978 solo album, Dynasty, and Unmasked), there’s a reason David Letterman refers to Anton as “Buddy Rich Jr.”  Having Anton in the band was a serious coup.  On bass was John Regan, who proved to be a the only member to stick around for all of the 80’s.

“Rock Soldiers” was a great opening track.  Ace is back and he told you so?  Yeah!  This stomping anthem is the tale of Ace’s own carnage.  “And the devil sat in the passenger’s side of DeLorean’s automobile.”  And later, “When I think of how my life was spared from that near-fatal wreck, if the Devil wants to play his card game now, he’s gonna play without an ACE in his deck!”  How could Me 1987 not have loved this song?  It had a killer singalong chorus and was released as a single.

“Breakout” is interesting because the riff was written by Eric Carr, Ace’s old Kiss bandmate.  “Breakout” is in fact “Carr Jam ’81”, the song written at the time of The Elder.  Kiss never used it, so Ace did.  Tod sings lead on this one, and Anton plays his own drum solo where Eric once did.  Ace then turns in a friggin’ classic Frehley solo.

“Into the Night” is a Russ Ballard song, which surprised me, as I always felt that the lyrics fit Ace’s New York background like a glove.  It’s a mid-tempo rocker, and as first single, it was the first song that I heard.  Today, it still sounds dramatic and cool.

“Something Moved” is another heavy rocker, written and sung by Tod.  It’s similar in vibe to “Breakout”, and I really like when it goes into what I call the “Stryper riff” at the 2 minute mark, right after Ace’s solo.  Side one ended with “We Got Your Rock”, a sleezy one about groupie with a backstage pass.  To be honest, this one disappointed me back then.  I still find the lyrics to be pretty bad.  Ace co-wrote this one, hopefully not the lyrics, because the music’s decent enough.  If it were a Kiss song, it would be one of those Gene Simmons monster tunes.

Thankfully, side two starts on a better note.  “Love Me Right” is an Ace song, with a hard, solid riff and beat.  Yet it’s Tod’s “Calling To You” that is the gem of the album.  It’s a nice hard rocking commercial song with a scorching lead vocal.  The chorus is killer, and I couldn’t understand why this wasn’t the biggest hit of 1987 back then.   Sounds like a dual guitar solo too, with Tod taking the first solo and Ace finishing ‘er off.

The weirdest song is, without a doubt, “Dolls”.  Ace wrote this one completely by himself, words and music, and I have no idea what the hell he’s singing about.  I don’t think I want to know.  Anyway, musically it’s a bright pop rock number, based on the keyboards.  “Stranger In A Strange Land” is back in riff rock territory.  The chorus sounds great, with Tod and Ace singing together.

The album closes with “Fractured Too”, an instrumental sequel to “Fractured Mirror” from Ace Frehley.  It’s not quite as good as the first “Fractured”, but it has stood the test of time.  It’s this kind of music that Ace doesn’t always get recognized for, but his layers of shimmering guitars are very cool.

I wish the lyrics on Frehley’s Comet were better.  At least the music smokes!

4/5 stars

REVIEW: Thor – Keep the Dogs Away (1977)

Here’s the third review from the The Toronto Musical Collectibles Record & CD Sale! For the last installment of this series, click here!

THOR – Keep the Dogs Away (1977 RCA)

From the snowy shores of Vancouver British Columbia came Jon Mikl Thor, cult favourite and man of remarkable physique!  Keep the Dogs Away is his second album, but the first to be billed simply as Thor.  (Prior to this, they were Thor and the Imps.)  It’s corny, cheesy, not too serious and occasionally fun.  According to Wikipedia, this thing even went gold!

I’ve certainly loved the title track for as long as I can remember.  I used to see this guy Thor on MuchMusic all the time.  Usually he’d be bending a steel bar in his mouth.  Sometimes, he’d blow up a hot water bottle with nothing but lung power.  In one mid-80’s Power Hour interview, I distinctly recall him explaining that he was wearing spikes before Motley Crue were (true) and that his spikes were bigger (also true).  That’s the level we’re at here, just so you have an idea.  Thor is now a B-movie thespian, and I remember seeing bits of one of his films, Rock ‘n’ Roll Nightmare (1987) on TV.

There’s nothing exceptional here in terms of vocals, musicianship or songwriting, but the tunes are entertaining enough.  You’ll find yourself able to sing along to “Sleeping Giant” and “Catch a Tiger”, with its simple “Yeah you know!” refrain.  “Catch a Tiger” distantly resembles Rising-era Rainbow.

“I’m So Proud” is just rock and roll, kinda lite and reminiscent perhaps of the lesser Gene Simmons’ solo album material.  Thor wouldn’t be influenced by Kiss just a little, would he?  “Tell Me Lies” might be Thor aping Alice Cooper.  I’m sure Alice was an influence on young Jon Mikl.

Side two commences with the cascading piano of the pompous but fun “Military Matters”.  What Thor does here cannot really be strictly called singing, but he sure is bellowing!  “Superhero” is comically bad, but…I seem to find myself humming along.  Is it the basic simplicity?  “Wasted” is of similar quality, although Thor’s not even trying to sing at this point.  “Rosie” isn’t much better, and then the album closes on “Thunder”, a resounding thud of mediocrity.

I don’t regret the $10 that I spent on this. I’d wanted “Keeps the Dogs Away” (the song) for a long time and now I have it on a physical product.  As far as I’m concerned, I have all the Thor I need now.

1/5 stars.  But almost in that “so bad it’s good” category.

Footnote about the credits:  I like that John Shand played guitar and six-string bass, an instrument used by both Spinal Tap and Aerosmith.   I also enjoy that, apparently, this album was recorded in 1943.

Thor bends steel bar in his mouth

Part 217: My F****** Neck!!

NECK

RECORD STORE TALES Part 217:  My Fuckin’ Neck!

Kids – do not crack your neck.  Don’t do it.  I know it feels good.  Just don’t.  I know the feeling, the release of pressure.  The sudden relaxation of the nearby muscles.  The temporary but instant relief from pain.

I used to crack my neck, apparently a bit too much, and by early 1996 it had caught up with me.  I was about to go out for lunch at Casey’s with an ex-girlfriend of mine.  We’d started to hang out again.  I thought there might be a chance of getting back together, so I was looking forward to it.

I was toweling dry my hair, perhaps applying a bit too much force on one side, when suddenly:  snap.  Something hurt.  Something hurt a lot.  I collapsed to the ground, cradling my suddenly-too-heavy head in my hands.  I’d experienced neck pain before (which started me on cracking it in the first place), but nothing like this!  I was completely immobile.  I sat like that, in pain holding my head in my hands, for 15 minutes.  Finally I was able to find a comfortable way to stand up.

I took some Aspirin, and collapsed again in the stairway.  I literally could not take both hands off my head without being in extreme pain.  I had to be holding my head with at least one hand at all times.  I considered cancelling the date with the ex, but quickly dismissed that option.  The perceived opportunity for pity outweighed the physical pain.  Now all I had to do was figure out how to put on my boots.

The ex arrived to pick me up, and she advised me to see a doctor.  Nahh!  I said.  I took an Aspirin.  Doctor Schmockter.  I did know that, feeling the way I did, there was no way I was going to put able to pull a 4 hour shift at the record store that night.  All that bending over and filing…one handed?  No.  Even though I was very proud of my perfect attendance record (no sick days in almost 2 years, a milestone I wanted to reach), I had to call in sick.  I felt the pain of my now tarnished sick record.

We sat down at Casey’s, and I stupidly ordered French onion soup.  Only when the dish arrived did I realize how hard it was to get the spoon all the way to my mouth without leaning.  Leaning equaled pain, but by moving slowly and steadily, I gradually ate the soup.

I had a heavy scarf around my neck, and the warm soup going down my throat felt great too.  Plus, the painkillers were kicking in.  My mood brightened by the time my chicken arrived.  When I had finished that, my sore neck muscles began to loosen up.  I was regaining some mobility.  Plus, the lunch was going splendidly!  Conversation was brisk and good humoured.

“You know what,” I said to the ex, “I think I’m going to work after all.”

“Are you sure?” she queried.  “Your neck looks really stiff.”

“It is,” I replied.  “But it’s Wednesday.  It’s a slow night.  New stock arrived yesterday, Trevor would have finished stocking everything.  I’ll be OK.”  Plus, I was digging the new Extreme and wanted to hear it again.

Mike Mangini on drums

I excused myself to go to a pay phone and call the store.

“Hey man, it’s Mike,” I said when my boss answered.  “Have you got anybody to fill my shift yet?  Because I can do it.  I feel alot better.”  He told me that he was just going to work straight through.  I assured him I was OK, and I got the ex to drop me off at the store.

I walked in, head cocked at an awkward angle, wearing a silly scarf.  My boss was with a customer but he glanced at me, noting my odd posture.  As soon as he was done with the customer, he turned to me.

“Oh, Mike…how in the heck did you do that again?”

Slightly embarrassed I answered, “Drying my hair.”

“You did THAT drying your hair?” he cried.

“Yeah,” I said sheepishly.  “Does it look bad?  Can you tell?”

“Can you tell?” he replied.  “It’s as obvious as the nose on your face!”

Oh man.  Oh man.  I didn’t realize how comical I looked.  Sure enough, several customers asked about my strange posture.  And all of them had the same question:

“How in the heck did you do that?”

Drying my hair!  Now leave me alone about it!!

Unfortunately this was merely the first of many such episodes.  A high price to pay, for the temporary relief of cracking your neck.  I should have just said it was whiplash from banging my head too much.

WTF Search Terms: Bodily functions edition

FARTED

WTF Search Terms V:  Bodily functions edition

All of these are search terms that people typed into Google, and wound up on my site.  Today the theme is “bodily functions”.  If you missed the last one, be sure to click here!

  1. “peeing” rowboat
  2. shiting on top of a shit
  3. shit into hand while in shower
  4. poo
  5. guy pissing in doorway
  6. boy holding poop in
  7. poo pictures
  8. poo in the door way
  9. poop in the shower post
  10. when to wash your hands pinterest

“When to wash your hands”?  Definitely after all of that!

I couldn’t figure out a music video to put with this, so let’s go with “TV Dinners” by ZZ Top, since that often will cause you to need to perform search term #4.

MOVIE REVIEW: Tenacious D in The Pick of Destiny (with bonus DVD)

TENACIOUS D in THE PICK OF DESTINY (2007 Alliance Atlantis, Best Buy exclusive 2 DVD set)

Starring Jack Black and Kyle Gass, directed by Liam Lynch

I shudder to think what some poor soul who liked Jack Black in The Holiday would think if they gave this one a try. This is for one, and only one, group of people: the rabid, dedicated fans of Jack Black & Kyle Gass as Tenacious D.

PICK OF DESTINYThe titular Pick of Destiny is a guitar pick, made centuries ago, out of the tooth of Satanus (that’s Latin, for Satan) himself. Since then it has been seen in the hands of Angus Young, Jimmy Page, Eddie Van Halen, and many more.  This bequeathed upon them their amazing guitar-shredding abilities. The only way that JB and KG can pay the rent would be to win the talent contest, and the only way to do that would be to play the greatest song ever written…with the Pick.

Ben Stiller informs them that the Pick is located, under heavy security, in the Rock N’ Roll History Museum.  Tim Robbins tips them off about the deadly laser grid guarding it. Undaunted, our heroes still quest after the Pick, even when Dave Grohl as Satanus himself comes to reclaim what is his.

There’s a whole lotta drug use (hey, it’s Jack Black), so make sure your kids don’t see this. Hell, the very first sequence before the the movie even begins is a cartoon about lighting up a joint, eating a burrito, and farting. Just so you know what kind of film you’re looking at here.

I’ve been a huge D fan, and I love this movie.  My friends love this movie. This is a party movie. The best time I ever had watching this movie was at a party.

The Demon Code prevents me from declining a Rock-off challenge

The new original Tenacious D soundtrack is remarkable in both quality of the songwriting and lyrics.  The performances are equally impressive.  “Beelzeboss” and “Kickapoo” are two personal favourites. Dave Grohl, Meat Loaf, and Ronnie James Dio all contribute guest vocals in their own signature styles. In a weird way, The Pick Of Destiny is actually a musical.

The movie was also available with a limited edition Best Buy bonus disc, if you can find it. The second disc is over an hour long, and contains 17 extended and deleted scenes. You’ll see a slightly longer version of the Neil Hamburger cameo, and a lot of alternate takes and bloopers. Best of all are the “Hell O’Clock News” segments. These were originally web-shorts that were done to promote the making of the film (in Hell, apparently). Each one features Jack, Kyle, or director Liam Lynch, in funny (ridiculous) skits. Very watchable, and more importantly, re-watchable. I assure you that buying the 2 DVD version is your wisest course of action.

5/5 stars

REVIEW: Skid Row – “Wasted Time” (1991 7″ single)

SKID ROW – “Wasted Time” (1991 7″ single)

I don’t think I’m going too far out on a limb if I call this the best song on Slave to the Grind.  The closing song on a damn fine metal album, “Wasted Time” is awesome.  It’s in “power ballad” territory, but it’s much darker than Skid Row’s prior hit ballad, “I Remember You”.  Sebastian Bach turns in the best vocal performance of his life on this one.  Sebastian co-wrote the song, about the damages of addiction.

Both the 7″ and the 12″ singles come with the previously unreleased live bonus track, “Get the Fuck Out”.  (The other bonus tracks on the 12″ are “Holidays in the Sun” and “Psycho Love” which are both available elsewhere.)  “Get the Fuck Out”, recorded at fuckin’ Wembley fer Christ’s sakes, features a long Sebastian intro that is probably more interesting than the song itself!  Apparently, Skid Row were given a letter that stated specifically that Skid Row were not to play “Get the Fuck Out”.  So what do they do?

Sebastian:  “It says here, they’re gonna stop the show, because they don’t like the word ‘fuck’!  And you’re not allowed to hear it!”  Baz then leads the crowd in a chant of “get the fuck out!” before Skid Row drive into the song.  As fans know, it’s a short firecracker punk rock song, and Baz is in top voice.

5/5 stars

REVIEW: Quiet Riot – “Slick Black Cadillac Live” Kerrang Flexidisc

There’s not much music on this one, it’s more a photo review this time.  Enjoy!

FLEXI

QUIET RIOT – “Slick Black Cadillac Live” 1983 Kerrang Flexidisc

The reason I have this (scored from Discogs!), aside from it just looking cool, is that it’s hilarious!  The version of “Slick Black Cadillac” is the same great version that was later released on the remastered edition of Metal Health.  However…it has recorded messages from the band members as well!  These messages are directed to the UK readers of Kerrang! (who gave away this flexi-disc), and are dubbed directly over the song.

After Kevin DuBrow mentions the upcoming December gigs they’ll be playing, each member gets to say a word.  Rudy in particular strikes my funny bone.  “Hi, this is Rudy Sarzo, and I play the bass!”  He’s just so…excited!  As for Kevin?  “When I see you I wanna hear you scream ’til your throats bleed!”

Flexi-discs are obviously fragile and are only good to play a handful of times.  They have a bit more background noise than normal 45’s, but have the bonus of looking cooler than the average 45!  This one is single sided, and came taped inside an issue of Kerrang!  Not all flexi’s are clear like this one, so I consider this a fun conversation piece.

3/5 stars