Here are some new sh*te photies to start your new year right!
How did you spend your New Year’s Eve? I spent it unconventionally, for me. While Mrs. LeBrain snuck in some early evening Bingo, I went down to City Hall with my buddy Jason and his family. Apparently, there was going to be a toy show and sale / 80’s retro night going on. One of my favourite Transformers vendors in the whole wide world, B&K Collectibles, was going to be there!
There were a ton of people there. Also present was the DeLorean from Back to the Future, and K.I.T.T. from Knight Rider. Although I didn’t stick around to see him, Todd Bridges from 80’s sitcom Diff’rent Strokes was also on hand last night. Yee-haw.
After the toy show I got Jen at Bingo and we headed home to watch the Leafs barely beat the Bruins. I fell asleep well before midnight.
But…toys!
My two scores: Transformers Masterpiece Smokescreen. Similar to, but different from, Masterpiece Prowl. I also snagged some snazzy new missiles for my Prowl figure, from third party company Before and After. The kit includes the “Omega Launch” weapons which snap over Prowl’s normally teeny ones, and a decal sheet which I have not yet applied (if I do).
A brief introduction to Dr. Dave: Not only is he one of Sausagefest’s most notable regulars, but he’s a talented musician too. That’s him playing guitar on“The Maiden Song”from 2013. He’s brought a completely different crop of bands to mikeladano.com with his Top Ten of 2014. Enjoy. (For my top ten, click here.)
DR. DAVE’S Top Ten of 2014
Due to some disappointing releases from the likes of Mogwai, Interpol, and the Drive-By-Truckers, my Top 10 is heavy on the metal. What might surprise some people is the number of bands that fall close to, if not well within, the orbit of “black metal.” Yes, this most unfashionable of metal sub-genres has a glacier’s weight of the shitty and silly behind it, but in recent years it has evolved into the most creative force in metal. The vocals are always a dodgy proposition, but I don’t care. At a time when I was bored with the same-old blues-based root-5th power chord ho-hum I’ve heard this 87000 times since last Tuesday shtick, the blizzardy blast-beating barrage of newer BM bands came as a breath of fresh air. So, without further ado…
10. YOB – Clearing the Path to Ascend
If only for album closer “Marrow.” As the title suggests, this is as much a spiritual as a musical investment. This is not for the attention deficit disorder crowd – in fact, nothing on my list is. On his playthisriff.com website, Bob Balch of Fu Manchu cites YOB as one of the most requested, and difficult to produce, sources of guitar tablature. Must be all those eerie suspended chords. This is not your Uncle’s doom, trotting out the usual second-rate Sabbath bilge. Dive in or stay home. There is no in-between.
9. BLUT AUS NORD – Memoria Vetusta III: Saturnian Poetry
Along with the mighty Deathspell Omega, BAN forms the ungodly one-two punch of French avant-garde black metal. They have as much in common with Arnold Schoenberg as they do with classic heavy metal, and it shows. This is alien music, unsettled and unsettling melodies trapped in a churning maelstrom of rhythm. Yet from the chaos emerges moments of glorious and triumphant power. MVIII features a real drummer and a more organic feel, and while I prefer MVII, this is still undeniable. It will surely alienate conventional music listeners, and that’s fine. If you want to know what Cthulu has on his iPod, well, now you know.
Damn. For years I figured Time-Travelling Blues would forever remain my favorite Orange Goblin album. Then they came out with Eulogy for the Damned and challenged that assumption. This does the same thing. They’re not a radically different band now, they just delve deeper into their talent and influences and deliver more accomplished material. They’re hitting a middle-aged stride. Better come along for the ride. And hopefully they come back to these parts – they’re a must-see live band.
7. OPETH– Pale Communion
Wasn’t overly impressed with their last one, but this is killer. They’re not really a metal band anymore, and that’s okay. Any fan of 70’s prog should be all over this like Bill Cosby on a drowsy lady. I’ve always preferred my prog with a healthy helping of balls, and this delivers. Proof positive that metal boasts some of the most versatile and forward-looking musicians of any genre, anywhere, anywhen, anyhow.
6. MASTODON – Once More Round the Sun
As with Orange Goblin, I figured the Highway to Hell, Moving Pictures, Gretchen Goes to Nebraska, Queen II-rule would still apply – namely, that the album that first got me into the band would always be my favorite. Once More Round the Sun may, in time, dethrone Leviathan as my favorite Mastodon album. Obviously I’m not one of those dicks who argue that because they’ve gained mainstream popularity they’ve gone soft and toothless. Their use of melody has been honed to a razor’s sharpness, and they swing like pretty much no other metal band can. They are capable of anything, and where they will go from here is anybody’s guess.
5. TRIPTYKON – Melana Chasmata
Thomas Gabriel Fischer is best known as the force behind Celtic Frost. While I missed the boat on his latest project’s initial album (Eparistera Daimones), this one has had me by the short and curlies for a month now. Oozing with menace and dripping with spite, this is a lurching, gargantuan slab of primordial darkness. Album opener “Tree of Suffocating Souls” is ridiculous, but it’s the relatively subdued “Aurorae” that really hooked me. A brooding slow-burner, it adds layers and intensity in a post-metal fashion that builds to a neatly twisted guitar solo.
4. PALLBEARER – Foundations of Burden
I can understand why even some metalheads don’t cotton to the doom. It’s slow, it’s gloomy, it’s repetitive. And then comes Pallbearer, four guys from Arkansas, and everything you think you know about doom can be deposited in a small sack and buried six hundred and sixty-six feet beneath Ozzy’s decapitated bat. The melodic richness of “The Ghost I Used To Be” is a perfect example of where doom is going now because of these guys.
3. WINTERFYLLETH – The Divination of Antiquity
The most quintessentially English black metal band, Winterfylleth combines the charging rhythms and regal melodies of Iron Maiden with the blast beats and tremolo picking of black metal to create a supercharged English folk music for the 21st Century. It’s about the riffs with these guys – slight alterations in fingering create micro-melodic textures within the dominant keys, creating the “blizzardy” tremolo-picked sound of black metal. These guys have it down to a science. “A Careworn Heart” is a lot more relaxed, but you will get the drift.
2. AGALLOCH – The Serpent and the Sphere
For my money, the emergence of “post-black metal” has been the best thing to happen in metal this century, other than the “post-metal” of Isis and like bands. So, not surprisingly, Isis and Agalloch are my two favorite bands to emerge since 2000. The Serpent and the Sphere isn’t the instant classic that Ashes Against the Grain and Marrow of the Spirit were, but this is an epic addition to a nearly flawless discography nonetheless. These forest-dwellers from Oregon have perfected the folksy, pagan, post-rock mutation of black metal like no one else. Lyrical and uplifting while still rooted (distantly) in a style of metal known for the ugly and evil. As usual, it’s the build-up and crescendo that is the goal. “Plateau of the Ages” brings it, and then some.
1.PANOPTICON – Roads To The North
Blackgrass? Blue Metal? I don’t know what you’d call it, but genius Austin Lunn has combined his love of grim and frostbitten Norwegian black metal with the bluegrass of his native Kentucky, resulting in an album of unbridled originality. He’s an incredibly versatile guitarist, an insane drummer, and lays down some of the best bass ever heard on a black metal album. I envy this dude in a serious way. In order to fully grasp it, you have to hear all three parts of “The Long Road” in succession, all the way through. You can hear the black metal in the bluegrass parts and the bluegrass in the black metal parts. Fucking genius. Album of the year, regardless of genre.
Here’s the same boring blah blah that everybody is posting — site stats! The best part of site stats are the Top Commenters of 2014, so I’ve saved them for last. There are also the Top Search Terms of 2014, which hold a few real WTFs…
The busiest day of 2014 at mikeladano.com was July 16th with 1,490 views. The most popular post that day was GUEST CONCERT REVIEW: Queen + Adam Lambert 7/13/2014 (by Boppin).
In 2014, there were 430 new posts, growing the total archive of this blog to 1,344 posts.
Regardless, all five readers have excellent sites that have supported me, and I support in turn. I recommend that you check each one of them out. Aaron and James at keepsmealive write mostly about music, and music related anecdotes. Their site goes back to 2007 and there is plenty of content there. Scott, our Heavy Metal OverloRd, always has something interesting to check out in his Buying Round-Ups and reviews. If you like music, books, video games and coffee (who doesn’t), then you need to check out Sarca at Caught Me Gaming. She is also the founder of the #cupfacecrew. If you like quirky music reviews with Lego re-enactments, then the fine 1537 is the site for you. Joe’s photography is just as interesting as his writing. Then for everything in the Swedish and world hard rock scenes, Jon Wilmenius runs e-tainment news and reviews. I swear to God, I had no idea Sweden had so many rock bands! His annual Sweden Rock Festival reviews are always a treat.
Happy New Year to you, and keep on rockin’ in the free world!
RECORD STORE TALES MkII: Getting More Tale #350 The Year in Review / Top Five of 2014
Another year come and gone! Am I older and wiser? I think so, musically speaking anyway! It was a great year for music (and a baffling year too, hello Scott Stapp and Phil Rudd)! Narrowing down my favourites to a Top Five wasn’t all that difficult once I thought about it. There were some clear contenders so it was more about sorting out the order. I’ll save the Top Five(s) for last.
I lost two friends this year, both of whom went way too soon. Both had moved out of town long ago (one out of the country), but we recently reconnected via social media. Warren was the guy who helped get me started on this crazy journey of writing, being the first to publish me. George, an old friend from childhood, helped me discover Kiss. Both left this earth in 2014, and the world is sadder for it. Rest in peace boys.
That aside, my proudest writing achievement was finally finishing the Record Store Tales. I had so much fun sharing those stories over the years. I took my time ending it; I was having a good time. But I knew there were people who wouldn’t like it; that’s happened before. Again I’ll apologize to the two who complained, for any offence I caused them. These two guys were friends from the store, but neither had really expressed any support for what I was doing, and I don’t think they particularly liked it. I never had anything bad to say about either of them, but I get that they might not like things I had to say about their friends; I totally get that. I also get that they had different experiences at the Record Store than I did. That’s fine. I want to be clear that my experience was mine alone. I cannot speak for anyone but myself. (Interesting footnote though: Back in Part 170, I mentioned that our accountant Jonathan used to talk about who he trusted at the store, and who he didn’t. One of the people he never trusted was one of those two guys, because of his personal friendship with the higher-ups. Just a footnote.)
Anyway, I don’t want to focus on the negative. I did some rough calculations and by reckoning, the number of Record Store Tales that were negative towards the store was only about 16%.
So! Onto the lists! My Top Ten Favourite Record Store Tales of 2014:
As an added bonus, I also found my Top Five Albums of 2004 among my journals! For shits n’ giggles, here is a “bonus” installment of Record Store Tales for you! And Happy New Year to ya!
BONUS RECORD STORE TALES Part 350: Top Five of 2004
5. BRANT BJORK – Local Angel
4. PEARL JAM – Live at Benaroya Hall: October 22, 2003
3. THE KILLERS – Hot Fuss
2. THE HIVES – Tyrannosaurus Hives 1.MARILLION – Marbles
Stay tuned for more Top Lists of 2014 in the days ahead!
Christmas gift review! This one came from my sister and husband Melvin.
JOURNEY – Live in Houston: Escape Tour 1981(2006 Columbia CD/DVD set)
Released in 2006, the Live in Houston CD/DVD set by Journey chronicles the band at their peak. This is a vintage MTV concert finally released for sale. Opening with the brand new title track from the brand new album Escape was a good idea. Its fast paced pyrotechnics fire up the crowd appropriately. Steve Perry is resplendent in his tuxedo jacket, jeans, and animal-print T-shirt. Now this is a fucking concert. If the guy couldn’t sing like the angels, then he couldn’t get away with that shit, but it’s Steve Fucking Perry. At his peak. A great frontman with the classic voice. His vocal acrobatics rival the furious fretwork of his bandmate Neal Schon. Personally, I think Bon Jovi owes a lot to Steve Perry’s schtick.
Not letting up, the opening salvo is concluded with “Line of Fire” before it’s time for the ballads. It’s a great little rock boogie that gives the band a chance to play hard. Perry then informs the band that they are recording a live MTV special (as if you couldn’t tell by Schon’s MTV T-shirt). If that can’t get a crowd screaming for “Lights”, nothing will. This kind of song isn’t my thing really, but it is always a pleasure listening to Steve sing. Live, he’s that much more entrancing. Superhuman, really. “Lights” merges with the ballad “Stay Awhile”, which I think is the better song. Listen to that fucker sing! Then it’s time for a new ballad, “Open Arms”. This is where I step out to pee.
Neal Schon’s favourite new song from Escape was “Mother, Father”, a dramatic heavy ballad. Perry kicks this song in the ass, but it’s the anthemic chorus that you can’t forget. And people — Steve Perry hits every single one of the high notes at the end. Every. Single. One.
New kid Jon Cain takes a moment for a piano solo, while Steve Perry no doubt drinks something cold and soothing! I like that Jon tucked his sleeveless animal print shirt into his jeans. Gotta look presentable, of course. New ballad “Who’s Cryin’ Now” is greeted by high pitched screams, indicating the crowd really know this one. Perry has lost the tux jacket, revealing that he is not a T-shirt tucker. Schon’s solo is epic, in how it builds from one simple melody into something completely different and blazingly fast.
The crowd goes nuts for the rocker “Where Were You”, on which drummer Steve Smith absolutely blows the doors off. I love watching him play with classic grip. He’s the next member to get a solo, and I can’t help but notice he has tucked his T-shirt into his jeans. Interesting. I didn’t expect that from the drummer. The solo is a scorcher, leading directly into the new rocker “Dead Or Alive”. Steve Perry looks a lot more awkward dancing to this one, but his voice leaves no doubt. Nobody else could sing the song the way Perry did. Nobody.
Steve announces from the stage that Escape just went #1 in the US a mere three weeks before. The crowd then goes insane for the opening keys of “Don’t Stop Believin'”. As on the album, I love Steve Smith’s cymbal work; it’s just overpowered by the live sound of the band. You can tell that the sound wasn’t tampered with, as Neal hits a bum note in the solo and it was left in. The lush backing vocals seem to be provided live by Schon, Valory and Cain. Then it’s time for “Stone In Love”, another newbie. This hard rock classic features Jonathan Cain abandoning the keyboards and joining the frontline on guitar. This allows Schon the ability to throw in more solos and licks; meanwhile when piano is needed, Steve Perry jumps behind the keys! Then it’s time for “Keep On Runnin'”, again with Cain up front on guitar. It’s another solid rock song, although a bit of a throw-away compared to the rest of Escape. Schon then gets his chance to solo, as a lead in to “Wheel in the Sky”. It’s a note-perfect live version, and full of energy.
For encores, it’s the annoying “Lovin’, Touchin’, Squeezin'” and “Anyway You Want It”. The only good thing about “Lovin’, Touchin'” is the guitar solo with some tasty slide for added flavor. “Anyway You Want It” is ragged. It’s a hard song to sing to begin with, but Perry is running around so much that it’s bound to fall apart at times. It’s a magnificent finish.
The CD version has a bonus track: “The Party’s Over (Hopelessly in Love)”. I don’t know why it’s not on the DVD version. I think it’s one of Journey’s best also-rans. Maybe the film had deteriorated too much to use for that one song? Who knows. Anyway (you want it), you can get it on CD.
It’s also worth pointing out that three songs (“Don’t Stop Believin'”, “Open Arms”, and “Who’s Cryin’ Now”) were all re-released on the remastered Escape CD. So if you’re browsing at the store thinking, “Hey, look, it’s Escape with bonus tracks, I need that,”…no you don’t. Just get this. Always better to have the full concert!
The bonus interviews are pretty neat. Members discuss how they found their way into Journey via manager Herbie Herbert. Neal Schon is almost hilariously young looking. Perry sports the shadow of a moustache, appearing as if he would have had trouble growing a full one. Bassist Ross Valory speaks of the band’s earlier preference for instrumental music, supplanted by a switch to vocal songs. The interviews are broken up topically and are made up from a variety of sources. In the section about touring, Steve Perry reveals that after being driven around everywhere in a limo, when he gets home from the road he feels like he’s forgotten how to drive! It’s worth it, though: all their best songs were written on the road.
The DVD also includes a photo slide show that nobody will watch. It’s only a minute or two long. Some of these pics, I’ve seen before. Neal Schon does make great “guitar faces”, possibly the best ever. The original TV ad for the Escape album is hilarious in its 80’s cheesiness.
We all know the story, now. Malcolm Young, felled by dementia, and his brother Angus carrying on without him (and possibly without drummer Phil Rudd). AC/DC don’t want to dwell on the negative, and neither do I. Angus assembled 11 new songs from parts that he and Mal had worked on together before he was too sick to continue. Nephew Stevie Young, who filled in for Uncle Mal in 1988, stepped up again to do so, this time in a permanent capacity. But you wouldn’t know any of that by hearing Rock or Bust.
Sharp as ever, “Rock or Bust”, the current single boasts one of those menacing AC/DC riffs paired with that slow groove they do so well. “In rock we trust, it’s rock or bust”. Nothing has changed! There is little difference between Rock or Bust and the AC/DC back catalogue since 1980 in general. New batch of riffs, songs, and melodies. That’s about it! “Play Ball” has that familiar “AC/DC single” vibe. Not too heavy, not too fast, but just right for radio. Brian Johnson’s voice has changed very little since the 1990’s. He doesn’t screech like it’s 1981 (duh), but he gets the job done fine. Johnson reported that he found it hard to continue on without Malcolm but his performance is full of the joi de vivre that you need in an AC/DC song.
“Rock the Blues Away” has future single written all over it. This old-timey AC/DC riff is one of those classic rock and roll licks that they used to do with Bon Scott on albums like Dirty Deeds. True to its title, the song does indeed rock the blues away and I can’t wait to give it a test run in the car. This is a summer time song, not a December song! However I should point out that it’s more or less the same song as “Anything Goes” from Black Ice. A left turn on “Miss Adventure” yields some funky AC/DC grooves not unlike what they were doing in the mid 1980’s. It’s unfortunately the first dud on the album for me. “Dogs of War” redeems it, with a “Razor’s Edge” dark vibe. The only real noticeable difference from past AC/DC albums is a slicker production on the backing vocals.
Do you need some rock & roll thunder? AC/DC got it. “Got Some Rock & Roll Thunder” has one of those jangly AC/DC riffs, backing a catchy chorus. This sounds a bit like material from Stiff Upper Lip, which is a good thing to me. “Hard Times” also sounds similar to that era. They’re good enough songs to serve as AC/DC album tracks. Then there’s “Baptism of Fire”, back to those fast AC/DC beats that you need every once in a while.
A track that I think should be played live is “Rock the House”. This has classic written all over it. Taking on a “Whole Lotta Love” groove, it’s hard to resist the urge to bang your head. Go ahead, try.
“Sweet Candy” is an ode to strippers, of course. What did you expect? Look forward to another singalong slow AC/DC groove. I have a feeling a few strippers are going to add this song to their repertoire next year. Then, ending the album on a funky note is “Emission Control”. There are also nods and winks to the Mutt Lange era of AC/DC with the thick backing vocals. The song throws me for a loop a bit; I’m not sure if I like it or not.
I found Brendan O’Brien’s production to be a bit thuddy and less bright than Black Ice. It still gets the job done, as does Rock or Bust.
KIM MITCHELL – “Alana Loves Me (New 2014 version)” (iTunes-only single)
Kim’s last studio album, 2007’s Ain’t Life Amazing, failed to blow me away. Since then he’s been very busy, changing to a career in radio at Toronto’s Q107. While I miss the days of being able to look forward to new Kim music every other summer, he’s been very popular and successful at Q, so good for him!
A few weeks ago, Kim announced that he’d re-recorded his old hit “Alana Loves Me” from Shakin’ Like A Human Being, a 28 year old song. The original is sounding pretty dated with all those 80’s synths and keyboards, so I approached this with an open mind. Plunking down my hard-earned $1.29, I bought “Alana Loves Me 2014” on iTunes.
Even though I had not expected too much, I am crushed with disappointment! All the charm of the original has been sucked dry with a boring acoustic arrangement. This snooze-inducing rendition only comes to life towards the end, when it goes into a more interesting laid-back instrumental band arrangement. The piano player (Ray Coburn?) is excellent and has a long solo. Then, finally, Kim himself picks up an electric guitar and does what he does best. He proves he’s still the most underrated guitarist that this country has to offer. His solo is awesome, warm and melodic, but tricky too.
So: first half of the track sucks, and the second instrumental half isn’t bad. How do I rate it?
I saw the sad news this morning that my childhood friend George, whom I spent many afternoons taping Kiss albums with, has passed away. George started my Kiss collection. He was an instrumental part of my musical discoveries at a very early age. I don’t know what happened.
George always liked Gene best, so here’s a song for you, buddy. Rest in peace. Damn.
This is a special birthday review for my sister who turns “30 something” today! Happy birthday kid! By coincidence she got this album for Christmas three days ago…
CROWDED HOUSE – Woodface(1991 Capitol)
Crowded House remain one of the most critically acclaimed bands of the 80’s and 90’s. Formed from the ashes of Split Enz, they did two successful albums before Woodface. Unfortunately the songs Neil Finn wrote for Woodface were rejected by the record company, so he asked his brother Tim (also ex-Split Enz) if he could use some songs they wrote together for a future project. Tim said OK, and joined Crowded House as an official member to boot. That partnership was only to last one album, but what an album it was! It was arguably their most acclaimed record to date.
The packed-to-the-gills 15 track CD commences with “Chocolate Cake”. The production is incredible on this. The snare drum has an excellent snap to it. Neil and Tim harmonize perfectly on this confection of pop perfection. It’s a piano based jam with melodic hooks galore. There’s a smoking harmonica solo and cool lyrics, immediately reeling you in. This tune rocks. “It’s Only Natural” is a little softer, an acoustic track more like what I was used to before from Crowded House. It’s an immediate song, a timeless classic. Neil and Tim’s harmony vocals seal the deal. Too bad isn’t wasn’t a smash hit single around the world, because it could have been, if it didn’t come out right in the middle of the grunge downturn!
“Fall At Your Feet” may well be the best song here. You know this one. If you don’t, all you have to do is play it once and you won’t forget the chorus. Neil wrote this one alone, but it is a major triumph of songwriting perfection. The plaintive chorus is one that many singers wish they had written. It is followed by the upbeat “Tall Trees”, a brief irresistible rocker. Too bad it’s over in only 2:20! It’s pretty guitar heavy for Crowded House. This gives way to the Eastern sitar opening of “Weather With You”, which was the big hit. The Finn brothers surely have a knack for a chorus. “Everywhere you go, you always take the weather with you,” and I can’t get it out of my head. This is a very 90’s sounding hit single. I’m sure Bono was pissed that he didn’t write it. He probably would have ruined it, anyway.
A funky vibe introduces “Whispers and Moans”, which took me by surprise. I like a bit of funky bass every now and again, and then some horns turn it up a notch at the halfway point. I have to admit, the song was starting to lose me until the horns kicked in! It grows on you.
The party stops there for now. The soft brushes on “Four Seasons in One Day” tell us that the next song is a slow one. “Four Seasons” sounds like a great lost John Lennon composition, with its harpsichord and children’s choir singing in the background. I’ll single out drummer Paul Hester as an MVP here for his delicate touch, making his 2005 death that much sadder. The drummer is the foundation, and although “Four Seasons” is an outstanding track in any universe, Hester helps make it that little bit extra special. “Four Season in One Day” is pure composition and performance excellent, absolutely above the bar.
“There Goes God” combines a funky beat with an exotic riff and lots of harmonica. It’s definitely a cool mix. As weird as the song is, it still contains one of those patented Finn/Finn choruses. Then “Fame Is” has a bombastic sound. It’s a brief pop rocker, a fast head-nodder to get you out of your seat. This leads into the gentle strings of “All I Ask”, a smokey slow waltz. One of the strengths of Woodface is its diversity. Each song has an idiosyncratic Crowded House sound, but many veer far and wide in many musical directions. “All I Ask” is unlike any of the previous.
Another great chorus is the centerpiece of “As Sure as I Am”. Accordion in the background loans it a folksy feel, as do the lyrics about the rhinos going extinct. (Sad that 23 years later the rhinos are no better off.) Drummer Paul Hester contributed “Italian Plastic”, an interesting title to say the least. It’s anchored by cool guitar licks, and more great melodies, as strong as those that the Finns write.
The album closer, “How Will You Go”, is one very familiar to me. Marillion covered it on their excellent 2001 live album, A Piss-up in a Brewery. They are acknowledged Finn fans. I can see why they chose “How Will You Go”, as it gave Steve Hogarth a chance to belt out some killer melodies. Fantastic song, not a single but shoulda coulda woulda!
But it’s not really the ending, as a joke song called “I’m Still Here” occupies the coveted “hidden track” slot! Sounds like they’re trying to be The Clash! Why not? (Hester wrote this hidden track, too.)
I’m very impressed with Woodface. It’s easy to listen to, but there’s more there than just pleasant melodies. There’s vocal brilliance. There are instrumental passages that are intricately composed and performed. There are also great lyrics, all topped with perfect production and a cracking drum sound. Some songs are more memorable than others, but give it time. Woodface is a grower.
It has been an incredibly busy week here at Chez LeBrain. They tell me it’s Saturday. I’ve lost all track of time. The first week of my holidays are gone! I have a feeling that the next week will be filled with lots of music….
After our annual family Christmas Eve dinner/gathering, we re-convened for Christmas Day. My Grandma’s 90th Christmas was also her first since breaking her leg in the summertime. She did awesome! Another amazing Christmas, all finished. Hard to believe.
On to the good stuff!
First up: the fun stuff. Some Kiss dolls. Is it Ace and Peter? Or is it Tommy and Eric? Who knows! A Kiss keychain to boot. Got some Transformers too. Should I open up the rare Treadshot figure? Or no? I can’t decide! Jen also bought me a Transformers pen with a light in it that acts like a Bat signal…but it’s a Bee signal!
Some assorted goodies…
That Fart game looks interesting.
Finally got the game Risk: Legacy. Interesting twist on this one. It must always be played by the same group of players. Changes you make to the game are permanent. What you do in game 1 may come back to haunt you in game 6. Cards and the board itself are modified permanently as you go. Most elements of the game are completely secret until you reach the point where you can break seals on additional instructions. Cool eh?
Lastly, the music! Here we go.
The first five Zep remasters! Holy Zep overload! These are all doubles. Queen Live at the Rainbow ’74 — also a double. Dio live in ’93, another double. Several CD/DVD sets: Bon Jovi New Jersey deluxe (yes!!) with 2 CDs and a DVD. Journey’s Escape Tour CD + DVD set. (Listening that one right now, actually.) Whitesnake Live in ’94 is another CD + DVD set. Then some new music: Foo Fighters and AC/DC’s Rock Or Bust! I really like the packaging on the AC/DC disc. Can’t wait to hear it.
Last but certainly not least: ZZ Top’s The Complete Studio Albums 1970-1990. 10 CDs, baby! As if all that Zeppelin wasn’t enough, now this! Thank you, Mrs. LeBrain’s Mom, for this one! I only had one of these albums before, which is Eliminator. Some of these discs are available separately with bonus tracks, but that’s OK: this box set is the only place you can get several of these Top albums in their original mix. Remember in the 80’s when they remixed and re-released the Top back catalogue? Those 80’s mixes have persisted on CD for a long time. This box set represents the first time you could listen to albums like Rio Grande Mud in their original form on CD. I like that very much.
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