Getting More Tale #433.5 presents: A worldwide online event! THE TOP 15 ON THE 15th – Guest shot by Uncle Meat
This is an event spanning many sites and writers in the World Wide Web. I will link to as many as possible; my own Top 15 can be found here. A few months ago, the challenge was thrown down to all comers: List your top 15 albums of all time! The date September 15 was chosen for the deadline.
Uncle Meat laboured hard on his Top 15, eventually whittling it down from a list of 31 great records*. Without any commentary, here they are. His only requirement: No live albums.
15.Rust in Peace – Megadeth
14. Screaming For Vengeance – Judas Priest
13.Little Earthquakes – Tori Amos
12.Close to the Edge – Yes
11.Consolers of the Lonely – The Raconteurs
10.Clutching at Straws – Marillion
9.Reign in Blood – Slayer
8.Operation: Mindcrime – Queensryche
7.Whale Music – The Rheostatics
6.Misplaced Childhood – Marillion
5.Moving Pictures – Rush
4.Roxy and Elsewhere – Frank Zappa and the Mothers of Invention
3. Pet Sounds – The Beach Boys
2.Hemispheres – Rush
1.El Corazón – Steve Earle
* For shits and giggles, here are the rest of The Meat’s albums that didn’t make the final cut.
RECORD STORE TALES MkII: Getting More Tale #361: LeBrain Goes to Toronto
Went to Toronto yesterday to visit Mrs. LeBrain at the hospital, and also visited Sonic Boom music at 215 Spadina while I was in town. I’m tired, so all I had the energy for was this quick & dirty 4 minute video. Hope you like it. You know I found music to buy…
Welcome back to the WEEK OF SINGLES 2! Each day this week we’re look at rare singles. Today, we’re looking at lots and lots of them! WARNING: Image heavy!
RECORD STORE TALES Part 269: CD Singles (of every variety)
Featuring T-Rev
I’m going to take the blame for this. It was I who got T-Rev into collecting singles in 1994-1995. Oasis kicked his addiction into gear big time, but it was I that sparked his interest in singles. According to Trevor today, “I suppose it was Oasis that started that ball rolling…then Blur taught me the tricks…Metallica helped mix the sauce…and then I was almost a pro, like you!”
T-Rev was already familiar with the dominance of singles in Europe. “They’re so much cheaper in England!” he told me then. “They have entire walls of them, like we do here with albums, but with them it’s singles.”
He had seen me go crazy for some of the singles that came into the store in the early days. He saw me plunk down my hard earned pay for CD singles by Bon Jovi, Def Leppard, and many more. He didn’t get why I was spending so much money on so few songs. CD singles are much rarer here and commanded (new) prices similar to full albums.
“Why do you buy singles?” he asked me one day. “I don’t get it. The song is on the album, they come in those little cases, and they’re expensive.”
“I buy them for the unreleased tracks,” I explained. “I don’t buy a single if it has nothing unreleased on it, but I want all the different songs.”
“But the unreleased songs aren’t usually any good, are they?” he continued.
“Sometimes,” I answered. “But check out this Bon Jovi single here.” I handed him a CD single that I had bought recently at an HMV store. “This one has ‘Edge of a Broken Heart’. It’s a song that was recorded for Slippery When Wet, but it didn’t make the album. Sometimes you find these amazing songs that are totally worth having. Sometimes you only get live songs or remixes, but I still collect those because I try to get everything.”
When Oasis came out with (What’s The Story) Morning Glory, there were ample new singles out there to collect with bonus tracks galore. T-Rev got me into the band very quickly. Oasis were known not just for their mouths, but also for their B-sides. Noel Gallagher was passionate about giving fans good songs as B-sides; he wanted them to be as good as the album. Oasis had a lot of singles from the prior album Definitely Maybe as well, and one non-album single called “Whatever” that was absolutely marvelous.
Once T-Rev got onto the singles train, he had his own rules about what he wanted to collect and what he didn’t. Packaging was important to him. He hated CD singles that came inside little cardboard sleeves. He couldn’t see them once filed on his CD tower, because there was no thickness to it; no spine to read from the side. It didn’t matter what was on those CD singles; if the packaging sucked T-Rev was not usually interested. This applied when we both started collecting old Metallica singles. I found an Australian copy of “Sad But True” with the rare B-side “So What” at Encore Records for $20. This came in a cardboard sleeve; T-Rev didn’t want it. (He also already had a live version via the Live Shit: Bing & Purge box set.) Oasis started releasing their old singles in complete box sets, but T-Rev was only really interested in collecting the UK pressings. There were a lot of variables to consider. If you can’t or don’t want to buy everything, you have to set rules and pick and choose.
Once we understood each others’ needs, we were able to keep an eye open for each other. T-Rev knew if it said Bon Jovi, Faith No More, or Def Leppard on it, that I’d be interested. If it was a Brit-pop band like Blur or Supergrass, he’d want it (as long as it didn’t come in a paper sleeve). Foo Fighters too, or virtually anything with Dave Grohl. Our collections grew prodigiously with rare tracks, EPs we never heard of before, and loads of Metallica. I believe at one point, T-Rev and I had nearly identical Metallica collections, duplicated between us. More than half was singles and rarities. We used to joke that there were probably only two copies of some of these things in town, and we had both of them in one apartment.
T-Rev sold a lot of his singles but not all. He still has some treasures. Highlights include a Steve Earle tin can “Copperhead Road” promo (that he got from local legend Al “the King”). There’s also Megadeth’s uber-rare “Sweating Bullets” featuring the in-demand “Gristle Mix” by Trent Reznor Then there was a Blur thing, some kind of “special collectors edition” signed by Damon Albarn, in a Japanese pressing. Trevor’s seen one sell for upwards of $100. Then there was another band called “A”. As Trevor said, “Remember these guys? It was like ‘Britpop punk’. I liked it anyway.”
Also still residing in his collection: a Japanese print of Oasis’ “Some Might Say” that has two bonus tracks over the domestic version, and two versions of Foo Fighters’ “Big Me”. One is from Canada, the other from the UK. Both have different tracks. I’d forgotten about these until I saw the pictures.
Those were the glory days of collecting. I miss collecting CD singles. I preferred hunting the stores downtown to get all the extra tracks to the way it is now. Now, often you need to buy an iTunes download and several “deluxe editions” to get all the songs. CD singles were just better, period. Even just for the cover art of those Oasis singles, singles were much more fun to collect. I miss those days!
No bullshit, let’s just get to the lists! Yes, lists! This year I asked some past contributors & readers to give me their Top Five Albums of 2013. Some have left comments with their lists. So let’s get to the lists — I also threw my hat into the ring!
5. OST- Alan Partridge: Alpha Papa. Mostly for the Alan Partridge banter between tracks. Insanely funny stuff from Steve Coogan. Some decent music too. Featuring an eclectic playlist featuring the likes of; The Human League, Glen Campbell, Carly Simon, Sting and OMD. 4. Travis – Where You Stand Quietly released in August. Solid record from the Glasgow quartet.
3. David Bowie – The Next Day I’m one of the people who like all eras of Bowie. That’s it.
2. Sigur Rós – Kveikur Love this band. Everything they’ve done.
1. Steve Earle and The Dukes – The Low Highway Some of the best songs Steve has written. This record is up there for me with I Feel Alright and El Corazon.
Seb
Sebastien, whom I first met at Sausagefest is a talented guy and you will be hearing from him in the future! He’s a musician/ producer/ filmmaker/ Star Trek fan and we’ll be collaborating on something in 2014 for sure. Consider this Seb’s first guest shot.
5. Killswitch Engage – Disarm the Descent
4. Black Sabbath – 13
3. Philip H. Anselmo & The Illegals – Walk Through Exits Only
2. Avenged Sevenfold – Hail to the King
1. Protest the Hero – Volition
Tom is our host at Sausagefest, and one of the Jedi Masters who helped instruct me in the ways of Rock. Top Five was simply not possible for this rock warrior.
11. Vista Chino – Peace
10. Motorhead – Aftershock
9. Deep Purple – NOW What?!
8. Charles Bradley – Victim of Love
7. Anthrax – Anthems
6. Voivod – Target Earth
5. Steve Earle – The Low Highway
4. Black Sabbath – 13
3. Orange Goblin – A Eulogy For The Fans
2. Clutch – Earth Rocker
1. Ghost – Infestissumam
You guys already know Uncle Meat from his numerous lists in the past. Please welcome back the one, the only, the man the myth the legend, Uncle Meat. He’s submitted a Top 8 this year. That’s cool with me.
8. Motorhead – Aftershock
7. Eminem – The Marshall Mathers LP 2
6. Vista Chino – Peace
5. Ghost – Infestissumam
4. The Sadies – Internal Sounds
3. Black Sabbath – 13
2. Sound City Players – Real to Reel
1. Steve Earle – The Low Highway
LeBrain
I thought I had my Top Five nailed down weeks ago. Then, Aaron threw a spanner in the works by giving me the new Pearl Jam for Christmas. Instantly enamored with this sure-to-be classic, I had to re-think my Top Five.
Then, just two days ago I realized that one of my albums is a 2012 release. But I felt so strongly about it, that I can’t take it out. So here’s a Top Six.
I would also like to give credit to the new self-titled Dream Theater for putting out an album that caused me to rethink this list over and over and over again!
2013 was an interesting and exciting enough year that I’ve decided to do another buncha lists tomorrow! We’ll be looking at movies, television and more. Come back then for some bonus Top 5’s of 2013.
Lemon Kurri Klopek – Living the Dream! (On the road with Steve Earle)
I immediately liked Lemon Kurri upon meeting him. I was introduced to LK (who also goes by the excellent real name of Mike) as our newest franchise owner and fellow Kiss fan. I spent a lot of hours training him, and he was one of the best people I met through the record store. He was easy to work with, and genuinely appreciated my help. One thing I will always remember, is that Lemon Kurri and his business partner Greg sent me notes of thanks for my help, and even cool records or CDs that I wanted. It was Lemon Kurri who gave to me a treasured copy of Bruce Dickinson’s 12″ single for “All the Young Dudes”. He also gave me Thin Lizzy’s “Gary Moore album”, Black Rose: A Rock Legend for my birthday one year.
When I eventually left the company, Lemon Kurri was supportive of my decision. We stayed in touch and remained friends. Two years later, LK himself moved on to new horizons. I’m pleased to report that he is now living the dream, working for one of my own idols, Mr. Steve Earle himself. Lemon Kurri is Steve’s “Merch Guy” and “unofficial drum tech” today. He travels the world, and gets to hear one of the true greats playing at night. Hard work but somebody has to do it.
Lemon Kurri has given me permission to share with you a selection of snaps of his life on the road with Steve Earle. Enjoy. Each picture tells a story! Click a pic to enlarge and read the description. Thanks letting me use these photos, Mike!
Lemon Kurri – drum tech!
Mike worked for Aimee Mann in 2009
“The Crew”
John Sebastian and Steve Earle
Steve gave him his own custom picks
Steve at the Vic in Chicago
Boulder Theater, Colorado
The kit
Jackson, WY
Goodies
Neil Young’s tour bus, parked outside Jack White’s studio
Portland, OR
Allman Brothers, Big House, Macon, GA. Steve Earle on the right.
I has been a long time since I’ve had to answer the phone at the record store. As long as it’s been, sometimes I still find myself answering my phone at work, and it just happens: “Good afternoon, [name of record store].” I’ve stumbled over that a couple times before realizing what I’ve said!
Every time it happens (like today), it takes me right back in time! The memories flood in all at once.
There were several ways we were supposed to answer the phones at the record store. “Good afternoon, [name of store]” was the main one. Our boss used to answer the phone with “good afternoon” no matter what time it was. 10 am: “good afternoon”. 8 pm: “good afternoon”. I used to tease him about that.
Later on when we got more locations, we changed the phone greeting to, “Good afternoon, [name of store], [address of store].” This was done for customers who were too confused to figure out which location they had just dialed. Although that didn’t stop one guy, who went on an extended cuss-infested tirade because I didn’t have his special order…even though he called the wrong store! You can’t fix stupid. (This story was recounted back in Part 104: A Nightmare on Cocknuckles Street.)
At Christmas we’d do other variations of the greeting. I personally enjoyed “Merry Christmas, [name of store]” because I for one don’t like “Happy Holidays”. The name of the date on the calendar is Christmas, whether you celebrate it or not, you still get a stat holiday like everyone else. Happy Holidays my arse.
Tom came up with a few interesting greetings. “Happy Ho Ho, [name of store]” was a good one. Another time he answered “[Name of store], Santa’s little rock shop.” He tried to have fun with it.
Still, the worst answering of the phone that ever happened was on my watch. It was a busy night, and some kid asked to use the phone for a moment. We usually obliged such requests, instructing the person to be quick. Well I turned my back for a moment on this kid, and next thing I knew he had walked halfway across the store with the phone and was having a whole conversation. I made my way out to retrieve the phone, but it was too late. The kid had a “call waiting” and answered the store phone for us.
“Hello? Uhhh, hold on.” Then he finally acknowledged me. “It’s for you.”
Music fans love lists. Maybe it’s the Ten Best Bass Lines of the 1990’s or a list of the songs you wish you lost your virginity to. I have always been a lists guy as the whole Sausagefest Top 100 thing would attest to. So here is yet another list. The albums listed below are not my favorite albums of all time, even though many of my favorites are included. The point of this list is to possibly introduce to, or maybe even remind, this blog’s readers of 30 albums that I think need to be heard. Maybe an album that in my opinion was under-appreciated. Perhaps even an album that inspired me in some way. Anyways, here are 30 albums that Uncle Meat wants you to visit … or re-visit. They are in alphabetical by album title. Enjoy
A EULOGY FOR THE DAMNED – ORANGE GOBLIN (2012)
I could have easily listed several other Orange Goblin albums here, but their latest album is an absolutely killer album. Almost fusing some Black Crowes into their brand of Metal, these British stoner-rockers put out maybe the best Metal album of 2012. And considering that there are only 3 albums on this whole list that were released before the year 2000, it feels good to actually get some new content in here. The album ends with the title track, which almost plays out like its own Rock N’ Roll Western. The band finally tours Canada for the first time coming up in spring of 2013. As the late Billy Red Lyons used to say, “Don’t ya dare miss it!”
ACT III – DEATH ANGEL (1990)
Death Angel’s first two albums are pretty sloppy, sound-wise and in song structure. Some very heavy moments, but at times it just sounds annoying. On their third release, Max Norman (Megadeth) got his hands on them and it resulted in a polished sound and the best album of their career. Gone were the high-pitched shrieks of singer Mark Osegueda that littered their first two records. It really does seem that the band simply matured. One of the best Metal albums of the 90’s indeed. Definitely among the most progressive metal albums I can think of. A must-have album for every true Metal fan.
ARGUS – WISHBONE ASH (1972)
It is fair to say that Iron Maiden and Thin Lizzy would never have the musical identity they have, if it wasn’t for Wishbone Ash. Innovators in twin- lead guitar harmonization, this band never really got its due. Interestingly enough, the sound engineer on this record is none other than Martin Birch. Coincidence? Meat thinks not. I remember this album sitting in front of my Dad’s stereo for years when I was very young, and then seeing Star Wars and thinking that Darth Vader looked a lot like the guy on the cover of Argus. Check this album out and discover a part of where it all came from. When you listen to the beginning of the song-clip included here, “Throw Down the Sword”, think “To Live is to Die” by Metallica. Sounds like Lars and the boys were paying attention as well.
ARGYBARGY – SQUEEZE (1980)
Think The Beatles meets The Clash. The first two songs on this album are both stellar pop moments. The melodies are McArtney-esque, and that is truly saying something. “Pulling Mussels From a Shell” is pure song-writing genius. “Another Nail in my Heart” is one of my favorite songs of all time. Check out the incredible guitar solo in this song. Funny enough, like the 2 previous albums listed, this was the band’s third album. Maybe a trend is happening here.
BIG WORLD – JOE JACKSON (1986)
For Joe Jackson’s 8th release, he decided to go all out. An original studio album, recorded live in front of a New York City audience who were told to be silent throughout. Capturing the excitement and spontaneity of a live performance, in which absolutely no post-recording mixing or overdubbing was done, this record is ambitious as it sounds. It is all here. You get Jazz, Pop, Punk and everything in between. Jackson possesses one of the classic all-time voices. When this double-album was released, it contained three sides of music, leaving the fourth side blank. A landmark recording.
BLUE – JONI MITCHELL (1971)
This album came in at Number 30 on Rolling Stone’s Top 500 Albums of All-Time chart, the highest placing for any female artist. So why is this album on this list? Honestly because I still believe this album is truly under-appreciated. Too many people do not realize how great this album is. Simply, some of the best lyrics of all time are here. If this album was any more personal it would contain a video of Joni Mitchell going to the bathroom. Listen to this front to back when you want to feel like someone understands your pain. A truly cathartic experience, when she played this album originally to Kris Kristofferson he was reported to respond, “Joni… You really should keep some of that to yourself”. I am glad she didn’t take heed of his advice.
DOGMAN – KING’S X (1994)
It seems as soon as Brendan O’Brien (Pearl Jam/STP/Black Crowes) got his hands on King’s X, the band’s sound fattened up. Thick, lush and pounding would be a good overall description of the sound on this album. The songs are great too. I saw King’s X at the legendary El Mocambo in Toronto and was standing literally beside Dimebag Darrell and the rest of Pantera. While I love almost every song on this album, the title track is an absolute killer. When the first Woodstock concert in 25 years began, it was King’s X who took the stage to kick it all off. Check out this live performance from the old Jon Stewart show from back in the day and crank it. One of my favorite youtube videos ever.
DUKE ELLINGTON & JOHN COLTRANE – DUKE ELLINGTON & JOHN COLTRANE (1962)
This might be my favorite jazz album of all time. Duke was 63 and Trane was 36 when this album was recorded. With a running time of 35:05 this album is short and oh so very sweet. Ellington’s “In a Sentimental Mood” starts this album off and it never lets up. “Big Nick” is just a wonderfully happy shuffle. True story: I once got so fed up with Metal that I became a Jazzatarian for a few months, listening to nothing but old school Jazz. I started with John Coltrane and went from there. I never did find a jazz artist after him that I enjoy more.
EL CORAZON – STEVE EARLE (1997)
Simply put, this album is easily in my Top 3 albums of all time, of any genre. True storytelling at its finest, El Corazon is a complete masterpiece. It seems that sobriety allowed Steve Earle to realize how great of a songwriter he really is and on this album he branches out and removes any constraints of style. Of all the 30 records included on this list, this is the one I am not asking you to check out, but I am TELLING you to check out. Comparing the laid-back intensity of “Christmas in Washington” to the sheer power of “Here I Am” truly makes you appreciate the diversity of this record. Steve Earle is THE man. A lifetime Bro-mance going on here.
HEAD HUNTERS – HERBIE HANCOCK (1973)
Quite possibly the greatest jazz fusion record ever recorded. This record is a funk buffet. Only 4 songs and all of them are great. The YouTube clip here of “Watermelon Man” is the shortest song on the album, and is as original as it is velvety-smooth. I find it hard not to do some sort of jig when this I hear this song. “Chameleon”, “Sly” and “Vein Melter”complete one of the most influential jazz albums of all time. Half of this album made 2012’s SausageFest countdown. I suspect the other half will not be far behind.
In alphabetical order, here’s Part 2: 88 albums that meant the world to me in the 1990′s but never got the respect I felt they deserved.
Dokken – Dysfunctional (reunion with George, adventurous album)
Steve Earle – I Feel Alright (jail obviously did him some good — his best record)
Steve Earle – El Corazon (among his best records)
Extreme – III Sides To Every Story (don’t get me started!)
Extreme – Waiting For the Punchline (a stripped-down oft-forgotten classic with Mike Mangini)
Faith No More – Angel Dust (…)
Faith No More – King For A Day, Fool For A Lifetime
Fight – War Of Words (I didn’t like Halford’s followup effort but this one is brutally heavy)
The Four Horsemen – Nobody Said It Was Easy (it wasn’t easy, is why)
The Four Horsemen – Gettin’ Pretty Good…At Barely Gettin’ By (but they released two great records in the 1990’s)
Fu Manchu – The Action Is Go (started me on my Fu Manchu addiction)
The Gandharvas – Sold For A Smile (my cousin turned me onto this one while I was in Calgary)
Halford – Live Insurrection (better than any of the live albums that Priest did without him)
Harem Scarem – Mood Swings (brilliant album, you can hear Queen influences, but it’s the guitar and vocals that set it apart)
Harem Scarem – Karma Cleansing (…now a bit more progressive, like progressive-lite)
Harem Scarem – Big Bang Theory (…and now, short and to the point!)
Helix – It’s A Business Doing Pleasure (too soft for the general Helix masses)
The Hellacopters – Grande Rock (the album Kiss should have made instead of Psycho Circus)
Glenn Hughes – From Now On… (anthemic and spiritual)
Iron Maiden – Fear Of the Dark (it gets a bad rap but it pretty much got me through 1992)
Journey – Trial By Fire (I don’t think they’ve ever made a better record to be honest)
Killer Dwarfs – Dirty Weapons (ditto!)
I was sitting here, trying to think of some new content to write. Then it hit me: T-Rev Appreciation Day!
RECORD STORE TALES PART 120: T-Rev Appreciation Day!
T-Rev, a past contributor here at LeBrain’s Blog, is a man whom I owe a lot. Not only is he one of the best buds I’ve ever had (sniff) but he’s also responsible for getting me so damn many of my treasures. Directly responsible. Like, I’m not talking about stuff like, “Mike, you really need to buy some Oasis, Max Webster, and Steve Earle. Oh, and while you’re at it, the second Four Horsemen album is awesome!”
He did, in fact, turn me onto all four of those things. But I’m talking more about the kind of situation where a combination of his eagle eyes, musical knowledge, and friendship scored me some discs!
Here’s two:
QUEENSRYCHE – Road To Promised Landaka ARRIVED!
This 1995 promo CD is a neat little greatest hits, going chronologically from the first EP to the Promised Land album! The only exclusive track is a radio edit of “Damaged” but Trevor saw this one and gave me a call. He knew I loved Queensryche, especially since I was going to see them with Tom that summer.
DIAMOND HEAD – Lightning To The Nations (original mix!)
T-Rev and I were both Metallica fans, and were both aware that they had covered numerous Diamond Head songs. This, like the Queensryche disc, came into Trevor’s store. While I wouldn’t fault him for snagging this one for himself, he deemed it slightly out of the scope of his core collection. I’m glad he did, because this disc rocks! And this is the original “Lars Ulrich approved” mix of the album, ripped straight from the LP. Most CD editions were remixed, and the master tapes are now lost. So this is a real treat and hopefully I’ll get around to reviewing it. 15 tracks, from the album itself plus B-sides and so on.
I raise a glass to Trevor, surely one of the finest Record Store Dudes to ever grace a cash register! My memories, and my collection, would be poorer without you.
I never was the traveling kind, so when I had to spend a weekend working Niagara Falls, I wasn’t too thrilled at the prospect. I warmed up to the idea after I met Mike and Greg, the new owners of our latest franchise.
I packed the Deep Purple box set in the car, a box of pepperettes, and hit the highway. I arrived at the store on a bitter cold Saturday morning, and we worked the day away. It was a tiring day, as we bought and shelved a lot of merchandise that day. We were constantly pricing discs.
The best thing about Niagara was the co-owner Mike. He was a funny guy. Great stories. Massive Kiss fan. Great stories about meeting Gene and being promised all sorts of things on the forthcoming Kiss box set. Mike also played bass. He was a long, long time Record Store Guy.
Mike was in this insane punk band called The Legendary Klopeks. He wore a blonde pigtail wig and went by the name of Lemon Kurri Klopek. The lead singer, Josh, was Sweet Pepper Klopek. He is quite legendary today as an extreme…well I dunno what you call it but he bleeds a lot and he wrestles and he is a Guiness’ Book record holder for something that nobody should really do.
Their lyrics were hilarious. Take, for example, “Ric Flair”:
I wanna (something something?)
I wanna do a “woo” (“WOOO!”)
I wanna be like Ric
’cause he’s so fucking cool
I want a son
who doesn’t suck
That’s the only thing that’s wrong with Ric
So who gives a fuck?
He’s the king, the king of the ring,
He’ll fuck you up just like it ain’t no thing.
Every song on the sophomore album Straight To Hell ends with the words, “Fuck you!” Even the short ones, like “Where’s My Soup?” The lyrics to “Where’s My Soup?” are as follows:
Where’s my soup?
Fuck you!
The other owner, Greg, did merch for Blue Rodeo and in fact when he said this, I realized I’d seen him at the last Blue Rodeo gig that I attended. I bought a shirt from him!
Because of the Legendary Klopeks, Niagara had a bit of, I don’t know how to put this…an entourage, maybe? All interesting characters. The most interesting was Gary James Dean. Otherwise known as The Deaner.
The less said about the Deaner, the better. But I will say this. He liked to tell people that he masturbated with his Justin Timberlake doll. And he phoned about 25 times a day. Not even exaggerating about that.
Anyway, Niagara was a fun store to work in. They always played good music, and they had great stories. Today Mike tours with Steve Earle, doing his merch, and I am insanely happy for him and jealous at the same time. He’ll post a picture on Facebook like, “Me and Steve eating sushi.” Stuff like that.
The best score that I got from that store was actually a gift from Mike. It was the Bruce Dickinson CD single for “All The Young Dudes”, the Mott the Hoople cover. (B-sides: the acoustic “Darkness Be My Friend”, and the AC/DC cover “Sin City”.)
I’ll always remember good times in the Falls: Rock n’ Roll, the Klopeks, sushi, and the Deaner!
15. Rust in Peace – Megadeth
14. Screaming For Vengeance – Judas Priest
13. Little Earthquakes – Tori Amos
12. Close to the Edge – Yes
11. Consolers of the Lonely – The Raconteurs
10. Clutching at Straws – Marillion
9. Reign in Blood – Slayer
8. Operation: Mindcrime – Queensryche
7. Whale Music – The Rheostatics
6. Misplaced Childhood – Marillion
5. Moving Pictures – Rush
4. Roxy and Elsewhere – Frank Zappa and the Mothers of Invention
3. Pet Sounds – The Beach Boys
2. Hemispheres – Rush
1. El Corazón – Steve Earle
T-Rev sold a lot of his singles but not all. He still has some treasures. Highlights include a Steve Earle tin can “Copperhead Road” promo (that he got from local legend Al “the King”). There’s also Megadeth’s uber-rare “Sweating Bullets” featuring the in-demand “Gristle Mix” by Trent Reznor Then there was a Blur thing, some kind of “special collectors edition” signed by Damon Albarn, in a Japanese pressing. Trevor’s seen one sell for upwards of $100. Then there was another band called “A”. As Trevor said, “Remember these guys? It was like ‘Britpop punk’. I liked it anyway.”
mikeladano.com 
