sebastian bach

DVD REVIEW: Trailer Park Boys – The Complete Seventh Season

Part six in my series of Trailer Park Boys reviews, as we gear up for the debut of Seasons 8 & 9! 

Part one: Seasons 1 & 2
Part two: Season 3
Part three: Season 4
Supplimental: “Dear Santa Claus, Go Fuck Yourself”
Part four: Season 5
Part five: Season 6

TPB7_0001TRAILER PARK BOYS – The Complete Seventh Season (2007 Alliance Atlantis)

Even though it’s the most different from the classic, early seasons, the 7th and final season of Trailer Park Boys may be my favourite.  It featured a lot of changes, buit the show seemed revitalized by them.

Gone are Cory and Trevor, never to return (well, Trevor at least). In their stead are some new chracters: Tom Collins, the two “alien Trevors”, and expanded roles for Philadelphia and Jacob Collins. (Yes, apparently they are related! Nice ret-con.)

Ricky and Julian have roped Bubbles into helping them with their meat stealing business. Things go bad for Bubbles when he’s left in a freezing meat locker. (“Just pretend it’s winter,” says Rick. “Pretend you’re making snowmen out of meat.”) Bubbles decides never to work with the boys again, and then heads down to the United States with Ray (who is back on the road) selling scrap metal. Things go bad yet again when Ray is arrested for picking up two prostitutes (“friends of the road”), with Bubbles left hanging without a ride.

True friends Ricky and Julian head down to Maine to rescue Bubs, and to cheer him up, take him to a model train convention. There they meet Sebastian Bach (Skid Row) who wants to buy some of Ricky’s dope. A plan is set in motion, combining Bubbles’ skill with model trains and the Bach plan.

In other twists, Randy’s been messing around, and Lahey is still a cop, albeit things didn’t exactly work out for him the way he wanted them to. Jacob is obsessed with Julian, who realizes that he and his two “alien Trevor” buddies will make perfect “jail cover”. When Conky shows up, things get fucky.

Beefed up to 10 episodes, the 7th season was a change of pace.  A fresh direction was much needed after the 6th season, when it seemed Clattenberg and Co. were just treading water a bit. Having Sebastian Bach appear in multiple episodes was a stroke of genius, trumping the previous one-off with Alex Lifeson. Bach is hilarious.

The Rickyisms, amazingly, might be even more clever and off the wall this time. Another well written season, the absurdity of this show has been taken to an entirely new level. Smuggling dope across the border via a model train? It’s so stupid that you can’t help but laugh. All this leads up to a hilarious cross-border confrontation.

Sometimes a show suffers when new characters are needlessly added.  I don’t think that happened here.  Beefing up the characters of Jacob and Phil, as well as introducing Tom Collins, was exactly what this show needed before it seemed like it was on repeat. Sometimes a show needs a shot of new blood after this many seasons, and Trailer Park Boys was very lucky to have the entire original cast intact for 6 whole seasons plus a feature film. In addition, this season wraps up in a nice neat little package like never before. You may even get warm fuzzies. But will it last?

No, it wasn’t to last. One last episode was tacked on (“Say Goodnight To The Bad Guys”) which we will talk about next time.  The jail-freedom-jail-freedom cycle never ends!

Yeah, season 7 is probably my favourite. Not a weak episode in the bunch, and a great story arc.

5/5 stars

Part 296: Four Musical Child Names

RECORD STORE TALES Part 296:
Four Musical Child Names

Some parents choose regrettable names for their children. None of the names below were intrinsically bad, except perhaps in the case of the former Nirvana fan.  Here are four names from children I met in the record store days, and the music that inspired them…

1. Kurdt

KURDT

 

The girl with the toddler named Kurdt was selling off her entire Nirvana collection.  Regrets?  Nah!

2. Lars

Metallica drummer Lars Ulrich.

 

Absolutely hilarious to see a long-haired dad with a Metallica shirt on yelling at his rat-tailed kid:  “Lars!  Stop that!”

 

3. Sebastian

SEB

 

My old customer Gord named his son after the Canadian god of rock.

4. Rhiannon

FLEETWOOD

A mom was in looking for Fleetwood Mac.  “Tell the man your name!” she said to the little girl with her.  With a beaming smile she said, “RHIANNON!  Not Rihanna!  RHIANNON!”

WTF Search Terms: Heavy Porn Metal edition

It’s the regular feature where I reveal weird search terms that somehow led people here.  These are the WTF Search Terms!

 

WTF Search Terms XIX: Heavy Porn Metal edition

There seem to be two clear majorities in search terms categories that I get here:  Heavy metal and porn.  Here are 10 new ones for your perusal.  (For the last WTF installment, A Mixture of Elements edition, click here.)

10. geoff tate ruined queensryche (No argument from me.)

9. porn right motley crue shout at the devil (2 hits.)

8. blaze bayley implant crane (I have no idea what this guy’s looking for.)

7. rock shemale heavy metal ass pics

6. joe perry journey (Wrong band.)

5. why was bobby dall arrested in your mama dont dancs video (You know, I have wondered this ever since that video came out.  I have no idea.  Anybody?)

4. marilyn manson takes out rib for what (Sucking his own dick.)

3. sebastian bach model trains (I love that Trailer Park Boys have turned this into a common urban myth that has come up in my search terms repeatedly!)

2. how much is my 1993 aerosmith get a grip cd worth (50 cents, big spender!)

1. why does peter criss have a huge bass drum (Maybe you’re thinking of Tommy Lee?)

Subscribe for all the WTFs you can handle!

 

REVIEW: Guns N’ Roses – Chinese Democracy (2008)

By request of reader Johnny Sixx: A review of Guns N’ Roses’ Chinese Democracy so long that I split it into two installments. For the first part, click here.

GUNS N’ ROSES – Chinese Democracy (2008 Geffen)

Chinese Democracy, over a decade in the making, became both the biggest joke in rock and the most anticipated album of all time. It polarized music fans as expected. Was it worth the wait? That’s a pretty hard question to quantify. Ultimately it’s up to the individual. Did I expect more, personally?

No. I didn’t expect more. I got what I expected. I did hope for more, but by and large I was very happy with Chinese Democracy.

My first exposure to these songs came in 2001, after the Rock In Rio concert. I downloaded all the new tunes from Limewire. (Remember Limewire?) My favourite of the new tunes was “The Blues” (later renamed “Street of Dreams”) but I also loved “Chinese Democracy”, “Madagascar” and a track called “Silkworms”. Those of us who had heard the songs in advance of the album release were much more likely to enjoy the new GN’R for what it is: Axl attempting to keep the GN’R name going, and stay current. For better or for worse.

For Axl, staying current meant incorporating more electronics. It also meant replacing feel-based guitar players like Slash with shredders.  No, this does not sound like the dirty, blues-based majesty of Appetite. Yet, it does rock. Hard. Add in some samples, lush ballads and some cool lyrics and we have a modern followup to Use Your Illusion I and II. It has the same diversity and experimental bent, even if it sounds nothing like those two albums.

I won’t sit here and defend Axl’s decision to keep going with the name, that’s a dead horse that’s been flogged over and over again. It is what it is, and at least Axl has chosen musicians that are at the top of their fields. The Rock In Rio lineup was already long gone by the time of this album release, but all those guys contributed to Chinese Democracy. That means you will hear guitar solos by ex-members Robin Finck (an underrated player) and the incredible Buckethead. You will also hear drums by Brain, and Frank Ferrer too. You will have contributions from everybody. Hell, you will even get one song that dates back to the Slash n’ Duff years called “This I Love”, another epic ballad. It was written way back in 1993; it’s most likely the oldest song here.

The album is chock full of riffage. The title track itself (written by Axl and ex-drummer Josh Freese, yes that Josh Freese) is a monster. That riff is infectious, as are the verses. Axl loads the whole album full of vocal hooks, piano hooks, guitar hooks — this album may pack more hooks per minute than any other in history, who knows? He certainly had time to come up with and perfect them.

This is an even more dramatic Guns N’ Roses than anything before. Some might say over-dramatic. You thought “Estranged” was epic? This is even more so. Yet, boiled down, “Street of Dreams”, “Madagascar”, and “Better” are all emotion-drenched tunes and extremely well written and executed. The production, as expected, is thick and sweet. Maybe too sweet. A tune like “If The World” for example might have been better served with more basic guitar oriented production? Who knows? I’m sure Axl has done a thousand mixes of each of these songs, before selecting these final versions.

GNFNR_0004

Highlights: “Better” for its angry, awesome riffage. “Street of Dreams” as the natural successor to “November Rain”. The title track, for anger and aggression. “Madagascar” as the next “Civil War”.

Lowlights: Wasn’t much into “Scraped”, “If The World”, and the overly-techno “Shackler’s Revenge”. Illusions had filler too, y’know.

Most of all I love the playing. These are some of the best players in the world, bar none. Plus a guy like Tommy Stinson is a rock veteran with a history longer than Axl’s. With these kinds of experienced rockers on board, Chinese Democracy was bound to be impressive. What Chinese Democracy lacks are two things:

1. Band chemistry. You can’t fake it.

2. A suitable predecessor. If Guns had even one interim album to bridge the sounds and introduce new members gradually, Chinese Democracy wouldn’t sound like such a shock to the old-time fans.

It may turn out that Chinese Democracy is as close to a “bridge” record as we will get. Axl claims the next two albums that he’s written are even more extreme departure from the Guns sound.

Hopefully, those next two Guns N’ Roses records will eventually materialize.  They should include “Silkworms” a great punky synth-rocker, and a song that Sebastian Bach raves about called “The General”. Whenever Axl feels motivated enough to finish them.

4/5 stars

GNFNR_0002

REVIEW: Skid Row – B-Sides Ourselves (1992)

SKID ROW – B-Sides Ourselves (1992 Atlantic EP)

This was a great EP, ranking among some of the better examples of such a format in metal.  I love the MAD-Magazine-esque cover artwork.  I also loved the concept of this EP as a bit of a treat to tide the fans over during the excruciatingly long four year wait between albums. The five selections are all fun, performed competently, and sound like Skid Row. They also sound like a band who truly loves these songs and knows them backwards and forwards.  It’s not quite as satisfying as you want it to be, as it’s only about 18 1/2 minutes long.   (I mean hey, there’s a Ramones cover on here so there you go.)  This is meant to be nothing more than a fun snack, and as such pay no more for this than you’d be willing to pay for any 18 minute CD.

Tracklist time!

1. “Psycho Therapy”

Bassist Rachel Bolan sings this Ramones-approved cover (backed by Faster Pussycat’s Taime Downe).  It was chosen as the first single/video. Excellent cover, very authentic. So well received, it was even included on their Forty Seasons: The Best Of CD.

2. “C’Mon And Love Me”

Classic Kiss cover from Dressed To Kill! A great riffy Kiss song. Skid Row do it justice.  It’s one of those solid, meat & potatoes rock songs that requires no frills, just some solid guitars.  I think this is definitely one of my favourite Kiss covers ever.

3. “Delivering the Goods” (Live)

Featuring the Metal God himself, Rob Halford, in a duet with his buddy Baz! One thing that is immediately obvious is that Baz is absolutely pumped. But then again, he does state that he’s been waiting his whole life to share a stage with Halford.  Great cover, very live sounding, mistakes and all.  Still, “Delivering the Goods” is the weakest of these covers…yet it still blows away most bands.

4. “What You’re Doing”

Perhaps the best cover on the album. This is a first-album Rush cover. Back when Geddy was writing the lyrics, and before Rush were singing about how trees are talking to each other and how different sides of your brain works, or outerspace bullshit. It’s an absolutely ferocious, angry Skid Row cover with Baz paying tribute to his countrymen. Excellent, obscure choice and the only cover on the album that I hadn’t heard somebody else do before (or since).

5. “Little Wing”

A surprisingly great turn on the Hendrix classic. Very different from Jimi’s version (obviously), this sounds nonetheless authentic and classy. Of note, the Skids also did a live-in-the-studio version for the music video.  I wish that version was released on a CD as well.  Unlikely we’ll see that happen.

Covers records can be so very hit-or-miss, but this one is five hits.  Battleship sunk.  Just wish it wasn’t all over in 18 minutes.

5/5 stars

SKID ROW B-SIDES_0003

GUEST WTF Search Terms: Fan Favorites – Thussy Edition

Happy Friday, everyone.  WTF Search Terms is a series in which I reveal actual search terms that somehow led real people to mikeladano.com.  This time I asked my buddy Chris to pick 10 of his favourites from the pile, which he did — along with his own commentary.  Enjoy!

For the last installment of WTF Search Terms, Unsolved Mysteries edition, click here!
For more shits n’ giggles, check out WTF Comments, too!

SWAYZE

WTF Search Terms XV: Fan Favorites – Thussy Edition

Lebrain has wanted me to collaborate with him for a while, and I am no writer, so we decided to do a WTF Search Terms. He sent me a big list of weird search terms, and all I can say is a lot of people looking for porn found Lebrain’s blog. Also, no one can spell anymore.  So, keep reading below to find out my top ten WTF Search Terms!

10. google videos jethu tull too juong old to rock and roll and too juomg to died

“Me fail English? That’s un-possible!”

ME FAIL

9. boobsy animation whores wearing glasses acquire screwed hardcore 4 full animation

Someone was looking for some very specific porn, and ran into Lebrain.

8. toronto shemales tumblr

“If the girl did something to you but you didn’t do it back then you didn’t really do anything.”

7. videos da bada white snack

I had to include this one, because it apparently got 9 hits! Why?

6. oshawa women that like to fuck

Local easy girls, for when hookers are too expensive.

5. marilyn manson without ribs

Even I know that rumour isn’t true.

4. (Three-in-one!)
a. queensryche queensryche eyes of the strangers japan bonus
b. queensryche queensryche eye of the strangers japan import
c. queensrycheeye of the strangers japan bonus youtube

Japanese imports are very expensive.

3. sequined bathrobe

I think Lebrain has one of these.

2. poop in the shower guy

I remember when Lebrain first told me this story, still don’t understand why you would do that.

1. trailer park boys model train rod stewart

Where does Rod Stewart fit into this? “You know what, Patrick Swayze uses illegal parts. That is why he’s winning all the time.”

 

REVIEW: Spacewalk – A Salute to Ace Frehley (1996)

Part 5 in a series on Ace Frehley!  Missed the last part, Trouble Walkin’?  Click here!

Spacewalk – A Salute to Ace Frehley (1996 DeRock/Triage)

Just in time for the massive Kiss reunion tour came this tribute CD.  There were several versions of this.  I have the second-coolest of the three:

  • Least cool:  Regular domestic 10 track CD.
  • Second coolest:  Import CD (Europe?) with brand new bonus track by Ace Frehley himself, called “Take Me To the City”
  • Most cool:  Japanese import CD with that and Sebastian Bach’s “Save Your Love”

This is one of those tributes made up of a mish-mash of metal musicians, no real “bands” so to speak, although all are great musicians.  Scott Travis plays drums on most of it (lending an awkward Priest-like vibe to the drums), Charlie Benate plays with Scott Ian on “Rip It Out”, and Vinnie Paul of course plays with Dimebag Darrel on “Fractured Mirror”.  (This site has all the information and credits for the CD.  Enjoy!  You’ll notice the backing band is basically Racer X on most tracks.)

I’m good with every track on here except one:  Bruce Bouillet’s version of “New York Groove”.  I’m not into drum loops in general, and although the track has a funky groove to it, it’s just not my bag.  On the other hand, Scott Ian’s cover of “Rip It Out” is Anthrax-worthy.  Frankie Bello’s on bass, and somebody named Zach Throne sings it with Scott.  Zach nails an authentic Ace-like vocal, while Charlie’s relentless on the drums.  The Anton Fig drum solo is almost exact note-for-note.  As is the signature guitar solo.

Gilby Clarke’s “Shock Me” is one of the better tracks. I don’t usually think of Gilby as a soloist, since in GN’R he didn’t solo.  His soloing style is unlike Ace’s, but he performs an original solo of his own that is appropriate to song.  On the other hand I wouldn’t count “Deuce” by Marty Friedman (ex-Megadeth) as a favourite.  The vocal (by somebody called Tom Gattis) is a tad overwrought.   Another “blah” tune is “Snowblind”, performed in a too-modern metally sound by Jason McMaster (Dangerous Toys) and Snake Sabo from Skid Row.

Ron Young (Little Caesar, the Four Horsemen) has a soulful but southern sound on “Hard Luck Woman”, an odd choice for a Frehley tribute.  Written by Paul and sung by Peter, the original was created for Rod Stewart to sing!  But it’s as good a cover as any, and I don’t have a lot of other stuff of Ron’s, so I’m cool with this.  Jeff Watson (Night Ranger) is on guitar.

We all knew Sebastian Bach would knock it out of the park on “Rock Bottom”, and he does.  “Rock Bottom” wasn’t written by Ace, but he did write the intro, performed here by Russ Parish of Fight/Steel Panther.  Baz is obviously a huge Kiss fan and the song is in great hands, although the solo’s way too modern.  Still, I wish I had “Save Your Love” too.

IMG_00000627Tracii Guns is passable on “Parasite”, but again I think the song is done in a style too contemporary.  Up next is John Norum of Europe, with “Cold Gin”!  (Hey, two songs in a row written by Ace!)  McMaster is back on lead vocals, not my fave singer in the world.  John is a great guitarist, and this version of “Cold Gin” is heavy with fills.  Some go with the song, some miss the mark.

Dime’s “Fractured Mirror” is perfect, even the production and sound of the acoustic guitar is eerily similar to Ace’s original.  Dime may well have been the biggest Ace Frehley fan in the world. Darrell does throw some of his own personality into the song, but I think foremost on his mind was probably playing the song the way he remembered it.  And he does.

Lastly, “Take Me To the City” is performed by Ace himself, with his crack band:  Steve Werner on drums, Karl Cochran on bass, Richie Scarlet on guitar and backing vocals, and…Sebastian Bach is there too at the end!  This Ace rarity is the best of all reasons to track down this CD.  This is Ace back to a hard rocking Frehley’s Comet sound, with an anthemic chorus.  When Baz shows up at the end, it’s icing on the cake (although you need to turn it ^UP^ to catch him in the fade).

I don’t really buy tribute albums anymore, because I find these mish-mashes of somewhat related artists to be a bit tedious.  Still, it’s pretty solid, and definitely worthwhile to fans of bands like Pantera, Skid Row, or Anthrax.  The Ace bonus track is pretty much a compulsory purchase.

3/5 stars

Soon, we’ll also be talking about another quality tribute album with some surprising guests and alumni.  Stay tuned.

SPACEWALK_0003

REVIEW: Ace Frehley – Trouble Walkin’ (1989)

Part 4 in a series on Ace Frehley!  Missed the last part, Second Sighting?  Click here!

TROUBLE WALKIN_0001

ACE FREHLEY – Trouble Walkin’ (1989 Megaforce Worldwide)

Gone was the Frehley’s Comet moniker, and gone was multi-instrumentalist and talented singer Tod Howarth.  I believe he toured with Cheap Trick after the Comet, on backing instruments and vocals.  In his stead came Richie Scarlet, certainly no slouch, and an alumnus from an earlier version of the band.  Not only did Scarlet write some of Ace’s best stuff, but takes a lead vocal on the album Trouble Walkin’.  Also back was drummer Anton Fig!

On top of all that, producer Eddie Kramer was back working with Ace again, and they have great chemistry together.  Certainly all the elements were in place for a great solo album.  The critics and fans were pretty much unanimous in their praise of Ace’s latest.  Little did they know it would be his last solo album for 20 whole years!

Trouble Walkin’ was Ace’s heaviest solo album to date.  Take “Shot Full Of Rock”, the opener.  It is scorching from start to finish, but especially on the ripping guitar solo.  It has a great chorus to boot, and a fine lead vocal from the Ace.

Frehley has a knack for selecting great covers, and his take on The Move’s “Do Ya” is superior to the original in some respects.  As he has with other covers, Ace makes it his own.  I think Ace does very well when rocking up poppier, melodic material and “Do Ya” is no exception.  I always hoped it would be a bigger hit, but it wasn’t really.

“Five Card Stud” is co-written by Marc Ferrari of Keel.  It’s not an exceptional song, but it does boast a suitably heavy riff, and plenty of tasty Ace licks and solos.  It might not be the best song, but the guitar work makes it worthwhile.

This is followed by the weirdest song of all:  “Hide Your Heart”, a song written by Paul Stanley, Holly Knight and Desmond Child.  It had been demoed years before for Crazy Nights, but not used. Bonnie Tyler was first to record the song, then Robin Beck and then Molly Hatchet!   When Kiss recorded it for Hot In The Shade, they released it as a single mere weeks before Ace’s album came out.  By the time Kiss’ album came out (the week after Trouble Walkin’) the song had been released by no less than five different artists.  The common thread to some of those versions seems to be Desmond Child.  Obviously, Ace knew people would compare his version with Kiss’.  Gene Simmons spoke to him on the phone to warn him that Kiss were releasing it as their lead single.  Ace’s version, while harder, just is not as good.  That’s not to say it’s bad, because Kiss’ version is awesome.

TROUBLE WALKIN_0006“Lost In Limbo”, a Richie Scarlet co-write, closed side one on a pedestrian note.  Side two began with a better song, the title track.  This would be a good time to mention that Peter Criss sings backing vocals!  You can’t hear him, but he showed up.  That’s Richie Scarlet saying “Take it, Ace!” and singing the bridge.  This one’s a solid Ace rocker, guitar and cowbell heavy!

My favourite song is “2 Young 2 Die”.  It’s just so heavy!  I used to think Peter Criss was singing the lead vocal, because it’s so raspy.  It is in fact Richie Scarlet, though Peter is on backing vocals again.   This is an outstanding song, rhythmic and bass-driven.  Anton’s drums are tribal and dramatic.  The guitar solos are all over the place, but all of them are ear candy.

TROUBLE WALKIN_0003“Back To School” is a a fun song, and you can’t mistake who’s singing (screaming) with Ace on the chorus:  one of the biggest Frehley fans on the planet, Sebastian Bach himself!  He’s joined by Peter Criss, and Dave “Snake” Sabo and Rachel Bolan, also of Skid Row.  This one is more hard rock than anything else, but damn catchy.

I’m not sure if “Remember Me” is really live, but it’s mixed to sound that way.  A crowd is mixed in, and Ace says good evening to “Club Remulac, in France!”  It is important to remember that “Remulak” is home planet of the Saturday Night Live characters, the Coneheads.  Appropriate since this song is sung from the perspective of a space traveler, advising Earthlings to get some world peace happenin’.  Good song, though, kind of lazy and light.

The album closes with “Fractured III”, and much like its predecessors, it’s an instrumental.  The thing about the Fractured series is that they do sound all interconnected.  They all sound related at the hip, or the heart, and that’s cool.  I like all of them for different reasons.  “Fractured III” might be the hardest, most electric of them to this point.

After this, Ace seemed to lay dormant for a number of years.  In 1990 there was a rumour that Kiss were working on a reunion with Ace, Paul, Gene and Eric Carr which of course never happened.  A few years later Ace turned up on his Just 4 Fun tour, playing a Kiss-heavy set of classics.  Later came the Bad Boys of Kiss tour with Peter Criss, and finally the inevitable original Kiss reunion.  During the reunion, there were some interesting Ace Frehley releases, and we’ll be talking about those things next.

As for Trouble Walkin’?  Solid.

4/5 stars

Part 218: Liquor and Whores

RECORD STORE TALES Part 218:  Liquor and Whores

The year:  Early 2004.

A new original TV show was starting to make waves in Canada.  I hadn’t caught wind of it yet — I didn’t have cable back then — but our destinies would soon intertwine.  The catalyst was my old childhood and highschool friend, Scott.

Scott remembers the story much like I do.  He used to come into my store every Wednesday to visit and check out new arrivals.  He had just become addicted to this new TV show in question, and was spreading the word.  According to Scott:

“I was trying to get everybody into that show…90% success rate by the way.”

That doesn’t surprise me at all.  Because when you’re talking about a show as Canadian, as original, and as funny as Trailer Park Boys, the series sells itself.  Scott figured I would be an easy convert.  “I just knew you were a Rush fan,” he tells me.  It was the Rush connection that initially caught my attention.

Scott was talking to me at the front counter.  “Have you heard of Trailer Park Boys?” he asked me that day.  I hadn’t.  “It’s hilarious,” Scott continued.  “You have to see this guy Bubbles.  In the best episode, he meets Alex Lifeson from Rush.  He gets to go on stage with Rush, play guitar with Alex, and everything.  He’s actually a pretty good musician.”

Going into more detail, Scott explained:  “Do you remember that band, Sandbox?”  I did.  “Bubbles is played by a guy from that band.  He’s got these big thick glasses, always swearing…Bubbles is the best!”

I had seen Sandbox eight years earlier, opening for Barenaked Ladies actually.  I was really impressed by their show and their single “Curious”, so I picked up their album.  In fact I think their ambitious second album, 1997’s A Murder in the Glee Club, is among the finest albums our country has to offer.  Their lead vocalist was a guy named Paul Murray, nephew of Anne.

Wanna see what Bubbles would look like with a shaved head?  Watch this.

So I was in.  As soon as the first box set came into inventory, I bought it, without seeing a single episode.  Dandy ratted me out for buying two DVDs in one week (which was against the rules at the time), but once I got the discs home, I put on the first season.  I was hooked by the second episode.

Now that the boys are coming back for an 8th season on SwearNet, it’s never too late to get yourself hooked on this incredible show.  After all, if Axl Rose, Sebastian Bach, and Alex Lifeson are all fans, aren’t you curious what you’re missing?

See Guns N’ Roses play “Liquor and Whores” with Bubbles on vocals & guitar

Liquor and whoresSAM_0436
Liquor and whores
Cigarettes and dope and mustard and bologna
Liquor and whores

I went down
Drinkin’ at the legion
I met a girl she was nice
She was pretty and pleasing

She said “Hey boy
We should do some marrying”
I said sure but before we do
There’s something that you should know

I like
Liquor and whores
Liquor and whores
Cigarettes and dope and mustard and bologna
Liquor and whores…

Then one night down at the legion
She walked in, I was drunk on gin
Dancin with a lady friend
She said hey boy, You’d better fly the fuck home
I said no cause five little words I coulda
Swore I said to you

I like
Liquor and whores
Liquor and whores
Cigarettes and dope and mustard and bologna
Liquor and whores…

REVIEW: Skid Row – “Wasted Time” (1991 7″ single)

SKID ROW – “Wasted Time” (1991 7″ single)

I don’t think I’m going too far out on a limb if I call this the best song on Slave to the Grind.  The closing song on a damn fine metal album, “Wasted Time” is awesome.  It’s in “power ballad” territory, but it’s much darker than Skid Row’s prior hit ballad, “I Remember You”.  Sebastian Bach turns in the best vocal performance of his life on this one.  Sebastian co-wrote the song, about the damages of addiction.

Both the 7″ and the 12″ singles come with the previously unreleased live bonus track, “Get the Fuck Out”.  (The other bonus tracks on the 12″ are “Holidays in the Sun” and “Psycho Love” which are both available elsewhere.)  “Get the Fuck Out”, recorded at fuckin’ Wembley fer Christ’s sakes, features a long Sebastian intro that is probably more interesting than the song itself!  Apparently, Skid Row were given a letter that stated specifically that Skid Row were not to play “Get the Fuck Out”.  So what do they do?

Sebastian:  “It says here, they’re gonna stop the show, because they don’t like the word ‘fuck’!  And you’re not allowed to hear it!”  Baz then leads the crowd in a chant of “get the fuck out!” before Skid Row drive into the song.  As fans know, it’s a short firecracker punk rock song, and Baz is in top voice.

5/5 stars