RECORD STORE TALES Part 167:
Top Five Discs that Got Us in Shit at the The Beat Goes On
featuring Uncle Meat
RECORD STORE TALES Part 167:
Top Five Discs that Got Us in Shit at the The Beat Goes On
featuring Uncle Meat
I’m going to be covering more of my rarities in 2013. This is part 2 of today’s Cinderella feature. For part 1, a more comprehensive review of the Heartbreak Station CD, click Tommy Morais’ review here!
This Cinderella compilation is a rare promo. Don’t know what a promo CD is? Watch the educational video below starring yours truly!
Record Store Tales Part 117: Promos
CINDERELLA – Once Around the Ride…Then & Now (Promotional only, 1990 Polygram)
This is a really, really cool package. Two discs: Then… and Now…, showcasing the absolute best of Cinderella up to 1990, including two rare live bonus tracks.
Somewhat predictably, Then… is a greatest hits set from the first two records. Five tunes from Night Songs, six from Long Cold Winter, which I rated 4.5/5 in a recent review. Then, the aforementioned two bonus tracks: “Shake Me” and “Night Songs”, performed live. “Night Songs” was one that I owned previously on a rare Polygram compilation from ’92 called Welcome To The Jungle. From what I can tell, these two tracks are originally from a 1987 European release called The Live EP, and it appears they’ve been recycled as bonus tracks on several items since, including a promo Kiss single for “Any Way You Slice It”!
Interestingly, the back cover states that the two bonus tracks are from a forthcoming EP also called Night Songs, an EP I’ve never seen or heard of before or since.
The tracks chosen are pretty much the tunes that anybody would have chosen given a compilation like this: All the singles, and a selection of kickass album tracks such as “Night Songs”, “Fallin’ Apart At The Seams”, and “Push, Push”. As a Cinderella collection of the early stuff, this is about as perfect a compilation as it gets. As far as I’m concerned the only track it’s really missing is the awesome “Take Me Back” from Long Cold Winter, a great tune that would have made a perfect single.
The second disc, Now… is the entire Heartbreak Station album (review here) from start to finish. It even comes with the full booklet for Heartbreak Station, so this is how I chose to buy the album. Heartbreak Station is another fantastic, underrated Cinderalla album. It was clear from Long Cold Winter that the band was interested in exploring their underappreciated blues roots. On Heartbreak Station, they ditched the glam and went full bore into those roots.
The opening track “The More Things Change” is aptly titled, but is actually the track most like their past work. “Love’s Got Me Doin’ Time” is nothing but pure funky goodness, a completely unexpected twist. The horn-laden “Shelter Me” was the first single (remember Little Richard in the video?), a really cool soul rock song. The lyrics were totally on-trend in the wake of the fresh Judas Priest trial, a rant on Tipper Gore and the PMRC!
Tipper led the war against the record industry,
She said she saw the devil on her MTV
Sharp minded readers will remember that Tipper was prompted to start the PMRC when her kid was terrified by Tom Petty’s video for “Don’t Come Around Here No More” on MTV!
I love Little Richard.
The centerpiece of the album is the title track, with strings by John Paul Jones. The band were dissatisfied that they had to use synth on the previous album’s hit, “Don’t Know What You Got (Till It’s Gone)”. John Paul Jones lent the band some serious credibility. The song is a lush, sullen ballad with an incredible slide solo. I remember some video channels played it under the wrong name back in ’91. They were calling the song “The Last Train”.
Other winners: The totally country-fied “One For Rock & Roll”, with loads of steel guitar, dobro, and 12 string. The electrified “Love Gone Bad”, which also hearkens back to the Long Cold Winter sound in a powerful way. “Dead Man’s Road”, which is a haunting, slow dark rocker with loads of acoustics. Really, there are only a couple filler songs on the whole album.
This isn’t a cheap compilation to find today, but if you do happen upon it, pick it up. It’s a collectible now, but not just that, it’s one you’ll actually play!
5/5 stars
A treat for you boys & girls today! A guest shot, a vintage concert review, and a significant one at that. Remember when Metallica was just an opening act for mediocre bands? Meat does. And he’s back to tell you the story. Enjoy the first guest shot of 2013, by Meat!
W.A.S.P. w/ METALLICA and ARMORED SAINT – January 19, 1985
By Meat
I was lucky at a young age to have the opportunity to see some great concerts. The first concert of my life was at The Center in the Square in Kitchener, Ontario. It was The Monks (remember “Drugs in my Pocket”?) and I went with my childhood friend, Scott Hunter, and his mother. I also saw the almighty Black Sabbath play the Kitchener Memorial Auditorium, three days before my 12th birthday, on the Mob Rules tour on November 19, 1981. I saw Triumph on the Allied Forces tour play the Center in the Square, with my father not long after that. But really my early concert experiences were mostly, and most memorably, with the aforementioned Scott Hunter. I believe it was his uncle who had connections with a concert promotion at the time called CPI. He would leave free tickets at Will Call for us at Maple Leaf Gardens or wherever the show was. We saw the last Kiss tour with makeup at the time (Creatures of the Night tour) on January 14, 1983 with The Headpins opening. Also saw the first ever Kiss tour without makeup (Lick it Up tour) on March 15, 1984 with Accept as the opening act. As well as Motley Crue on the Shout at the Devil tour on June 10, 1984, at what is now the Ricoh Coliseum, also with Accept as support. Many of these shows are quite memorable and monumental, but none so much as the first time I saw Metallica live.
I remember the first time Scott and I heard Metallica. We would have a sleepover at his place every Friday night specifically because Toronto radio station Q107 had their “Midnight Metal Hour” on that night. We would have first heard Metallica (“Seek and Destroy”) either late 1982 or early 1983, before Kill ‘Em All was even released. Obviously it was an instant shot of Metal Up Our Ass! Kill ‘Em All was released on vinyl and cassette on July 25, 1983. I specifically remember (but not exactly when) walking into a record store downtown Kitchener called Records on Wheels and buying that album, Anthrax’s Fistful of Metal and Van Halen’s 1984 on vinyl, all during the same visit. I also remember buying Metallica’s second album, Ride the Lightning, the day it was released. Thanks to the World Wide Web, I know now that date was July 27, 1984. Starting grade ten that September, I was pushing Metallica on anyone that would be open to it at my high school. There were a very select few of us who were die-hards and would have Sony Walkmans stuck to our heads at every opportunity possible. Now I cannot recall if we got free tickets for this particular show, but I do remember how pumped I was when I knew I was gonna see Metallica live.
The bill was as follows: Armored Saint (with Anthrax’s John Bush on vocals), Metallica and W.A.S.P. Yes you read that right. Metallica was opening up for W.A.S.P. I do know that further along on the tour, Metallica and W.A.S.P. would trade headlining sets due to the obvious buzz around Metallica at the time. Here is a picture of an actual ticket stub of this show. Note the price ($15.00) and Armored Saint being spelled wrong on the ticket.
One thing I will add before I go on. Of all the concerts and bands I have seen multiple times live, it is kinda strange I only saw Metallica live twice ever. One of the reasons for this is quite obviously that after their album Load (otherwise known as Mighty Load of Shit), I never really had a great interest in seeing the band live again. But it is worthwhile noting that I have seen Metallica live twice and BOTH TIMES they were opening for someone else. (The second time being the strange bill of The Black Crowes / Warrant / Metallica / Aerosmith on June 29, 1990 at CNE Exhibition Stadium in Toronto) Again, note the ticket price for this. This was before The Eagles ruined ticket prices for all acts with the ridiculous prices for their shows. To quote “The Dude” I hate the fuckin’ Eagles.
So there we were, January 19th 1985 standing in line in front of the late great Toronto concert venue named The Concert Hall. It was freezing cold out, and windy too. So since this was a General Admission event, standing in line braving at least -15 Celsius weather, you can imagine how cold and bitchy people were. I recall the rush of metalheads being ushered quickly into the venue. The second I got in there I went straight for the merch booth and bought a Ride the Lightning tour shirt for me and a high school friend named Joe DeLeo. After that, like seemingly everybody, I had to take a wicked piss. After doing that, I was horrified when I tried to zip my probably really tight jeans back up, and couldn’t because my hands were numb from the cold. My embarrassed horror turned to laughter as I turned my head to see dozens of much older and much larger long-haired headbangers all having the same problem. Only in Canada I guess eh?
Sometime later, Armored Saint took the stage. I remember them being great and how loud it was in there. They were received well and that venue was filling up. While enjoying their set my buddy Scott gets my attention and points to the much-shorter person beside me. Immediately I recognized him as Russell Dwarf from the Toronto band Killer Dwarfs. Their name was very apropos considering this band consisted of nothing but short dudes with long hair. I can only imagine how this band got together. Wonder if an ad went out that said. “Metal musicians needed. Must not be over 5 foot 6 inches tall and have long hair”. I loved that first album. If you don’t know of them, here is their first single and video.
It was time for the Mighty Metallica. They started out with the first track off Ride The Lightning, the classic riff-monster “Fight Fire With Fire”. At this point I was probably about mid-way to the stage in a sea of metalheads. This was before the days of the “moshpit”. This was more of a Hair Swarm packed with long-haired sardines covered in denim and leather. It would have been about half-way through the show that I wormed my way to the front of the stage. This was no easy task as I am sure you can imagine, however being only 15 and much smaller than the masses (with the exception of the Killer Dwarfs of course), there I was literally feet from what would become the best-selling metal band of all-time. This brings me to a memory I will cherish forever. The seemingly monstrous Cliff Burton was right in front of me. I reached out and had in my hand, the bottom leg of his ragged bell-bottom jeans. He tried to kick me in the face, and thankfully missed. Can’t blame him either for trying to kick my head off, and honestly it was the first thing I thought of when said legend died in a bus accident a year and a half later in Sweden on September 27, 1986. R.I.P. Clifford Lee Burton. Check out this YouTube audio clip I found of Metallica playing “Seek and Destroy” from this exact show. Gotta love YouTube.
Check out this set list of the show the next night in Buffalo at some place called the Salty Dog Saloon. (I couldn’t find the Toronto set list online but I am sure it is identical)
Encores:
Which brings me to winding down this novel of a concert review. How could W.A.S.P. possibly follow Metallica? Well, I do remember chants of “you suck”. I remember that the front was nowhere near as packed as it was for Metallica. Maybe Blackie thought he could follow them by drinking fake blood out of a skull (which he did). Here is a quote from Mr. Blackie Lawless comparing separate tours with both Slayer and Metallica and musing about this particular tour.
Blackie: I’ll tell you what was worse – us and Metallica. It was our first or second U.S. tour. It was us, Metallica, and Armored Saint. When they (Slayer) went out with us, they were still an up n’ coming band, didn’t have a lot of fans, so there was a pocket of division every night. With Metallica, I kid you not, it was like an invisible line was drawn right down the middle of the room, and half was theirs and half was ours. It didn’t matter what we were doing on stage. It looked like two opposing armies. Sometimes we just stopped what we were doing and watched. It was a war.
I realize that the merit of music is subjective and it is all in the Ear Of The Beholder. But lets face it. W.A.S.P. really does kinda suck. Some good moments but really not much to speak of. During their set myself and others that with us were just kind of mulling about as most others were really. It was during this time that a guy we were with named Kevin B. (nicknamed Little Dude) said that he saw Geddy Lee and Alex Lifeson leaving out a side door during their set. Now to give some perspective on this, this person was a known bull-shitter. None of us believed him. True story: Kevin years later had trans-gender surgery and now is known as Treva. But anyways, we shrugged this off as yet another lie from Little Dude. It was months later reading a Blackie Lawless interview in Circus magazine that I read this quote. “Geddy Lee and Alex Lifeson were actually at one of our shows in Toronto last year…. But they were not there to see us.” A classic example of the Little Dude who cried wolf.
Meat
In 2012, I posted 493 articles. I did 157 chapters in a continuing series of Record Store Tales which has been extremely satisfying. The rest have been a series of reviews, and rants! Very popular was my series of Kiss reviews (53 of them!), when I covered every Kiss album in sequence. Currently, I’m finishing up my series of Iron Maiden reviews (42 so far in a series of 45), covering every album and rarity that I have access to. It’s been a blast!
Some personal statistical highlights:
1. Doing an interview with Brian Vollmer, of Helix (my 4th interview so far), which was a huge blast for me as a fan and writer.
2. The many Guest Shots (10 so far!) from contributors such as Tommy Morais, Statham, T-Rev, Mrs. LeBrain and Uncle Meat. It’s been a pleasure to read and publish your work, gentlepersons. Keep sending me stuff!
3. Record Store Excursion 2012, and the resulting video. I love making videos, and this was a blast. At last check, it’s had almost 200 hits (194 to be exact) including some of the people at the stores that we reported on!
Thanks to all the readers out there who’ve made 2012 so much fun here at LeBrain’s Blog. Let’s kick 2013 into overdrive.
My top ten posts of 2012, by hits:
Top five LeBrain-reading countries:
| Country | Views |
|---|---|
| 13,754 | |
| 6,242 | |
| 2,417 | |
| 739 | |
| 629 |
Here’s a fun one: Top five Google searches that led people to LeBrain’s Blog!
| queensryche split | 82 |
| paul stanley voice | 76 |
| kiss revenge review | 71 |
| geoff tate is a douche | 68 |
| kiss hell or hallelujah | 66 |
LOL…Geoff Tate is a douche! That’s awesome!
Hope you didn’t party too hard last night. Let’s rock 2013 like there’s no tomorrow!
RECORD STORE TALES Part 153: Russian Imports
One of the weirder items that we used to see regularly were these Russian import discs. Their status as official releases was very questionable, the quality was cheap at best, and the guy that sold them wanted top dollar for them all.
His name was Serge, and he was a Russian model. Seriously. He gave me his business card one time. He was a model, and he had the perfect Fabio hair and everything. On the side, he’d bring CD’s over to Canada from Russia. They would usually come without jewel cases, just the CD and the paper cover art, so he could transport more of them. The discs often ended up terribly scratched because of this. He’d bring over “greatest hits” releases from everybody. Springsteen, Abba, Bon Jovi, even bands that didn’t have greatest hits releases like AC/DC. Often the Russians would throw on “bonus tracks” from live or solo albums.
The guy was a real pain to deal with, and most of the stuff he brought over was obscure European dance, trance, techno stuff that nobody had heard of over here. He’d assume he was going to get a lot of money for them, because they were big in Europe. But if nobody had heard of them in Canada, and they sat on my shelf for a year, no, I’m not paying top dollar for it. So, eventually Serge stopped coming in.
I bought two albums from him that I’ve never played, but bought just “for the collection”. One is a Kiss disc called Hit Collection 2000, the other by Europe, called Best Ballads.
Hit Collection 2000 is on a label called “DJ’s Club”. It does not have the official Kiss logo, just a poor attempt to copy it. There are some spelling errors on the back — I don’t know where “Detrot Rock City” is. The tracklist itself is pretty weird, containing newer songs like “Psycho Circus” and “I Finally Found My Way”, along with one track from each of the four Kiss solo albums. There are three songs from Dynasty, and three rare live cuts from the Psycho Circus Live Australian disc. This one came sealed but I didn’t even bother to open it. Even Serge’s sealed discs often ended up scratched to pieces, I don’t know how that happens because these are clearly factory sealed.
The Europe album, Best Ballads, is notable for not depicting keyboardist Mic Michaeli on the front cover, even though he plays on the majority of songs. The album contains ballads from Europe’s first monumental self-titled disc through to 1991’s Prisoners In Paradise. The Russians picked some cool songs this time: “Words of Wisdom” and “The King Will Return”, from the first album, “Dreamer” from Wings of Tomorrow, and “Coast To Coast” from Out of This World. As usual there are three “bonus tracks”; “Under the Influence”, “Lord of the Manor”, and “Elsewhere” from Joey Tempest’s 1995 solo album A Place to Call Home. Not that you would know this from the liner notes, since there are none. Just a paper sleeve.
In the end I don’t think we missed Serge when he decided not to deal with us anymore. A lot of his product sat on the shelves. In fact I tried selling my Kiss Hit Collection CD back to the store last year, and they refused to take it. Lesson learned!
RECORD STORE TALES Part 152: Carnival of Lost Souls
The Year: 1996
The Place: Dr. Disc, Hamilton Ontario
The Guilty Party: Me
Remember when the original Kiss reunited back in ’96? It was a huge deal. Everybody was talking about it. What very few people were talking about was the studio album that the previous Kiss lineup (with Eric Singer and Bruce Kulick) had completed prior to the reunion. That album, Carnival of Souls, was shelved to avoid confusion.
It was, however, leaked. Or, at least most of it was. It revealed a new, grungier Kiss ready to take on the likes of Alice in Chains and Soundgarden. Not a bad album in fact, and some songs such as “Hate” and “In My Head” were downright vicious. A buddy of mine, Len Labelle, hooked me up with a poor-sounding cassette. It was better than nothing.
Both Gene and Paul pooh-poohed the idea of a release. You’d read things like, “We don’t know when it’s coming out,” or “We have no plans to release it right now.” But I was digging that tape and I wanted a CD, dammit!
T-Rev, Tom and myself were at a record show in Hamilton, and we stopped at a local Dr. Disc. I went over to the Kiss section. I saw two discs, both at $30 staring me in the face: the ultra rare Japanese import Chikara, a greatest hits album, and a bootleg copy of Carnival of Souls…
I had a limited budget and could only buy one. I chose Carnival of Souls. I’ve never seen a copy of Chikara again. And Kiss officially issued Carnival 9 months later, rendering my bootleg obselete. I can’t give it away, today.
It was a bad call, Ripley! Bad call!
So what about this bootleg that I bought? Well, it has a few notable features.
For example:
At best, this is now just a weird oddity that sits in my closet, unlistened to, unwanted, unloved, for the rest of eternity. There’s $30 I’ll never get back again. Yeah, like I said, it was a bad call!
RECORD STORE TALES Part 151:
24kt KISS…cheap at twice the price
Spring, 1998. Saturday. A rare day off.
I was out with a friend named Shannon. Me being the geek that I am, I thought it would be a good idea to take Shannon to a comic book store. So I did. Off we went to uptown Waterloo, to my favourite comic book store in the whole universe, Carry On Books.
The owner, Andy, warmly welcomed us and immediately started trying to sell me some Star Trek goods. I said, “Not today, Andy. Do you have anything Kiss?”
He did. He had this Kiss 24kt gold-plated framed Destroyer CD. It was $250. But he was willing to sell it to me for $200 if I paid cash.
Sure, why not. Sold.
Shannon and I ran down to the cash machine, and I eagerly inserted my card. Selected the dollar amount. Waited. And waited. And waited. The machine spat out my card, and a statement saying I’d taken the money out. But no money emerged from the machine!
I stood there for a moment before saying, “Shannon, is it just me, or did no money come out?”
I was ripped off by a cash machine!
I repeated the transaction, this time getting the money, but my bank account was lighter by twice the amount!
Shit!
I went back to Andy’s store, told him the tale, bought the Kiss plaque, and went into the bank to get my missing money back. Turns out I would have to wait for them to cash out that night and see if they balanced. And I wasn’t going to be in town! I was headed to the cottage later that day. I had to wait the weekend through before finding out the fate of my hard-earned dollars.
Thankfully, when I called the bank on the Monday, they had found an overage and refunded my money. But for that entire weekend, I had worried that I paid $400 for this Kiss plaque!
CODA: And today, the plaque is still worth…just $200 on eBay. Oh well. An investment, it wasn’t. But it does look cool on my wall. Thankfully I also kept the box, these things are often only worth their full value with the box intact.
RECORD STORE TALES Part 145: Cassettes Part I – T-Rev’s Tapes
I’m sure this comes as no surprise, but back in the day, us Record Store Dudes were expert mix tape makers. I’ve been making mix tapes since I got my first dual cassette deck, back in 1985. It was a Sanyo. Thanks mom & dad.
I made all sorts of mix tapes. I made mixes of whatever tunes I was into at the time. I made mix tapes for girls that I liked, sneaking in the odd commercial Judas Priest tune like “Parental Guidance” in order to sway them to the dark side. I made greatest hits tapes. I distinctly remember an Ace Frehley greatest hits tape I made, 90 minutes. The first 5 songs were classic Kiss hits that he sang. The next 5 were from his first solo album. Then on side two, 5 songs from Frehley’s Comet and 5 from Second Sighting. I also made a Kiss hits tape from the post-Double Platinum period, basically all the singles from Dynasty through to Asylum.
When I first met T-Rev almost a decade later (1994), I had met a kindred spirit. He was doing the same thing! He made hits mixes for Guns N’ Roses. The Four Horsemen. Van Halen. And so on and so forth. But in a lot of ways, he had taken it to the next level.
Trevor had an artistic ability above and beyond me, he was really really good at art. That’s why we used to get him to make all our store signage. So it probably should have been no surprise to me that he put equal effort into his cover art. He did a beautiful job on the Guns and Van Halen mixes!
Somehow these ended up in my possession. I don’t even remember how anymore, but here they are. It looks to me like not only did T-Rev did awesome cover art, but he numbered all his mixes and must have had a numerical filing system. The Guns mix appears to be a Part II, and is #34 in his library. Van Halen must have followed shortly behind at #38. I also ended up with an early mix of his, number #14, called What De Hell!!
I’m really glad that I found these! It brings back a lot of memories of the early days at the record store. There was no such thing as blank CD’s yet, and even if there was, T-Rev didn’t have a computer to burn one on yet. Tapes were our canvas, and they even had a longer running time than a CD. 90 minutes was our standard, but you could even go as high as 100 without losing too much sound quality.
Not that there was much sound quality!
Thanks for loaning these to me T-Rev! If you still have something to play them on, I’ll send ’em back to ya if you want them!
In alphabetical order, here’s Part 3: 88 albums that meant the world to me in the 1990′s but never got the respect I felt they deserved.
King’s X – Faith Hope Love (most KX discs didn’t get the attention they deserved!)
King’s X – Dogman
King’s X – Ear Candy
King’s X – Tape Head
Kiss – Carnival of Souls (while you can’t argue it wasn’t a sellout, it sure wasn’t wimpy!)
Leadfoot – Bring It On (Karl Agell and Phil Swisher ex-COC)
Marillion – Brave (what a brave, brave album)
Marillion – Radiation (a lot of people don’t like this one, but I consider it a highlight for them)
Duff McKagan – Believe In Me (diverse, fun and pissed off)
Kim Mitchell – Aural Fixations (a little soft, but Kim in the 1990’s was scarce indeed)
Kim Mitchell – Kimosabe
Motley Crue – Motley Crue (they were better without Vince, honestly)
Vince Neil – Exposed (…and Vince wasn’t doing too badly himself)
Ozzy Osbourne – Ozzmosis (it sold by the buckets, but I think today it’s ignored which is a shame)
Poison – Native Tongue (Ritchie Kotzen took them to a new level of maturity and virtuosity)
Pride & Glory – Pride & Glory (Zakk Wykde’s first album without Ozzy, and one of the best)
Queen – Innuendo (in North America, most of what Queen did went ignored before Freddie passed)
Queensryche – Promised Land (spacey and mature)
Queensryche – Q2k (riffy)
Quiet Riot – Terrified (the only thing they’ve done since the 80’s worth playing)
David Lee Roth – Your Filthy Little Mouth (I didn’t need to hear Dave do reggae but it ain’t bad)
David Lee Roth – DLR Band (John 5 on lead guitar…crank it up)
Join LeBrain as he searches for more rarities….