megadeth

REVIEW: Megadeth – “Creepy Baby Head” (“Crown of Worms” CD single)

Welcome back to the WEEK OF SINGLES 2! Each day this week we’re look at rare singles.

Monday: Dream Theater – “Lie” (CD single)
Tuesday: Jimi Hendrix – “Valleys of Neptune” (7″ single)
Wednesday: Them Crooked Vultures – “Mind Eraser, No Chaser” (10″ single)

MEGADETH – “Crown of Worms” (1994 Capitol promo CD single)
also known as the “Creepy Baby Head”

Here’s a real treasure that I acquired via T-Rev’s store for about $4.  Lately this thing’s been going on Discogs for $36, which must be solely for the packaging.  All the tracks have been available on various Megadeth collections for a long time now, although “Crown Of Worms” was originally a rare track.  It’s a co-write between Dave Mustaine and Sean Harris from Diamond Head.    It kicks some serious ass, but it’s no longer a song that’s worth $36.  I think what makes this single command high prices is the bizarre baby head slip case.  That and the fact that it was a promotional CD, meaning it was never intended for sale and only small numbers were made.

A while back I made a video explaining what a promo CD was, which featured the “Creepy Baby Head”.  You can check out that video below.   The head obviously ties into the Youthanasia album artwork but otherwise there’s nothing else externally to tie it to the band.  No logo, no tracklist, just the serial number DPRO-79448.

As mentioned, “Crown of Worms” kicks some serious ass.  I was a big fan of the Mustaine/Ellefson/Friedman/Menza lineup of Megadeth, and this song was not only album worthy but single worthy.  Nick Menza sounds great on it, and the song just smokes from start to finish.  Killer riff, too.  Mustaine’s at his snarly best.

The other two tracks are both Youthanasia album songs:  “Black Curtains” and the single “Train of Consequence”.  “Black Curtains” is a lot more doomy, kind of like “Harvester of Sorrow” (perhaps).  “Train of Consequence” seemed to alienate some fans back in ’94, but I think it’s a strong single if a bit more melodic then some would have liked.  It still has a cool stuttery riff and a vintage Dave vocal.  It’s rhythmically interesting and I think the guitar solo is ace.

There is no way I would pay $36 for this thing, and I’d advise you to keep searching the used CD shops. Promos were funny things. Record store and radio stations would be sent these things, and a lot of the time nobody gave a damn. They would end up in the hands of a non-fan and sold at a pawn shop or another CD store. While today some fans will pay a lot of money for this, you know that copies will end up in used CD stores without a $36 price tag.  You just have to do the legwork and find it.

4/5 stars

MEGADETH CREEPY BABY HEAD_0003

Gallery: T-Rev’s Tapes Part Deux – Ruckin’ Fockin’

Last year for Record Store Tales Part 145, I dug up some of T-Rev’s old mix tapes, complete with custom artwork.  T-Rev always put such work into his tapes (sequencing and art included, he even numbered them as a series!), so it is a pleasure to give you this gallery of three more of T-Rev’s Tapes!

Rockers love to discuss “mix tapes”, so I invite you to comment on your own personal picks.  Led Zeppelin?  Metal Tunage?  What would you do?

Sausagefest XII: The Complete Countdown!

There were some pretty awesome picks this year.  I have to give Scottie props for “Coming Home” by Iron Maiden, from the excellent Final Frontier album.  I found some things a bit surprising, such as the overplayed-on-radio “Black Betty” by Ram Jam, placing so high.

“Thick As A Brick” was the live version, so just over 10 minutes.  Other long bombers included all of “Supper’s Ready” by Genesis, which resulted in a tirade by Phil for just as long, about how much he thinks it sucks!  (And he’s an old-school Marillion fan…surprising.)  And of course there were several Maiden tunes that clock in well over 5 minutes.

For your edification, here is the official Sausagefest XII Countdown:  75 tracks, plus 35 tributes.  One tribute for each person that submitted a list!  110 songs over one weekend!  Awesome.

1 Toronto Tontos Max Webster
2 Long Cool Woman in a Red Dress The Hollies
3 The Grudge Tool
4 Rooster Alice in Chains
5 Supper’s Ready Genesis
6 Papa Was a Rolling Stone The Temptations
7 Mississippi Queen Mountain
8 Black Betty Ram Jam
9 Locomotive Breath Jethro Tull
10 I’m Your Captain Grand Funk Railroad
11 Wasted Years Iron Maiden
12 Low Hanging Fruit Tenacious D
13 Green Eyed Lady Sugarloaf
14 Hey Joe Jimi Hendrix
15 Headlong Flight Rush
16 Roadhouse Blues The Doors
17 Thick as a Brick Jethro Tull
18 Powerslave Iron Maiden
19 Bohemian Rhapsody Queen
20 Trapped Under Ice Metallica
21 Nautical Disaster Tragically Hip
22 No Quarter Led Zeppelin
23 Mr. Blue Sky Electric Light Orchestra
24 The Wizard Black Sabbath
25 Mama Told Me Not To Come Three Dog Night
26 Blackened Metallica
27 Jungle Boogie Kool and the Gang
28 Telegraph Road Dire Straits
29 Sanitarium Metallica
30 Renegade Styx
31 Eulogy of the Damned Orange Goblin
32 Throw Down the Sword Wishbone Ash
33 Electric Worry Clutch
34 The Alabama Song The Doors
35 Rise of the Fenix Tenacious D
36 Livin Thing Electric Light Orchestra
37 The Shape I’m In The Band
38 Mother Danzig
39 The Chain Fleetwood Mac
40 No One Knows Queens of the Stone Age
41 Die Young Black Sabbath
42 Bang Bang Terry Reid
43 Caught Somewhere in Time Iron Maiden
44 Buried Alive Avenged Sevenfold
45 Dream Police Cheap Trick
46 Would Alice in Chains
47 Don’t Fear the Reaper Blue Oyster Cult
48 Zero the Hero Black Sabbath
49 Pool of Booze Volbeat
50 Parabola Tool
51 Why Cant We Be Friends? War
52 Rock and Roll Led Zeppelin
53 While My Guitar Gently Weeps The Beatles
54 Breadfan Budgie
55 Strutter KISS
56 Holy Wars Megadeth
57 Old Man Neil Young
58 Southern Man Neil Young
59 The Pusher Steppenwolf
60 Tempus Fugit Yes
61 Fight Fire With Fire Metallica
62 Kielbasa Tenacious D
63 Green Onions Booker T and the MG’s
64 Weird Beard Fu Manchu
65 Tonight’s the Night Neil Young
66 BYOB System of a Down
67 The Zoo Scorpions
68 As the Years Go By Mashmakhan
69 Toxicity System of a Down
70 Deuce KISS
71 Space Truckin’ Deep Purple
72 South of Heaven Slayer
73 Rocky Mountain Way Joe Walsh
74 Roadie Tenacious D
75 Rock and Roll Motorhead
TRIBUTES
TOM Earache My Eye Cheech and Chong
ERIC Rosanna Toto
BUCKY A Day in the Life WAR
LAMB LORD The Wizard Uriah Heep
LEBRAIN Well You Needn`t Herbie Hancock Quartet
TROY Caught Up in You .38 Special
ERNIE Apocrophon The Sword
SCOTTIE Coming Home Iron Maiden
RYAN Still Counting VolBeat
SEB Demiurge Meshuggah
PHIL Under Black Flags We March Arch Enemy
CHUCK New Fang Them Crooked Vultures
TYLER G. Come on in my Kitchen Robert Johnson
C Time After Time Savage Steel
CHAD She`s a Rainbow The Rolling Stones
DR DAVE Ogre Battle Queen
LOGAN Cowboys From Hell Pantera
GRANT Around the World Red Hot Chili Peppers
WAYNE Inside Looking Out Grand Funk Railroad
CAM Red Hot Mama Funkadelic
AARON High Caliber Consecrator Clutch
JOHN B. I Stay Away Alice in Chains
TAL Dear God XTC
LAMB LAD Kick Out the Jams MC5
ALEX Chicken Strut The Meters
TREVER Volare Dean Martin
FRANK Whiskey in the Jar Metallica
JAGGER Frozen Love Buckingham/Nicks
MARK E. Are You Mine? The Arctic Monkeys
JON K. Stone Deaf Forever Motorhead/Metallica
TYLER W. We Are All on Drugs Weezer
MARK S. People are Strange The Doors
JUSTIN Monsters Blue Oyster Cult
MIKE Monarchy of Roses Red Hot Chili Peppers

The official video

GUEST SHOT: 30 Albums that Uncle Meat Thinks You Should Visit (Or Re-Visit) Part 1

By Meat

Music fans love lists.  Maybe it’s the Ten Best Bass Lines of the 1990’s or a list of the songs you wish you lost your virginity to.  I have always been a lists guy as the whole Sausagefest Top 100 thing would attest to.  So here is yet another list.  The albums listed below are not my favorite albums of all time, even though many of my favorites are included.  The point of this list is to possibly introduce to, or maybe even remind, this blog’s readers of 30 albums that I think need to be heard.  Maybe an album that in my opinion was under-appreciated.  Perhaps even an album that inspired me in some way.   Anyways, here are 30 albums that Uncle Meat wants you to visit … or re-visit.  They are in alphabetical by album title.  Enjoy

A EULOGY FOR THE DAMNED  –  ORANGE GOBLIN (2012)

I could have easily listed several other Orange Goblin albums here, but their latest album is an absolutely killer album.  Almost fusing some Black Crowes into their brand of Metal, these British stoner-rockers put out maybe the best Metal album of 2012.  And considering that there are only 3 albums on this whole list that were released before the year 2000, it feels good to actually get some new content in here.  The album ends with the title track, which almost plays out like its own Rock N’ Roll Western.   The band finally tours Canada for the first time coming up in spring of 2013.  As the late Billy Red Lyons used to say, “Don’t ya dare miss it!”

 

ACT III  –  DEATH ANGEL (1990)

Death Angel’s first two albums are pretty sloppy, sound-wise and in song structure.  Some very heavy moments, but at times it just sounds annoying.   On their third release, Max Norman (Megadeth) got his hands on them and it resulted in a polished sound and the best album of their career.  Gone were the high-pitched shrieks of singer Mark Osegueda that littered their first two records.  It really does seem that the band simply matured.  One of the best Metal albums of the 90’s indeed.  Definitely among the most progressive metal albums I can think of.  A must-have album for every true Metal fan.

 

ARGUS  –  WISHBONE ASH (1972)

It is fair to say that Iron Maiden and Thin Lizzy would never have the musical identity they have, if it wasn’t for Wishbone Ash.   Innovators in twin- lead guitar harmonization, this band never really got its due.  Interestingly enough, the sound engineer on this record is none other than Martin Birch.  Coincidence?  Meat thinks not.  I remember this album sitting in front of my Dad’s stereo for years when I was very young, and then seeing Star Wars and thinking that Darth Vader looked a lot like the guy on the cover of Argus. Check this album out and discover a part of where it all came from.   When you listen to the beginning of the song-clip included here, “Throw Down the Sword, think “To Live is to Die” by Metallica.  Sounds like Lars and the boys were paying attention as well.

 

ARGYBARGY   –  SQUEEZE (1980)  

Think The Beatles meets The Clash.  The first two songs on this album are both stellar pop moments.  The melodies are McArtney-esque, and that is truly saying something.  “Pulling Mussels From a Shell” is pure song-writing genius“Another Nail in my Heart” is one of my favorite songs of all time.  Check out the incredible guitar solo in this song.  Funny enough, like the 2 previous albums listed, this was the band’s third album.  Maybe a trend is happening here.

 

BIG WORLD  –  JOE JACKSON (1986)

For Joe Jackson’s 8th release, he decided to go all out. An original studio album, recorded live in front of a New York City audience who were told to be silent throughout.  Capturing the excitement and spontaneity of a live performance, in which absolutely no post-recording mixing or overdubbing was done, this record is ambitious as it sounds.  It is all here.  You get Jazz, Pop, Punk and everything in between.  Jackson possesses one of the classic all-time voices.  When this double-album was released, it contained three sides of music, leaving the fourth side blank.  A landmark recording.

 

BLUE  –  JONI MITCHELL (1971)

This album came in at Number 30 on Rolling Stone’s Top 500 Albums of All-Time chart, the highest placing for any female artist.  So why is this album on this list?  Honestly because I still believe this album is truly under-appreciated.  Too many people do not realize how great this album is.  Simply, some of the best lyrics of all time are here.  If this album was any more personal it would contain a video of Joni Mitchell going to the bathroom.  Listen to this front to back when you want to feel like someone understands your pain.   A truly cathartic experience, when she played this album originally to Kris Kristofferson he was reported to respond, “Joni… You really should keep some of that to yourself”.  I am glad she didn’t take heed of his advice.

 

DOGMAN  –  KING’S X (1994)

It seems as soon as Brendan O’Brien (Pearl Jam/STP/Black Crowes) got his hands on King’s X, the band’s sound fattened up.  Thick, lush and pounding would be a good overall description of the sound on this album.  The songs are great too.  I saw King’s X at the legendary El Mocambo in Toronto and was standing literally beside Dimebag Darrell and the rest of Pantera.   While I love almost every song on this album, the title track is an absolute killer.  When the first Woodstock concert in 25 years began, it was King’s X who took the stage to kick it all off.  Check out this live performance from the old Jon Stewart show from back in the day and crank it.  One of my favorite youtube videos ever.

 

DUKE ELLINGTON & JOHN COLTRANE   –  DUKE ELLINGTON & JOHN COLTRANE  (1962)

This might be my favorite jazz album of all time.  Duke was 63 and Trane was 36 when this album was recorded.  With a running time of 35:05 this album is short and oh so very sweet.  Ellington’s “In a Sentimental Mood” starts this album off and it never lets up.   “Big Nick” is just a wonderfully happy shuffle.  True story: I once got so fed up with Metal that I became a Jazzatarian for a few months, listening to nothing but old school Jazz.  I started with John Coltrane and went from there.  I never did find a jazz artist after him that I enjoy more.

 

EL CORAZON  –  STEVE EARLE (1997) 

Simply put, this album is easily in my Top 3 albums of all time, of any genre.  True storytelling at its finest, El Corazon is a complete masterpiece.  It seems that sobriety allowed Steve Earle to realize how great of a songwriter he really is and on this album he branches out and removes any constraints of style.   Of all the 30 records included on this list, this is the one I am not asking you to check out, but I am TELLING you to check out.  Comparing the laid-back intensity of “Christmas in Washington” to the sheer power of “Here I Am” truly makes you appreciate the diversity of this record.   Steve Earle is THE man.  A lifetime Bro-mance going on here.

 

HEAD HUNTERS  –  HERBIE HANCOCK (1973)

Quite possibly the greatest jazz fusion record ever recorded. This record is a funk buffet.  Only 4 songs and all of them are great.  The YouTube clip here of “Watermelon Man” is the shortest song on the album, and is as original as it is velvety-smooth.  I find it hard not to do some sort of jig when this I hear this song.  “Chameleon”, “Sly” and “Vein Melter” complete one of the most influential jazz albums of all time.  Half of this album made 2012’s SausageFest countdown.  I suspect the other half will not be far behind.

Stay tuned for Part 2!

Ignored Albums of the 1990’s: I liked ’em them…LeBrain’s List Part 6

Thanks for checking out my 88 underrated albums from the 1990’s that I believe deserved a second look.  There were a few albums that, had I written that series of articles in the 1990’s, would have made the list.  Today, they just don’t cut it.

Here’s a selection of albums that I felt were under-appreciated at that time.   Today, these very rarely get any play in my house.  The shine obviously wore off the apple.

Once again, this is alphabetical.

BIG WRECK – In Loving Memory Of…  (T-Rev teased me about it…it’s half decent, but only half)
BUSH – The Science of Things (good song: “The Chemicals Between Us”)
JERRY CANTRELL – Boggy Depot (Alice In Lite Chains)
CINDERELLA – Still Climbing (Never even upgraded to CD from cassette)
ALICE COOPER – A Fistful of Alice (Dunno…never play this anymore!  Good song: “Is Anyone Home?”)
EDWIN – Another Spin Around The Sun (Good song:  “Alive”. The rest? Suckiness.)
GEEZER – Black Science (only decent, certainly not great)
IOMMI – Iommi (too modern sounding, has some great tracks, but not enough)
MEGADETH – Cryptic Writings (T-Rev and I were into this big time! I can’t play it anymore)
METHODS OF MAYHEM – Methods of Mayhem (I fucking bought this one!)

MR. BIG – Hey Man (“Take Cover” is a good song…the rest I can barely remember)
ALDO NOVA – Blood On The Bricks (I’ll review this at a later date, just doesn’t cut it anymore)
NUNO (Bettencourt) – Schizophonic (One customer will never forgive me for recommending this)
SCORPIONS – Pure Instinct (pure lite-rock)
TWO – Voyeurs (sorry Rob, this just wasn’t a good idea)
STEVE VAI – Fire Garden (perhaps it’s just too dense for me)
VAN HALEN – 3 (no comment…)
VARGA – Prototype (I was trying to get into industrial metal. I grew out of it!)
VICTOR – Victor (Bought because it was Alex Lifeson, therefore my civic duty)

Part 131: Quagmire

RECORD STORE TALES PART 131:  Quagmire

We used to have piles and piles of CDs, stacked on a unit behind the counter.  Due to lack of space, this is where we put stock that was:

1. on hold for staff
2. on hold for customers
3. being sent elsewhere for customer orders

Unfortunately these stacks were visible to customers, although not available for sale to the general public.  Sometimes you’d have a situation like this:

“Cool!  I can see OK Computer by Radiohead!  Is that for sale?”

And it wasn’t, which you’d explain.  If the CD was on hold for someone, they’d often ask how long it was on hold for so they could be next in line, provided the other person didn’t pick it up.

When stuff was on hold for staff (who usualy snagged the best stuff and held it for longer periods of time) I didn’t like the customers seeing it.  But we didn’t really have anywhere better to put it.  I proposed putting it in the back room but that didn’t last long.  So what we’d do is disguise it in some way.  Instead of having a pile labeled “Mike”, we’d change the name.  It sometimes threw the customers off the scent.

At one point, I had all the staff hold piles named after Canadian cities.  That way looked like stuff that was ordered by other stores.  So for example, we’d have a pile labeled “London” which would be a pile of stuff destined for that store.  Next to it was a pile labeled “Saskatoon”.  We didn’t have a store in Saskatoon, Saskatoon was a staff member’s pile.  We didn’t have stores in Yellowknife or Winnipeg either, but those labels threw customers off the scent.  They’d assume the stock was there for another store.

I liked this system, but the staff often preferred nicknames on the labels.  Some people liked their nicknames, some people didn’t.  There was a girl named Meredith — she really hated being caled Megadeth, for example (I assume that’s true of most Merediths out there).  I hated being called Cheeser — so named because I liked what other people refer to as “cheese metal” (although I think Zakk Wylde would be happy to punch somebody in the face for calling his music cheese metal).

Later on, someone had all the piles named after Family Guy characters.  At the time, I’d never seen an episode in my life, and I didn’t know it was a bad thing that my nickname was Quagmire!  Joke was on me I guess!

UPDATE: Two Queensryches? F***!

(Above: Sarzo)

http://www.bravewords.com/news/189489

http://www.bravewords.com/news/189504

The “real”Queenryche:
Eddie Jackson (bass), Scott Rockenfield (drums), Michael Wilton and Parker Lundgren (guitars), Todd La Torre (new singer)

Geoff Tate’s new “second” Queensryche:  Rudy Sarzo (bass, ex-Dio, ex-Quiet Riot, ex-Ozzy, ex-Whitesnake), Bobby Blotzer (drums, Ratt), Glen Drover (guitars, ex-Megadeth), Kelly Gray (guitars, ex-Queensryche) and Randy Gane (keyboards, ex-Myth).

Getting (Canadian!) Glen Drover is a huge coup.  Sarzo’s history speaks for itself. Gray is no surprise, at least to me.  But “Da Blotz” Bobby Blotzer on drums?  Seriously, Geoff?  That’s…uhhh…an interesting choice for a new Queensryche.  What, was Frankie Banali unavailable so next on the list was Da Blotz?

My initial impressions are as follows:  Drover’s brilliant but this new patchwork Queensryche smells like the new Guns N’ Roses.  Blotzer is a choice that just boggles my mind.  I guess we’ll see how it goes, but my money’s on the old Queensryche.   Still can’t believe the fans have to deal with two Queensryches, now.  Hopefully the courts will put this to an end in 2013 and rule that the guys who booted Geoff out by  majority vote have the rights to the name….

This is just getting stupid.  Geoff, stop being a douche!

If you like Queensryche, check these out:

Mike Ladano: Exclusive EDDIE JACKSON interview, part I

Mike Ladano: Exclusive EDDIE JACKSON interview, part II

Mike Ladano: Exclusive EDDIE JACKSON interview, part III

Mike Ladano: Exclusive EDDIE JACKSON interview, part IV

Part 6: The Record Store, Year 1

Myself on the left, Trev on the right.

We were pretty slow most evenings.  You could study for exams at work most nights. Fridays got busy, but Monday, Tuesday, and Wednesday nights were dead.  That didn’t mean we doing nothing.  Rule #1:  “If there’s time to lean, there’s time to clean.”  We had scheduled to do something every night.  Mondays was cleaning the mirrors which lined the store walls.   Tuesday was putting away new stock, which always came Tuesdays.  Wednesday was checking the security tags on every cassette in the store.  Every fucking cassette.

For the first 2 months or so, it was just me and the owner.  Once September hit, he hired this other guy, Trevor.  I didn’t like him at first, he was the “other guy”.  He was the same age as me, also finishing school at the same time as me.  We shared similar musical interests.  Influences we shared:  Guns N’ Roses, Van Halen, The Four Horsemen, Kim Mitchell, Rush, and any bands with amazing drummers.  Over the course of the years, he introduced me to:  Steve Earle, Oasis, Metallica, Megadeth, Max Webster, anb Buddy Rich.  I give him a lot of credit for expanding my horizons during those days.

A lot of memorable releases came out that first year.  Superunknown and Purple were already out, but I was on board for some major ones.  Nirvana Unplugged was the biggest release of the fall 1994 schedule.  There was an Aerosmith hits disc, a Bon Jovi hits disc, and the Eagles reunion album which was absolutely massive.

The new Tragically Hip, Day For Night, came out on a Saturday.  We sold out by Sunday.  The boss drove down to Scarborough to get more on Monday.  Pearl Jam’s Vitalogy came out on vinyl the week before the CD was released.  We got just five in.  He didn’t expect it to sell, but we sold out before my shift even started.  Interestingly, none of the customers planned on playing it.  They either a) didn’t even have something to play it on, or b) were keeping it sealed as a collector’s item.  It definitely was a cool package.

Some poeople have a “swear jar”.  We had an alarm jar.  If you forgot to de-tag a customer’s purchase and thusly set off the alarm, you had to put a dollar in the jar.  We would use the spoils on our annual Christmas dinner.  It created some friendly competition between us.  That first Christmas is when I started working directly with Trevor, and I started to like him due to his excellent musical taste.  But in the alarm jar game, we were always about equal.  Sometimes you just forgot!

One lady may well have stolen something and set off the alarm, and I’ll never know, because, well….  As she was walking out the alarm went off.  I asked her to come back in the store and check to see if she had something from another store that may had set it off.  She was so upset at the alarm, she really wanted to show me she had nothing on her person.  So, she removed her top.  “See I’m not hiding anything in here!”  Covering my eyes, I told her it was quite alright, I believed her, and she could go.  First time I’d been flashed on the job.  Not the last.

She wasn’t even drunk.  They actually used to serve alcohol at this mall.  There was a licensed restaurant right next door to the store.  The regulars would start in the morning and keep going.  You’d see them in there every day, and they’d wander in completely plastered.

We had a few regular psychos at that mall.  There was Johnny Walker, who would just walk around the mall talking to himself, all day.  Literally, all day.  The story goes that he was quite rich.  He didn’t need to work, wasn’t capable of work, and just came to the mall and walked around all day, talking to himself.  Sometimes he would argue with himself and he had been ejected from the mall a couple times.  He came into the store a couple times but never caused any problems on my shifts.  One time, he even bought a cassette.  It was like the madness turned off.  He spoke to me, bought the tape, and walked out.  Madness set back in, and he’s off arguing with himself.  I wonder what happened to Johnny Walker?  He’d been walking the malls since grade school, sometimes changing malls when he got permanently ejected from one.

Then, there was Sue.  Sue had been in an accident years before, and had a walker.  She moved very  very slow.  She had a bit of a crush on the owner.  She stalked him relentlessly and gave him Christmas gifts.  She’d park her walker right there in front of the counter and talk his ear off for hours.  Hours!

One day, a large Japanese woman was shopping.  The owner said, “Go ask that lady if she needs help.  Then he stood back and waited.  I didn’t know it, but he had just given me my first challenge.

“Hi, can I help you find anything today?”

“No thank you though,” she answered, then almost immediately, “Do you have Soundgarden?”

I showed her what Soundgarden we had both new and used.  We also had the latest copy of M.E.A.T Magazine, and Chris Cornell was on the cover.  I’ll never forget that detail.

“Do you like Chris Cornell?” she asks.

“Yes, he’s actually one of my favourite singers.”

“Oh!  Really!  I love Chris Cornell.  He’s sexy.”

It was too late now.  I had opened Pandora’s box.  She opened the magazine to his picture inside.  She went on:  “I like when he wears his sexy black boots.  Chris Cornell wears black Doc Marten boots.  Do you know the boots?  Chris Cornell wears black Doctor Martens boots.  Do you like Doc Marten boots?”

I was on my own.  The boss just stood back.  I couldn’t even figure out a way to improvise my way out.  I was a rookie  I decided that this woman was most likely a lil’ crazy and I played the polite card.

“Yes, I do…”

“Chris Cornell is sexy.  Did you know that Soundgarden had an original bass player who was Asian?”

I did know that.  “Yes, his name was Hiro Yamamoto…”

“Yes Hiro Yamamoto.  He is Asian.  There are not many Asians in rock bands did you know that?”

This went on for a good 20 minutes.  After she left (not without asking my name, fuck!) my boss came to speak to me.

“That’s your first lesson.  Don’t get into conversations with customers.”

And of course we had the drunks.  I remember one jolly drunk came in that first Christmas Eve.  We all wore ties Christmas Eve, that was the tradition.  It was a tradition I kept every year to my last year at the store, even when I was the only one left who still did it.  This drunk came in, a big Grizzly Adams dude just reeking of alcohol.  He was definitely in great spirits though.  First he asked us why the ties?  The quick-witting Trevor answered, “I’m wearing mine because it makes me feel important.”  We laughed.  I then went over to see if he needed help finding anything.

“Hi there!” I began.

“Not yet, but I will be when I get home.  Hahahaha!” he answered.

Ultimately the jolly drunk guy couldn’t remember what to buy, so he bought $100 in gift certificates for his grand kids.  That was a great sale, and the best part was that it turned out to be $100 of pure profit for the store.  The bearded drunk guy probably lost it, because all my years with the store, they were never redeemed!

After Christmas, the owner confided in Trevor and I that he was going to be opening a second location.  This location would be in Waterloo.  It would be easily accessible by one high school, two universities, and one college.  He would be splitting his time between our store and setting up the new one.  Ultimately this meant he’d be in much less and we’d be getting more hours, and also bhe was bringing a new guy in.

I walked in one Tuesday to see this black-bearded behemoth behind the counter.  It was kind of awkward because the owner didn’t introduce us at first.  I looked around for an hour, stealing glances at this big grizzly bear of a man with the thickest blackest beard you can picture.  Finally he introduced me to Thomas, later to become Tom, the legendary founder of Sausagefest.  Ahh, but that comes much later.

TOM

Tom was a wicked cool guy who expanded my musical tastes even further than Trevor had.  Tom and I had many influences in common.  I had met another kindred spirit.  Influences:  Black Sabbath, Dio, Rainbow, Iron Maiden, Judas Priest, Van Halan (not Van Hagar!) and Johnny Cash.  Music he would introduce me to:  Miles Davis, Willie Nelson, Fu Manchu, and the whole stoner rock scene in general.  His place was plastered with rare Marillion posters.  Tom was serious about music.

Tom was so serious about music that it was actually hilarious.  Kids, this is the difference between liking music and loving music.  Nobody loves music as much as Tom.  Dare I say it, Tom loves music even more than me.

One night in Toronto, we visited the big HMV on Yonge St.  Tom was methodically working his way through every decent section of the store.  Long after Trevor and I had finished shopping, Tom was just finishing browsing rock.  With a handful of discs by Rainbow and Saga, Tom would then announce, “OK…I just have to check country.”

20 minutes would pass.  “Alright…on to jazz.”

20 more minutes.

“I just have to check blues.”

10 more minutes.

“Oohh…I wonder if they have the soundtrack to the Godfather.”

Checkout.  Trev, Tom and I usually checked out of that store $200 lighter.  Each.

Then, repeat.  We walked down the street to Sam’s, and finally to Virgin.  Rock, country, jazz, blues.  Every store.  That was Tom, three stores, one night.

Seriously those early days at the store were the best times I ever had working.  Working hard or hardly working?  No, we worked hard.  If there’s time to lean, there’s time to clean.  We ran that store with the owner making guest appearances, adding to it with our own creative ideas.

I graduated school in the summer of 1995, and hadn’t decided on my next move.  After that I was putting in increasingly more hours at the store.  It gradually built up from a part time job to full time.  When the new store opened, Tom split hours between the two of them so there were plenty of day and night shifts available, usually alone, which were the best times because you could play whatever you wanted!

I remember Tom walked in one night when I was playing Dio.  Back in 1995 you could not play Dio in a mainstream record store.  That would be like the equivalent of playing Michael Bolton in one today.  He was so far removed from what was selling at the time.  But I was rocking out to Holy Diver and Tom appreciated that I had the balls to do it.

Tom went to a lot of concerts.  After we had bonded over the mutual love of metal, I joined him and many of my future Sausagefest friends at a Black Sabbath concert.  It was Motorhead opening on the Sacrifice tour, and Black Sabbath headining, supporting their final studio album (17 years and counting!) Forbidden.  They played at Lulu’s Roadhouse just down the street.  A few weeks later we saw Queensryche in Toronto on the Promised Land tour.

Trev, Tom and I would have many adventures.  Such as that time seeing Kiss in…ahh, but that’s another story.  Before I talk about Tom and Trev again, I need to tell you a really shitty story.

TBC…