AC/DC

REVIEW: AC/DC – Live at River Plate (2012 German edition with bonus tracks)

ACDC FRONT

AC/DC – Live at River Plate (2012 Sony Music Germany edition with three bonus tracks)

ACDC DOMESTIC STICKERTime moves agonizingly slow in AC/DC Land.  Witness the nine years between Stiff Upper Lip and the band’s latest studio album Black Ice.  Even more astonishing is the fact that Live at River Plate is AC/DC’s first live album in 20 years!  Granted, only three studio albums came between AC/DC Live and this record.  Still, most bands of AC/DC’s ilk tend to release live albums as if it’s an annual occasion.

I’ll give AC/DC credit for something:  value.  Of Live at River Plate‘s 22 tracks, only 12 were on the last live album.  Live at River Plate is a lot more Bon-heavy.  It also draws several tracks from Black Ice itself, which is nice, but you get the feeling that these were the “let’s go take a piss” songs in concert.

“We don’t speak very good Spanish,” says Brian, “but we speak Rock and Roll pretty good!  Let’s go!”  Then the band tear into the golden oldie, “Hell Ain’t a Bad Place to Be”, which last time, was relegated to B-side status, on the 1992 live “Highway to Hell” single.  Brian Johnson’s voice is noticeably more whispery.  This is inevitable, singing this kind of music.  Considering this, it’s astonishing to hear Brian as ferocious as ever on “Let There Be Rock”.  How the man still has a voice after all these years is a mystery to science.

Hit after hit with new tracks mixed in, AC/DC roll ’em out:  “Black in Black”, “Dirty Deeds”, “Thunderstruck”, “Hells Bells”, “The Jack” along with newbies like “Black Ice”.  Meanwhile, Angus struts out his unmistakable guitar glee in extended solos and trade-offs with Brian.  The most exciting thing about AC/DC on stage remains Angus Young.  Even without the visuals of the shorts and the stomping, Angus continues to entrance, just doing what he does and making it all sound easy.

Disc 2 is just as heavy on the hits:  “You Shook Me All Night Long”, “Rosie”, “T.N.T.”, “Highway”, “For Those About to Rock”.     “War Machine” from Black Ice gives the audience a chance to get a beer, even though it’s as menacingly good as classics like “The Razors Edge”.

One thing that hasn’t been highly publicized is that the German edition of this album includes three bonus tracks.  These bonus tracks are real treats, of the underplayed AC/DC variety!  All three are taken from the Live at Circus Krone DVD, which was only available with the massive AC/DC Backtracks box set.  Sweet.

COLOURSEverybody loves “Rock ‘N’ Roll Ain’t Noise Pollution”, and it’s still as entertaining as ever, if a little less energetic.  “If You Want Blood” is another favourite, from the Bon era.  Bon used to sing this one at maximum lung power, but Bon was a 33 year old man.  Brian was 55 when he sang this.  I’m glad for its inclusion, as it’s still a high voltage head banger.  But the real treat is “What’s Next to the Moon”, an oldie from Powerage that isn’t on any AC/DC live album except this German edition.  And it prowls like a wolf, with teeth.

Live at River Plate was released in three colours (red, yellow, blue) in North America, but I don’t know about this German edition.  The only pictures I’ve seen of it were red, like mine.

The single from this album was the Record Store Day 2011 exclusive “Shoot to Thrill” / “War Machine”.  I don’t have anything in particular to say about the single, except it sure took them long enough to put out a full live album!

4/5 stars

REVIEW: Anthrax – Anthems (2013)

ANTHEMS COVER

ANTHRAX – Anthems (2013 Megaforce Records)

Anthrax have recorded some of the most entertaining covers of the last 30 years.  Many of them have appeared as hard to find B-sides or bonus tracks.  Anthems is Anthrax’s new covers EP, readily available, and a welcome addition to a metal lover’s collection.

As if they needed to show off how well they could play, the EP kicks off with “Anthem” itself, a Rush cover, and a stunning one at that.  Joey Belladonna’s voice strains to reach the highest of notes, but he hits ’em.  This is one dead-on accurate Rush cover, not an easy thing to execute.  And it’s heavy as balls.

“T.N.T.” is a blast.  Again, this is not an easy song to cover, because it is so indelibly linked to AC/DC and Bon Scott.  Incredibly, Anthrax do so with as much accuracy as they did Rush.  Joey sounds perfectly in his element paying tribute to Bon.  Up next is “Smokin'” as performed by Boston.  Like a chameleon, suddenly Joey is in Brad Delp’s shoes.  As great as the entire band is on Anthems, at this point, it is Joey that is blowing me away the most!  What’s also cool about “Smokin'” is that the lengthy organ solo is intact, performed by Canadian Fred Mandel (ex-Alice Cooper).  An extended keyboard solo with Anthrax?  Smokin’!  (No kidding though, it’s great.  Like it or lump it!)

We all know Joey Belladonna is a huge Steve Perry fan.  It is a joy to hear him having a chance to pay tribute to his hero on “Keep On Runnin'”.  Scott Ian proclaims in the liner notes that “On paper, Anthrax covering Journey may seem weird,” but he reminds us that “the song just fucking rocks”.  Charlie Benate ensures this with surgically inserted blasts of drum fury.

“Big Eyes” is a Cheap Trick song I had somewhat forgotten about.  It has a monster groove and yet another fantastic lead vocal.  Anthrax bring the song to its knees.

“Thin Lizzy is arguably the most underrated and under appreciated band of our time,” says Scott in the liner notes.  Amen brother!  But he also points out their paradoxical great importance and influence.  Scott reveals he’d like to do an entire record of Lizzy covers.  Phil Campbell of Motorhead plays the solo, as per the Live and Dangerous version.  I love hearing Joey do the “Hey you, good lookin’ female! Com’ere!” line.  So much more menacing than Phil Lynott!

From Anthrax’s most recent record, Worship Music, comes “Crawl”.  I am on the fence with this song, as all I can think of is Soundgarden.  “Fell On Black Days”.  Can you hear it, there in the first minute of the song?  (Maybe it’s their Soundgarden cover, eh?)  Also on the EP is the remix of “Crawl”, which was previously only available on the Japanese version of Worship Music.  So this purchase worked out well for me.  I had been putting off buying Worship Music until I could find a reasonably priced Japanese import.  I prefer to get all the bonus tracks, so with Anthems now in hand, I can just pick up the domestic Worship Music and be done with it!

As a nice touch to collectors, Anthrax released this EP with six different covers.  I pre-ordered this thing from Amazon, so I didn’t get the luxury of picking my cover art.  If I did, I might have chosen the Rush or Journey versions.  What I got was the Cheap Trick cover, but I think I like it best anyway.

5/5 stars

Part 167: Top Five Discs that Got Us in Shit at the The Beat Goes On

RECORD STORE TALES Part 167:

Top Five Discs that Got Us in Shit at the The Beat Goes On

featuring Uncle Meat

Part 129: Moneytalks

RECORD STORE TALES PART 129:  Moneytalks

Are you a young person working in the world of retail?  Have you been offered a raise and a salary instead of hourly wages?

If you answered “yes” to both those questions, then sit right back and you’ll hear a tale.

I never much liked working Saturdays, for two reasons.  One, it was the longest, busiest shift.  Second, when I worked alone at least I picked the music.  Saturdays we had two people on, because it was the busiest day.  More often than not, I didn’t think much of the music the other people picked.

I mean, I hope it’s obvious by now — I’m a rocker!  Unfortunately I didn’t work with many other rockers.  On the other hand, they didn’t think much of my Journey discs.  We actually later wrote it into the training manual — try not to knowingly pick music that your co-workers disliked!  That narrowed the scope for me!

But as I said, Saturdays were our busiest days.  Makes sense — kids are off school, a lot of other people have the day off — why not pick up tunes for the weekend?

One day, the boss called a staff meeting.  He was giving us store managers a raise, and a salary.  The only catch?  We had to work one extra Saturday per month.   They decided (and logically so) that our best people needed to be working on our busiest days.  Therefore managers must work a minimum of two Saturdays a month.  Makes sense.  Previously we were only working one Saturday per month, and I knew that it was a free ride of sorts.  I wasn’t surprised when it ended, although it definitely meant less cottage time.

Later that week, T-Rev called me.

“Have you done the math on your new salary yet?”

“No,” I answered.  “Why?”

“Well,” he explained, “Even though he called it a raise, when you account for the extra Saturday we’re working, we’re actually making less money per hour now.”

“No shit,” I answered.  “That sucks.”  Once we were on salary, we couldn’t go back.

Salaries came with all sorts of interesting loopholes.  For example, as managers if we couldn’t get someone to work a shift and we were short people, it usually fell on us to work the hours.  Now, we weren’t getting paid extra to do it anymore.  Another new duty that came with the salary was stock transfers:  Driving stock around town to another store in rush-hour traffic.  The gas in your tank and miles on your car?  “That’s all a part of your salary”.

Not to mention all the extra hours I started to do in training duty  and putting out fires, and the aforementioned twice-weekly stock deliveries.  I did the math one time — you don’t wanna know how much more money I would have made on my old hourly wage!  Enough to buy several of those new Iron Maiden picture disc sets!

So, young grasshoppers:  if you too find yourselves pinned on the horns of a dilemma like this, think hard on your options!

MOVIE REVIEW: FUBAR (2002)

FUBAR (2002, directed by Michael Dowse)

Ferrell Mitchner, an amature filmaker, wants to look at two locals who live the party life, fast and hard. Terry and Deaner are two “bangers” living in Calgary Alberta.  They shotgun their beers, vandalize stuff, and avoid getting a real job, and to them that’s just fine.  They live a worry and care-free lifestyle with a killer soundtrack behind them:  AC/DC, Iron Maiden, Thor, and original metal music too.

All’s not well in partyland though:  Terry and Dean’s best friend, Tron (Troy) isn’t hanging out with them anymore.  Things seem pretty dull in Calgary until Terry blabs to Ferrell that Dean’s got cancer.

And it’s bad cancer, too.  Testicular cancer.  While Dean acts like it’s a joke, his on-and-off girlfriend Trixie convinces him to get treatment.  For the sake of their daughter Chastity, Dean decides to go.  But not before one last massive blow-out party weekend.  Camping.  And Ferrell’s going to film the whole thing.

While the cancer aspect doesn’t sound funny, it does lend itself to many lines about Dean’s “giant nut”.  It’s the dense but lovable Terry and Dean who make this comedy work. Eternally quotable, Fubar is equal to or better than Trailer Park Boys’ dialogue.

Even though he cast some nasty fuckin’ evil shit on people, Merlin went to Heaven. That stuff’s real. Merlin was in King Henry’s court.

I liked this one, too.

Some of the best burgers I’ve ever had came from bowling alleys. Bowling alleys have some of the best cooks. Just because they work at a bowling alley, doesn’t mean they’re not gonna put some pride in their fuckin’ burgers.

The fact is, anybody who grew up in the 80’s knew somebody just like Terry and Dean. Dumb, but lovable and loyal, finding amusement in the simplest activities like farts, jumping fences and play fighting.  Terry and Dean are not unlike that guy down the street who wore his jean jacket even on the hottest summer days. Along the way, they encouter real Albertans like themselves, (like, actually real, as in these people didn’t know it was for a fictional movie) .   Guys who drink hard and party hard all weekend, waking at the crack of noon to do it all over again. While some would like to live in denial that such people exist, they’re out there, and they don’t give a shit what you think.

A big part of why this movie works is Paul Spence and David Lawrence.  Somehow they manage to give the characters of Dean and Terry just enough pathos, while keeping them genuine.

This is a truely awesome Canadian cult classic. It is a comedy with a real heart beating inside. Most importantly, it is only the beginning. Hopefully, you’ll want to see what adventures Terry and Deaner are up to when they move to Fort McMurray in Fubar II!

Bonus features are extremely high quality, with deleted scenes that should have made the final cut, and some hilarious commentary tracks.  I’m always a big fan of character commentaries.  The character commentary in this movie is hilarious.  Just as a sad scene is about to take place, commentary Deaner says:

I know I’m supposed to be sad because of what’s gonna happen…but this song’s so good, I can’t be sad.  (“Run To The Hills”)

Note:  You gain absolutely nothing by owning this on blu-ray vs. DVD.  The movie is supposed to look like they shot it with no money (which they basically did), and blu-ray actually looked worse in my opinion.

5/5 stars, just give’r.

Dean Murdoch Paul Spence
Terry Cahill David Lawrence
Farrel Mitchner Gordon Skilling

 

Part 87: The Great Change

RECORD STORE TALES PART 87:  The Great Change

The Great Change happened around the turn of the millennium.

Prior to that, CD sales were fast and furious. DVD sales had begun to replace VHS sales. We still carried blank cassette tapes. Not too many people were downloading music. Most people weren’t even connected to the internet yet.  I still had friends who would come over to use it, and I only got it in mid  ’98.

Then I noticed a change. Cassette sales dwindled while requests for blank CD’s increased. Initially we resisted carrying blank CD’s. We thought by doing so, we would be unintentionally killing a CD sale. Eventually we began carrying blank discs, when they started dropping in price.  They, they took off.  We started hearing about Napster. And Metallica. Metallica fans began selling off their discs.

I remember one guying coming in with a great selection of Metallica discs. All the albums, plus the Live Sh*t box set.

“Wow, this is a great Metallica collection you have here,” I commented as I went through the discs.

“Thanks. I’m selling them because of that fucking asshole Lars. I ripped them all to my computer and now he can go fuck himself.”

                                                      

I’ll never forget that because at first I felt like, “Well, that doesn’t really do anything to Lars, you already paid for the discs and gave him your money,” but I guess it was the principle of the thing. People were really pissed off. And that represented a huge change.  People always bitched about CD prices.  $24 for a regularly priced disc, that’s a lot of money.  I used to get two albums for that money in 1986. There’d never been a satisfactory answer as to why a kid had to pay $24.99 for the new Judas Priest in 1998.  And believe me, it wasn’t the stores ripping off the kids.  The margin we made on new CDs could barely be called profit.

Over the next five years, I watched CD prices and sales drop, while we were forced to diversify in order to stay alive. We had already been carrying DVD’s. We started carrying McFarlane dolls.  They were cool, but a lot of them were really limited.  For example, for Kiss, we only got one Eric Carr, and two Aces.  People would want the whole set, but all you’d have left was Paul and Gene.

Then bobble-heads came (which I hate, I absolutely hate bobble-heads). Then Osbournes family toys. Trivia games. Simpsons toys. Clocks. Posters. Books. Hats. CD wallets with a Linkin Park logo on them.  Anything we could make a reasonable buck on, even if it was only marginally related to what we did, like the Simpsons toys. (We carried DVD’s, so Simpsons was marginally related.) Then we’d knock down whatever wasn’t selling to clearance prices, and try something else.

Angus

The only tangent that was really successful was Xbox and Playstation games. We had so many requests, and physically a game is identical to a CD or DVD, so games were a no brainer.  People asked for them all the time.  We had to educate ourselves from the ground up on game pricing and we jerry-rigged a way in our computer system to inventory them. However to me, the scent of decay was in the air. Because downloading had killed such a huge chunk of our music sales, the stores were nothing like the way I remembered.

Working in a store selling video games and bobble-heads wasn’t the dream job that started me on this path.  I was always there for one reason:  the music!

Well, yeah, and the staff discount.

REVIEW: AC/DC – Backtracks (Deluxe Edition, the big one that comes with the amp!)

 

AC/DC – Backtracks (The Ultimate Box Set) (2009) currently selling for $236.08 at www.acdcbacktracks.com

When this arrived at the house, I couldn’t believe the size of the box! I opened the carefully packed box, and removed the ample cardboard protecting my precious investment. I then removed a plastic and cardboard monstrosity known as AC/DC Backtracks; or, the most awesome kickass box set I have ever seen in my life.

And, it sounds good too!

Before I get into the good stuff (the songs), let me tell you about the box. Yes, it is a working amp, but that’s just a novelty feature. I snapped in the provided 9 volt battery, plugged in my guitar and strummed a chord. Guess what! It sounds like an amp made of cardboard and plastic powered by a 9 volt battery. No big deal. It’s a coversation piece. Like, “Hey, wanna watch this awesome concert DVD from the AC/DC box? Oh, and check it out, I can plug my guitar in it too.”

SAM_1992

Inside I discovered a really sharp hardcover photo book. This thing is huge, and loaded with photos of the band and memorability dating back to time immemmorial. Next to that, a nice big LP-sized case containing all the CDs and DVDs. (3 CDs, 2 DVDs). Up next, the LP:  the highlights from the Studio Rarities CD, in its own sealed sleeve. This was specially mastered for LP. I have not played this yet. I may not open it, I haven’t decided. There was also a poster, and a sealed cardboard envelope carrying mutiple goodies, including a guitar pick, a button, a sticker, and a temporary tattoo amongst myriad paper souvenirs.  (See below this review for a full gallery of photos)

SAM_2009

The thing about this box set, compared to the regular retail version, is the inclusion of an additional DVD and a whole CD’s worth of additional rarities. What makes this especially cool is this: aside from one single (an early single that the band did with original singer Dave Evans), this box set seems to contain every B-side, every single Australian album track, every Japanese, special edition, import, promo, and otherwise non-album song that AC/DC ever released up to 2009. Whew.

I’ve read reviews that said, “The songs are disappointing because they’re not very good, they were left off the albums for a reason.” Not so. They are quite good. Just because some were released on the band’s albums in their home country and nowhere else is not a reflection on quality. Some of these songs are some of my favourites, such as the stompin’ “Rock In Peace”, the hilarious “Crabsody In Blue” and “Cold Hearted Man”. As for the live B-sides and rare tracks…man, I can’t believe how consistantly good this band has been over the decades! Friggin’ incredible that even when you get to songs recorded well into the 90’s, AC/DC still sounded just as good. A later example is the purely smokin’ “Safe In New York City”.

The first DVD is part 3 of the Family Jewels series. It contains a whole bunch of cool music videos that you probably remember from back when MuchMusic actually used to play music videos. These are mostly some of the more recent music videos from the Ballbreaker album and beyond. A few of these I had never seen before, or only once or twice. After those, are rare videos for early tracks with both Bon and Brian. The second DVD is an exclusive to this set, recorded live in 2003 in Germany.

If you’re a truely dedicated fan that eats, breathes, sleeps AC/DC…you’ll be very very happy with this one.

5/5 stars.

Disc 1 – Studio Rarities

No. Title Original release Length
1. “High Voltage” (deluxe edition only) T.N.T. (Australian-only release) (1975) 4:18
2. “Stick Around” High Voltage (Australian release) (1975) 4:40
3. “Love Song” High Voltage (Australian release) (1975) 5:15
4. “It’s a Long Way to the Top” (deluxe edition only) T.N.T. (Australian-only release) (1975) 5:16
5. “Rocker” (deluxe edition only) T.N.T. (Australian-only release) (1975) 2:55
6. “Fling Thing” Jailbreak (7″ single) (1976) 2:00
7. “Dirty Deeds Done Dirt Cheap” (deluxe edition only) Dirty Deeds Done Dirt Cheap (Australian release) (1976) 4:11
8. “Ain’t No Fun (Waitin’ Round to Be a Millionaire)” (deluxe edition only) Dirty Deeds Done Dirt Cheap (Australian release) (1976) 7:30
9. “R.I.P. (Rock in Peace)” Dirty Deeds Done Dirt Cheap (Australian release) (1976) 3:35
10. “Carry Me Home” Dog Eat Dog (7″ single) (1977) 3:58
11. “Crabsody in Blue” Let There Be Rock (Australian release) (1977) 4:43
12. “Cold Hearted Man” Powerage (original European LP pressings) (1978) 3:35
13. “Who Made Who” (deluxe edition only) Who Made Who (7″ single) (1986) 4:50
14. “Snake Eye” Heatseeker (CD single) (1988) 3:16
15. “Borrowed Time” That’s the Way I Wanna Rock ‘n’ Roll (CD single) (1988) 3:45
16. “Down on the Borderline” Moneytalks (CD single) (1990) 4:15
17. “Big Gun” Last Action Hero (official movie soundtrack) (1993) 4:20
18. “Cyberspace” Stiff Upper Lip (Australian bonus CD) (2001) 2:58

Disc 2 – Live Rarities I

No. Title Original release Length
1. “Dirty Deeds Done Dirt Cheap” (Live in Sydney, 30 Jan. 1977) Long Live the Evolution (compilation LP) (1977) 5:02
2. “Dog Eat Dog” (Live in Glasgow, 30 Apr. 1978) Whole Lotta Rosie (7″ single) (1978) 4:30
3. “Live Wire” (Live in London, 2 Nov. 1979) Touch Too Much (12″ single) (1980) 5:05
4. “Shot Down in Flames” (Live in London, 2 Nov. 1979) Touch Too Much (12″ single) (1980) 3:39
5. “Back in Black” (Live in Landover, MD, 20 Dec. 1981) Let’s Get It Up (12″ single) (1982) 4:21
6. “T.N.T.” (Live in Landover, MD, 20 Dec. 1981) Let’s Get It Up (12″ single) (1982) 3:58
7. “Let There Be Rock” (Live in Landover, MD, 20 Dec. 1981) For Those About to Rock (7″ single) (1982) 7:30
8. “Guns for Hire” (Live in Detroit, MI, 17 Nov. 1983) Who Made Who (7″ single) (1986) 5:21
9. “Sin City” (Live in Detroit, MI, 17 Nov. 1983 – deluxe edition only) Nervous Shakedown (12″ single) (1984) 5:30
10. “Rock and Roll Ain’t Noise Pollution” (Live in Detroit, MI, 17 Nov. 1983) Nervous Shakedown (12″ single) (1984) 4:15
11. “This House Is On Fire” (Live in Detroit, MI, 17 Nov. 1983) Nervous Shakedown (12″ single) (1984) 3:25
12. “You Shook Me All Night Long” (Live in Detroit, MI, 17 Nov. 1983) You Shook Me All Night Long (12″ single) (1986) 3:30
13. “Jailbreak” (Live in Dallas, TX, 12 Oct. 1985) Shake Your Foundations (12″ single) (1986) 13:22
14. “Shoot to Thrill” (Live at Donington, 17 Aug. 1991) – deluxe edition only) Dirty Deeds Done Dirt Cheap (CD single) (1992) 5:30
15. “Hell Ain’t a Bad Place to Be” (Live at Donington, 17 Aug. 1991 – deluxe edition only) Live (Japanese version) (1992) 4:37

Disc 3 – Live Rarities II

All of these tracks are on the deluxe edition only, except where noted.

No. Title Original release Length
1. “High Voltage” (Live at Donington, 17 Aug. 1991) Highway to Hell (CD maxi single) (1992) 9:25
2. “Hells Bells” (Live at Donington, 17 Aug. 1991) Highway to Hell (CD maxi single) (1992) 5:57
3. “Whole Lotta Rosie” (Live at Donington, 17 Aug. 1991) Hail Caesar (CD single) (1995) 4:45
4. “Dirty Deeds Done Dirt Cheap” (Live at Donington, 17 Aug. 1991) Dirty Deeds Done Dirt Cheap (CD single) (1992) 5:00
5. “Highway to Hell” (Live in Moscow, 28 Sep. 1991 – standard edition also) 5 Titres Inedits En Concert (French 5-track CD) (1993) 4:00
6. “Back in Black” (Live in Moscow, 28 Sep. 1991) Big Gun (CD single) (1993) 4:10
7. “For Those About to Rock” (Live in Moscow, 28 Sep. 1991 – standard edition also) Big Gun (CD single) (1993) 6:50
8. “Ballbreaker” (Live in Madrid, 10 Jul. 1996) Stiff Upper Lip (Australian bonus CD) (2001) 4:40
9. “Hard as a Rock” (Live in Madrid, 10 Jul. 1996) Stiff Upper Lip (Australian bonus CD) (2001) 4:50
10. “Dog Eat Dog” (Live in Madrid, 10 Jul. 1996) 3 Live Tracks (No Bull promo CD single) (1996) 4:46
11. “Hail Caesar” (Live in Madrid, 10 Jul. 1996) 3 Live Tracks (No Bull promo CD single) (1996) 5:25
12. “Whole Lotta Rosie” (Live in Madrid, 10 Jul. 1996) Stiff Upper Lip (Australian bonus CD) (2001) 5:27
13. “You Shook Me All Night Long” (Live in Madrid, 10 Jul. 1996) Private Parts (official movie soundtrack) (1997) 3:58
14. “Safe in New York City” (Live in Phoenix, AZ, 13 Sep. 2000 – standard edition also) Safe in New York City (American promo CD single) (2000) 3:55

Family Jewels Disc 3 (DVD)

This DVD picks up where the original 2 DVD Family Jewels set left off (1991).

  1. “Big Gun”
  2. “Hard As A Rock”
  3. “Hail Caesar”
  4. “Cover You in Oil”
  5. “Stiff Upper Lip”
  6. “Satellite Blues”
  7. “Safe in New York City”
  8. “Rock ‘n’ Roll Train”
  9. “Anything Goes”

Bonus videos

  1. “Jailbreak”
  2. “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)”
  3. “Highway to Hell”
  4. “You Shook Me All Night Long”
  5. “Guns for Hire”
  6. “Dirty Deeds Done Dirt Cheap (live)
  7. “Highway to Hell” (live)

Bonus features

  1. “The Making of “Hard as a Rock”
  2. “The Making of “Rock ‘n’ Roll Train”

Live at the Circus Krone 2003 DVD

  1. Introduction
  2. “Hell Ain’t a Bad Place to Be”
  3. “Back in Black”
  4. “Stiff Upper Lip”
  5. “Shoot to Thrill”
  6. “Thunderstruck”
  7. “Rock ‘n’ Roll Damnation”
  8. “What’s Next to the Moon”
  9. “Hard as a Rock”
  10. “Bad Boy Boogie”
  11. “The Jack”
  12. “If You Want Blood (You’ve Got It)”
  13. “Hells Bells”
  14. “Dirty Deeds Done Dirt Cheap”
  15. “Rock ‘n’ Roll Ain’t Noise Pollution”
  16. “T.N.T.”
  17. “Let There Be Rock”
  18. “Highway to Hell”
  19. “For Those About to Rock (We Salute You)”
  20. “Whole Lotta Rosie”

Rarities 180 Gram LP

Side A

  1. “Stick Around”
  2. “Love Song”
  3. “Fling Thing”
  4. “R.I.P (Rock in Peace)”
  5. “Carry Me Home”
  6. “Crabsody in Blue”

Side B

  1. “Cold Hearted Man”
  2. “Snake Eye”
  3. “Borrowed Time”
  4. “Down on the Borderline”
  5. “Big Gun”
  6. “Cyberspace”

Part 52: Air Guitar

RECORD STORE TALES Part 52:  Air Guitar

I can’t help it.  When a good song comes on, it’s an unconscious reaction:  I start strumming the chords in air guitar…beating the air drums…slappin’ da bass!  (Nobody plays air keyboards.)

Everybody around me was embarrassed to the nines.  But you can’t stop the rock!

I jumped on counters.  I even once jumped down on the floor and did the Angus Young spinny spinny thing.  When there were no customers.  Sometimes I had to jump right off the counter as a guy was coming in.

“Yeah…heh…just playing some air guitar…”

The first time I was ever caught playing air guitar at work, it was actually at my first job at the grocery store.  I was working in the parcel pickup area, and it was March break, about 11 in the morning, and it was dead down there.  So they get you to sweep up the area, clean it up real good.  And we had a tape deck down there.  Well, I started playing air-broom-guitar when one of the assistant managers walked in.  He just smiled.  Probably thought I was half out of my mind.

My air guitar at weddings is now legendary.  It is now tradition that I get down on the dance floor and do the Angus Young spinny-spinny during “You Shook Me All Night Long”.  Last time, I did it in a kilt.  Don’t worry, I didn’t wear the kilt “traditionally”.

Air guitar is an expression of one’s connection to the rock.  If the rock connects, then the air guitars come out.  Next thing you know, you’re doing Van Halen on the countertops, pretending it’s the “Hot For Teacher” video.  It happens!

 

Part 30: Sausagefest

I can’t believe we’re already at Part 30.  And we’re just getting started, folks.  Stories have been collected, going back a decade.

For Part 30, something of a milestone I guess, we’ll do something special.

SAUSAGEFEST

Much like a secret society, men today speak of Sausagefest in hushed tones.

Earlier, I mentioned Tom and Eric (“Uncle Meat”) and something called Sausagefest (in a previous chapter).  What happens at Sausagefest, stays at Sausagefest.  Mostly.  But here’s what I can tell you.

The heart and core of Sausagefest is the annual Top 100 list.  The format has varied slightly over the years, but it remains largely unchanged.  They take votes from all attendees, months in advance, of their top 100 song picks that year.  They tabulate them, and over two crazy nights in an undisclosed but vast outdoor location, they count them down one by one.

Beer is consumed.  Sausage is eaten.  There are no vegetarians at Sausagefest.  I have packed Froot Roll Ups in the past but that’s it for me.  The rest is all sausage, and succulent marinated lamb for me.

The top 100 list was started by Eric and his buddy Derek back in 1990.  It was New Year’s Eve, and he collected a top 100 list and put together the tapes (!) himself.  He often had to borrow a CD from somebody to do it, because there was no web.   An evening would typically run from 5pm to 3am, solid with tunes and the odd skit in between.

This went on for three years.  Much later, in 2002, the concept was reinvented as Sausagefest.  The setting was now a pristine scenic valley with a river running through it.  Awesome.  A generator powers the wall of sound, and there are no neighbors to complain about the noise.

The top 100 is usually epic in scale and scope.  You will hear everything from AC/DC to Zappa, as far out as Dixie Dregs, and as local as Helix.  You will hear Lightfoot, Cash, Nelson, and Kristofferson.  Maiden and Priest are regulars, and the thrash gets positively evil.  Mercyful Fate anyone?

The story goes like this:  Tom was frustrated one night and blurted out, “We need just an all-guys’ weekend. We can have it up at the farm.  Summer weekend  No chicks.  And it will be called Sausagefest…’cause if you dont have your own personal sausage…you can’t come!”

The “moment of clarity”, as they say, was instant.   They both knew they had to do this, and that the music would be the core of it.  Only these two guys could have cooked up and executed an idea like this at that moment.   The planets were aligned or something.  I bet if you knew the exact date that they invented Sausagefest, you would be able to find that a supernova happened that day too.

Again they did it on cassette.  Tom’s music collection was massive at that point, about 1500 discs and a growing collection of vinyl.   Only these guys had the resources to do it.  Finding these songs, on download, at the time?  Very difficult.

For the record, the very first #1 at the very first year was “Wreck of the Edmund Fitzgerald”!  Epic.

So Sausagefest was born, and the first one was a success.  Unfortunately I did not attend the first four.  In fact I didn’t attend a single one until I had quit the record store.  2006 was my first Sausagefest.  For many of them, I simply could not get the weekend off.  Everybody wants time off in the summer, and the actual date for Sausagefest wasn’t always known with enough notice.

The other factor in me not going was I was really stuck in a rut at the time with the store.   I was paranoid to leave town.  There were fuckups literally all the time that needed to be fixed, fires that needed to be put out, that I never felt comfortable leaving.  The very last vacation I ever took at the store was 2002.  No coincidence.

However once I was free of that fear, I drove up with no tent and just a cooler full of meat, water, and Roll Ups.  Actually no, that’s not true!  I was told there was no need to bring meat, because there was so much there, it wouldn’t be a problem.  So just water and Roll Ups, that first year!  I slept in my car.

At night, the music starts and the air guitars come out.  But the days have their own traditions.

An Iron Maiden loving guy named Zach brings the lamb.  He brings more every year and there is still not enough to satisfy my hunger.  It is incredible.  Zach is the lamb lord.  Some people put it on bread but I just eat it right with the fingers.  It’s an incredible meal, every year.

There is always beer and plenty of it.  A beer wagon was actually rented for two of the years.  Beer is consumed in massive quantities.  There is always one guy passed out before the top 100 really even gets going.  But that’s OK.  Nobody’s driving anywhere.  Sean often picks up coffee for the boys in the mornings but that’s about it.  We’re in it for the long haul.  And I mean long haul.  Music is often still playing at 3am.

My problem is I can’t sleep in at all, so I’m up by 7.  I’ll grab a book, a beer, and a chair and head down to the river.  My first Sausagefest, I was reading Dune.  It was incredible reading it in the river with nobody even awake yet.

The toilet is always a highlight.  I’m convinced that the boys rented a Porta-Potty for me specifically my first year, to keep me coming back.  Because there hasn’t been one since.  Why?  I don’t know.  We could easily collect for it, just like we do beer.  But they don’t do it!  I’m convinced it’s because part of the Sausagefest experience is shitting in the woods.

I won’t lie, I love peeing outdoors.  I’m not the only one either.  In a survey done at work, 3 out of 4 men enjoy peeing outdoors.  It’s just a natural expression of the animal side that is a part of nature, or something.  That’s what I tell my wife anyway.  What did our ancestors do?  Pee outside.  It’s social.  I’ll be at Sausagefest peeing, and another guy will pee next to me, and be like, “Hey man, how’s it going?  Good tunes eh?”  Anyway, I’m getting off topic again.

There’s a chair with a hole in the seat that you’re supposed to shit in, and the tree next to it has toilet paper hanging from the branch.  Personally I don’t want to see someone else’s shit.  Just a thing I have, I guess.  So I shit in the river.  Yes, I shit in the river.  The river is fast-flowing, like a toilet, but it’s cold.  You turtle right up stepping in.  But it’s also like a combo toilet/bidet.  You’re clean when you’re all done.  And I’ve seen dogs shit in it, so….

The worst thing about Sausagefest is, in fact, the shits.  You’re eating nothing but greasy (but delicious!) meat (not Meat!).  Every year, it is up early on Sunday morning (always by 6:00 am) on on the road, as fast as possible, to an actual bathroom!

Unfortunately, as stated, what happens at Sausagefest stays at Sausagefest, so I really can’t get too much into the stories.  I will say this.  It’s something that I look forward to every summer.  All of those guys do.  We talk about it when we arrive, how this event can be the best weekend of your entire year.  It’s also strange how time stands still up at the farm.  “Wow, just doing that drive up here, it’s so familiar like I was just here last week.”  It happens every year.  You get there and it feels like you never really left.

The music, combined with the fellowship, and of course the sweet joy of swimming in the river when it gets hot, makes this almost a spiritual place.  A Mecca for those about to rock, so to speak.  It is a secret society that I am proud to be a member of.

Part 1: The Beginning – “Run to the Hills”

 

RECORD STORE TALES PART 1:  The Beginning – “Run To The Hills”

I still remember the first time I heard Iron Maiden.

Maybe it’s this way for some when they remember the first time they heard the Beatles, or the Stones. Or for those younger, maybe it’s like the first time they heard “Smells Like Teen Spirit” or “Fake Plastic Trees”. The first time I heard “Run To The Hills” was monumental to me, but I didn’t realize yet what the massive impact would be.

It was Christmas of 1984. I was a mere 12 year old looking for musical direction.  I hadn’t been much interested in music prior to that.  I had albums by Quiet Riot and Styx, but my majority of my collection was John Williams’ movie soundtracks.

I really wasn’t interested in music yet. I had yet to dedicate myself to any particular style. At the same time that I would listen to Quiet Riot, I somehow also thought Billy Ocean was cool.

Well, the video for “Loverboy” was nifty….

I had always been kinda afraid of heavy metal bands.  Guys that wore spikes, like Judas Priest or Iron Maiden. Kiss literally scared me when I was buying my first comics (there were always ads for Kiss posters inside comic books), and I know I wasn’t the only one. The neighbor kid was scared to death of Gene Simmons spitting up blood. Bands like Maiden and Priest looked like a bunch of hooligans, definitely up to no good, definitely out to hurt people, including kids.

Boxing Day, Bob came over. It was tradition, every Boxing Day, Bob and I would get together and compare our Christmas scores. Bob scored a cassette tape called Masters Of Metal Volume 2 and I was given an Atari game called Snoopy Vs. The Red Baron.

In my basement, we sat down to play the video game. Our goal was to take the game as far as humanly possible, to see what happened when you shot down so many planes that the Atari didn’t have enough characters to display it anymore. (Incidentally, disappointingly, like most Atari games, it just starts counting up from zero again.) We sat there playing that game so long that Bob had to go home and eat lunch, then come back. But what he left behind while eating was Masters Of Metal.

“Run To The Hills” came on. Some people speak of moments of clarity: That was my moment. The music was fast, powerful, dramatic and melodic. The lyrics were cool and you could mostly sing along. Most importantly, the music and lyrics seemed to combine with the game experience. When Dickinson was singing “Run to the hills, run for your lives!” it meshed perfectly!  Too bad Aces High wasn’t out yet!

A moment like that could quickly pass into history and be forgotten for most people.  As the day wore on, I realized that I had found something. This music kicked ass!  I was brought up on movie soundtracks.  This stuff had the same drama, but with guitars!   This was even better than Quiet Riot and AC/DC, so I said at the time.

It didn’t end there of course. We played through Masters Of Metal, finding a few more diamonds. “You’ve Got Another Thing Coming” By Judas Priest was definitely a close second to “Run To The Hills”. We were fixated on Accept’s “Balls To The Wall”.  We’d play it over and over again laughing hysterically at the lyrics.  But the song still rocked!  I can still remember when MuchMusic started the Power Hour, and they played that video.  There’s little Udo Dirkscheider, in his camo pants, and crew cut, rocking with these skinny German guys with long hair.  It was fucking hilarious!

We skipped (what we then thought was) the crap…Lee Aaron, Anvil, Triumph.  I grew into them later, particularly Triumph.  Something to do with double guitars, maybe.  I digress.  We always came back to Iron Maiden.  Always.

Bob would bring other tapes over as the months and years went by. W.A.S.P., Motley Crue, Black Sabbath. Now Bob’s a father of four who doesn’t listen to rock music anymore, which makes me sad in a way.  I’m not sad for him, because he’s got a great family and always has.  I’m more sad because I don’t think he can ever appreciate what impact our shared experiece of rocking out had on me.  Listening to Iron Maiden, Judas Priest, and the rest.  The was it, the beginning.