rock music

REVIEW: David Lee Roth – “Stand Up” promo 12″ remix single

It’s THE WEEK OF SINGLES!  Each day this week I’ll be bringing you reviews and images of a recent CD or vinyl single acquisition.  Craig Fee picked this up for me at Jerry’s Records in Pittsburgh, Pennsylvania.

Monday:  Van Halen – “Best of Both Worlds” 7″ single
Tuesday:  Deep Purple – “Above and Beyond” CD and 7″ singles
Wednesday:  Aerosmith – “Dude (Looks Like A Lady)” 12″ single

IMG_00001369_editDAVID LEE ROTH – “Stand Up” (1988 Warner promo 12″ remix single)

I had no idea this even existed!  Craig found this one knowing it was something that I would find very interesting.  Indeed!  Promo discs sometimes do have exclusive bonus material on them, although most do not.  I generally only value a promo disc if it has some kind of rare versions on it.  This David Lee Roth 12″ has two exclusive remixes that I’ve never heard, nor heard of, before.  Both exceed 7 minutes.  These mixes were probably done in an attempt to get the song “Stand Up” played in dance clubs, a fairly common practice.  Aerosmith, for example have many such remixes, released on commercial singles.

“Stand Up” is a good choice from the Skyscraper album for such an attempt.  It was already the most pop and dance-like of the 10 tracks. These remixes were done by François Kevorkian, a name that made me chuckle a bit at first.  Craig however immediately recognized the name, and told me that he’s actually a well known mixer.  His name can be found on the credits of Depeche Mode’s Violator and Kraftwerk’s Electric Café albums, among others.

I’ve always said that remixes aren’t my thing, but I actually like these two versions of “Stand Up”.  They are both similar in style, but have traits in common.  They both have a similar sparse style that brings forward isolated elements of the mix to the forefront.  There are some vocals here that you probably haven’t heard before, because they were never that prominent.  Same with Steve Vai’s lead and rhythm guitar, which is actually used generously in these remixes.  I’m not a big fan of dance-y rhythms, but it works on “Stand Up”.

The two remixes are the “Swank Remix (E.Z. To Swallow)” and “Extended Edit (The Long 1!)”.  These unbearably annoying names had me expecting the worst, but I find this single to be quite listenable.  I kind of like them actually.  Bonus: the so-called “extended edit” has plenty of cowbell.  Cheers to François Kevorkian!

3.5/5 stars

More DAVID LEE ROTH at mikeladano.com:

Sonrisa Salvaje (Eat ‘Em and Smile 1986 – Spanish version) – Skyscraper (1988) – Your Filthy Little Mouth (1994 Japanese version) – DLR Band (1998) – Diamond Dave (2003)

REVIEW: Aerosmith – “Dude (Looks Like A Lady)” 12″ single

It’s THE WEEK OF SINGLES!  Each day this week I’ll be bringing you reviews and images of a recent CD or vinyl single acquisition.  

Monday:  Van Halen – “Best of Both Worlds” 7″ single
Tuesday:  Deep Purple – “Above and Beyond” CD and 7″ singles

 

AEROSMITH – “Dude (Looks Like A Lady)” (1987 Geffen 12″ single)

There was an old Canadian magazine called Music Express that was…well, it was OK.  Back in 1987 they did a spread on the new Aerosmith (Permanent Vacation), including a really cool caricature of Steven Tyler that I cut out and kept.  This Aerosmith article contained what I now consider to be a myth, although one that led me on a wild goose chase for years.

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Music Express

The magazine claimed that one of the new Aerosmith B-sides was a song called “Once is Enough”, a collaboration with Willie Nelson.  Not only did I believe this to be true, but it was seemingly confirmed by an old customer of mine who insisted she had this Willie Nelson tune.  Now I’ve finally acquired the “Dude (Looks Like A Lady)” 12″ single with “Once is Enough”, and there is absolutely no indication that Nelson had anything to do with it.  I wonder if the confused writer thought that John Kalodner in the music video for “Dude (Looks Like A Lady)” was Willie Nelson?  That’s as much insight as I can offer on this strange myth.

As it turns out, “Once is Enough” is an outstanding song, and no wonder:  It was written by Richie Supa, who also wrote three of my personal Aero-faves:  “Chip Away the Stone”, “Lightning Strikes”, and “Amazing”.  Supa has a certain magic in his melodies, rooted in old time rock n’ roll.  When Aerosmith record a Supa song, the results are seldom disappointing (“Pink” being the only letdown I can think of).  It does have a country twang to it, particularly the intro, but otherwise this is a rock n’ roller.

Although “Once is Enough” is instantly likeable and arguably an unknown classic, it was never released on any of the numerous Geffen Aerosmith compilations.  I think it’s stronger than much of the material on Permanent Vacation itself.  I can only assume it did not make the album because it’s too different from the songs that did.  In fact it probably would have fit better on Pump, which also had some twang on the hit “What It Takes”.  The country vocal harmonies are really sweet, and Joe Perry lays on some awesome slide.  When it takes off into full-on rocker mode, it’s irresistible.  Why a great tune like this remains so hard to get more than 25 years after its release, I don’t know.

The rest of the songs on the single are Permanent Vacation album tracks:  “Dude”, “Simoriah” and “The Movie”.  I’ll be honest, I never thought much of “Dude”.   It was originally titled “Cruisin’ For A Lady”, but obviously the new words (supposedly inspired by Motley Crue) have become a Tyler landmark.  So, good on them.  It’s been used in numerous movies and is a radio staple today.  With that Bruce Fairbairn horn section in there, I just thought it was too pop.   No matter how I feel about this commercial rock song, Joe Perry’s solo smokes.

Both “Simoriah” and “The Movie” are filler as far as I’m concerned.  For its merits, Permanent Vacation had a bit too much filler on it.  I’m more of a Pump guy myself.  As filler goes, “Simoriah” has a speedy groove going for it, but it’s not an outstanding song.  “The Movie” is just an atmospheric instrumental.  I’ve never felt that Aerosmith compose the most interesting instrumentals in the world.

Just 3/5 stars for this one…but 5/5 stars for “Once is Enough”!

One last thing:  I also have a CD single for “Dude (Looks Like A Lady)” completely different from this.  It was obviously a later release, since one of the B-sides was “Love In An Elevator” live.  “Once is Enough” was not on that CD single.

More AEROSMITH at mikeladano.com:

Music From Another Dimension! (2012 deluxe & regular editions) – Get A Grip (1993 limited “cow hide” cover) – Draw the Line (1977) – Record Store Tales Part 95:  Aerodouche Dandy

REVIEW: Deep Purple – “Above and Beyond” (CD and 7″ singles)

It’s THE WEEK OF SINGLES!  Each day this week I’ll be bringing you reviews and images of a recent CD or vinyl single acquisition.  Today’s is fresh hot off the presses!  I received this single on Saturday (the 16th).

Yesterday:  Van Halen – “Best of Both Worlds” 7″ single

DEEP PURPLE – “Above and Beyond” (CD and 7″ singles, Edel)

This has been a banner year for Deep Purple singles!  We’ve had “All the Time in the World”, “Hell To Pay”, “Vincent Price” and now “Above and Beyond” from the excellent new album NOW What?!  There’s a “gold” edition of NOW What?! coming soon, and I believe most of the B-sides from these singles will be on it.  Most, but not all…

“Above and Beyond” is one of two songs on the new album dedicated to Jon Lord.  It’s probably the most progressive sounding of the new songs.  It’s certainly one of the most epic.  I think Jon would have loved it.  Canadian producer extraordinaire Bob Ezrin adds his shine on “Above and Beyond”, you can really hear it in the arrangement.

The second track on the CD version is “Things I Never Said” from some editions of Rapture of the Deep.  It was originally from the Japanese CD, and then the “special edition”.  It’s one of the better songs from Rapture, and I’ve always liked Steve Morse’s guitar riff.  I just didn’t need to buy it again on a single…

IMG_00001462Brand new live recordings are the real bait on this single.  The CD has two; I don’t believe either is going to be on the “gold” edition of NOW What?!.  “Space Truckin'” (Rome, Italy 07/22/2013) doesn’t seem as peppy as other live versions I’ve heard.  I suppose that’s why some versions are destined for B-sides, right?  A pair of covers close the CD:  Booker T. and the M.G.’s classic Hammond organ instrumental “Green Onions” and Joe South’s “Hush”.  “Green Onions” serves as an intro to “Hush” essentially.  It’s a great song for a band like Purple to do anyway.  These come from Sweden, 08/10/2013.  Gillan’s struggling a little bit on “Hush”, but Airey and Morse get playful during the solo section, and it’s very reminiscent of how Blackmore and Lord used to interact.

The exclusive bonus track on the 7″ vinyl single is a different recording of “Space Truckin'”.  This one is from Majano, Italy, two days after the other version.  I actually prefer this version to the one from Rome.  I’m not sure why; maybe it’s just that audio illusion of warm vinyl.  Maybe Morse just sounds dirtier.   This single is absolutely beautiful, on purple clear vinyl complete with limited numbered stamp.  Mine?  #1934 of 2000.  I’ll consider myself lucky.  It’s kind of mind blowing to think that there’s an exclusive Deep Purple live recording out there, only 2000 copies made, and I have one of them.

4.5/5 stars

More Purple at mikeladano.com:

Live at Inglewood 1968, Deep Purple (1969), Machine Head (40th Anniversary Deluxe Edition + vinyl + In Concert ’72 vinyl), Perks and Tit (Live in San Diego 1974), Stormbringer (35th Anniversary Edition), Come Taste the Band (35th Anniversary edition), Power House (1977), The Battle Rages On… (1993), Shades 1968-1998, Collector’s Edition: The Bootleg Series 1984-2000 (12 CD), Listen, Learn, Read On (6 CD), Rapture of the Deep (2 CD Special Edition), “All the Time in the World” (2013 CD single), NOW What?! (2013) Record Store Tales Part 32: Live In Japan, STEVE MORSE BAND – StressFest (1996), ROCK AID ARMENIA – Smoke on the Water: The Metropolis Sessions.

REVIEW: Van Halen – “Best of Both Worlds” 7″ picture sleeve single

I’ve been hinting at this for a couple weeks now.   No more teasing!  For this is…THE WEEK OF SINGLES!  Each day this week I’ll be bringing you reviews and images of a recent single acquisition.  For the purpose of this week, EPs count as singles.  First up comes one I teased you about in my Overload of Van Vinyl gallery.

 

VAN HALEN – “Best of Both Worlds” (1986 Warner 7″ single)

Craig Fee returned with this single (among many) from Jerry’s Records in Pittsburgh.  It was actually $3, not the $2 on the sticker (no big deal).  About the store itself, Craig says:

Jerry’s Records in Pittsburgh has incredible online reviews for a reason.  When I was last there, Jerry and I chatted about the legendary Peter Dunn’s Vinyl Museum(s) in Toronto.  We laughed about the random samples of Bible verse stamped on every single record sleeve that Peter sold.  It was completely over the top!  Glad to hear I wasn’t the only one who WTF’d the first time I encountered it.  

I asked Craig to pick up any Van Halen singles with picture sleeves that he could find.  Of those, “Best of Both Worlds” has one of the least interesting covers.  No pictures of the band, just a generic looking sketch of a globe and two jet planes.  Not even a proper Van Halen logo to be found.  This lack of anything amusing on the cover is compensated for by the exclusivity of the tracks.

The A-side is a version that I didn’t have before.  It’s a 3:58 edit version of the song, chopping 50 seconds out.  The edit is quite noticeable at the 1:00 mark, where the second verse is chopped out, and then replaced after the chorus.  It’s into the guitar solo from there, and then the final verse.   Missing is the “There’s a picture in a gallery, of a fallen angel looked a lot like you,” verse.

Van Halen never released the ubiquitous Live Without a Net home video on any kind of official audio format.  Some of those songs, such as the live version of “Love Walks In” did make it onto an unofficial CD called In Concert (found at Encore Records in Kitchener).  “Best of Both Worlds” did not make it onto In Concert, but here it is on the B-side.  It’s live in New Haven, complete with the extended intro, bringing the track to over 6 minutes.  The intro features Eddie and Sammy doing a fun call and response bit and I’m glad it wasn’t edited out for the single release.  I’ll always have a fondness for the old Live Without a Net versions.  Back in ’86-88 I didn’t have the money to buy every single album by bands that I liked.  I didn’t have 5150, and Live Without a Net was on TV enabling me to record it.  Therefore I probably know this version of “Best of Both Worlds” better than the 5150 version!  It’s a little tougher, where the album version’s a tad too sterile.

I don’t mind this song.  It’s not a Van Halen classic, but it’s still catchy.  Unlike some of the other singles, it wasn’t keyboard based.  That gave it an edge to my 16 year old self who didn’t like keyboards as much as guitars.  Craig on the other hand had a different reaction to it:

“Best Of Both Worlds” is the song that might’ve been the catalyst for my divorce of Van Hagar as the logical continuation of my favourite band.  The lyrics are absolute fucking cornball nonsense.  Look them up.  You’ll see what I mean.  The Live Without A Net version on the B-side of the single brought me vivid flashbacks of those awful pink sweat pants Eddie wore onstage for the concert video.  Those terrible Sammy and Mike harmonies.  That cheesy walk Mike, Sammy and Ed did onstage.  Sammy’s spray painting of the shoes and the accompanying ad-lib were possibly the lamest shit I’ve ever heard.  Do you think David Lee Roth would’ve had a pair of fucking SHOES thrown onstage?  Hell no!  There’s a reason I don’t own a copy of this myself.

He does have some valid points there.  Thankfully this 7″ single contains just the music, and not those cheeseball visuals!  Why was Eddie so into sweat pants?  I blame Sammy Hagar.  For me, this was a great find and a great way to kick off Singles Week at LeBrain HQ.  Check back tomorrow for another rarity!  (A brand new release in fact.)

4/5 stars

More VAN HALEN at mikeladano.com:

A Different Kind of Truth (2012) – The Best of Both Worlds (2005 2 CD set) – Record Store Tales Part 186: The Van Halen Tin – Van Halen III (limited edition tin) – “Can’t Stop Loving You” (1995 single tin) – “Right Now” (1992 cassette single)

Part 246: Dancing Steve


RANGERS

RECORD STORE TALES Part 246:  Dancing Steve

One of our best customers at the original store was Dancing Steve.  I’ll get to why he’s named Dancing Steve in a minute, but I first met Steve when I started at the store.  Steve would come in or call looking for various cassettes (never CDs), and put them on hold until he had $150 or $200 worth, and buy them all in one shot.  That’s just how Steve rolled.  Normally we would never stockpile so much inventory for a customer for so long, but Steve spent so much money and was so pleasant that it was a special arrangement just for him.

Steve would call looking for songs.  I can remember putting a Gina Vannelli tape on hold for Steve, and I also remember him looking for Rod Stewart’s then-recent song “This”.  I found that song on Rod’s latest, the excellent A Spanner in the Works.  It was always so nice dealing with him, he was so friendly, and even if we didn’t see him for two months at a time, he was uber-reliable.

I knew Steve was a hockey fan as he would often wear a Kitchener Rangers hat or jacket.  What I did not know was that Steve was legendary among Rangers fans!  Steve often wrote (and I think he occasionally still does) long letters to the editor of the local newspaper, cheering on our Rangers and offering his strategic advice.

T-Rev and I found ourselves at a Rangers game one weekend.  I don’t remember the circumstances.  We may have got the tickets for free, but neither of us were particularly fans of the game back then.   The Rangers scored, the crowd cheered!  Then, T-Rev noticed some commotion in the seats of one corner of the auditorium.  To our left and down was a man in a Rangers jacket and hat, dancing.  It wasn’t a sophisticated dance, it was a bit of an awkward shuffle, in that big warm Rangers jacket.  The crowd loved it, cheering him on!   It was none other than Steve, our Steve.  I found out his actual nickname in town was Dancing Steve, because he had seasons tickets and rarely missed a game.  Steve would get up and dance any time something good happened: a goal, a power play, whatever!

To this day, I feel cool that a local legend like Dancing Steve was one of our earliest, most loyal customers.  In fact we didn’t lose Steve until 1997, when we discontinued carrying cassettes.  Steve didn’t make the transition over to CD.  He was crushed when T-Rev had to tell him we weren’t going to be selling tapes anymore.

I have been to a couple Rangers game since, but not seen Steve.  I know he still goes though, as I’ve heard tell that Dancing Steve dances on at the Aud.  I would like to dedicate this chapter to Steve, an example of a jolly good fellow if there ever was one!

TOMORROW:  Something exciting.

GUEST REVIEW: The Beatles – Stereo Box Set LP version


THE BEATLES – Stereo Box Set (2009 LP version, Apple/EMI)

By: Lemon Kurri Klopek

I’m a sucker for a good boxed-set. I own several. A couple from The Beach Boys, and The Who, one from David Bowie, The Rolling Stones, heck, even The Monkees. When we’re talking The Beatles though, I have a number of them. The original bread box set of CDs, the Singles Collection, the E.P. Collection, the Anthologies, The Capitol sets, the Mono box and the Stereo box. Then of course the individual solo sets. The Lennon box, Onceuponatime, the Darkhorse Years, the list goes on. I have the special editions from each member’s solo catalogue. All Things Must Pass, Band On The Run, etcetera.  So when I saw the giant LP collection sitting there staring at me in the record store, it was no surprise when I found myself lugging it, double bagged out to the trunk of my car.

I must say it is an impressive set. All original UK releases plus Past Masters, all stereo versions, and all on 180 gram vinyl. These sets of vinyl are on the retail shelves for close to $350. I bought mine from a local establishment that was running a sale that weekend. I walked out having parted with 276 of my dollars. That’s tax included too. Not a bad deal considering there are 14 records (two of which are doubles.) That is less than $20 per record if you’re keeping track.

BEATLES

One small added bonus is, there is a foam cushion in the box that when removed makes room for the Yellow Submarine Songtrack and the #1s double record released years ago. Now I’m sure you could put other releases in there like, I don’t know, Love, or Yesterday and Today but I put in #1s and Yellow Sub. You put in whatever you like, it’s a free country… Anyway…

I figured the thing to do was to start at the beginning. So after unsheathing the box from its’ cellophane wrapping, (one of the best parts of buying a record and sadly something a generation will miss out on entirely) out came the beefy 180 gram stereo version of Please Please Me. I placed it on my Rega turntable and dropped the needle. In an instant it was the 11th of February 1963 and I was standing in EMI Studios on Abbey Road in London. Listening to what for all intents and purposes is a recording of The Beatles live set at the time. George Martin’s stereo mix of “I Saw Her Standing There” which was released a month after the original Mono mix, was filling my living room. The second release With The Beatles followed and then of course, A Hard Day’s Night. Stellar the lot.

5/5 stars

Contents:

Please Please Me (1963)
With The Beatles (1963)
A Hard Day’s Night (1964)
Beatles for Sale (1964)
Help! (1965)
Rubber Soul (1965)
Revolver (1966)
Sgt. Pepper’s Lonely Hearts Club Band (1967)
Magical Mystery Tour (1967)
The Beatles (1968)
Yellow Submarine (1969)
Abbey Road (1969)
Let It Be (1970)
Past Masters (1962–1970)

Further reading:
THE BEATLES – In Mono (2009)

REVIEW: Scorpions – Taken By Force (remaster)

The second review from Toronto Record Store Excursion 2013!  I paid $7.99 at Sonic Boom.

2002 Remaster
Original Cover

SCORPIONS – Taken By Force (1977, 2002 Hip-O/Universal remaster)

I don’t have all the Scorpions albums, but I’m filling in the blanks with some of the critically acclaimed early albums.  Through that process I discovered that I really like the Uli Jon Roth period!  Taken By Force was their last studio album with Roth, although it was followed in 1978 with the double live Tokyo Tapes.  Taken By Force was also the last Roth-era album that I needed in my collection.  Unfortunately, according to the Wikipedia, although this remaster contains a bonus B-side and live track, it also contains an edited version of “Sails of “Charon”, a flaw common with almost all CD versions.

Taken By Force immediately states its heavy metal purposes with “Steamrock Fever”; the sound of a jackhammer and pounding riff opens the album.  Its anthemic chorus, melded with some Roth six string trickery and that unrelenting jackhammer will knock you down.  The Scorpions are not winning any awards for lyrical poetry, preferring to take the sledgehammer route with their message too.

All this is well and good, because next is a respite.  At least for a few moments, “We’ll Burn the Sky” allows you to cool down, before a classic Schenker riff takes the fore.  “We’ll Burn the Sky” is classic Scorpions.  It combines their penchant for melody and talent for executing memorable guitar riffs.  Roth’s slippery classical-like licks are icing on the cake.

“I’ve Got to Be Free” is the first Roth composition and features the odd bluesy licks flickering in and out of an otherwise heavy rock song.  I really like the screamed verses.  The broken-English lyrics of “The Riot of Your Time” seems to refer to the death of Elvis Presley, while foretelling the future of “’94 or ’95”.  According to the Scorpions, if the world is still alive by 1995, it will “be the start for the riot of your time”.  I don’t know what that means exactly, but the guitar seems to echo The Who’s “Pinball Wizard” through a heavy metal filter.

The original LP would have been split there and side 2 introduced by wind-like sounds, before entering “The Sails of Charon”.  That windy intro is cut on this CD, so “Charon” commences with the riff.  Surely, “The Sails of Charon” must go down as Uli Roth’s greatest contribution to the Scorpions.  This majestic masterpiece is ambitious, elegant and exotic.  And heavy.  Let’s not forget that the riff, while highbrow, is as heavy as a load of concrete.  (Incidentally, Testament did an amazing cover of this.)

“Your Light” is a funky Roth composition, one of the most likeable on the whole album.  When I say “funky” I don’t mean Sly and the Family Stone, think more the Deep Purple variety of funky.  There is also common ground here with sounds that Van Halen would later inhabit.  Then, “He’s A Woman – She’s A Man” resumes the sledgehammer assault that dominated side one.  New drummer Herman Rarebell had his first writing credit on this single.  Album closer “Born to Touch Your Feelings” is a ballad, with a long outro and overlapping voices.  It’s a solid, dramatic closing to an album that grabbed my attention at every turn and every song.

This 2002 remaster contains two bonus tracks.  First is “Suspender Love”, which was originally the B-side to “He’s A Woman – She’s A Man”.  It’s a slinky tune, fun and all, but very much unlike Taken By Force as a whole.  Still, I have no problem with the inclusion of relevant B-sides, so I’m glad to have this. The other bonus track is “Polar Nights”, originally from Virgin Killer but included here in the Tokyo Tapes version.  This was done because when Hip-O reissued and remastered Tokyo Tapes, they did it as a single disc meaning this song wouldn’t fit.  It was included here so you could still buy a complete Tokyo Tapes.  This is kind of sloppy, but at least the whole package is still available.  Also, since “Polar Nights” is a showcase of Uli’s bluesy, funky fingering, it’s also a nice way to close his final album with the Scorpions.

5/5 stars

As usual, the Scorpions courted controversy with their album cover.  The original “graveyard gunfight” photo was replaced in many regions with a plain cover with band photo.  This remaster unfortunately has the alternate artwork.  Shame about that.

Record Store Excursion 2013!

PART 1

PART 2

MOVIE REVIEW: Hot Tub Time Machine

HOT TUB TIME MACHINE (2010, Unrated)

Directed by Steve Pink

Warning:  The delightfully titled Hot Tub Time Machine is the same as every other modern comedy.   Outrageous situations! Gross-outs! Swearing!  Hollow characters!…but I liked it. What can I say, I’m easily amused. I don’t mind this kind of movie, plus it has an 80’s metal slant.  The performances by John Cusack and Rob Corddry  were good enough to keep me entertained long enough.

Plot in a nutshell: Three dudes plus Cusack’s nephew are going nowhere in life and in their relationships. Trying to dip back into the past, they visit the same ski resort that they went to back in ’86. It’s gone downhill since then, but after a drunken night in the hot tub, they wake up (gasp!) back in 1986, forced to relive one of the most interesting vacations of their lives! Will they do things the same? Will they try to change the future? Can they even get back to the future? What about the nephew?  Watch to find out!

Each character has his own trip to relive, Corddry’s being the lynchpin of the whole situation. The plot is pretty simple but the movie is fun. Great music from the 80’s — Poison, Motley Crue, and more — make this a movie for the balding generation. Heck, there’s even a vintage-looking Poison concert complete with some dude that looks exactly like C.C. Deville circa Look What The Cat Dragged In.

To its credit, the ending was a twist I didn’t expect, and I enjoyed the cast including Chevy Chase. It was fun revisiting some aspects of 1986 (even though some tunes, such as “Kickstart My Heart” didn’t come out until ’89).

Blu-ray special features include commentaries, deleted scenes and extended scenes. The best deleted scenes were multiple hilarious takes of Corrdry, who’s comes across as a pretty funny guy. Digital copy is included but don’t ask me about it, because I don’t use them. All I know is that the digital copy is just the “rated” version of the film.

3/5 stars. Don’t stop believin’!

  • John Cusack as Adam Yates
  • Rob Corddry as Lou Dorchen
  • Craig Robinson as Nick Webber
  • Clark Duke as Jacob Yates
  • Chevy Chase as Hot Tub Repair Man
  • Crispin Glover as Phil Wedmaier

VAN HALEN rocks SOUTH PARK

This week’s episode of South Park  “Ginger Cow”

VAN SOUTH HALEN PARK

REVIEW: The Jam – Greatest Hits (1991)

 

THE JAM – Greatest Hits (1991 Polydor)

I’ll admit that this is the only Jam that I own; about 10 years ago I decided that I loved this compilation enough to buy the Direction Reaction Creation box set. That box contained the entirety of their studio recordings.  Maybe it was too much Jam at once, or maybe their albums were just not as good as their singles. Whatever; I found that this Greatest Hits was enough Jam for me.  Yet I love all 19 songs.  You’d think I’d be into their albums, if I already liked 19/19 Jam songs on this CD

There’s a great variety of tunes on Greatest Hits: everything’s here from the punk rock snarl of the opener “In The City” to the mournful “That’s Entertainment” to the upbeat fun of “Beat Surrender”. In between you will find some of the catchiest bass lines ever recorded, topped by the undeniable lyrics of Paul Weller. To write this many truly great singles…well you just don’t see it that often.

The Jam rocked, The Jam were cool, from punk rock to Motown soul and funk, these guys did it all and did it well. You would be well advised to pick this up.  It’s cheap now, too.  Less than $5, used.

Songs I really, really like that you may already know:

  • “Down at the Tube Station at Midnight”
  • “The Eton Rifles”
  • “Town Called Malice”
  • “David Watts”
  • “The Bitterst Pill (I Ever Had To Swallow)”

I later bought a second Jam compilation album called Collection.  It concentrated on album tracks and deep cuts and I didn’t like it.  Normally I would advise readers to pick up original studio albums rather than compilations.  This time I feel the opposite way.  I have to rate Greatest Hits:

5/5 stars